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Schjeldahl Peter:     more books (121)

Samaras Pastels by Peter Schjeldahl, 1981 Eric Fischl [ILLUSTRATED] by Eric Fischl, Peter Schjeldahl, 1988-11 Dreams by Peter Schjeldahl, 1973-01-01 Myths & Magical Fantasies [exhibition: Oct. 27, 1996-Feb. 2, 1997] by Peter Schjeldahl, Reesey Shaw, 1996 Robert Hudson by Peter Schjeldahl, 1977-01-01 Art of Our Time: The Saatchi Collection. 4 volumes by Peter; Michael Auping, Rudi Fuchs et al Schjeldahl, 1985 Kim Dingle by Kim] Schjeldahl, Peter; Knode, Marilu; Otis Gallery Staff (editors) [Dingle, 1995 Jackie Winsor by Peter Schjeldahl, 1988-01-01 Art of Our Time: The Saatchi Collection (Four Volume Set in Slipcase) by Peter Schjeldahl, Rudi Fuchs, et all 1984 The New Yorker Magazine, Volume LXXXVI, No. 33, October 25, 2010 (Cover) "Twilight," Letter From California // U.K. Journal by Maragaret Talbot, Lauren Collins, et all 2010 Edward Ruscha Stains, 1971 to 1975 by Peter Schjeldahl, 1992-08 Miro Sculpture April 27-9 June 1984 by Peter Schjeldahl, 1984 Dreams by Peter Schjeldahl, 1973-01-01 Richard Bosman: Gifts of the Sea by Peter Schjeldahl, 1989-01-01

lists with details

61. The Hydrogen Jukebox
    peter schjeldahl The Hydrogen Jukebox Selected Writings of peter schjeldahl, 19781990Lannan Series Edited by MaLin Wilson. Introduction by Robert Storr.  
    http://www.ucpress.edu/books/pages/5335.html
    
    Extractions: Free online edition (eScholarship) available only to University of California faculty, staff, and students (List of public titles) "To read Schjeldahl is not to agree or disagree, but rather to enter the enchanting flow of a fertile imagination." Art in America "Here's art criticism that demonstrates the power of art to evoke art, in the form of some of the most lusciously written responses to visual beauty ever to hit print. . . . During a decade that defined art mostly through commerce, Schjeldahl consistently reminded readers of its necessary soul." Village Voice "A shrewd and fluent critic, [Schjeldahl] has a masterly personal voice, flamboyant, witty, lyrical yet often precise; more important, he has an open-hearted attentiveness to the subjects of his criticism and the imaginative spaces around them." Times Literary Supplement Home Books Journals Electronic Editions ... Search

62. THE SYMBOLIST PRINTS OF EDVARD MUNCH
    ParkeTaylor Contribution by peter schjeldahl 1997 European History 246 pp. ElizabethPrelinger and Michael Parke-Taylor, with an essay by peter schjeldahl.  
    http://www.yale.edu/yup/books/069529.htm
    
    Extractions: The Symbolist Prints of Edvard Munch The Vivian and David Campbell Collection Elizabeth Prelinger and Michael Parke-Taylor, with an essay by Peter Schjeldahl Edvard Munch is one of the twentieth century's greatest printmakers, and his worksparticularly The Scream and Madonnahave made their way into the popular culture of our time. This handsome book considers Munch's graphic work through the lens of an extraordinary private collection that includes outstanding impressions of virtually every one of his major prints, along with alternate versions and early states. The book underscores the technically experimental nature of Munch's Symbolist prints and demonstrates the great themes of love and death that characterize his fin de siècle imagery. Elizabeth Prelinger discusses Munch as a Symbolist printmaker, providing background on Munch as a graphic artist and exploring how he devised innovative methods to fuse technique and meaning in his Symbolist themes. Michael Parke-Taylor reconstructs the reception of Munch's art in America, tracing a reputation that continues to grow a half century after the artist's death. Peter Schjeldahl poetically evokes Munch's work and accounts for the artist's rock star-like career then and now, and tells how Munch has entered popular consciousness and how he is relevant to a contemporary audience. These essays are accompanied by a detailed catalogue of the fifty-eight prints in the collection, as well as reproductions of the paintings that relate to the prints and many documentary and comparative illustrations.

63. Photoshop Bookstore: Product Listing
    Eric Fischl by Eric Fischl, peter schjeldahl Our price $75.00 ReleaseDate November, 1988. Richard Deacon (Contemporary Artists  
    http://www.photoshoproadmap.com/author/books/find_artist Peter Schjeldahl/2

64. Eyestorm: Artists: Matthew Barney: Resumé
    Nichols Goodeve, Thyrza, 'Travels in Hypertrophia', Artforum, May 1995 schjeldahl,peter, 'The Isle of Male', The Village Voice, May 9, 1995 schjeldahl, peter  
    http://www.eyestorm.com/feature/ED2n_article.asp?article_id=220&artist_id=96

65. Peter Blake Gallery
    Tony DeLap. Arts Magazine, 53, 10, (June 1979), p. 13. schjeldahl, peter. TheAudacity of Raphael Ferrer. The New York Times, January 25, 1970, p. II27.  
    http://artscenecal.com/Listings/Orange/PBlakeFile/PBlakeArtists/TDelapFile/TDela

66. ArtPace | Artists
    Saltz, Jerry. “LA Rising.” Art Auction (April 1994). schjeldahl, peter.“Awash in the Venice Biennial.” Los Angeles Times, 20 June 1993. _.  
    http://www.artpace.org/artists/artist.jhtml?ID=28

67. Artists - Eduardo Kac
    Be There Now Telepresence Art Online.” Flash Art, MarchApril 1999. schjeldahl,peter, “DNART.” The New Yorker, October 2, 2000. Shanken, Edward.  
    http://www.juliafriedman.com/bio_kac.html

68. 2001 Morgan, Robert C., Painted In New York City The Presence Of
    Whitney Museum of American Art, 1981 Biennial Exhibition. Exhibition catalog.schjeldahl, peter. The Hallelujah Trail. The Village Voice, 24 March. Zaya.  
    http://www.joanthorne.com/content-biblio.html
    
    Extractions: Morgan, Robert C.,"Painted in New York City: The Presence of the Past," essay for the catalogue of the show at the Joe and Emily Lowe Art Gallery, Hofstra Museum, Hofstra University, Long Island, NY Westfall, Stephen, "Wild Beauty", essay in catalogue for retrospective exhibition at Museo de Las Americas, March, April.

69. Shirin Neshat | Bibliography
    44, no. 1, p. 113. schjeldahl, peter. Pragmatic Hedonism, The NewYorker, April 3, 2000, pp. 9495. Schorr, Collier. Turbulence  
    http://www.bampfa.berkeley.edu/matrix/187/bibliography.html
    
    Extractions: Shirin Neshat was born in 1957 in Qazvin, Iran. She attended the University of California, Berkeley, where she received her Bachelor of Fine Arts degree in 1979; her Master of Arts degree in 1981; and her Master of Fine Arts degree in 1982. Currently, Neshat lives and works in New York City. Art Exhibition Locations

70. Message
    Translate this page Walker (9) Arts Literature Authors P Perutz, Leo (2) Arts Literature AuthorsR Roth, Joseph (3) Arts Literature Authors S schjeldahl, peter (1) Arts  
    http://web.politinfo.com/index.cgi?base=/profiles/johbeil.html

71. Message
    John Ralston@ 20 Sawyer, Robert J.@ 3 Sayers, Dorothy L. 21 Saylor, Steven@3 Schembri, Jim 1 Schiller, Friedrich 15 schjeldahl, peter 1 Schmidt  
    http://web.politinfo.com/index.cgi?base=/Arts/Literature/Authors/S/

72. Sue Williams - Neue Galerie Graz - Biographie
    Saltz, Jerry, Time Out New York (January). schjeldahl, peter, Shock of the Good ,The Village Voice (January). Schwendener, Martha, Flash Art (MarchApril).  
    http://www.stmk.gv.at/verwaltung/lmj-ng/98/williams/bio.html
    
    Extractions: english version Sue Williams Ausstellung Bilder ... Neue Galerie, Graz Galerie Jean Bernier, Athens Galleria Il Capricorno, Venice 303 Gallery, New York Galerie Ghislaine Hussenot, Paris Galerie Jean Bernier, Athens Regen Projects, Los Angeles Modulo Gallery, Lisbon Jack Hanley Gallery, San Francisco Galerie Metropol, Vienna 303 Gallery, New York Galleria Il Capricorno, Venice Modulo Gallery, Lisbon "In The Best of All Possible Worlds", project for Voltaire Issue Furor , Geneva Vera Vitagioia, Naples San Francisco Art Institute, San Francisco "They Eat Shit", artist´s book, San Francisco Art Institute 303 Gallery, New York Regen Projects, Los Angeles Gallery 210, University of Missouri, St. Louis Loughelton Gallery, New York Project for Bomb Magazine Performance: "Damaged Goods", The New Museum, New York Zur Ausstellung wird ein Katalog mit Texten von Elisabeth Janus, Dan Cameron, Peter Weibel und einem Interview mit Sue Williams erscheinen. (ca. 200 Seiten, Abbildungen in Farbe) SELECTED GROUP EXHIBITIONS Biennial Exhibition, Whitney Museum of American Art, New York

73. Pataphysics Magazine Previous Issues
    from Brian Aldiss, Lawrence Ferlinghetti, Evelyn Firchow, Roger Zelazny, RichardKostelanetz, Alex Katz, Daniel Libeskind, peter schjeldahl, Ange Leccia, Harry  
    http://www.pataphysicsmagazine.com/previous.html

74. Ympäristötaiteeseen Liittyvää Kirjallisuutta
    New York 1972. schjeldahl, peter The Hydrogen Jukebox, Selectec Writings of peterschjeldahl, 19781990. Berkeley 1991. Sepänmaa, Yrjö Tuhatjärvinen.  
    http://www.saunalahti.fi/~tatuhei/kirjall.htm

75. S
    Siegfried; Sayers, Dorothy L. Schembri, Jim; Schiller, Friedrich; schjeldahl,peter; Schmidt, Arno; Schuyler, James; Scottoline, Lisa; Sedaris  
    http://www.ad.com/Arts/Literature/Authors/S/

76. CRG Gallery - ROBERT BECK
    Shaver, The New York Times, August 6, 1999 p. E40 schjeldahl, peter; SelectedAffinities The Artist as Curator The New Yorker, September 6, 1999, p. 86-87  
    http://www.crggallery.com/artist_pages/beck_robert/beck_robert.htm
    
    Extractions: Robert Beck Press / Reviews Images Available works Education The Independent Study Program of the Whitney Museum of American Art, Studio Program, NY BA, Undergraduate Film and Television, New York University 1983 Tisch School of the Arts, NY Solo Exhibitions 2002 Anthony Meier Fine Arts, San Francisco, CA 2001 Drawings, CRG Gallery, NY 2000 Nature Morte, CRG Gallery, NY Galerie Rainer Borgermeister, Berlin 1997 Susan Inglett Gallery, NY 1996 Susan Inglett Gallery, NY Group Exhibitions 2003 Little Triggers, Cohen Leslie and Browne Gallery, New York, NY "Somewhere Better Than This Place: Alternative Social Experience in the Spaces of Contemporary Art," The Contemporary Arts Center, Cincinnati, Ohio 2002 Debs & Co., New York, NY. "Different Class" Real Art Ways, Hartford, CT. "Acquiring Tastes" CRG Gallery, New York; The Armory Show: The International Fair of New Art, NY CRG Gallery, New York, NY. "Gallery Artists Group Show" Castle Gallery, The College of New Rochelle, New Rochelle, New York; "Arrested Development" 2001 Cohan Leslie and Browne Gallery, New York; "Song Poems" Centro Cultural Sao Paulo, Sao Paulo, Brazil; "13th Videobrasil, International

77. BibliozinePartXIII
    The Cachets of 1958 are the biggest and the most beautiful. They are also the last. schjeldahl, peter; and van der Marck, Jan. Arman Selected Activities.  
    http://www.geocities.com/johnheldjr/BibliozinePartXIII.html
    
    Extractions: The short essays are in German, French and Italian, but the handsome catalog is notable for some excellent color reproductions of the cachets, especially a blue work, Cachet, from 1961, and two works from 1957, which are orange and brown. These latter are transitional works in that the rubber stamp letters and numbers begin to spread out against the page, and rollers have been used to flush out background.

78. Galerie Haus Schneider - John Wesley - CV
    schjeldahl, peter, Toontown , Seven Days, April 4, pp. 6061. 1973, schjeldahl,peter, The New York Times, Something Funny's Going On , January 7.  
    http://www.galerie-haus-schneider.de/pages/en/artists/wesley/cv.htm
    
    Extractions: deutsch John Wesley - Curriculum Vitae 1928 born in Los Angeles Education: Los Angeles City College und U.C.L.A. Solo Shows: Jessica Fredericks Gallery, New York City Jessica Fredericks Gallery, New York City, Galerie Haus Schneider, Ettlingen/Karlsruhe, Germany Jose Freire Fine Art, New York City Galerie Rolf Ricke, Cologne Stedelijk Museum, Amsterdam, John Wesley: A Retrospective (catalogue) Portikus, Frankfurt, John Wesley: A Retrospective DAAD Galerie, Berlin, John Wesley: Retrospective: Works on Paper Kunstverein Ludwigsburg, Germany, John Wesley: Retrospective: Works on Paper Galerie Marc Jancou, Zurich, Works on Paper 101 Spring Street Gallery, New York City Daniel Weinberg Gallery, Santa Monica, A Retrospective View 1962- 1992 Galerie Antoine Candeau, Paris, Twelve Nudes fiction/nonfiction, New York City (catalogue Drew Gallery, Canterbury, England, Works on Paper (and traveling exhibition) fiction/nonfiction, New York City, Selected Paintings: 1963 - 1973 Chinati Foundation, Marfa, Texas (curated by Donald Judd/catalogue/introduction by Dan Flavin) Carl Solway Gallery, Cincinnati, Ohio

79. Galerie Haus Schneider - John Wesley - Biographie
    schjeldahl, peter, Toontown , Seven Days, April 4, S. 6061. 1973, schjeldahl,peter, The New York Times, Something Funny's Going On , 7. Januar.  
    http://www.galerie-haus-schneider.de/pages/de/artists/wesley/cv.htm
    
    Extractions: english 1928 geboren in Los Angeles Ausbildung: Los Angeles City College und U.C.L.A. Auszeichnungen und Stipendien: National Endowment for the Arts Stipendium Guggenheim Fellowship Einzelausstellungen: Jessica Fredericks Gallery, New York City Jessica Fredericks Gallery, New York City, Galerie Haus Schneider, Ettlingen/Karlsruhe Jose Freire Fine Art, New York City Stedelijk Museum, Amsterdam, John Wesley: A Retrospective (K) Portikus, Frankfurt, John Wesley: Eine Retrospektive DAAD Galerie, Berlin, John Wesley: Retrospektive, Arbeiten auf Papier Kunstverein Ludwigsburg, John Wesley: Retrospektive, Arbeiten auf Papier Works on Paper 101 Spring Street Gallery, New York City Daniel Weinberg Gallery, Santa Monica, A Retrospective View 1962- 1992 Galerie Antoine Candeau, Paris, Twelve Nudes fiction/nonfiction , New York City (K) Drew Gallery, Canterbury, England, Works on Paper fiction/nonfiction , New York City, Selected Paintings: 1963 - 1973 Chinati Foundation, Marfa, Texas (kuratiert von Donald Judd / Katalog Vorwort Dan Flavin) Carl Solway Gallery, Cincinnati, Ohio

80. Keith Cottingham
    214 (October 2000) 41. schjeldahl, peter. DNART. The New Yorker (October2, 2000) 14446. Tipp Der Woche. Züritipp Germany May 12-18, 2000.  
    http://www.kcott.com/bio/bio.html

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