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Bernstein Charles: more books (100)

The Inflammatory Bowel Disease Yearbook 2003 (State of the Art)

Live at the Ear: First Audio-Anthology of Post Modern L=A=N=G=U=A=G=E Poetry]

Let's Just Say by Charles Bernstein, 2003-06

Artifice of Absorption by Charles Bernstein, 1987-02

Lessons in Leadership by William P. Fisher, Charles Bernstein, 1990-12

Resistance by Charles Bernstein, 1983-12

Colony and extra-institutional care for the feebleminded by Charles Bernstein, 2010-09-05

The Nude Formalism (20 Pages) by Charles Bernstein, Susan Bee, 1989-06

Technology/Art: 20 Brief Proposals for Seminars on Art & Technology by Bruce Andrews, Charles Bernstein, et all 1997-02

When Will The Book Be Done? by Charles Bernstein, 2001-02-02

The Holy Forest: Collected Poems of Robin Blaser, Revised and Expanded Edition. by Robin Blaser, Charles Bernstein, 2008-09-10

The Language Book (Poetics of the New)

Prepositions +: The Collected Critical Essays (The Wesleyan Centennial Edition of the Complete Critical Writings of Louis Zukofsky) by Louis. Zukofsky, 2001-04-30

From King David to Baron David: The genealogical connections between Baron Guy de Rothschild and Baroness Alix de Rothschild by Neil Rosenstein, Charles B. Bernstein, 1989

lists with details

Riding The Meridian -- Lit [art] Ure -- Charles Bernstein And Susan Bee
Little Orphan Anagram by charles bernstein and Susan Bee Susan Beeis represented by the AIR gallery in New York. Little Orphan
http://www.heelstone.com/meridian/bernsteinbee4.html

Extractions: Susan Bee is represented by the A.I.R. gallery in New York. Little Orphan Anagram is published by Granary Books, which published Log Rhythms , another collaboration with Charles Bernstein, and will soon be publishing Bed Hangings , a collaboration with Susan Howe. She is coeditor of M/E/A/NI/N/G: An Anthology of Artists's Writings, Theory and Criticism , due out this December from Duke. Charles Bernstein 's most recent books include Republics of Reality: 1975 - 1995 My Way: Speeches and Poems , from the University of Chicago Press, and, as editor, Close Listening: Poetry and the Performed Word (Oxford University Press). He is Director of the Poetics Program at SUNY-Buffalo. His home page: http://epc.buffalo.edu/authors/bernstein.
Music From The Movies: Charles Bernstein
Music from the Movies charles bernstein page. Includes latest news,filmography, links, etc. ASCAP. charles bernstein USA, 1943
http://www.musicfromthemovies.com/pages/bernstein_charles.html

Extractions: Bernstein was recently nominated for an Emmy for his score for the Showtime TV movie Enslavement: The True Story of Fanny Kemble , starring James Keach and Jane Seymour. A promotional album of this score is now available from Intrada . Charles Bernstein has been hired to score HBO's new Creature Feature series, beginning with five movies of the week. - Mikael Carlsson o Picnic (2000) (TV)
Music From The Movies: Enslavement (Charles Bernstein)
Search for and buy Enslavement at Intrada Records! ENSLAVEMENT CharlesBernstein MM Review by Mikael Carlsson Although his is best
http://www.musicfromthemovies.com/pages/reviews/enslavement.html

Extractions: Although his is best known for his very effective mid-80's horror scores ( A Nightmare on Elm Street, Cujo, Deadly Friend ), Charles Bernstein has written music for many different genres. He is, in my opinion, a very good composer when it comes to writing distinct themes, and while he has been pretty influential in the use of electronic effects in film scoring, it's still his sense for melody that is his most striking quality. Very melody-driven, Bernstein's score for the Showtime TV movie Enslavement was nominated for an Emmy award, and I'm sure it's very effective in the cinematic context. To comment on the subject matter - slavery - Bernstein employs a female negro spiritual-styled solo voice together with African percussion and country flavors like mandolin and fiddle. A smart approach, but also limiting. There are 20 cues and a little more than 30 minutes of music on this album, and the listening experience quickly becomes rather tedious. Parts of it are beautiful - a fine cue is 'Doc and Fanny's Love' - and parts of it dramatic, but the score never takes off.
Jacket 1 Charles Bernstein The Boy Soprano
charles bernstein The Boy Soprano The URL address of this page is http//www.jacket.zip.com.au/jacket01/bernboy.htmlYou can see a photo of charles bernstein.
http://www.zip.com.au/~jtranter/jacket01/bernboy.html

Extractions: You are reading a page of Jacket magazine, from Sydney, Australia. You can go to Jacket #1 contents page or to Jacket's homepage , or browse a catalog of all issues of the magazine. You can read Jacket # 2 , which focuses on the work of John Ashbery. The URL address of this page is http://www.jacket.zip.com.au/jacket01/bernboy.html
Jacket 19 - Thomas Fink Reviews Charles Bernstein And Susan Wheeler
Thomas Fink reviews With Strings by charles bernstein. University of ChicagoPress, $12. Source Codes by Susan Wheeler. Salt Publishing, $12.95.
http://jacketmagazine.com/19/fink1.html
DayPoems Charles Bernstein
Poetry Books charles bernstein. DMOZ files. View charles bernsteinAdd a comment . . . Type your email address in the From block.
http://www.daypoems.net/nodes/epc buffalo edu authors bernstein .html
Charles Bernstein
charles bernstein. interview by Neil Gladstone. charles bernstein will be readingon Thursday, Oct. 23 at 8 pm at Temple Gallery, 45 N. Second St., 9257379.
http://citypaper.net/articles/102397/20Q.Bernstein.shtml

Extractions: Background Reading Charles Bernstein's poetry is like channel surfing, except the stations are filled with nursery rhymes, 1940s pop psychology, video games and Borscht Belt comedians. In the 1970s, Bernstein co-founded L=A=N=G=U=A=G=E , a journal that discussed the politics of language and communication. Over the past 20 years he's authored 20 books of poetry, two collections of essays and four librettos. He jokingly refers to himself as Director of the Henny Youngman Center for Stand-up Poetry and Avant Garde Comedy. The writer's latest work, Little Orphan Anagram (Granary Books), was co-created with his wife, artist Susan Bee, and retails for $1,500 a copy. Don't worry; most of his other work, such as his recent book of verse, Dark City One review of your work suggested you were the James Joyce of language poetry. How do you feel about the comparison? I've always been taken with Finnegans Wake . It's a monumental work. It's interesting that he's one of the most canonized modernist writers, whereas my own work seems to be a lot more elusive in this time and taken a lot less seriously in many academic circles. He's one of the few writers who has probed [linguistic constructs] and been accepted into the literary mainstream, at least on an academic level.
Granary Books Reviews Log Rhythms, By Charles Bernstein
MY WAY. Speeches and poems. charles bernstein. 334pp. 0 226 04409 2. LOGRHYTHMS. charles bernstein and Susan Bee 24pp. New York Granary. $35.
http://www.granarybooks.com/reviews/log_rhythms/times_literary_supplement.html

Extractions: MY WAY. Speeches and poems. Charles Bernstein. 334pp. University of Chicago Press; distributed in the UK. by Wiley. Pounds 36.75 (paperback, Pounds 14.95). - 226 04409 2 LOG RHYTHMS. Charles Bernstein and Susan Bee 24pp. New York: Granary. $35. - 1 887123 25 3 From this conflux of influences has emerged a remarkable range of poetry too little known in Britain: Susan Howe's skilled use of textual and literary history to produce poems that read like a haunting and haunted combination of variorum edition and palimpsest; Bruce Andrews's rebarbative lyrics that fizz with the slang, the obscenities and the ecstasies of modern communication; Ron Silliman's ongoing long poem The Alphabet, which mingles quotidian observation, linguistic-philosophical reflection and street-level social critique to produce as vivid, systemic and cumulatively moving an account of contemporary life as any poet now writing.
Granary Books Conversation With David Antin Charles
CONVERSATION WITH DAVID ANTIN by charles bernstein David Antin.ISBN paper 1887123-55-5. $12.95. Artist/Author Bios READ .
http://www.granarybooks.com/books/conversation_with_antin/conversation1.html

Extractions: A four-month interchange between the poet/essayist Charles Bernstein and artist/poet/critic David Antin. Ideas on art, poetry, as well as Antin's transition to site-specific talk performances are discussed. The combination of the speed of electronic transmission and the rigors of writing as opposed to talking make this book, in Antin's words, "a cross between an 18th-and 21st-century text." A Conversation with David Antin presents the entirety of this dialogue between two of the most important figures on the contemporary poetry scene. The text is complimented by Album Notes, a collection of photographs from Antin's life with extended annotations—"shaggy dog stories"— verbal elaborations of the pictures which, together, add further dimension to the work of a writer and thinker Jerome Rothenberg has termed "as important a poet as we've got in America." "Antin is what it means to be avant-garde." —Marjorie Perloff, author of
Charles Bernstein Interview
Bradford Senning. charles bernstein Interview A portion of this interviewwas published in Catalyst (vol. 1 10), March 25, 1999, the
http://home.jps.net/~nada/bernstein.htm

Extractions: A portion of this interview was published in Catalyst (vol. 1 #10), March 25, 1999, the magazine of the Arizona Daily Wildcat (U of Arizona, Tucson, student paper). Bradford Senning: I would like to start with language poetry itself. Part of the myth of language poetry is that it is fundamentally nonrepresentational. There are connections drawn between abstract expressionism in painting and language poetry, both of which many have thought are the baring of these art forms to their basic units. Line and word. However, as recent criticism has attempted to prove that New York painters Jackson Pollock and Mark Rothko had actual subject matter in mind as they painted, will we find the same to be true in language poetry? Charles Bernstein: From my very first essays in the 1970s (collected in I have argued against the idea that the sort of poetry we explored, for example in L=A=N=G=U=A=G=E BS: First, please give our readers a basic definition of language poetry, then tell us if your vision of it is, as one critic noted, representational. CB: While this term has come in to wide use, I prefer to talk about the specific feature of my own work or other works I respond to, rather than take on the task of making generalizations. How many generalizations can dance on the head of pin and can you increase the number if it is a digital pin?
Marjorie Perloff And Charles Bernstein
Marjorie Perloff Blackwell, $19.95 (paper). With Strings. CharlesBernstein University of Chicago Press, $12 (paper). Yunte Huang. At
http://bostonreview.mit.edu/BR27.3/huang.html

Extractions: IN PREVIOUS ISSUES fung, o'rourke, and sabel lead a debate on international labor standards. susan sturm and lani guinier lead a debate on the future of affirmative action. james hynes reveals the philosophical secrets within john crowley's fantasy novels. dmitri tymoczko listens to the musical ideas of john cage and milton babbitt. susie linfield examines photojournalism and the west's alibi of ignorance. and more...
Elmer BERNSTEIN Music For The Films Of Charles & Ray Eames : Film Music CD Revie
In 1952, Franz Waxman introduced a young Elmer bernstein to charles and Ray Eames,a couple known for their contributions to architecture and industrial design
http://www.musicweb.uk.net/film/2001/Sept01/Bernstein_Eames.htm

Extractions: Music Webmaster Len Mullenger index page monthly listings Elmer BERNSTEIN OSTs, conducted by the composer AMBER AMB-2001 In 1952, Franz Waxman introduced a young Elmer Bernstein to Charles and Ray Eames, a couple known for their contributions to architecture and industrial design and whose creativity also included industrial filmmaking. It was the start of a quarter-century of collaboration, including the four works featured on this, the first of several planned discs by Bernstein's Amber Records. The second score, "Six Pieces for the Polavision Movie Camera," is one of their last collaborations, coming in 1977. (Charles Eames died the following year, his wife 10 years after that). It consists of separate musical vignettes for six, 2½-minute scenes depicting the various uses of a new "instant" movie camera. Here again, Bernstein's compositional skills with a small orchestra are displayed to great advantage as the pieces range across a variety of moods. I particularly enjoyed his use of harp in the delicate melody of the second piece, and the jazzy, upbeat tempo that carries through the fourth piece. These are followed by the seven-part "House: After Five Years of Living," a film about the Eames' Southern California home, built entirely with prefabricated materials. Each of the short parts is a divertimento depicting a different room. Composed for piano, harp, flute and cello - the smallest ensemble represented on this disc - these seven pieces run barely 11 minutes in all. The moods here are not as wide-ranging as in the previous work, but are essentially light and pleasant. Challenged by the subject matter (the film contained only slide images, and no dialogue) and a limited orchestral palette, Bernstein's music emerges as the true star.
Arts/Literature/Authors/B/Bernstein,_Charles
Our search portal also gives you the option to conduct a query using our intelligentsearch feature. / Arts / Literature / Authors / B / bernstein, charles.
http://www.arts-entertainment-recreation.com/Arts/Literature/Authors/B/Bernstein

Extractions: Search: Welcome to arts-entertainment-recreation.com, the comprehensive search portal dedicated to the arts. We have located some of the finest art and entertainment resources from across the Web and accumulated them into a single directory. Here you can choose from a wide variety of documents, reviews, articles, and Web sites about your favorite activities. Whether you enjoy film, Broadway shows, television, books, fine art, or travel, there is something here for you. As you peruse the directory, you will notice several categories pertaining to the arts. Feel free to navigate through these categories, from broad art-related topics to specific information on selected subjects. Our search portal also gives you the option to conduct a query using our intelligent search feature. Arts Literature Authors B Bernstein, Charles Charles Bernstein
Charles P. Menges Jr. (CBA '64) Of Bernstein Investment Research And Management
charles P. Menges Jr. (CBA '64) of bernstein Investment Research and Management. charlesP. Menges Jr. (CBA '64) of bernstein Investment Research and Management.
http://www.fordham.edu/general/Undergraduate/Charles_P_Menges_Jr_8846.html
Charles Bernstein (I) [Filmweb.pl]
filmweb, charles bernstein (I), 8.02.2003, 1132. charles bernstein(I). zaglosuj na te osobe srednia ocena 6.0/ 10 (glosów
http://www.filmweb.pl/Charles,Bernstein,(I),kompozytor,opis,aa=40744,lkportret.x
CHARLES BERNSTEIN'S
charles bernstein'S DARK CITY. Hank Lazer. charles bernstein'S 'DARKCITY' POLIS, POLICY, AND THE POLICING OF POETRY. THE AMERICAN
http://webpages.ursinus.edu/rrichter/cbernstein.html

Extractions: DARK CITY Hank Lazer. CHARLES BERNSTEIN'S 'DARK CITY': POLIS, POLICY, AND THE POLICING OF POETRY. THE AMERICAN POETRY REVIEW Sep-Oct 1995 (Vol. 24/No.5): 35-44. This essay is to appear in Lazer's book, OPPOSING POETRIES: THE CULTURAL POLITICS OF AVANT-GARDE AMERICAN POETRY, forthcoming from Northwestern University Press. Lazer argues that the unorthodox characteristics of so-called Language Poetry, of which Charles Bernstein is a practitioner, cause mainstream poetry publishers and critics to ignore him and his kind. Helen Vendler, the doyenne of poetry criticism (see THE MUSIC OF WHAT HAPPENS), for example, Lazer accuses of failure to see the memorable and the beautiful in Bernstein and in Language Poetry in general. He quotes Bernstein himself to decry the limitations of "official verse culture": "What characterizes the officially sanctioned verse of our time, no less than [William Carlos] Williams's, is a restricted vocabulary, neutral and univocal tone in the guise of voice or persona, grammar-book syntax, received conceits, static and unitary form." Bernstein said that in 1983; Lazer asserts that matters have not improved since. He sees Bernstein represented (or segregated, as he puts it) in Norton's POSTMODERN AMERICAN POETRY anthology of 1994 but omitted from the major anthologies.
THE SECOND WAR AND POSTMODERN MEMORY, CHARLES BERNSTEIN
THE SECOND WAR AND POSTMODERN MEMORY, charles bernstein. A reference from the WorldWide Web charles bernstein. The Second War and Postmodern Memory.
http://webpages.ursinus.edu/rrichter/cbernwww.html

Extractions: A reference from the World Wide Web Charles Bernstein. The Second War and Postmodern Memory. POSTMODERN CULTURE. January 1991. Charles Bernstein argues that the frame of WWII was made of the Holocaust and Hiroshima. These events, symbolizing the war as a whole, caused a shock to sensibility so great that American poets and artists, speaking for people as a whole, repressed the shock through their art. He traces this repression in the poems of American writers who were children during the war. Their poems, he finds, reject large-scale conceptions and solutions. It was just such large-scale undertakings that precipitated WWII and made its execution possible. Bernstein finds in these poets an undermining of belief in the basic values of the Enlightenment. He makes an interesting link between the poetics of the Modernists and these emerging postmodernists. He sees the post WWII poets rejecting the grandiosity and "heroic universalizing of poetic genius" still found among the Modern artists. The post WWII poets turn to particulars, to process, to detail. Bernstein, however, finds them holding onto stylistic and formal innovations from the early Modernist part of the century. But he finds them giving to these Modernist forms "an entirely different psychic registration." For example, he contrasts the "ungeneralizable particular" in Creeley and Eigner to the "Controlling Allegories" found in the high Moderns, Pound and Eliot. He contrasts John Ashbery's "self-cancellation" to William Carlos Williams's "relaxed prerogatives" and Gertrude Stein's "exuberant hubris."
Letter To Charles Bernstein After Eigner's Death
Writers Friendship. Edited and compiled by Robert Sward. Letter to charlesBernstein after Eigner's Death. by Jack Foley. February, 1996. Dear charles,.
http://www.webdelsol.com/LITARTS/Robert_Sward/Writers_Friendship/foley.htm

Extractions: Ceremony was but devised at first/To set a gloss on faint deeds, hollow welcomes, /Recanting goodness, sorry ere 'tis shown;/ But where there is true friendship, there needs none. William Shakespeare Writers Friendship Edited and compiled by Robert Sward Letter to Charles Bernstein after Eigner's Death by Jack Foley February, 1996 Dear Charles, I've been so busy, partly with trying to spread the news about Larry Eigner's death and partly with other things, that I've been barely able to put my thoughts together. Larry had been in the hospital, comatose, for a week before his death on February 3rd. This morning, quite early, both Michael McClure and my son Sean phoned to tell me they'd heard of Larry's death and funeral arrangements on NPR. That was exactly the kind of thing Larry would dophone me at an hour when no one else would phone me to tell about something he'd heard on the radio, particularly something on NPR. He's been my friend for ten years. I'd see him once a week and hear from him on the phone quite often. Our birthdays were two days apart: we had a joint party once. He wrote a preface to my first book, Letters/LightsWords for Adelle.
Nthposition Online Magazine: Poetry By Charles Bernstein
poetry Memories By charles bernstein 1. Grandfathers The farm neverseemed the same after gramps died Grace kept saying, Every
http://www.nthposition.com/poetry_bernstein.html
Reception Poetry? A Correspondence Between John Kinsella And Charles Bernstein.
Reception Poetry? from A Correspondence Between John Kinsella andcharles bernstein. Dear charles I concur with your note about
http://www.geocities.com/SoHo/Square/1664/bernsteinkinsella.html

Extractions: I can't easily say how this work is viewed outside the US, but from where I sit I am struck by the intensely international quality of some aspects of the project. In contrast to much regional or anyway US-framed poetry, the work that has come up in and around L=A=N=G=U=A=G=E magazine has had roots in European art and poetry and had rejected the sort of anti-European and anti avant-garde attitude that is prevalent not just in the mainstream of US poetry but also in some of the alternative traditions that come out of Williams, for example. Then again, in L= In the 1990s, the problems of group affiliation (the neolyric "we") pose as much a problem for poetry as do assertions of the Individual Voice (the lyric "I"). If poems can't speak directly for an author, neither can they speak directly for a group. Just as a poetry may wish to question the authorial voice, it also may wish to question all forms of group affiliation — national, state, linguistic, ethnic, and, indeed, aesthetic. Each poem speaks not only many voices but also many groups and poetry can investigate the construction of these provisional entities in and through and by language.

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