At the time of Agee's death, all of his published works were either out of print or buried in anthologies. Within fifteen years nearly everything Agee had ever written was in demand and available in print. Agee became something of a magical presence over a body of attitudes and experiences that may or may not have had anything to do with the writer or his accomplishments.

In James Agee and the Legend of Himself, Alan Spiegel examines these accomplishments and treats Agee not simply as a celebrity, journalist, or "Depression" writer but as a self- interrogating literary artist who created a homemade legend from his earliest family memories, sifting his experience through an automythology composed of his mother, his father, and himself.

Agee the man was fact, not legend. But it is the legend that infiltrates the terrain of his created fantasy: the figures, settings, structures, issues, and obsessions. Alan Spiegel explores the interior life through the different but continuous versions of the Agee persona as they appear in his books. In doing so, he also counters the prevalent misconceptions about Agee's work and its confusion with details of his actual life. Spiegel considers Agee's major writing, giving extended attention to Let Us Now Praise Famous Men, Agee on Film, The Morning Watch, and A Death in the Family.

Rich and evocative, James Agee and the Legend of Himself offers readers a deeper understanding of a fascinating and charismatic American artist and his literary accomplishment.

Included are recollections and commentary from Agee's widow, his lifelong friend and teacher Father Flye, his editor David McDowell, and other notables, including John Huston, Andrew Lytle, and Walker Evans, with whom Agee collaborated on Let Us Now Praise Famous Men. For this edition, the editors have added new insights from such luminaries as Robert Fitzgerald, Dwight Macdonald, and Frederick Manfred, along with Agee critics Scott Bates, Edward Carlos, James Lee, Edwin M. Sterling, and William Stott. In addition, editor Jeffrey J. Folks has contributed a new preface outlining the state of Agee criticism in the years since the first edition was published in 1974.

With liveliness and candor, Remembering James Agee evokes the life and personality of a writer and critic who holds a unique place in American letters.