Geometry.Net - Authors: Bronk William

William Bronk; Some Words
william bronk Some Words. Paper 1883689-73-2, $9.95 Cloth 1-883689-74-0,$29.95 66 pages, One of our most intimate, haunted, and
http://www.talismanpublishers.com/catalog/bronk_somewords.htm

Extractions: Paper 1-883689-73-2, $9.95 Cloth 1-883689-74-0, $29.95 66 pages "One of our most intimate, haunted, and important poets." Dictionary of Literary Biography "A poet...of enormous intellect." Bruce Kimmelman, The "Winter Mind": William Bronk and American Letters All of What We Loved is "an exceptionally eloquent and masterly book." The Journal of the Academy of American Poets "Arguably the most metaphysical poet of his generation." Hungry Mind Review "The brilliant fire of his poems, their blaze of ruthless thought and flawless music achieves the impossible: it forges a world out of the 'worldless.'" Rosmarie Waldrop "He is brilliant." Southwest Review "A poet of great distinction." Small Press Review Acclaimed in The Nation as "our most significant poet," William Bronk is the author of nearly two dozen celebrated books of poetry and a collection of prose works, Vectors and Smoothable Curves , which is widely considered to be a landmark in contemporary literature.
William Bronk: The Mild Day
william bronk The Mild Day. Gustaf Sobin How we fumble in life's slow spectacle of change, has always bemused william bronk.
http://www.talismanpublishers.com/catalog/bronk_mildday.htm
William Bronk : No Time To Waste! The Poet Paints A Lasting Picture With Words.
william bronk No time to waste! The Poet Paints a lasting picture with words. williambronk updates! Hand Picked to save you valuable searching time. welcome.
http://www.inlogosveritas.com/Poems_Poets_Poetry/william_bronk.html

Extractions: William Bronk : No time to waste! The Poet Paints a lasting picture with words. Arts Literature Poetry eminent Great Writers Magazine - Publishing Works Lives Faces Bookshelf Morning Night Women Romantic Haiku Love Death Browning Wordsworth Frost Shelley appreciation contemporary Irish Belfast Heart Modernism important American English literature imagination, emotion, response, empathy. These are words that spiral in the mind's mist when thinking about poetry. What's the truth? Where is the moon? It is in the heart and it is in the mind and the imagination ... it is here. More about William Bronk
William Bronk And Family
william bronk and Family. His poetry says what it means, refusing to takeroundabout, concealed ways ( A Conversation with william bronk, 1988).
http://www.fauxpress.com/kimball/res/bron.htm

Extractions: Poetry that questions with clarity is rare. Poetry that questions such certainties as time and place and, more, deploys an abbreviated linguistic code to accent uncertainty this sort of poetry appears discontinuous and alien. Writers of this sort, like William Bronk, seem amused by their very connoisseurship of discontinuity, occupied by their own methods and objects of avulsion from known qualities, the knowability of qualities, indeed, the whole apparatus and artistry of knowing. A lineage of discontinuity Mentalist search Bronk's methods are nonetheless governed by an expansive bedlam of the psychically discontinuous and unknown, an anarchy which renders his poetic objects utopian. In the fourteen-line "Unnamed" Bronk reduces uncertainty to an agnostic purity housed in a slender sonnet, entered into by way of curt anapests leading directly to dark, iambic qualifiers: (1)
Bronk, The Alien
Writers of this sort, like william bronk, seem amused by their very connoisseurshipof discontinuity, occupied by their methods and objects of avulsion from
http://www.fauxpress.com/kimball/res/bronk.htm

Extractions: Bronk, the Alien Jack Kimball Poetry that questions with clarity is rare. Poetry that questions such certainties as time and place and, more, deploys an abbreviated linguistic code to accent uncertainty this sort of poetry appears discontinuous and alien. Writers of this sort, like William Bronk, seem amused by their very connoisseurship of discontinuity, occupied by their methods and objects of avulsion from known qualities, the knowability of qualities, indeed, the whole apparatus and artistry of knowing. To delineate a lineage for such discontinuity within 20th-century American verse, in addition to Bronk (1918-1999), as a first generation I might suggest Gertrude Stein, Louis Zukofsky and Jack Spicer, as well as their descendants associated with a "language" poetry whose aim is to undermine passive reception of culturally logical linguistic strategies. Even though Bronk favors stark language that obliterates discourse conventions, as do Stein, Zukofsky and Spicer, Bronk's standing in this lineage can be debated on grounds of his unsubversive syntax and transparent testimony. His verse is not so experimental, far simpler in its organization and argument than that of the others. With regard to experiment, for example, Stein has suggested more opaquely than would Bronk that in her writing she "was groping toward a continuous present, a using everything a beginning again and again" ("Composition as Explanation"). Compared to Stein's lengthy process-as-presence, Spicer's colloquies that talk to themselves, and Zukofsky's frenetic appropriation of Marx, Mallarme, et al., Bronk's discursive techniques and prosodic surface are markedly conservative. Bronk makes disciplined assertions, sometimes in poems of no more than three or four lines comprising the cool and classical: embedded anaphora ("Whether what we sense of this world / is the what of this world only, or the what / of which of several possible worlds / which what?"); aggravated apophasis ("...there are worlds but...no world..."); rampant paradox ("The carelessness of love is we take such care."); and antimodernist vocabulary that borders on the devotional in its embrace of "the world," of "we," of "man," of "God."
University Of New Hampshire Library - Milne Special Collections And Archives - B
No. 38 of 50 A68 clothbound copies signed by the author. P6 Box 6 bronk, william.THE FRAGILE ENDURANCE OF THE WORLD. Box 3 bronk, william. THAT BEAUTY STILL.
http://www.izaak.unh.edu/specoll/mancoll/burndeck.htm

Extractions: ACQUISITION: The collection is made up of several different accessions. ACCESS: There are no restrictions on access to this collection. HISTORICAL NOTE: Burning Deck, also called the Burning Deck Press, began printing in 1961 in Ann Arbor, Michigan. In 1968 the press moved to Providence, Rhode Island. In 1981 Burning Deck printed their one hundredth volume, an anthology celebrating their twentieth year in the business. The following is a collection of books, pamphlets, and broadsides published and printed by Burning Deck. They are listed in chronological order and in alphabetical order within year unless exact order of publication is known. [Unless otherwise noted, the imprint is "Providence, R.I.: Burning Deck."] SERIES LISTING I.
Calls For Papers: CFP: William Bronk (no Deadline Noted; 11/13-
CFP william bronk (no deadline noted; 11/1311/14). Call for PapersA Symposium on the work of william bronk. November 13-14, 1999.
http://www.english.upenn.edu/CFP/archive/1999-08/0056.html
Altogether Other: Remembering William Bronk
Remembering william bronk. by Nicholas Delbanco. I first met Bill bronkin the late 1960's, via the good offices of another late lamented
http://www.artzar.com/worddock/alltogether.htm

Extractions: Remembering William Bronk by Nicholas Delbanco Soon Bill and I started walking together (he didn't drive) and visiting and sharing meals; soon enough I came to recognize the cranky mastery of the man and his authentic passion for the world of words. I came to admire his poetry, his essays, his mother and sister, his cuisine. I relied on his expertise with melons, with flowers and gardens and local lore and paintings and photography and his detestation of fraud. Reclusive, he was generous to a fault with those with those arrived to sit at his feetand there were many he helped. With his stentorian whisper he proffered verse at my wedding; we traded visits and books. Bronk was a large and loose-limbed man, with the swinging gait and calloused hands of a farm laborer at least as much as "conventional" artist; it surprised me, always, to receive his spidery and miniscule handwriting, to read his compressed dense discourse and to learn how widely he traveled when he left familiar ground. For years we stayed in regular touch, and I mourn those afternoon on his porch, those evenings at our farm. But time and the river have done their slow work, and when I left that part of the world I saw little of him, alas. The last time was in Albany, after his first physical collapse; he seemed drained, dessicate but fierce and keen-eyed still. "Refiner's fire," I can remember thinking; it was as though he'd been through some self-engendered crucible and yet emerged intact. May his work endure as his body did not; may others remember and read...
Is This House Like A Second Skin To You
This interview was excerpted from several hours of taped conversations made duringthree visits to william bronk's home in Hudson Falls, New York in the fall
http://www.artzar.com/interviews/bronkpart1.htm

Extractions: - our system, our way to materialize. At Home in the Unknown by Mark Katzman This interview was excerpted from several hours of taped conversations made during three visits to William Bronk's home in Hudson Falls, New York in the fall of 1996. He was suffering from respiratory problems and wed to an oxygen machine with a lengthy cord. Bronk spoke slowly between long pauses and gasps of air. When something reminded him of a poem, he'd boom it out in that unforgettable, authoritative manner which gave his public readings (rare though they were) such power. William Bronk was born in Hudson Falls, New York in 1918. He is a descendent of Jonas Bronck, for whom the Bronx is named. After attending Dartmouth College and serving in World War II, he took charge of his family's business, the William M. Bronk Coal and Lumber Company in Hudson Falls, which he ran until his retirement in 1978. He lived in his family's specious Victorian house virtually his entire life. He never had a driver's license. His house was a mecca for artists and poets.
Essay On A Poet (Long)
bronk, william (19181999) william bronk is best known for his austereview of the world as well as writing style. bronk, william.
http://eies.njit.edu/~kimmelma/poetessaylong.html

Extractions: N.B.: Regarding formatting, the header should be in boldface, and all cross references (if you happen to know any) in capital letters, as shown below. Also, special terminology should be in italics, along with the titles of books or very long poems. Use MLA format throughout. Lastly: Please make sure to include your name, address, eddress and telephone number in your file (at the top of page one) before sending it. (Thanks.) Your E-Mail Address Bronk, William (1918-1999) William Bronk is best known for his austere view of the world as well as writing style. His languagesubtle, balanced in tone and diction, essentialis possibly the most distilled in all of twentieth-century American poetry. In addition, Bronk is always explicit visually and resonant musically. His work keeps alive a New England poetic tradition, evoking nature and the seasons, winter most of all, and delving into the nature of reality or truth. These concerns were firmly established early in twentieth-century American poetry by the New England poets Robert FROST and Wallace STEVENS, then later by, along with Bronk, Robert CREELEY and George OPPEN, and in the nineteenth century by Henry David Thoreau (an especially strong influence on Bronk), Ralph Waldo Emerson, and Emily Dickinson. Origin , the magazine he edited, and who published Bronks first book Light and Dark , in 1956. Bronk also enjoyed the support of Creeley in his magazine the
Technology And Human Values
Hillsdale, NJ Lawrence Erlbaum Associates, 1991. bronk, william. Selected Poems.Preface by Henry Weinfield. New York New Directions, 1995. Winner, Langdon.
http://eies.njit.edu/~kimmelma/sts310.htm

Extractions: REQUIRED TEXTS Bender, Gretchen, and Timothy Druckrey. Eds. Culture on the Brink: Ideologies of Technology . Dia Center for the Arts, Discussions in Contemporary Culture, Number 9. Seattle: Bay Press, 1994. Bolter, J. David. Writing Space: The Computer, Hypertext, and the History of Writing . Hillsdale, NJ: Lawrence Erlbaum Associates, 1991. Bronk, William. Selected Poems . Preface by Henry Weinfield. New York: New Directions, 1995. Winner, Langdon. The Whale and the Reactor: A Search for Limits in an Age of High Technology . Chicago: University of Chicago Press, 1986. COURSE DESCRIPTION This course examines the intersection between technology and the humanities. We will consider the ways in which machines and tools change the way we think and live, by drawing on material from history, philosophy, and the arts. History reveals when and where mechanical innovations have occurred and how they have challenged and transformed societies. Philosophy asks us to consider how the introduction of a new tool into a situation leads us to reconsider our categories of thought and the limitations of humanity. The arts make use of tools of a time to express timeless human dreams and concerns. Is technology just a means to realize intentions that are inside us, or are these desires and wants revised because we live in a world made up of tools and devices? What aspects of humanity are extended by technology? What aspects are immune to the betterment promised by machines? These are the kinds of question this course considers.
20th Century Authors List
Bishop, Elizabeth. Bly, Robert. Bogan, Louise. Boyle, Kay. bronk, william. Brooks,Gwendolyn. Brown, Sterling. Bukowski, Charles. Burroughs, william. Byatt, AS.
http://www.literaryhistory.com/20thC/Modernists.htm
Arts/Literature/Authors/B/Bronk,_William
Our search portal also gives you the option to conduct a query using our intelligentsearch feature. / Arts / Literature / Authors / B / bronk, william.
http://www.arts-entertainment-recreation.com/Arts/Literature/Authors/B/Bronk,_Wi

Extractions: Search: Welcome to arts-entertainment-recreation.com, the comprehensive search portal dedicated to the arts. We have located some of the finest art and entertainment resources from across the Web and accumulated them into a single directory. Here you can choose from a wide variety of documents, reviews, articles, and Web sites about your favorite activities. Whether you enjoy film, Broadway shows, television, books, fine art, or travel, there is something here for you. As you peruse the directory, you will notice several categories pertaining to the arts. Feel free to navigate through these categories, from broad art-related topics to specific information on selected subjects. Our search portal also gives you the option to conduct a query using our intelligent search feature. Arts Literature Authors B Bronk, William William Bronk Foundation
Arts/Literature/Authors/B
Breton, André, Brisby, Stewart, Briscoe, Connie. Brodsky, Joseph, bronk,william, Brontë, Anne. Brontë, Branwell, Brontë, Charlotte, Brontë, Emily.
http://www.arts-entertainment-recreation.com/Arts/Literature/Authors/B/

Extractions: At arts-entertainment-recreation.com we appreciate the diversity of people's interests and choices of leisure activities. To accommodate one and all, we embrace a wide variety of activities, from mainstream interests to eccentric tastes for art and entertainment. In order to keep our content fresh, our database is updated on a regular basis. Furthermore, we regularly add new categories to the directory, incorporating novel types of arts, recreation, and entertainment. So if you're looking for a great new restaurant, selecting an opera to attend, or looking for a place to see live comedy, you are likely to find it within arts-entertainment-recreation.com. Thank you for visiting arts-entertainment-recreation.com, the comprehensive search portal dedicated to the arts. We hope you come to realize why so many people turn to our search portal to read and learn about their favorite leisure activities. With a wide variety of diverse content, you're bound to find information about your favorite pastime. You may even develop a newfound love for an entertainment you never even knew existed! Back to top Ticketmaster
Bomis: The Arts/Literature/Authors/B/Bronk, William Ring
Bomis The Arts/Literature/Authors/B/bronk, william ring. Ring Rankings Click to visitthe Bomis Board for william bronk. Ring sites. 1. william bronk Foundation.
http://www.bomis.com/rings/Mb-bronk_william-arts/
English 2847/3800
bronk, william. Life Supports New Collected Poems. Jersey City Talisman House,Publishers, 1997. ISBN 1883689-59-7. $16.95 (required). Howe, Susan.
http://www.du.edu/~showard/2716.99.html

Extractions: showard@du.edu Course URL: http://www.du.edu/~showard/2716.99.html Course Description: William Bronk, winner of the 1982 American Book Award for poetry, was recently described by a reviewer as "arguably the most metaphysical poet of his generation." What does it mean to call a contemporary American poet "metaphysical"? Is there a tradition of American metaphysical poetry? This course traces the trajectory of an Anglo-American metaphysical poetics, beginning with selections from the works of Renaissance and early modern English poets (such as William Shakespeare, John Donne, George Herbert, Aemilia Lanyer, and Thomas Traherne), then engaging in close studies of poems by Anne Bradstreet, Edward Taylor, Emily Dickinson, Walt Whitman, Wallace Stevens, T. S. Eliot, Marianne Moore, Elizabeth Bishop, Jack Spicer, Robert Duncan, William Bronk, Gustaf Sobin, Rosmarie Waldrop, and Susan Howe. This comparative approach will also involve examinations of cultural and poetic theories pertinent to the life and work of each poet. Prerequisites: None Teaching Method: Method of Evaluation:
Course Number:
Texts bronk, william. Life Supports. Jersey City Talisman House Publishers,1997. 1883689597; $16.95. Donne, John. Devotions Upon Emergent Occasions.
http://www.du.edu/~showard/F02.4200.html

Extractions: How do you recognize a metaphysical poem or prose work when you see one? Is the basis of metaphysical imagery "delight in disorder," as Robert Herricks poetry suggests; or does a metaphysical poetics derive from "the most heterogeneous ideas . . . yoked by violence together," as Dr. Johnson argues? William Bronk, winner of the 1982 American Book Award for poetry, was recently described by David Biespiel as "arguably the most metaphysical poet of his generation." What does it mean to call a contemporary American poet metaphysical? Is there a tradition of Anglo-American metaphysical poetry? Was there ever an early modern English metaphysical tradition in the first place? This graduate course investigates metaphysical writing from Donne to Duncan and Browne to Bishop by moving through a series of critical and creative reflections. The seminar provides, first of all, a close and critical study of the poetry and prose of those seventeenth century English writers who, in the conventional literary sense of
North Point By The Seasons
FALL 1981 Berry, Wendell, The Gift of Good Land bronk, william, Life SupportsConnell, Evan S., Mr. Bridge Connell, Evan S., Mrs. Bridge Merwin, WS, and J
http://www.lanset.com/bookfolk/npp.htm

Extractions: writing ... that battle has been lost , at least for the moment). North Point always published on a two-season schedule. At some point I might put up some commentary about North Point's books and program; for now, this is a list (with a few links: I'll add more later) of the original NPP's publications, season by season (paperback editions of books previously issued in hardcover are treated, for the moment, as new publications).
Welcome To BookDen
Matches for bronk, william. . In stock at The Book Den. Ships next businessday. Metaphor of Trees by bronk, william Published 2000/03 Hardcover, $35.95.
http://www.bookden.com/Search.asp?keyw=Bronk, William.&jump=0
A Faithful Account Of Where I Live: The Letters Of Cid Corman And William Bronk
A Faithful Account of Where I Live The Letters of Cid Corman andwilliam bronk an introduction, by David Clippinger. william
http://www.iath.virginia.edu/dickinson/titanic/material/bronkintro.html

Extractions: William Bronk and Cid Corman began corresponding in 1951 at the very beginnings of Corman's now mythic journal, Origin. Over the twenty years of the journal, Bronk was a staple: his work first appeared in issue #2 (Spring 1951) as well as in twelve others including a Bronk "special issue" (April 1967) and the final issue, #20 (January 1971). Without the passionate and sustained support of Corman, Bronk's early poems may never have found their way into print. Nevertheless, the early letters between Bronk and Corman mask a layer of tension that seethes beneath the surface and would come to a head in the first letter of this selection, Bronk's letter dated the 1st of June 1961. The tension was fueled by Charles Olson's professed disdain of Bronk's work and, by proxy, Corman's commitment to publishing Olson and Bronk in Origin . As Olson writes in a letter to Corman (31 July 1951): I am sick of this sort of thing you show me from Bronk-the green of it, the green-sick, too-the bad-headedness, as well as the manners.

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