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Hejinian Lyn:     more books (100)

A Mask of Motion (Burning Deck Poetry Series) by Lyn Hejinian, 1977-09 Complete Run of the First 50 Issues of Tuumba Press Poetry Chapbooks (Plus Checklist) by Lyn, Howe, Susan, Silliman, Ron, Coolidge, Clark, Notley, Alice, Bernstein, Charles, DiPalma, Ray, Palmer, Michael, Andrews, Bruce et al Hejinian, 1976 Past Lives by Ted; Hejinian, Lyn Orland, 1991-01-01 The guard by Lyn Hejinian, 1983 The Lake by Emilie Clark, Lyn Hejinian, 2001-04 The Grand Piano: An Experiment in Collective Autobiography, San Franscisco, 1975-1980 by Steve Benson, Carla Harryman, et all 2007-06 A Thought Is The Bride of What Thinking (Tuumba #1) by Lyn Hejinian, 1976 Individuals by Lyn and Kit Robinson Hejinian, 1988 PROSODIA #3 by J.P., Alan Mendoza, Evelyn Slowik, Editors (Lyn Hejinian, Tom Clark, D Knoepfel, 1993-01-01 Individuals: A book of twenty-four poems written individually in the fall of 1986 by Lyn Hejinian, 1988 THIS 8 - Spring 1977 by Barrett (Editor); Robert Grenier, Bruce Andrews, Bernadette Mayer, Bob Perelman, Lyn Hejinian, Bill Berkson, Michael Palmer, et al. (Contributors) WATTEN, 1977 The Alternative Press #12 (For Ted Berrigan in memoriam) by Ted / Notley, Alice / Gustafson, Jim / Kyger, Joanne / Myles, Eileen / Hejinian, Lyn / Hecht, Warren Jay / Elmslie, Kenward and Ken Tisa / Ford, Charles Henri / Schwarz, Paul / Mannario, Fra Berrigan, 1984 Gesualdo by Lyn Hejinian, 1978 Poetics Journal, No. 4, May 1984 by Lyn Hejinian, 1984-01-01

lists with details

61. Lyn Hejinian
    Excerpt from. Chapter Seven from Oxota – A Short Russian Novel.One person believes in nothing and another dislikes poetry They  
    http://pages.prodigy.net/tadrichards/LHejinian.html

62. English 633 Poetic Texture
    Samuels “Eight Justifications for Canonizing lyn hejinian’s MyLife” in Modern Language Studies. Nov. hejinian, lyn. My Life.  
    http://www.acsu.buffalo.edu/~jconte/633SyllabusF01.htm
    
    Extractions: English 633: Poetic Texture The Smooth and the Striated in Postmodern Poetry Professor Joseph Conte Fall 2001 Aug. 28: Introduction. The Smooth and the Striated: Compositional Texture in Modern Poetry. Sep. 4: Deleuze and Guattari: “Introduction: Rhizome” and “1440: The Smooth and the Striated,” A Thousand Plateaus Sep. 11: Pound: The Pisan Cantos (1948), LXXIV-LXXVIII. History in fragments, memory in tatters. Alexander: “The Pisan Cantos,” Poetic Achievement of Ezra Pound Sep. 18: Rosh Hashanah: No Class Sep. 25: Pound: The Pisan Cantos (1948), LXXIX-LXXXIV. Fabric of time, patchwork autobiography. Gefin: “The Poundian Ideogram,” Ideogram , 27-46. Bernstein: “Thus Was It in Time,” Tale of the Tribe Oct. 2: Johnson: ARK The Foundations 1-33 and The Spires 34-66. Constructivism, assemblage, and the abstract machine. O’Leary: ARK as a Spiritual Phenomenon: An Approach to Reading Ronald Johnson’s Poem.” Selinger: “Ronald Johnson” in Dictionary of Literary Biography See Literature Resource Center, UB Libraries Online Resources. Also: the arches: a Ronald Johnson site Oct. 9:

63. Jessica Smith
    ”. 141144. hejinian, lyn. “Who is Speaking?” The Language of Inquiry. CA Univ.of CA P, 2000. 30-39. WS. hejinian, lyn. “The Person and  
    http://www.acsu.buffalo.edu/~jss13/papers/ENG372.htm
    
    Extractions: Jessica Smith ENG 372: Theoretical Explorations in Innovative Poetics Professor Ming-Qian Ma 10 September 2001 Articulating Space: L=A=N=G=U=A=G=E Poetics and the Creation of Individual Meaning In a “postmodern,” post-Barthes society, the writer is constantly on the edge of extinction. Bound by language and thereby chained into contextual social constraints, the writer has little space to move and even less space to “create” in the classic sense. No longer a “man speaking to men” (Wordsworth) or an “unacknowledged legislator of the world” (Shelley), the poet must articulate a space for his or her work before his or her voice can be aligned with a sense of individual identity and heard as a “speck” (du Plessis 127) in the fabric of socio-political discourse. The issue of identity or “self” is the fundamental issue in the texts we have covered thus far in class (see Works Cited for a list of these texts). Without an “I,” “I” cannot speak, write, create, or even think. The subject is required to answer the question posed by Hejinian, “Am I speaking?” ( WS* The poets’ collective preoccupation with subjectivity is based on the problem of a speaking being.

64. Poetry: Julia Alvarez
    Back to list lyn hejinian (b. 1941) LINKS Academy of American Poets lyn hejinianhttp//www.poets.org/poets/poets.cfm?prmID=408 CFID=10631413 CFTOKEN=31223742  
    http://www.bedfordstmartins.com/litlinks/poetry/hejinian.htm
    
    Extractions: MM_preloadImages('../images/m_research_o.gif'); MM_preloadImages('../images/m_related_o.gif'); MM_preloadImages('../images/m_literary_o.gif'); MM_preloadImages('../images/m_critical_o.gif'); MM_preloadImages('../images/m_essays_o.gif'); MM_preloadImages('../images/m_poetry_o.gif'); MM_preloadImages('../images/m_drama_o.gif'); MM_preloadImages('../images/m_fiction_o.gif');

65. Workshops - Online Poetry Classroom
    lyn hejinian HAP The fortune good or bad that falls on a person; one's lot.A fortuitous occurrence, a happening. Success; prosperity; good fortune.  
    http://www.onlinepoetryclassroom.org/summer/index.cfm?prmPageID=270

66. Find A Poet - Online Poetry Classroom
    Thomas Harjo, Joy Harper, Michael S. Harrison, Tony Hass, Robert Hayden, RobertHayes, Terrance Heaney, Seamus Hecht, Anthony hejinian, lyn Hemphill, Essex  
    http://www.onlinepoetryclassroom.org/poets/searchresult.cfm?prmAlpha=H

67. Henderson Campus New Books - Sept./Oct. 2001
    LANGUAGE OF INQUIRY. ISBN 0520217004 Author hejinian, lyn. LC Class PS3558.E4735L362000 LC Subject 1. hejinian, lynAESTHETICS. 2. POETRY.  
    http://www.ccsn.nevada.edu/library/acqh0110i.htm

68. TheEastVillage.com
    lyn hejinian Video QuickTime Format Segments from BOOK EIGHT of A BorderComedy 1 2 3 4 5 Text from Book Eight by lyn hejinian Video Index,  
    http://www.fauxpress.com/a8/hejinian/a.htm

69. TheEastVillage.com
    lyn hejinian from BOOK EIGHT of A Border reason doesn't count for muchVideo segments of Book Eight by lyn hejinian Poetry Index.  
    http://www.fauxpress.com/t8/hejinian/p1.htm

70. Newsletter
    Vicki Hudspith. Interview with lyn hejinian. lyn hejinian Things are muchbetter! (laughter) For a few months I couldn't get any work done at all.  
    http://www.poetryproject.com/newsletter/hudspith.html
    
    Extractions: Vicki Hudspith Vicki Hudspith : In your letter to me last summer you said the new work you're doing feels "like war today." Does it still? Lyn Hejinian : Things are much better! (laughter) For a few months I couldn't get any work done at all. I got entangled in a lot of questions having to do with the difference between lines and sentences which determines whether the work is poetry or prose. That was an essentially formal problem but absolutely central to the work of writing itself. The other issue seems to be what one might call motivation for work. I dont mean my own I'm motivatedI mean the work's. Really, very very little of my work has ever been "motivated" or "occasional"occasionedthat is, written because of or about some occasion V.H. : Are you trying to pull content back into the work? L.H

71. Stephen Ratcliffe English 183-283, Gertrude Stein And Her Descendents
    Picture Theory. hejinian, lyn My Life The Cold of Poetry. Howe, Susan Animal InstinctsProse, Plays, Essays (This Press); Vice (Potes Poets). hejinian, lyn.  
    http://www.mills.edu/ENG/eng.183-283.sratclif.html
    
    Extractions: English Advanced Seminar In this course we will explore a selection of Stein's writing in context both of the development of the modernist (which is to say "experimental" and in Stein's case expatriot) tradition in American literature, and of the continuation of that tradition (which has been called "avant-garde," the "new American poetry," and, more recently, "language writing," each of these terms inadequate to describe the work it means to describe) in certain contemporary women writers, poets this course will call Stein's literary "descendents." We will think about Stein's work in itself what did she write? what was she doing? what did she think (and say) she was doing? and also about the question of its "influence" on later writers what has "X" learned from Stein? how has her work continued, reshaped, swerved away from Stein's? how might one writer absorb (or be absorbed by) the work of another. Each student will investigate the work of one or more contemporary writers in relation to Stein, and will present her findings orally

72. The Language Of Inquiry
    lyn hejinian The Language of Inquiry Publication Date December 2000. lynhejinian is among the most prominent of contemporary American poets.  
    http://www.ucpress.edu/books/pages/8352.html
    
    Extractions: "Hejinian's essays are a keystone of postwar North American poetics. They are also a great pleasure to read, for Hejinian is an extraordinarily resonant stylist whose work combines the lushness of her poetry with an engaging aesthetic and philosophical inventiveness. This is writing that avoids closure in the pursuit of unfolding, multifaceted, restive thought. The Language of Inquiry's meditations on the possibilities of poetry create an experience in which each reader is at the center. To engage with this work is to be put in touch with oneself as if anew."Charles Bernstein, author of My Way: Speeches and Poems "From 1975, when she wrote 'A Thought Is the Bride of What Thinking' the first 'essay' in this collection Lyn Hejinian has always regarded poetry and poetics as intimately interwoven: her poetry has sometimes been highly theoretical even as her theoretical and critical peices are nothing if not poetic. The Language of Inquiry

73. A.bacus
    Fourteen poems from Crosses. 93. hejinian, lyn. From A border country for JohnZorn. 94. 113. Scalapino, Leslie hejinian, lyn. Hearing. 114. Silliman, Ron.  
    http://www.potespoets.org/abacus.htm

74. Big Bridge #8
    lyn hejinian. from The Fatalist. Dog isn’t right, poetry isn’t wrong— words in themselves can’t be right or wrong. If writing  
    http://www.bigbridge.org/poetlhejinian.htm

75. Twentieth Century Poetry In Translation: Russian
    lyn hejinian {hejinian, lyn} Elena Balashova {Balashova, Elena} intro. lyn hejinian{hejinian, lyn} Elena Balashova {Balashova, Elena} English text only.  
    http://pigeon.cch.kcl.ac.uk/mpt/Tr.Russ1.html
    
    Extractions: TWENTIETH CENTURY RUSSIAN POETRY IN TRANSLATION HOME FEVER And Other New Poems Dutton, Geoffrey Mezhakoff-Koriakin, Igor THE GARDEN Reeve, F. D. THE GARDEN Reeve, F. D. SELECTED POEMS McKane, Richard Sinyavsky, Andrei SELECTED POEMS McKane, Richard Sinavsky, Andrei A POEM WITHOUT A HERO Proffer, Carl Humesky, Asya POEMS OF AKHMATOVA Kunitz, Stanley Hayward, Max POEMS OF AKHMATOVA Kunitz, Stnley Haywood, Max REQUIEM AND POEM WITHOUT A HERO Thomas, D. M. REQUIEM AND POEM WITHOUT A HERO Thomas, D. M. SELECTED POEMS Arndt, Walter Kemball, Robin Proffer, Carl WHITE FLOCK Thurley, Geoffrey WAY OF ALL THE EARTH Thomas, D. M. WAY OF ALL THE EARTH Thomas, D. M. POEMS Coffin, Lyn Brodsky, Joseph TWENTY POEMS OF ANNA AKHMATOVA Kenyon, Jane Dunham, Vera Sando-mirsky YOU WILL HEAR THUNDER Thomas, D. M. YOU WILL HEAR THUNDER Thomas, D. M. SELECTED POEMS Thomas, D. M. POEMS SELECTED EARLY LOVE LYRICS OF ANNA AKHMATOVA Davies, Jesse POEM WITHOUT A HERO AND SELECTED POEMS Mayhew, Leonore

76. Comparative Literature
    Provisional title “lyn hejinian, Arkadii Dragomoshchenko, and Yang Lian Writingon the Margins.” A study of three poets, their work, which was subversive  
    http://homepages.slingshot.co.nz/~jacobe/cv.htm
    
    Extractions: Comparative Literature School of European Languages and Literatures University of Auckland Private Bag 92019 Auckland 1001 New Zealand Telephone: +64 9 373 7999 Fax: +64 9 373 E-mail: j.edmond@auckland.ac.nz Homepage: http://homepages.slingshot.co.nz/~jacobe Education Ph.D. in Comparative Literature (Russian, Chinese and English). University of Auckland. Expected completion date: mid 2003. Provisional title: “Lyn Hejinian, Arkadii Dragomoshchenko, and Yang Lian: Writing on the Margins.” A study of three poets, their work, which was subversive or to some extent new in the 1970s and 1980s, and the controversy and debate that their poetry and polemics caused in their respective countries, the United States, the Soviet Union, and China. Bachelor of Arts (Honors) with First Class Honors (Russian). University of Auckland. 1999. Dissertation: “Founding Voices: Maiakovskii’s Ia! (1913) and Mandel'shtam’s Kamen ' (1913).” A copy has been deposited in the University of Auckland library (call no. R00-026). Bachelor of Arts (Russian and Chinese). University of Auckland. 1998.

77. Grinnell College Libraries - Poetry Bibliography 1995
    Hein, Manfred Peter Ausgewahlte Gedichte 19561986 PT2668.E375 A6x 1993. hejinian,lyn. My Life. PS3558.E4735 M9 1987. hejinian, lyn. The Cold of Poetry.  
    http://www.lib.grin.edu/research/poetry.html
    
    Extractions: Home page Library catalog Question? Site index ... Grinnell College Contemporary Macedonian Poetry. Fast Talk, Full Volume. Forbidden Games and Video Poems: The Poetry of Yang Mu and Lu Ching. From the Other Side of the Country: A New American Poetry, 1960-1990. A Long Rainy Season: Haiku and Tanka. An Other Tongue: Nation and Ethnicity in the Linguistic Borderlands. Our Secret Lives: An Anthology of Poems and Short Stories by Kenyan Women Writers. Periplus: Poetry in Transition. Poetry Like Bread: Poets of the Political Imagination from Curbstone Press. The Voice That Is Within Us: American Poetry of the Twentieth Century. Winter Nest: A Poetry Anthology of Midwestern Women Poets of Color. Addonizio, Kim. The Philosopher's Club: Poems. Adoff, Arnold. All the Colors of the Race: Poems. Black Library PS3551.D66 A77 1992. Akenside, Mark. Selected Poetry. Alurista. Return: Poems Collected and New. Alurista. Tremble Purple: Seven Poems. Ammons, A.R.

78. Ïåðñîíàëüíàÿ ñòðàíèöà
    Sulfur, 14, US, 1986, ? - lyn hejinian. Bomb, Fallof 1986, US, - ? - lyn hejinian. Sulfur, 19, US  
    http://www.artpiter.spb.ru/kladb/person/dragomos.htm
    
    Extractions: Àâòîð ïðîåêòà è îðãàíèçàòîð ïåðâîé ëåíèíãðàäñêîé ìåæäóíàðîäíîé ëåòíåé øêîëû "ßçûê-Ñîçíàíèå-Îáùåñòâî", (Ïåòåðáóðã-Ìîñêâà-Ïàðèæ-Íüþ-Éîðê-Ñàí-Ôðàíöèñêî-Óçáåêèñòàí-Óêðàèíà). Àâãóñò 1989 Ñî-àâòîð ñöåíàðèÿ Àìåðèêàíî-Ðóññêîãî ôèëüìà "Ïèñüìà íå î ëþáâè", 1987, (ïðåìèÿ Green Apple - The Educatuion Net, 1998; ïåðâàÿ ïðåìèÿ Îñòèíñêîãî ôåñòèâàëÿ äîêóìåíòàëüíûõ ôèëüìîâ, US, 1998). Àâòîð ïðîåêòà è ó÷àñòíèê ðàçðàáîòêè êîìïüþòåðíîé ïðîãðàììû ARS PETROPOLI, - äèðåêòîðèÿ ñîâðåìåííîãî ëåíèíãðàäñêîãî èñêóññòâà (ðàáîòà íå áûëà çàêîí÷åíà- ëåíèíãðàäñêîå êîìïüþòåðíîå ïðåäïðèÿòèå TOR), 1991.

79. Directory :: Look.com
    hejinian, lyn (5) Sites. Eight Life . Excerpts from My Life by lyn hejinianMy Life. Los Angeles Sun and Moon, 1987. How Russian Is It?  
    http://www.look.com/searchroute/directorysearch.asp?p=273611

80. Biolyn.html
    lyn hejinian Bibliography poetry A Border Comedy (forthcoming, GranaryBooks, 2001); The Lake (a mixedmedia collaboration with  
    http://www.princeton.edu/~pecs/biolyn.html
    
    Extractions: poetry: A Border Comedy (forthcoming, Granary Books The Lake (a mixed-media collaboration with Emilie Clark; Granary Books Happily (Post-Apollo Press. 2000) Chartings (written with Ray Di Palma; Chax Press, 2000) Sunflower (written with Jack Collom; The Figures, 2000) Sight (written with Leslie Scalapino; Edge Books, 1999) The Traveler and the Hill and the Hill (a collaboration with Emilie Clark; Granary Books Wicker (written with Jack Collom; Boulder, CO: Rodent Press, 1996) The Little Book of A Thousand Eyes (Boulder, CO: Smoke-Proof Press, 1996) Guide, Grammar, Watch, and The Thirty Nights (Perth, Western Australia: Folio, 1996) Two Stein Talks (Weaselsleeves Press, 1995) The Cold of Poetry The Cell Jour de Chasse (trans. Pierre Alferi; Cahiers de Royaumont, 1992) The Hunt (Zasterle Press, 1991) Oxota: A Short Russian Novel (The Figures, 1991) Individuals (written with Kit Robinson; Chax Press, 1988) My Life The Guard (Tuumba, 1984) Redo (Salt Works Press, 1984) My Life (Burning Deck, 1980) Gesualdo (Tuumba, 1978)

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