Geometry.Net - Authors: Menander

The San Antonio College LitWeb Menander Page
The menander Page ( 342 c. 292 BC ) Surviving Works menander, Plays and Fragments.Translatedwith an Introduction by Norma Miller. Penguin, 1987.
http://www.accd.edu/sac/english/bailey/menander.htm
Baktria, Kings, Menander - Ancient Greek Coinage - WildWinds.com
Ancient Coinage of Baktria, Kings, menander. Click here for the Baktria, Kings,menander page with thumbnail images. BN_135, GREEK. Bop_037, Baktria. menander.
http://www.wildwinds.com/coins/greece/baktria/kings/menander/i.html

Extractions: Ancient Coinage of Baktria, Kings, Menander GREEK. Text Image Baktria. Menander. Circa 155-130 BC. AR Drachm (2.44 gm). Taxila mint? Diademed heroic bust left, with aegis and spear / Athena Alkidemos left; monogram. MIG 224c. Text Image Menander, c155-130BC silver drachm. Diademed head facing right./ Athena Alkidemos to left holding shield. Text Image Baktria. Menander. Circa 155-130 BC. AR Drachm. BASILEWS SWTHROS MENANDOU Text Image Menander AR Drachm. Helmeted, diademed and draped bust right / Athena Alkidemos standing left, holding shield and thunderbolt; monogram to right. Text Image Menander I Soter, Square AE 15, Bop-Series 32, 187-95, Monogram C. Text Obverse Reverse Baktria, Menander. 165-130 BC. Æ Square Dichalkon. BASILEWS SWTHR MENANDROU Text Image Baktria, Indo-Greek Kings. Menander. Circa 155-130 BC. AR Drachm (1.41 gm). Helmeted bust of Athena right / Owl standing right; monogram in right field. MIG 213a. Text Image Text Image Menander I. Circa 165/155-130 BC. AR Drachm. Diademed bust left, seen from back, holding spear / Athena Alkidemos right, holding shield and thunderbolt; monogram. Text Image Text Image Menander c.160 - 145 BC. AR Drachm, bilingual type. Pushkalavati mint. Draped bust rt., wearing a fillet. / Athena advancing lt., brandishing a soear and holding a shield.
Baktria, Kings, Menander - Ancient Greek Coinage Thumbnail Index - WildWinds.com
Generously sponsored by. Ancient Coinage of Baktria, Kings, menander BN_135, GREEK.Text, Bop_037, Baktria. menander. Circa 155130 BC. AR Drachm (2.44 gm).
http://www.wildwinds.com/coins/greece/baktria/kings/menander/t.html

Extractions: Generously sponsored by Ancient Coinage of Baktria, Kings, Menander GREEK. Text Baktria. Menander. Circa 155-130 BC. AR Drachm (2.44 gm). Taxila mint? Diademed heroic bust left, with aegis and spear / Athena Alkidemos left; monogram. MIG 224c. Text Menander, c155-130BC silver drachm. Diademed head facing right./ Athena Alkidemos to left holding shield. Text Baktria. Menander. Circa 155-130 BC. AR Drachm. BASILEWS SWTHROS MENANDOU Text Menander AR Drachm. Helmeted, diademed and draped bust right / Athena Alkidemos standing left, holding shield and thunderbolt; monogram to right. Text Menander I Soter, Square AE 15, Bop-Series 32, 187-95, Monogram C. Text Baktria, Menander. 165-130 BC. Æ Square Dichalkon. BASILEWS SWTHR MENANDROU Text Baktria, Indo-Greek Kings. Menander. Circa 155-130 BC. AR Drachm (1.41 gm). Helmeted bust of Athena right / Owl standing right; monogram in right field. MIG 213a. Text Text Menander I. Circa 165/155-130 BC. AR Drachm. Diademed bust left, seen from back, holding spear / Athena Alkidemos right, holding shield and thunderbolt; monogram. Text Text Menander c.160 - 145 BC. AR Drachm, bilingual type. Pushkalavati mint. Draped bust rt., wearing a fillet. / Athena advancing lt., brandishing a soear and holding a shield.
Arnott: On Editing And Translating Menander
Return to contents page. On Editing and Translating menander. In classical scholarshipthe twentieth century might justifiably be called the century of menander.
http://www.open.ac.uk/Arts/CC99/Arnott.htm

Extractions: Return to contents page On Editing and Translating Menander W.G. Arnott, University of Leeds, U.K In classical scholarship the twentieth century might justifiably be called the century of Menander. Before it dawned, this star of Greek New Comedy was known only from a collection of choice quotations whose quality still made Winckelmann lament the loss of 'the first man to whom the graceful charm of comedy was revealed in its loveliest beauty'. Thirty years ago I was commissioned by Harvard University to produce a three-volume edition of these new discoveries for the Loeb Classical Library, with an introduction, complete Greek texts and English translations on facing pages, and explanatory notes. All of these volumes have now been published (1979, 1996, 2000). My task in this paper is to illustrate the different kinds of work involved in preparing this edition, and this might be done most conveniently if I discuss one short stretch of text which will appear in that third volume, lines 96 to 111 of Menander's Samia , 'The Woman from Samos'. Here is my proposed text, its critical apparatus, and a suggested translation:
OUP USA: The Insula Of The Menander At Pompeii
Archaeology or Browse by Subject $65.00 (06) 0199242364 Add to My Basket 2002In Stock S H Standard, The Insula of the menander at Pompeii Volume IV The
http://www.oup-usa.org/isbn/0199242364.html
Menander
Så penger, høste armod! Heller barfot enn bokløs! menander. Ekteskapeter sant å si et onde, men et nødvendig onde. Ekteskap ekteskapet er.
http://www.ordtak.no/sitater/forfatter/menander.shtml
Menander
Goto menander Hemming, 1939 menander Hemming, 1939; Proc. R. ent. Soc. Lond.(B) 8 137, TS Papilio menander Stoll Tharops Hübner, 1819; Verz.
http://www.funet.fi/pub/sci/bio/life/insecta/lepidoptera/ditrysia/papilionoidea/
POMPEI SEPOLTA - Travelling Backwards 2000 Years
House of menander. In the central exedra there is a painting of two sitting poetsthe one reciting is menander, while the other one is probably Euripides.
http://www.pompeisepolta.com/english/menandro.htm

Extractions: Italiano E-mail Books, cd-rom, audio-cd, dvd, vhs. Hats, T-shirt, mouse-pad, calendars: personalize them with the logo of Pompei Sepolta Regio I House of Menander This house, like the House of the Cupids , belonged to Quintus Poppæus . His family, the Poppæi , were very influential and were relatives of the Empress Poppæa Sabina . In the right corner there is a lararium (domestic oratory) in the shape of a little temple A hall decorated with paintings of the Iliadic cycle opens on the atrium: Ulysses tearing Cassandra away from the Palladium (but it is Ajax in the Homeric version), Cassandra The Trojan Horse and Laocöon . The garden ( peristilium ) is closed by a parapet decorated with herons. On the northern side there is a room ( oecus ) with a green background and on top a frieze portraying the rape of the Lapiths women by the centaurs. At the center of the floor there is a small mosaic portraying pygmies on the Nile . At the bottom of the garden there is a library, a private
Menander
encyclopediaEncyclopedia menander, minan'dur Pronunciation Key. menander, 342?291? BC, Greek poet, the most famous writer of New Comedy.
http://www.factmonster.com/ce6/people/A0832644.html

Extractions: Pronunciation Key Menander B.C. , Greek poet, the most famous writer of New Comedy. He wrote ingenious plays using the love plot as his theme; his style is elegant and elaborate and his characters are highly developed. Although original texts of his plays only came to light beginning in 1906, many fragments of his plays survive; The Curmudgeon, discovered in Cairo in 1957, is Menander's only complete play now extant (tr. by Gilbert Highet, 1959). Seven of his plays were adapted by Plautus and Terence See studies by T. B. L. Webster (1960, 1974, 1975), A. W. Gomme and F. H. Sandbach (1973).
MENANDER
menander c.173 c.130 BC King of Bactria menander was Alexander's successors.menander ruled over a wide area from Kabul to the Punjab.
http://www.hyperhistory.com/online_n2/people_n2/ppersons2_n2/menander.html

Extractions: King of Bactria Menander was the greatest of the Indo-Greek kings who had established themself in the wake of the Hellenistic empires of Alexander's successors. Menander ruled over a wide area from Kabul to the Punjab. Legend has it that he converted to Buddhism after a prolonged discussion, which has been recorded and which seemed to have been influenced by Plato's dialogues.
Menander - Acapedia - Free Knowledge, For All
menander. From Wikipedia, the free encyclopedia. menander (342291 BC), Greekdramatist, the chief representative of the New comedy, was born at Athens.
http://acapedia.org/aca/Menander
Pompeii - House Of Menander
Pompeii House of menander. The House of menander is one of the best in Pompeii. Pompeii- House of menander www.volcanolive.com Copyright John Seach.
http://www.volcanolive.com/menander.html
Menander
Translate this page menander (342 bis 290 vor Christus). So wurde menander zum Begründer des bürgerlichenLustspiels und zum Vorbild für den römischen Dichter Plautus.
http://www.weltchronik.de/bio/cethegus/m/menander.html

Extractions: Im Web suchen Gastbeitrag von Cethegus (inhaltlich nicht von weltchronik.de verantwortet) Navigation: weltchronik.de Hauptseite Wegbereiter des bürgerlichen Lustspiels. Der griechische Komödiendichter wurde 342 vor Christus in Athen geboren. Er war Schüler von Theophrast und verfaßte insgesamt 109 Komödien, von denen uns 98 Titel bekannt sind. Ganz erhalten ist jedoch nur "Dyskolos" (Der Menschenfeind) dank eines Papyrusfundes aus dem Jahr Im Mittelpunkt seiner Stücke steht der Mensch mit seinen Vorzügen und Schwächen. Dabei gelingen ihm exakte Charakterzeichnungen, die in der Welt der Kleinbürger angesiedelt sind, während der mythische Hintergrund fehlt. So wurde Menander zum Begründer des bürgerlichen Lustspiels und zum Vorbild für den römischen Dichter
Menander, The Arbitration (U. Of Saskatchewan)
To Home Page To Course Notes Menu. Background Material for menander's Arbitration(Epitrepontes) compiled by John Porter, University of Saskatchewan.
http://duke.usask.ca/~porterj/CourseNotes/EpitrBckgnd.html

Extractions: To Course Notes Menu Background Material for Menander's Arbitration (Epitrepontes) compiled by John Porter, University of Saskatchewan Notice: The following excerpts present summaries of the myths of Auge and Alope which would seem to be based upon the plots of two of Euripides' plays, now lost. Compare the plots and various plot elements of these stories with those of Menander's Arbitration. A festival of Minerva [Athena] was being celebrated in a certain city of Arcadia, in the course of which Hercules [Heracles] had doings with Auge, daughter of Aleus and priestess of Minerva, while she was leading the choral dances in the nocturnal rites. As evidence of his deed he left her a ring. Pregnant by him, she bore Telephus, who got his name from what followed. Auge's father, incensed at the discovery of her illicit affair, exposed Telephus in a deserted location, where he was nursed by a deer. Auge, however, he handed over to be drowned in the sea. Hercules once again was brought to that region on business and, having recognized his involvement in the affair from the ring, saved the child that he had fathered and rescued the mother herself from the very brink of death. Later Teuthras is said to have taken Auge as his wife on the instruction of Apollo's oracle, and to have adopted Telephus as his son. Euripides' Alope (Hyginus Fab. 187)
Jane Cody, Cnemon In The Well: Stage Properties In Menander's Dyskolos
Jane Cody School of Fine Arts University of Southern California. Cnemon inthe Well Stage Properties and the Performance of menander's Dyskolos.
http://duke.usask.ca/~porterj/abstracts/cody.html

Extractions: University of Southern California Cnemon in the Well: Stage Properties and the Performance of Menander's Dyskolos One aspect of the recent spate of studies on the performance of Greek and Roman new comedy has been an intense interest in the actual appearance and use of stage properties, both movable (props) and immovable (stage scenery, both real scenery and scenery imagined as lying behind or to the sides of the scenery itself). Robert Ketterer's three studies of Plautine props in Semiotica (1986a-c) are one outstanding contribution in this area. In the first and last of these papers Ketterer defines the two main functions of Plautine props as: mechanical, in that they appear to function either as part of the visual presence of the play or as a means to, as well as and indicator of, the forward movement of the plot signifying, as devices that serve to characterize the person/s with whom they are associated. By necessity props, in Ketterer's analysis, serve in both of these capacities.
Menander
Click to return to menu. Return to Comic Spirit Syllabus. top of page. menander redivivus. O life and menander! menander's Athens. 385 BCE. Aristophanes dies. c.342.
http://www.vroma.org/~araia/menander.htm

Extractions: r eturn to Cl 0.1 Three Men and a Baby: Menander's The Girl from Samos click here for notes Professor D. Wilson Click to return to menu Return to Comic Spirit Syllabus top of page Now Aristophanes is neither pleasing to the many nor endurable to the thoughtful, but his poetry is like a harlot who has passed her prime and then takes up the role of a wife, whose presumption the many cannot endure and whose licentiousness and malice the dignified abominate. But Menander, along with his charm, shows himself above all satisfying. He has made his poetry, of all the beautiful works Greece has produced, the most generally accepted subject in theatres, in discussions and at banquets, for readings, for instruction and for dramatic competitions. . . For what reason, in fact, is it truly worth while for an educated man to go the theatre, except to enjoy Menander. (appended to Plutarch
The Comedies Of Menander
The Comedies of menander. Mosaic of Comic Mask. Like Aristophanes, menanderalso addresses the issues of class and status in his works.
http://people.cornellcollege.edu/j-gentes/Comedy/menander.htm

Extractions: Mosaic of Comic Mask Old Cantankerous Dyskolos , The Rape of the Locks Perikeiromene Like Aristophanes, Menander also addresses the issues of class and status in his works. His reasons for this, however, are different. While Aristophanes uses the issues of class and status as a means of poking fun at the social structure and society of Athens, Menander uses them to make a statement about equality and the elements necessary in a democracy. By Menander's time, the city of Athens was drastically different from the one Aristophanes had known. After the city's defeat by Sparta in 404 BCE, Athens became more cosmopolitan, with people from many different backgrounds and contacts all over the world. The focus shifted from the community of Athens to the individual, and as a result, the individual became more important. Soldiers became mercenary, the theater became a paid profession, unions were formed, and academies of learning and philosophy were established. The democracy became dependent on marriage between citizens with the procreation of legitimate children, and the government, although democracy in name, was actually more like a remote republic. The concept of class and status became much more of an individual focus.
Dichter, Vielleicht Menander (Komödie: Masken)
Translate this page Mosaik in der römischen Provinz Africa Dichter (menander) Dichter (menander?,siehe die Masken) aus Thuburbo Maius 2. Jhd. n.Chr., Mus.
http://home.t-online.de/home/mosaiken/mos-28.htm
Blundell John Menander And The Monologue.
Translate this page Blundell John menander and the Monologue. Titel menander and the Monologue.Autor Blundell John. Rubrik1 Rubrik2 Yunis Harvey E. A New Creed
http://www.krimilesespass.de/Blundell-John-Menander-and-the-Mon-3525251556.html
CMA Exhibition Feature : Floor Mosaic Of Menander, Glykera, And Comedy
Floor Mosaic of menander, Glykera, and Comedy The Greek playwright menander(342291 BC) reclines on a dining couch with his mistress Glykera.
http://www.clevelandart.org/exhibcef/AntiochExhib/html/exMenan.html

Extractions: Floor Mosaic of Menander, Glykera, and Comedy The Greek playwright Menander (342-291 BC) reclines on a dining couch with his mistress Glykera. At the left stands a female figure labeled KWMWDIA ("Comedy"), referring to Menander's plays. She holds theater props: a mask and a staff with a curved handle typically held by the narrator/messenger on stage. Menander's lively plays certainly would have been performed in the theaters of Antioch, and in the domestic sphere they provided a model for revelry and a topic for learned conversation.

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