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Kapitel: Slavoj Žižek, Peter Greenaway, Gilles Deleuze, Thomas Pynchon, William S. Burroughs, William Gaddis, Postmoderne Architektur, Italo Calvino, Jean-François Lyotard, Postmoderner Roman, Junggesellenmaschine, Emerging Church, Alexandre Kojève, Hans-Jürgen Von Bose, Don Delillo, Schlachthof 5 Oder Der Kinderkreuzzug, Michel de Certeau, Elisabeth Bronfen, Narrative Psychologie, Cornel West, Luce Irigaray, Superflat, Tel Quel, Trash, Sokal-Affäre, Die Aeronauten, Posthistoire, Joan Vollmer Adams, Transavantgarde, Vintilă Ivănceanu, Liesl Ujvary, Peter Engelmann, Robert Coover, Journal Für Psychologie, Corinne Enaudeau, Absurdität, Postmoderner Tanz, Globales Dorf, Figuration Libre, Schizoanalyse, Grammatologie. Aus Wikipedia. Nicht dargestellt. Auszug: Slavoj Žižek (pronounced ; born 21 March 1949) is a Slovenian continental philosopher and critical theorist working in the traditions of Hegelianism, Marxism and Lacanian psychoanalysis. He has made contributions to political theory, film theory, and theoretical psychoanalysis. Žižek is a senior researcher at the Institute of Sociology, University of Ljubljana, Slovenia, and a professor at the European Graduate School. He has been a visiting professor at, among others, the University of Chicago, Columbia, London Consortium, Princeton, New York University, The New School, the University of Minnesota, the University of California, Irvine and the University of Michigan. He is currently the International Director of the Birkbeck Institute for the Humanities at Birkbeck, University of London and president of the Society for Theoretical Psychoanalysis, Ljubljana. Žižek uses examples from popular culture to explain the theory of Jacques Lacan and uses Lacanian psychoanalysis, Hegelian philosophy and Marxist economic criticism to interpret social phenomena. He writes on many topics including subjectivity, ideology, capitalism, fundamentalism, racism, tolerance, multiculturalism, human...http://booksllc.net/?l=de ... Read more

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This digital document is an article from The Review of Contemporary Fiction, published by Review of Contemporary Fiction on March 22, 2003. The length of the article is 3473 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

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Title: William Gaddis. Agape Agape.(Book Review) (book review)
Author: Thomas Hove
Publication: The Review of Contemporary Fiction (Refereed)
Date: March 22, 2003
Publisher: Review of Contemporary Fiction
Volume: 23Issue: 1Page: 134(1)

Article Type: Book Review

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This digital document is an article from The Review of Contemporary Fiction, published by Review of Contemporary Fiction on March 22, 2003. The length of the article is 3793 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

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Title: William Gaddis. The Rush for Second Place: Essays and Occasional Writings.(Book Review) (book review)
Author: Christopher Paddock
Publication: The Review of Contemporary Fiction (Refereed)
Date: March 22, 2003
Publisher: Review of Contemporary Fiction
Volume: 23Issue: 1Page: 134(2)

Article Type: Book Review

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This digital document is an article from The Review of Contemporary Fiction, published by Review of Contemporary Fiction on June 22, 1994. The length of the article is 483 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

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Title: The Ethics of Indeterminacy in the Novels of William Gaddis.(Brief Article)
Author: Joe Tabbi
Publication: The Review of Contemporary Fiction (Refereed)
Date: June 22, 1994
Publisher: Review of Contemporary Fiction
Volume: v14Issue: n2Page: p231(2)

Article Type: Book Review, Brief Article

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Der Erwerb des Buches enthält gleichzeitig die kostenlose Mitgliedschaft im Buchklub des Verlags zum Ausprobieren - dort können Sie von über einer Million Bücher ohne weitere Kosten auswählen. Das Buch besteht aus Wikipedia-Artikeln: William Gaddis, Carolee Schneemann, Kishore Kumar, Lyle R. Wheeler, Alka Yagnik, Jamshedji Framji Madan, Oliver Goetzl, Cornelia Schleime, Kundan Lal Saigal, Boris Sacharowitsch Schumjazki, Georges Cravenne, Will H. Hays, Asha Bhosle, Manuel Puig, Christian Geissler, Bülent Kullukcu, Majrooh Sultanpuri, Lata Mangeshkar, Anjorka Strechel, Art Rochester, Mohammed Rafi, Michael Saup, Jack Valenti, Digne Meller Marcovicz, Annette Hopfenmüller, Karl Baumgartner, Erwin Lange, Ilse Kubaschewski, Jack Hauser, Ulla Lachauer, Christopher Heyn, Christoph Oertel, Hans Dieter Baroth, Friedrich Schütze, Michael Schmid-Ospach, Frank Kuenstler, Jay Baruchel, Ralph McQuarrie, Maurice Binder, David Breashears, Peter Menne, Barbara Rubin, Paul Wing, Peter Wensierski, Klaus Dill, Kerry Gammill, Kyle Cooper, Don Alvarado, William Wadsworth Hodkinson, Mary Selway, Lew Wasserman, Ben Redelings, Zarqa Nawaz, Mel Kutbay, Dean Collins, Robert McLiam Wilson, Willie D. Burton, Michael O'Donoghue, Johannes Szelinski, Pablo Ferro, Don LaFontaine, Mali Finn, Johanna Straub, Frank Kruse, Daniel Falconer, Runa Laila, Henry Bergman, Moritz de Hadeln, O'Neil Bürgi, Rick Sternbach, Abdulally Esoofally, Peter Tupy, Harry Schein, Douglas Shearer, Stefan Ravasz, Alice Anderson, Robert Kurtzman, Nicholas Schenck, Jack Foley, Bernhard Hausberger, Karl Vollbrecht, Jamie Doran, Ren Klyce, Urs Frey, David LeRoy Anderson, Peter Handford, Kailash Kher, Elliot Tyson, Owen Paterson,. Online finden Sie die kostenlose Aktualisierung der Bücher. Nicht dargestellt. Auszug: Carolee Schneemann (* 12. Oktober 1939 in Fox Chase, Pennsylvania), eine US-amerikanische Künstlerin, wurde durch Beiträge zum gesellschaftlichen Diskurs über Körperlichkeit, Se...http://booksllc.net/?l=de&id=3923373 ... Read more

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A Book out of Print that never did go to print
If you have actually seen this book in the material world, please contact me: John Soutter ... Read more

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This digital document is an article from Style, published by Thomson Gale on December 22, 2006. The length of the article is 6245 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

From the author: Postmodernist Manichaean allegories, which pit Good against Evil, are distinguished by their elusiveness: the upright turn out to have faults; the nefarious, virtues. The dominant postmodernist element in William Gaddis's Carpenter's Gothic is its richness in such Manichaean allegories and their Nietzschean correlates, the Apollonian and Dionysian allegories. The "bleeding" of the polarities is all the more strong in Carpenter's Gothic because the Manichaean and Nietzschean details get lost in a welter of distorted, false, incomplete, and confusingly presented information. The pervasiveness of postmodern Manichaean allegory in Carpenter's Gothic further explains why the Tibetan Buddhist duality, which holds that good and evil cannot exist separately, resonates so strongly in this novel. Though this connection of the duality to Carpenter's Gothic is well known, its presence there is now better understood. While the flurry of information makes the postmodernist Manichaean allegory less obvious, it also renders the novel more difficult to read, which makes for a deeper and more lasting readerly experience.

Citation Details
Title: Postmodernist Manichaean Allegory in William Gaddis's Carpenter's Gothic.(Author abstract)
Author: Robert E. Kohn
Publication: Style (Magazine/Journal)
Date: December 22, 2006
Publisher: Thomson Gale
Volume: 40Issue: 4Page: 334(14)

Article Type: Author abstract

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Subjects covered include how pile fabrics are made, types of pile fabrics, marketing, home sewing, and care of pile fabrics. Includes 40 actual samples of fabrics in both finished and beginning stages of production. ... Read more