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Voice Of The Poet: Auden
the 23 selections. The handsome booklet also includes a substantialintroduction by editor JD mcclatchy. Highlights from Voice of
http://hallaudiobook.com/literature_fiction/241.shtml

Extractions: W.H. Auden describes the experience of poems read aloud: The formal structure of a poem is not something distinct from its meaning but as intimately bound up with the latter as the body is with the soul. When one reads a poem in a book one grasps the form immediately, but when one listens to a recitation, it is sometimes very difficult to "hear" the structure. Thankfully, the throaty growlings unearthed on this rare audio collection are accompanied by text for each of the 23 selections. The handsome booklet also includes a substantial introduction by editor J.D. McClatchy. Highlights from Voice of the Poet which is being released along with works by Sylvia Plath and James Merrill include three sonnets from Auden's judicial "In Time of War," "The Wanderer," the elegy "In Memory of W.B. Yeats," and the ballad "As I Walked out One Evening." Listen to Auden read from " As I Walked out One Evening ." Visit our audio help page for more information.
Voice Of The Poet: Plath
their separation in 1962, The Voice of the Poet includes a companion book containingthe text of each poem, as well as an introduction by editor JD mcclatchy.
http://hallaudiobook.com/literature_fiction/223.shtml

Extractions: Before committing suicide in 1963 at the age of 31, Sylvia Plath wrote a bounty of work, including the final eight poems included in this self-read collectiondescribed by Robert Lowell as her "appalling and triumphant fulfillment." This later work, as well as 13 additional recordings gathered here from Plath's short but significant career, are certainly triumphant: her prose is precise, scathing, utterly original, and mature beyond her years. Fortunately for listeners, Plath's voice mirrors her writing. She delivers "Lady Lazarus"a piece about suicide, self-loathing, and her hatred for menwith a dagger-like cadence and clear, confident pitch. She describes a suicide attempt: It's easy enough to do it in a cell.
McClatchy, J. D. (Joseph Donald, Jr.) My Mammogram
Literature Annotations. mcclatchy, J. D. (Joseph Donald, Jr.) My Mammogram.
http://endeavor.med.nyu.edu/lit-med/lit-med-db/webdocs/webdescrips/mcclatchy830-

Extractions: My Mammogram Genre Poem Poems (Sequence) Keywords Aging Alcoholism Body Self-Image Cancer ... Technology Summary A poem of five sonnets reflecting on the poet's discovery of an asymmetry in his breasts requiring a mammogram. The resultant diagnosis, gynecomastia, is the source of flippant "nervous humor," as McClatchy describes it in a section on the authors and their poems at the end of this anthology (pg. 265), followed at the end of the poem by a "darker, more serious meditation" (again in the poet's own words). The meditation is not so dark or abrupt that it undermines the poem's integrity. Commentary This poem affords an interesting change in viewpoint on a mammogram.
Record Article
Scheduled events include a lecture by Timothy Materer and a discussion of Merrill'swork by panelists Jack Hagstrom, JD mcclatchy and Stephen Yenser.
http://wupa.wustl.edu/record/archive/2001/03-09-01/articles/merrill.html

Extractions: March 9, 2001 Washington University Libraries will host a symposium titled "James Merrill: A Celebration" on March 22. James Merrill (1925-1995) has been called "the leading lyric poet of his generation." A prolific writer of poetry, fiction and drama, Merrill won a Pulitzer Prize for "Divine Comedies" and two National Book Awards for "Nights and Days" and "Mirabell: Books of Number." Merrill also received the Bollingen Prize in Poetry, a National Book Critics Circle Award for "The Changing Light at Sandover" and the Rebekah Johnson Bobbitt National Prize for Poetry. He served as Connecticut's poet laureate. Merrill had a long association with the University Libraries. As the primary repository for his papers, the libraries' Special Collections department houses a nearly comprehensive collection of works by or about Merrill, as well as most of his manuscripts and a wide array of photographs, interviews and ephemera. This symposium marks the release of Merrill's "Collected Poems" (Knopf, February 2001) and recognizes the passage of what would have been his 75th birthday March 3.
Directory :: Look.com
mcclatchy, JD (1) Sites. JD mcclatchy The Academy of American Poetspresents a biography, photograph, and selected poems. ,
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James Merril
Last Poems By James Merrill With an introduction by JD mcclatchy anda photogravure portrait by Mariana Cook, Although we wish these
http://www.thornwillow.com/Books/merril.html

Extractions: Mr. McClatchy’s introduction to the last poems offers knowing insights into Merrill’s poetry and to the circumstances surrounding the creation of these, his final works. McClatchy reminds us that each of these seven poems "begin[s] with a sensation - a color, say, or a glimpse of weather...a sense of possibility" that moves the reader through a "collage of circumstances" and "towards some larger idea of itself." Concise yet absolutely at home with his subject, mcClatchy offers us a remarkable introduction to these glowing works.
Last Poems
As JD mcclatchy, one of Merrills close friends and himself the editor of theYale Review, a distinguished poet and critic, remarked in his lengthy New
http://www.thornwillow.com/CPublications/Publications/Book Prospecti copy/Merril

Extractions: As J. D. McClatchy, one of Merrill’s close friends and himself the editor of the Yale Review, a distinguished poet and critic, remarked in his lengthy New Yorker memoir: "James Merrill gave his lifetime to language, and to the ways its hard truths and mysterious graces come to constitute our lives." In his New York Times obituary Mel Gussow declared Merrill’s collective achievement to have established him "as heir to the lyrical legacy of W. H. Auden and Wallace Stevens..." Mr. McClatchy’s introduction to the last poems offers knowing insights into Merrill’s poetry and to the circumstances surrounding the creation of these, his final works. McClatchy reminds us that each of these seven poems "begin[s] with a sensation - a color, say, or a glimpse of weather...a sense of possibility" that moves the reader through a "collage of circumstances" and "towards some larger idea of itself." Concise yet absolutely at home with his subject, mcClatchy offers us a remarkable introduction to these glowing works. Last Poems is further confirmation of Merrill’s genius, and the first collection of them under a single cover. Two poems, Minotaur and Oranges, appear here in their first publication anywhere and Christmas Tree appears for the first time in its intended configuration - "as if the reader were in an adjacent room whose doorway blocked his view of the decorated tree."
NYSL Library Notes: Volume 10, Number 2: March 2003
May 20, 2003 600 pm JD mcclatchy Horace the Odes. LIBRARY LECTURE. JD mcclatchyHorace the Odes Tuesday, May 20, 2003 600 pm, Members' Room.
http://www.nysoclib.org/notes.html

Extractions: 5:30 p.m., Members Room The New York City Book Awards, established in 1996, honor current authors who have captured the essence of New York City. This years jury members are Constance Rogers Roosevelt, chair; Barbara Cohen, Jules Cohn, Hope Cooke, Joan K. Davidson, Joshua B. Freeman, Christopher Gray, Roger Pasquier, Elizabeth Barlow Rogers, Jonathan Rosen, Daniel M. Rossner, and Wendy Wasserstein. The ceremony and reception honors the award-winning authors and their publishers. Library members are cordially invited, but space is limited. Contact the Events Office at 212-288-6900 x230 or sholliday@nysoclib.org by April 24 to place a reservation. BOOK OF THE YEAR

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