Book Description
On the occasion of Georgia O'Keeffe's 80th birthday in 1966, Life magazine dispatched photographer John Loengard to her home in New Mexico to document a day in the life of the pioneering American artist. Loengard's elegant black and white images capture the grand, solitary woman in the desert, and candid shots record her daily routine at Ghost Ranch. Juxtaposed here with selected O'Keeffe paintings, these photographs reveal how the austere poetry of the landscape corresponded to the artist's own painterly world. This unique marriage of paintings and photographs, presented in a stunning collectible volume, also includes a touching introduction by Loengard describing his first encounter with O'Keeffe and contemplative writings by the artist herself on her work and inspirations. ... Read more

Book Description
Georgia O’Keeffe is one of the great artists of the twentieth century, and one of the best loved. The Georgia O’Keeffe Museum in Santa Fe, New Mexico, holds the largest collection of her work, her archives, and her houses at Ghost Ranch and in Abiquiu.

This lavishly illustrated volume presents a magnificent selection of O’Keeffe’s paintings, drawings, and sculptures, all reproduced in faithful color. It also offers a generous portfolio of photographs—some previously unpublished—by O’Keeffe; many by Alfred Stieglitz, her husband and mentor; and others by such renowned photographers as Ansel Adams, Eliot Porter, Philippe Halsman, Yousuf Karsh, and Todd Webb.

In addition, there are a number of works by American Modernist painters who painted in New Mexico—George Bellows, Thomas Hart Benton, and Edward Hopper, among others. ... Read more

Customer Reviews (3)

Prints are tiny!
I flipped through this book at Barnes and Noble, and was frustrated to find that while the pages were large, the prints were tiny! Just a few inches across, usually. Anyone planning on buying this should know.

Georgia O'Keeffe Would Have Loved This Book!
Georgia O'Keeffe would have loved this book!Not only does Barbara Buhler Lynes, curator of Santa Fe's Georgia O'Keeffe Museum, respect her subject's astonishing eye and craftsmanship in this book, she respects Ms. O'Keeffe's wishes regarding displaying her works of art.During her lifetime, the artist often mounted her own shows, e.g., at An American Place, her husband Alfred Stieglitz's gallery in New York.Ms. O'Keeffe was adamant (a) that her creations be hung on white walls, and (b) that her artwork be arranged by type rather than chronology.

Lynes abides by both of the artist's rules here to great effect, and her meticulousness, in terms of the notes she provides about the artist's work and also the tags she associates with the plates (where she identifies the type and size of the surface used and also the type of medium:charcoal, graphite, oil, watercolor), add another layer of enjoyment for the reader.

Lynes' notes attempt to steer the reader away from stereotypical interpretations that haunted Ms. O'Keeffe during her career.For instance, regarding "Blue II" (Plate 3, Page 19), the curator states:"The . . . womblike spiral of 'Blue II' seems to substantiate connections critics in the 1920's made between O'Keeffe's work and female sexuality.Yet when she made this watercolor, O'Keeffe was intensely involved in playing the violin, and . . . the form . . . of the spiral in her watercolor most likely derive[s] from the scroll-shaped termination of the neck of the instrument . . ."

Categories in the book include abstractions, still lifes, architecture, animal and human forms, and trees.Every reader will find his or her favorite here; mine are the artist's representations of feathery kachina dolls and New Mexico's Pedernal.The last category in the book contains works by other artists at the museum whose careers, in some way, parallelled that of Ms. O'Keeffe.Stieglitz photographs (including a Georgia O'Keeffe nude) are here, as well as Ansel Adams' memorable "gelatin silver print" of Georgia O'Keeffe and Orville Cox at Canyon de Chelly National Park.

A TREASURE FOR ALL

For those of us not fortunate enoughto be going toSanta Fe this year for the celebration of the tenth anniversary of the Georgia O'Keeffe Museum (which houses the largest collection of her work), here is an able substitute.Those who have visited the Museum in the past will relish this opportunity to revisit not only her art but her houses at Ghost Ranch and in Abiqiu, New Mexico.

It need not be said that O'Keeffe is a preeminent artist of the twentieth century, one of the most respected and loved.An American modernist she is acclaimed for her compelling abstractions, so elegant and vital.Her visions are often enlarged.Inspired by the natural she once said, "When I found the beautiful white bones in the desert I picked them up and took them home too...I have used these things to say what is to me the wideness and wonder of the world as I live in it."

This gorgeous volume is rich with illustrations - 335 in full color and two eight-page gatefolds.It also includes numerous photos, some previously unpublished, and works by others who embraced modernism andpainted in New Mexico.

Curator of the Georgia O'Keeffe Museum, author Barbara Buhler Lynes is the leading authority on this artist.She has done a meritorious yeoman's task in compiling this glorious volume which is a treasure for all.

- Gail Cooke

... Read more

Book Description
Georgia O'Keeffe is arguably the 20th century's leading woman artist. Coming of age along with American modernism, her life was rich in intense relationships -- with family, friends, and especially noted photographer Alfred Stieglitz. Her struggle between the rigorous demands of love and work resulted in extraordinary accomplishments. Her often-eroticized flowers, bones, stones, skulls, and pelvises became extremely well known to a broad American public. The New York Times Book Review named this richly detailed and moving biography a Notable Book of the Year. ... Read more

Customer Reviews (2)

An Incredible Biography
"A Life" is the best book on painter Georgia O'Keeffe available. Every moment in Georgia's life is written about with painstaking detail. Nothing is missed. From her relationship with Alfred Steiglitz and his entourage from "291" to her intimate relationship with sculptor Juan Hamilton. I can't say enough how amazing this book is and how enjoyable it is to read.

A Beautiful and Engaging Tribute to a Brilliant Artist
Georgia O'Keeffe's life was one lived with courage and beauty and Robinson does her justice by writing this beautiful and engaging biography.The author delves into O'Keeffe's life and the passion of her work bydescribing her family history, her evolution as an artist, and perhaps moreimportant to O'Keeffe, her evolution toward becoming her true self.Theextra and vital layer that adds even more depth to this biography isRobinson's description of the art scene and the philosophies of artcirculating in early 20th century New York.

This book would be ofinterest not only to those who enjoy O'Keeffe's work but also to those whoare trying to become themselves, those who are interested in the history ofart in America, or those who like to read for the sake of feeling beautifulwords flowing through their mind.

This book was difficult for me to putdown and I didn't want it to end. Roxana Robinson's work is a gem. ... Read more

Amazon.com
The vast landscape of New Mexico won the heart of American artist Georgia O'Keeffe on her first visit there in 1917, and the open sky, parched earth, and bleached white bones she found there soon became the prominent subjects of her paintings. She granted John Loengard, a photographer for Life magazine, the rare opportunity to photograph her in her home at Ghost Ranch in 1966. Fifty of the black-and-white photographs he took that day fill this 79-page, small-format hardcover and form a classic record of a day in the life of an eminent yet elusive artist. Quotes by O'Keeffe about New Mexico and brief biographies of the painter and Loengard add extra dimension to the images. --A.C. Smith ... Read more

Customer Reviews (1)

Excellent small version of the larger book!
Convenient size. You can take it with you when you travel to New Mexico and see the lands that inspired a truly remarkable woman. The black and white photographs and the simple design of the book would please Ms. Okeeffe, I feel. I have been to Ghost Ranch and it really is amazing to see some of the changes and similarities that the pictures present. The photographer John Loengard has produced a compelling insight into the private life of a very intriguing woman. ... Read more

Book Description
Georgia O'Keeffe, one of the most original painters America has ever produced, left behind a remarkable legacy when she died at the age of ninety-eight. Her vivid visual vocabulary -- sensuous flowers, bleached bones against red sky and earth -- had a stunning, profound, and lasting influence on American art in this century.

O'Keeffe's personal mystique is as intriguing and enduring as her bold, brilliant canvases. Here is the first full account of her exceptional life -- from her girlhood and early days as a controversial art teacher...to her discovery by the pioneering photographer of the New York avant-garde, Alfred Stieglitz...to her seclusion in the New Mexico desert, where she lived until her death.

And here is the story of a great romance --between the extraordinary painter and her much older mentor, lover, and husband, Alfred Stieglitz.

Renowned for her fierce independence, iron determination, and unique artistic vision, Georgia O'Keeffe is a twentieth-century legend. Her dazzling career spans virtually the entire history modern art in America.

... Read more

Customer Reviews (5)

A Portrait That the Artist Would Have Enjoyed
When author Laurie Lisle advised the artist, Georgia O'Keeffe, that hers was a story Lisle "wanted to tell," O'Keeffe, as was her wont, elected not to participate but told Lisle, "you are welcome to what you find."("Forward and Acknowledgments.")Lisle, equipped with a passion for her subject and steadfastness of purpose - qualities similar to those governing O'Keeffe's own work and life - pored through museum bulletins and exhibition catalogue notes, magazine and newspaper articles, memoirs about O'Keeffe's artistic peers (including her husband, photographer Alfred Stieglitz), and O'Keeffe's letters preserved in Yale's Beinecke Rare Book Library.She spoke with O'Keeffe's schoolmates, in-laws, and friends.And, of course, she viewed O'Keeffe's creations.

There is not one spot of color in this book except for the auburn and gold lettering on the jacket of my paperback.The sixteen pages of photographs in the book, only four of which show O'Keeffe posing with her art, are black-and-white.One imagines, had the artist participated in this project and accepted that a literary work, with an artist as its subject, could be as beautiful and fascinating as the flowers, skulls, rivers, and stones she captured in her own paintings, O'Keeffe would have appreciated the lack of color.For much of her life, O'Keeffe's signature garb was black with a touch of white, due to a belief that admirers ought to focus on the art, not the artist.

While reading this book, one obviously is tempted to take occasional breaks from Lisle's gorgeously plain, non-effusive prose to google O'Keeffe's paintings.After I read about O'Keeffe's initiation into the jet age, where she was surprised to peer down from her airplane window and "see so many rivers, tributaries, and deltas undulating through the earth's deserts" ("Chapter 13:Clouds"), I just had to view "It Was Red and Pink."However, this book clearly is not an art critique.Paintings are discussed insofar as they provide insight into O'Keeffe's mind, heart, and soul.Most of the time, while reading, I stayed far away from the computer.I was riveted by tales about family, femininity, marriage, the artist's apparent struggle between remaining dedicated to painting and perhaps having a baby, the conflict between how she and the public perceived her work, intimations of mortality, and a devotion to the splendors of New Mexico even after her eyesight failed.

I would recommend this book to anyone who relishes art, history, New Mexico, femininism, humanity, or just would love to read a great book.

great book
For so many years to me, Georgia O'Keeffe was just a well-known woman artist who painted flowers.Thanks to this book I came away feeling that I got to truly know and admire this artist and now I can look at her pictures differently with a deeper understanding and appreciation for them.Thanks to this book I think I have learned to look at the beauty in nature in a different way and feel that this book has taught me much about people and truly opened my eyes in many ways to the world around me and made me curious about different areas of our wonderful country.Very enlightening in many ways and definitely worth reading.

From Wisconsin to New Mexico: An incredible life.
There are parts of New Mexico that, if you know of the woman, just scream This is Georgia O'Keeffe Country. This honest and admiring biography lays out the story of this incredible woman who lived to age 99. That's a long, long, long life. Her life found its trajectory when, in 1916, a friend sent some of her drawings to renowned photographer Alfred Stieglitz. He proclaimed her to be "a woman on paper." Furious (as only O'Keeffe could be furious), she confronted him, became his lover, and eventually married him, initiating an emotional and artistic collaboration that endured until his death.
O'Keeffe became a feminist before the word was even invented. When she realized that it would be impossible to become her own person while working in his shadow, she established the pattern of spending 6 months with him in NY and 6 months on her own in New Mexico, a place she always referred to as her spiritual home. Stiegitz died in 1946, and O'Keeffe lived on for another incredible half a century.
If you have the opportunity to visit New Mexico, don't miss the O'Keeffe museum in Santa Fe - and my all means visit her home in Abiqueque. To say it's Georgia O'Keeffe country is to put it far too mildly.

Georgia O'keeffe is a true American treasure
Having just seen the Georgia Okeeffe exibition at the Phillips Gallery in Washington, DC, I had to run out and buy a biography to learn more about this incredible artist.This book gives deep personal insight to MsO'keeffe's life and work.

lending and losing this book should have taught me a lesson
Having read Portrait of an Artist in college I learned to appreciate the talent, determination and self reliance that success requires.It should be required reading for every young woman ... Read more

Book Description

When Georgia O'Keeffe first visited New Mexico in 1917, she was instantly drawn to the stark beauty of its unusual architectural and landscape forms. In 1929, she began spending part of almost every year painting there, first in Taos, and subsequently in and around Alcalde, Abiquiu, and Ghost Ranch, with occasional excursions to remote sites she found particularly compelling. Georgia O'Keeffe and New Mexico is the first book to analyze the artist's famous depictions of these Southwestern landscapes.

Beautifully illustrated and gracefully written, the book accompanies an exhibition of the same name at the Georgia O'Keeffe Museum in Santa Fe, New Mexico. It reproduces the exhibition's 50 paintings and includes striking photographs of the sites that inspired them as well as diagrams of the region's distinctive geology. The book examines the magnificence of O'Keeffe's work through essays by three noted authors. Barbara Buhler Lynes, Curator of the Georgia O'Keeffe Museum and organizer of the exhibition, discusses the relationship of the artist's paintings to the places that inspired her.

Frederick Turner offers an illuminating essay contrasting O'Keeffe's fabled aloofness from the well-established art colony in Santa Fe with her intense closeness to the local landscape she so fiercely loved. Lesley Poling-Kempes furnishes a fascinating chronicle of O'Keeffe's years in the region as well as a useful explanation of the geological forces that produced the intense colors and dramatic shapes of the landscapes O'Keeffe painted.

EXHIBIT SCHEDULE:

Georgia O'Keeffe Museum
Santa Fe, New Mexico
June 11-September 12, 2004

Columbus Museum of Art
Columbus, Ohio
October 1, 2004-January 16, 2005

Albright-Knox Art Gallery
Buffalo, New York
January 28-May 08, 2005

Customer Reviews (3)

One of the best books on O'keeffe
To understand this woman's art, you have to know her place.

This is it.Her wellspring.The place she felt at home.

I adore this book.To see pictures of the places right next to O'keeffe's versions is just stunning.

I believe god gave her Perdinal, after all.

Living in New Mexico
I live 12 miles from Abiquiu, New Mexico where Georgia O'Keefe lived and painted the last 39 plus years of her life.One can only imagine the beauty from her paintings unless you've had the opportunity to see it in person.The book does have quite a few of the paintings she did while living in Abiquiu and at Ghost Ranch; however, if you are interested in reading about her life, the book to read is Portrait of An Artist; A Biography of Georgia O'Keefe by Laurie Lisle.I couldn't put the book down!

A Perfect Place
I've toured her home in Abiquiu, visited the museum in Santa Fe, and now toured Ghost Ranch to view the locales of many of Georgia O'Keeffe's paintings. This book is a perfect reminder of these experiences and one I already treasure. ... Read more

Customer Reviews (1)

28 Watercolors
Georgia O'Keeffe always said that she was impatient with visual clutter; that she wanted to get rid of details that got in the way of real meanings; and that abstract painting could deal with concepts, emotions, and ideas. The GEORGIA O'KEEFFE: CANYON SUITE watercolors are in fact among the earliest U.S. abstract art painted directly from nature. They include abstract images of natural phenomena, such as "Abstraction, Black and Blue," with lightning bolts and rain sheets through darkened sky and ground, "First Light on the Plains," with light haloing through the fuchsia and indigo night, "Gray Abstraction (Train/Desert)," with former motion stilled in trails against the sky, and "Light Coming on the Plains," with Japanese brushed color tones dragged spectacularly down by gravity and water; recognizable subject matter, such as "Red House/Fence & Door" and her rare "Standing Nude," with the body invaded by the background colors and therefore like one of Auguste Rodin's blurred watercolor nudes; and traditional landscapes, such as "Blue Hills," "Dark Mesa," and "Purple Mountain." Editor Barbara J. Bloemink's text gives helpful background to understanding the artist and the color plates, and to reading Benita Eisler's O'KEEFFE AND STIEGLITZ and Roxana Robinson's GEORGIA O'KEEFFE. The same interest in colors and shapes, but differently treated, shows through FRIDA KAHLO's art, particularly in the books by Hayden Herrera, Raquel Tibol, and Martha Zamora. ... Read more

Customer Reviews (1)

My Favorite of Calendars!!
Yes this is the 7th one I've bought. I love Georgia O'keeffes' art. Her colors are vivid, her lines sensual. A great way to get great art into your home or workplace. ... Read more

Book Description
"The definitive life of O'Keeffe."—Hilton Kramer, Los Angeles Times

Georgia O'Keeffe (1887-1986) was one of the most successful American artists of the twentieth century: her arresting paintings of enormous, intimately rendered flowers, desert landscapes, and stark white cow skulls are seminal works of modern art. But behind O'Keeffe's bold work and celebrity was a woman misunderstood by even her most ardent admirers. This large, finely balanced biography offers an astonishingly honest portrayal of a life shrouded in myth.

When she was still unknown as an artist, O'Keeffe married Alfred Stieglitz, twenty-three years her senior and well established as a pioneer in art photography. The relationship was physically and intellectually passionate, but Stieglitz was a man of the world. Through the author's access to previously unavailable materials—including interviews with Dorothy Norman, Alfred Stieglitz's longtime paramour—we are offered new knowledge about O'Keeffe's defining relationships and the effect of her husband's infidelity. Driven to a nervous breakdown by the Norman affair, O'Keeffe relocated and redefined herself in New Mexico, where she created her unforgettable signature paintings. 16 pages of black-and-white illustrations, 32 color plates. ... Read more

Customer Reviews (7)

Excellent information regarding Georgia's life
Well written book and excellent research.Enjoyed very much.

Tremendous and important detail lacking in other biographies
Detailed and thoughtful, and a riveting read if you really want to understand this artist's life. After reading dozens of books and articles about O'Keeffe during the course of my own research on New York-inspired artwork, I didn't think another O'Keeffe biography was necessary. But I'm grateful I found this book. I learned so much more about this artist--about her friendships, her travels beyond New York and the Southwest, and her abstract works.

Gave me a new appreciation for O'Keeffe's art
I never really liked O'Keeffe's more abstract paintings until I read this biography.Now I can look at them with an improved understanding of what they mean and what she managed to accomplish for female artists everywhere.It's equally nice to see the artist as a person with her own foibles and nuances.The author has done a remarkable job here.

More than you ever wanted to know about Georgia O'Keeffe
Hunter Drohojowska-Philp is a sound writer, one who obviously does her research inexhaustibly, and with a background in art criticism she also speaks with authority and an informed eye. But she does go on....

For those who want to know more about the idiosyncrasies of this American idol then this is the resource of choice. We learn more about the frustrations, self doubt, love affairs, and general personality quirks than in all the other biographies combined. We also learn about each painting in depth which I suppose is like a verbal catalogue raissonne and for that we should be thankful.

It is just that with all great artists not everything they make is of show quality and it is this inclusion of all of the odds and major ends of O'Keeffe's work that borders on tiresome. It is with a good degree of relief that the last page of this nearly 500-page opus is reached.

Hunter Drohojowska-Philp obviously holds Georgia O'Keeffe in a realm close to Valhalla and that is all well and good. She writes with vigor and determination and certainly informs us of the 'full bloom' of her title. In the end this is a valuable volume for the archives, but not a book to recommend for the casual reader who has already grown visually fatigued with the Santa Fe posters of poppies, ox skulls, and datura flowers. Grady Harp, June 05

More than you ever wanted to know about Georgia O'Keeffe
Hunter Drohojowska-Philp is a sound writer, one who obviously does her research inexhaustibly, and with a background in art criticism she also speaks with authority and an informed eye.But she does go on....

For those who want to know more about the idiosyncrasies of this American idol then this is the resource of choice.We learn more about the frustrations, self doubt, love affairs, and general personality quirks than in all the other biographies combined.We also learn about each painting in depth which I suppose is like a verbal catalogue raissonne and for that we should be thankful.

It is just that with all great artists not everything they make is of show quality and it is this inclusion of all of the odds and major ends of O'Keeffe's work that borders on tiresome.It is with a good degree of relief that the last page of this nearly 500 page opus is reached.

Hunter Drohojowska-Philp obviously holds Georgia O'Keeffe in a realm close to Valhalla and that is all well and good.She writes with vigor and determination and certainly informs us of the 'full bloom' of her title.In the end this is a valuable volume for the archives, but not a book to recommend for the casual reader who has already grown visually fatigued with the Santa Fe posters of poppies, ox skulls, and datura flowers.Grady Harp, May 05 ... Read more

Amazon.com
Georgia O'Keeffe, who was born in 1887 and lived nearly 99 years, was a prolific, successful artist whose work was exhibited continually throughout her adult life. To give an impression of the scope of this two-volume boxed set, here is a sentence from the preface by Barbara Buhler Lynes: "The catalogue reproduces and describes 2,045 objects, made by O'Keeffe between 1901 [when she was 14] and 1984." And for an idea of the care Lynes brought to her task, here is the next: "Of these, 2,029 were located and examined between June 1992 and December 1998: 821 on canvas or board; 1,137 on paper...."

Obviously, this catalog will be indispensable to many libraries and museums, but it is also a work that any lover of O'Keeffe's art will pore over for years. From the first pages of volume 1, a reader is struck by the early appearance of motifs that remained essential to O'Keeffe throughout her life: architectural forms; flowers; vases and vessels with monumental, simplified shapes. (After the early years, however, she deals with the human metaphorically, in phallic sculptures or nipple-like seed pods, or the swollen bellies of clay pots.) For those readers who may have fallen out of love a bit during the 1970s--when O'Keeffe's least works seemed to be included in every gathering of second-rate, so-called women's art--these two volumes will renew their passion. Her astonishing talent, which she never betrayed, pulses through these color-saturated pages. While most works are necessarily reproduced smaller than the originals, the book's designers have dealt thoughtfully with issues of scale by increasing the size of the reproductions as O'Keeffe's paintings became larger and printing her vast, late cloudscapes and other large works at full- or double-page size. This is typical of the sensitivity with which this catalog was conceived. --Peggy Moorman Book Description
This two-volume slipcased catalogue raisonn_ presents in color more than 2,000 works by Georgia O`Keeffe, an artist whose creations placed her at the center of the ferment in early twentieth-century American art. The catalogue`s paintings, drawings, watercolors, and sculpture display O`Keeffe`s innovative use of color and form and testify to her distinctive contribution to American modernism. ... Read more

Customer Reviews (6)

for a gift
I bought this item for a gift, so I can not say anything about this item. But he was satisfied.
Because he is a fan of O'keef
Thank you!

a whole view of her life's work
Well produced and comprehensive, as a whole it adds up to a devastatingly beautiful record of the life's work of the artist with accompanying text on her key influences and relationships.

stunning
Like a museum in a box, quite frankly. You can find it for $99 (yes, the entire set, full size, etc.) at The Met museum's online shop- a great bargain ~ metmuseum.org

Wonderful
I was not a fan of Georgia O'Keefe before checking this volume out from the library. Now, I am frankly astonished by the beauty of her work especially her watercolors which are vibrant, clean, and just beautiful. It will be an eye opener to anyone who has formed their opinions solely on her giant flower or cow skull paintings-- whether you like her or not. She was an artist that constantly explored different techniques from printmaking to sculpture. She is inspirational. If you have a library that carries the volume I encourage you to check it out first you will be pleasantly surprised. I am definitely going to purchase these books.

A Wonderful Gift
This book was on my wish list before it was published! I received it as a gift upon my graduation from Art Center College of Design. I have loved Georgia O'Keefe's work since I was very young, and I have most of the bookspublished about her and this one is not only the most comprehensive butbeautiful as well. In a review I read it was described as 'cumbersome',obviously not written by an artist. How can you reduce a life's work intoone volume especially a life that was so influential to so many artists,especialy women. I give it my highest recommendation. ... Read more

Book Description
Georgia O’Keeffe:Nature and Abstraction–published for the exhibition at Irish Museum of Modern Art, Dublin–explores O’Keeffe’s method of transforming known or recognizable objects into painted abstractions that express the essential elements of form, color, and allusion. This catalog presents O’Keeffe’s oeuvre through a selection of paintings that display her penchant for abstract forms derived from her personal observation of the natural world.It displays the development of her aesthetic vocabulary, as well as it’s evolution–as seen through her later work which she created well into the 1970s. Also presented are examples of O’Keeffe’s personal inspirations, such as flowers, trees, dried bones, and aerial perspectives, as well as her favorite places, such as New York City and New Mexico. ... Read more

Customer Reviews (2)

O'Keeffe's Paintings in beautiful reproductions
This book contains selections from Nicholas Callaway's other O'Keeffe books- One Hundred Flowers, In the West, and New York Years. If you own only one of them, this is the one to own. There are some surprising paintings in here, especially if you've only seen the flower paintings before. The book is quite large, and the color reproductions seem pretty accurate from the few paintings I've actually been able to compare. Wonderful book!

A Large Gem
An absolutely gorgeous book of Georgia O'Keeffe's paintings of the southwestern United States. It's large size and fine reproductions make it one of my most treasured possessions! ... Read more

Book Description
The first exploration of the art that Georgia O'Keeffe retained for her personal collection, including works that have never been publicly exhibited. Georgia O'Keeffe was one of America's preeminent artists and one of the first to experiment with abstract form, though she never abandoned her deep response to and observation of nature. An enormously popular artist, she became identified and respected as an independent American spirit through both her art and her life. At the time of her death in 1986, Georgia O'Keeffe owned more than half of the approximately 2,000 works she had produced during the eighty years she was active as an artist: some 400 works in oil, charcoal, pastel, pencil, and watercolor, as well as more than 700 sketches. For various reasons, she had always kept a portion of her art out of the public eye and these works were not published, exhibited, or available for purchase during her lifetime. Among the works that had been exhibited and sold over the years, some were repurchased by O'Keeffe as they became available. This book explores for the first time the significance of O'Keeffe's collection of her own work. Approximately 75 seminal works, dating from about 1910 through the 1960s and reproduced in full color, document the range and quality of the art that O'Keeffe either chose to retain in her estate or consciously distributed to institutions in her lifetime and as bequests. It reveals her thinking in relation to her oeuvre, providing a unique perspective from which to understand O'Keeffe as artist and collector. The book accompanies an exhibition organized by the Milwaukee Art Museum and the Georgia O'Keeffe Museum, the principal recipients to date of art from the O'Keeffe estate. The exhibition coincides with the opening of the Milwaukee Art Museum's major addition designed by noted Spanish architect Santiago Calatrava. 110 color and 20 b/w illustrations. ... Read more

Customer Reviews (3)

Georgia O'Keefe Book
This is an excellent gift for someone who wants the art but also a little bit of background.Nicely done.

Good overview of OKeeffe's work
This is a great overview of OKeeffe's work. I love her desert work and recommend this coffee table book which is full of her work.

Seventy-five seminal works reproduced in full color
Georgia O'Keeffe died in 1986 owning more than half the approximately two thousand works she had produced during the eighty years she was active as an artist. Four hundred of those works were oils, charcoals, pastels, pencils, and watercolors. Additionally there were more than seven hundred sketches in her personal collection. O'Keeffe's O'Keeffes: The Artist's Collection explores and showcases the significance of Georgia O'Keeffe's collection of her own work and comprises seventy-five seminal works reproduced in full color and dating from around 1910 down through the 1960s. Unique, impressive, O'Keeffe's O'Keeffes is an essential volume for students of American art history in general, and the life and work of Georgia O'Keeffe in particular. ... Read more