Product Description
Fresh translation, good production. Many color illustration. a delightful edition of a world classic ... Read more

Customer Reviews (35)

Wine of Wisdom & Understanding
I'm new to the Ruba'iyat of Omar Khayyam, but I must say I throughly enjoyed this translation. It's great for reading alone, reading aloud and discussing with good philosophically-minded friends.

To sum up the feelings of this book, I shall use some quotations from other media I enjoy. Here we go:

"Seize the Day" (Dead Poet's Society)
"Eat, drink and be merry, for tomorrow you shall die" (The Bible)
"From dust you are, and dust you shall return" (Genesis, The Bible)

That's pretty much the gist of the poem, written in a style that evokes the Bible book of Ecclesiastes, which is not surprising. They are both written by old, disenchanted men nearing the end of their lives. The only difference is one is a disenchanted Jewish King (Solomon of Ecclesiastes) and the other (Omar Khayyam) is a disenchanted Moslem thinker and astronomer. It's very interesting to note the parallels.

I'd recommend this book and this very literal translation to those who are questioning the meaning of life. It's worth every penny...

An essential read for multi-cultural studies
The Rubaiyat of Omar Khayyam is almost certainly the most widely known work by an Islamic writer. It is the only non-western piece of literature that I was required to read when in high school and I recently re-read this version. Like most historical pieces, it is difficult to understand without additional knowledge of the historical context. Khayyam was a Persian poet, mathematician and astronomer, which means he was as educated as the times allowed. The Rubaiyat was written in about 1120 C. E. and is in the form of quatrains or four-line rhymes.
As a poem, the flow is smooth and the imagery deals with the lot of what human life is. The fourteenth quatrain is:

Ah, make the most of what we yet may spend,
Before we too into the Dust descend;
Dust into Dust, and under Dust to lie
Sans Wine, sans Song, sans Singer, and--sans End!

with clear imagery regarding death, which is a consistent theme throughout.Other quatrains deal with how we cope with life, and how we deal with the difficult questions of our existence. Quatrain 74 is

Yesterday This Day's Madness did prepare;
To-morrow's Silence, Triumph, or Despair:
Drink! for you know not whence you came, nor why:
Drink! for you know not why you go, nor where.

describing how little we know about the consequences of our journey through life.

The deep imagery of the poems requires that you read it slowly and several times. Like the best of poems, the passages are often open to multiple interpretations, which increases the level of interest. I hope that the high schools in my area still require the eleventh grade English classes to read this poem, understanding it is truly within the purview of multicultural studies.

Rubaiyat of Omar Khayyam
I collect this work in different formats. This particular book is very good. I recommend everyone reading the Rubaiyat at least once in their lifetime. It is an excellent poetic examination of Man's purpose and Man's relation with God. One can appreciate the Rubaiyat only for its beautiful poetic images or explore it over and over for its deeper philosophical nuances. The Rubaiyat of Omar Khayyam is ever a delight no matter how you prefer it.

Illustrated Editions Company Review
There are so many editions of Fitzgerald's Rubaiyat translations that have been published, with many being limited editions. Several of these rose to highly collectible status, especially those with tipped-in color plates by Dulac, Pogany or Arthur Szyk. These necessarily set them apart from other more textual editions.

This review has specifically to do with the Illustrated Editions Company 1938 printing. Physically, at 11 1/2" x 8" it is rather long and wide, almost completely black, except for a red illustrationof a mosque on the cover, and thin.

I give 4 Stars only because it is not the first Fitzgerald edition, but a 20th century reprint. Beyond that, this is the most excellent of editions. The Illustrated Editions Company version has the first and last Fitzgerald translations.

This book is powerful and sacred. Reading it will invoke a shamanic experience-- you will be there, as Omar uses the wine metaphor to teach the value and ephemeral substance of life. The Rubaiyat of Omar Khayyam is essentialmetaphysics. The note and comment that open this edition are key to understanding why the Illustrated Editions Company is above all the rest, even other collector editions, of which I own several. It is the care and quality of the edition that sets it apart, certainly not anything distinguished about its content. This is my favorite edition of all. The tipped in color plates by Hamzeh Abd-ullah Kar are authentic Persian fantasy, and reading each carefully printed verse on the heavy, slightly glossy parchment is a religious experience. There is something qualitatively different about reading the Illustrated Editions Company version.

I can't find much else about this copy on the net, but there is one site that shows a copy remarkably similar to the one which I am using to base this review. I see no evidence that the title letters were ever gilt, although whenever the book goes up for auction the owners usually say the gilt is worn from the letters. This can't be true of all these copies, especially for a printing as late as '38, so I'm inclined to believe there never was any gilt lettering. I have seen other far less well preserved editions from earlier periods that have almost fully retained their gilt. The gems are between the boards, in this case.

The comment by Edward Heron-Allen is itself a collectible piece of literature, though he wrote only one paragraph. Truly an edition which can only be enjoyed by the reverential Rubaiyat enthusiast.

Edward FitzGerald Gets Far Too Little Credit For this Translation
These verses, which we anglophones have come to intone as though they were scripture, are not those of Omar Khayyam (meaning Omar the tentmaker in Farsi), but those of a less celebrated Elizabethan poet, Edward FitzGerald.Our affection for the rhyme scheme, the aliteration, the meter, the very image the words evoke, is not for Omar, but for his tranlator, Edward FitzGerald.It was not Omar who wrote, "oh, but the long, long while the world shall last," but FitzGerald.FitzGerald translated this Twelfth Century poetry in the very early years of the Nineteenth Century, seven hundred years after Omar.It is FitzGerald to whom we should be grateful.

FitzGerald's verse is literally accurate only to the extent of its a, a, b, a rhyme scheme; and even so, the final combination of phonics comprising the cadence in each line is constructed in our language, not in Omar's.Only in the figurative meaning of the verse is the translation from Farsi accurate.What we anglophones think of as Omar's verse is not at all Farsi and not at all Twelfth Century.It sounds much more familiar to our ears because FitzGerald has cut the time gap by seven centuries and the language barrier to nothing.

But don't take my word for it; speak to any Iranian (if you permit them to speak for their ancestral Persians) and they will tell you that Omar is known principally for astrology and alchemy.Some will say he was a mathmetician, but no evidence remains to support that claim.Omar is never quoted as a poet by his ancestral Iranians.I have asked a dozen university-educated Iranians to recite a single verse of Khayyam and none have been able to do so.Not one.

One explanation for this omission is Omar's obsession with hedonism in general and wine in particular, which is now so stridently verboten by his militantly muslim ancestors.FitzGerald drew inspiration only from Omar, and that inspiration has positioned him in an orbit around Omar's star.Our current affection for Omar Khayyam's verse is not remotely due to the accuracy of FitzGerald's translation, but rather to his own creativity and originality.

The reason for the historical coincidence making blood-brothers of Omar and FitzGerald is the shocking nature of their verses.Omar's rebellion against the muslim propriety of his age paralleled FitzGerald's rebellion against the Elizabethian propriety of his age.Yet even to us these verses still sounds racy, and as long as they do they'll titillate our sensibilities, irrespective of their authorship.

"Perplext no more with human or divine,
Tomorrow's tangle to the winds resign,
And lose your fingers in the tresses of
The cypress-slender minister of wine." ... Read more

Product Description
A story taking place before the First Crusades from Europe. Great story and verses. ... Read more

Customer Reviews (1)

Rubaiyat Of Omar Khayyam
This is a wonderful edition! It has a nice layout, informative introduction, and beautiful illustrations by Edmund Dulac. Its presentation of all five Fitzgerald editions makes it well worth the investment. ... Read more

Book Description
1998 English translation from Persian Robaiiat and their everlasting wisdom with emphasis on combating substance abuse and hypocrisy. Please note that this is not just another translation. It contains a uniquely detailed analysis of Khayyams personality according to his poems with emphasis on combating substance abuse and hypocrisy. The author calls Omar's Robaiiat " Literary tranquilizers," the cheapest and most effective means of inspiration, relaxation, self restraint necessary for a moderate and healthy lifestyle free from abuse and excess. This unique treatise is not merely another translation but much more and the only one of its kind. Reading this book is a must for those who are interested in factual and yet relaxing poetries, called "literally tranquilizers" by the author or recipes for a happy, healthy, long and independent life. ... Read more

Customer Reviews (2)

Who was Khayyam?
Universally Khayyam is known as the book's title describes but there is a clear contradiction between Khayyam's poems and the quality of a Mathematician, scientist, jurisprudent,.... According to the late philosopher Muhammad Taghi Jafari Tabrizi citing from abook from Dr. Taghi Arani ( one of the 52 jailed by Reza Shah) Khayyam was the poet and Khayyami was the Mathematician, scientist,.....Two different individuals with two opposing qualities.

A Wonderful, Amazing Book
How can you describe 246 pages of the most delightful writing in a paragraph? It is impossible. I can only say a few words that describe this wonderful book. It is an ongoing story, when you think all is good something happens. It is one of those books you soar through without noticing how much you have read. It is a happy and sad story, it is a calm and adventurous story, it has a very interesting plot, and I highly recommend it. ... Read more

Book Description
Though few translations have had as much impact as Edward Fitzgerald's Rubáiyát of Omar Khayyám, anyone who wishes to truly appreciate Omar Khayyám needs to read more than one translation. This volume contains Edward Fitzgerald's classic translation with all its variations, Justin McCarthy's elegant and mystical literal translation and Richard Le Gallienne's sharp and poetic version. For the first time the reader can appreciate the range of Omar Khayyám and his interpreters in a single volume. ... Read more

Customer Reviews (1)

Excellent work by Richard Le Gallienne
I should start off by saying that I am not familiar with Omar Khayyam or his work. I should also state that Richard La Gallienne's translation is likely completely unlike the literal translation. His effort was only to produce a witty and stylish version reminiscent of Khayyam's original intent. From what I have read, it is excellent on its own. I do not generally go in for poetry, but found that I couldn't stop reading this work. Here are some especially interesting excerpts:

Look not above, there is no answer there;
Pray not, for no one listens to your prayer;
Near is as near to God as any Far,
And Here is just the same deceit as There.

[...]

And do you think that unto such as you;
A maggot-minded, starved, fanatic crew:
God gave the secret, and denied it me?--
Well, well, what matters it! Believe that, too.

[...]

"Did God set grapes a-growing, do you think,
And at the same time make it sin to drink?
Give thanks to Him who foreordained it thus--
Surely He loves to hear the glasses clink!" ... Read more

Book Description
Nourished by an admiration of Khayyam that has been with him since childhood, Aminrazavi's comprehensive new biography reintroduces the figure of Khayyam, and his great achievements, to the Western world. Blending a readable and accessible narrative with scholarly ambition and years of research, Aminrazavi's work covers not only Khayyam's well-known poetry, but also his extraordinary life, his neglected philosophical writings and the impact of his work in the West. It features a variety of supporting material, including original translations and the full text of Fitzgerald's Rubaiyyat, and will prove an ideal biography for those who want to know more about the poets inspired by Rumi. ... Read more

Customer Reviews (2)

enlightened reading
The seems to be a lot of redundancy in the first part of the book but the overall information, history and review of the philosophy is well presented.
A very interesting book and enjoyable to read.

The Ultimate Treatise on Khayyam
I am a filmmaker who spent 7 years making a feature film about the legendary mathematician, astronomer, poet of Persia, Omar Khayyam.I cannot think of another book published in this world that gives a more complete and thorough understanding of Khayyam.Dr. Aminrazavi's book is a scholarly masterpiece that illuminates the reader's mind with well researched, solid facts debunking the myths surrounding Khayyam.Each chapter clearly lays out the author's own struggle with what is fact and what is fiction.The book also explores Khayyam's vast influence on literature in the West.If there is anyone out there who wants an encyclopedic look into the mind of the 11th Century genius with the soul of a poet, look no further...purchase Wine of Wisdom today! ... Read more

Book Description

Book Description
Omar Khayyam's famous poem, The Rubaiyat, is loved by Westerners as a hymn of praise to sensual delights.In the East it is known as a deep allegory of the soul's romance with God.As for what his quatrains actually mean, most of them have remained a mystery in the East as much as in the West.Now after eight centuries, Paramhansa Yogananda, one of the great mystics of our times, a master of yoga and the author of the classic Autobiography of a Yogi, explains the mystery behind Omar's famous poem. This book contains the essence of great revelation. ... Read more

Customer Reviews (6)

Why not just read them yourself without another person's interpretation?
Many of Khayyam's quatrains make it seem unlikely that he is anything more than indifferent with respect to religious belief, heaven, hell, etc. In any case, there have been a wide variety of interpretations. (e.g. Christopher Hitchens includes Khayyam's quatrains as essential reading for atheists)

Why not just read them yourself and make up your own mind? Several of the best translations are all free, in the public domain, and available online through Project Gutenberg or WikiSource. Look for Fitzgerald, McCarthy, Whinfield, or even Richard Le Gallienne's paraphrase, which attempts to maintain the witiness of Khayyam.

Anything is preferable to having someone else tell you "for sure" what is meant - even if they're analysis is correct, isn't it better to figure it out for yourself?

Was Omar Khayyam a yogi?
This is a book of rather peculiar interpretations of Omar Khayyam's "Rubaiyat" in the famous translation by Edward FitzGerald. Mr. Yogananda takes the 75 quatrains of the first translation of 1859 and adds to each a paraphrase, an "extended meaning" and what he calls "keys to meaning."

The purpose of this book, however, is to illustrate Mr. Yogananda's beliefs with the poetry of Omar Khayyam, not to explain or comment the quatrains.

Quatrain number 52 is one of the most materialistic, even fatalistic, of Omar Khayyam's poems:

And that inverted Bowl we call The Sky,
Whereunder crawling coop't we live and die,
Lift not thy hands to It for help - for It
Rolls Impotently on as Thou or I.

(in the standard 101 quatrain-edition of Edward FitzGerald this poem is number 72 and reads more correctly: "And that inverted Bowl they call the Sky, / Whereunder crawling coop'd we live and die, / Lift not your hands to It for help - for It / As impotently moves as you or I.")

Mr. Yogananda paraphrases it as "Sun, Moon, stars, and planets pass athwart the sky as though in a slow celestial dance. Their movements correspond to the decrees of the Cosmic Law. Their changing configurations are choreographed, like the events in our lives. The stars and planets themselves can no more choose how they will affect us than we can select our own karmic destinies. Look not to the stars, then, for help if you would change your lot. Look to God. He it was who made you and all the stars. He it was who first determined the workings of karmic law."

God and "karmic law" figure prominently in Mr. Yogananda's interpretations of the other quatrains, too. However, the connection between the poems and Mr. Yogananda's interpretation is in all cases very flimsy and arbitrary. In Omar Khayyam's quatrain about the indifference of nature towards human suffering it is definitely far-fetched to claim that he wanted the reader to look to God and remind him of the "karmic law" when he wrote this poem. Rather, it seems the opposite was the case.

Omar Khayyam asks many questions about life and life's meaning in his quatrains. Mr. Yogananda claims to have all the answers. I prefer to stay with the questions and find my own answers. One of which is: no, Omar Khayyam was no yogi.

Story Behind the Scenes
Who has not heard or read these lines of beauty?

"Here with a Loaf of Bread beneath the Bough, A Flask of Wine, a Book of Verse -- and Thou," or "The Moving Finger writes; and having writ, Moves on."?

These lines are from the first translation of The Rubaiyat by the English translator and man of letters, Edward FitzGerald (1809 - 1883). While it retains the spirit and philosophy expressed in the original quatrains, FitzGerald's translation was so free in its rendition as to be virtually an original work.
Omar Khayyam, poet, astronomer and mathematician was born in Persia in the latter part of the 11th century. His surname, Khayyam, means "tent-maker" although that undoubtedly referred to his father's trade more than to his own because actually, he was independently wealthy. He was a friend of Nizami, the Vizier of Baghdad who founded the great college of Baghdad, where Omar Khayyam was taught. Omar Khayyam lived in seclusion until Malik Shah appointed him Astronomer Royal, who, along with eight other scholars, revised the Muslim calendar. It seems certain that Khayyam was a Sufi mystic and kept his spiritual life hidden from superficial worldly minds.

"Omar," Paramhansa Yogananda has said, "by a very large number of Western readers, has come to be regarded as a rather erotic pagan poet, a drunkard interested only in wine and earthly pleasure. This is typical of the confusion that exists on the entire subject of Sufism. The wine is the joy of the spirit, and the love is the rapturous devotion to God?"

The Rubaiyat as well as the Tales of the Arabian Nights are not love stories about drunkards, genies, and magic caves filled with treasures, but mystical stories based on the religion of Sufism. Their encoded symbolism, when revealed, is deeply mystical and meaningful.

One example is the magic lamp of Aladdin. First, the meaning of the name: AL is Arabic for God, "ALLAH."DDIN is a transcription of the word DJINN (or we would say in the West, "Genie.") But in Arabic it means SPIRIT. Thus, ALADDIN means "The Spirit of God." Well, what is the magic lamp, then? The magic lamp is something we all possess in the depths (cave) of the subconscious, the MIND. What would it mean then that the "Spirit of God" rubs the "Mind"? This refers to the practice of meditation. By focussing on an idea, a single thought, our minds are capable of bringing about any reality we dream of. We are the co-creators of our own universe, our own lives. As Pogo, the comic strip character, said: "We have met the enemy, and it is we-uns." We are responsible for our own self-undoing, just as we are responsible for creating our own lives.

Secrecy and the practice of hiding deep truths behind a veil of exotic symbolism was the way the Sufis protected themselves against persecution for their unorthodox views. It is similar to the deep mysticism of the Jewish Kabala. The Sufis called their secret language QBL. The alchemists of the West used another example of hidden mysticism. Do you think they were really trying to transmute lead into gold, or were they trying to transmute the gross material of our bodies and souls into the golden glory of the spirit? If you think so, read John Randolph Price?s book published by Hay House, The Alchemist?s Handbook. Nostradamus and Leonardo daVinci also hid their writings in obscure diaries and secret codes.

Paramhansa Yogananda accomplished much of the mystic discovery about Omar Khayyam in his book, The Rubaiyat of Omar Khayyam Explained. Paramhansa Yogananda was one of the great spiritual beacons of the 20th century. His Autobiography of a Yogi, first published in 1946, has been a best-selling autobiography for the past fifty years. Yogananda was born in India in 1893 and sent to this country in 1920 where he founded the Self-Realization Fellowship in Los Angeles, California, a non-sectarian and universal organization. His close friend and editor of the book on the Rubaiyat, J. Donald Walters, also known as Kriyananda, wrote: "Yogananda's charity, compassion, unshakable calmness, loving friendship to all, delightful sense of humor and deep insight into human nature were such as to leave me constantly amazed."

If you love poetry like I do, you will love this one too!!
The first time I encountered this book was in the 10th Grade and I have been mesmerized by it ever since.The author gives extraordinary metphors and allows the reader to interpret the poetry how it best fits them.Hespeaks of most of the joys there is on this wonderful world and takes youto places you have never been before.I would recommend this wonderfulbook to anyone who loves poetry.

Wow!
If you want the best of mysticism and poetry, read this beautiful and deep book. I've fallen in love again with reading poetry, and I've been given a new understanding of eastern wisdom.

Even though the commentaries arefull of esoteric wisdom, Yogananda writes in a poetic style that is easy onthe eyes, mind, and soul.

I quote from Yogananda here: "Come, fillthe Cup of Consciousness with the divine wine of bliss! Cast away yourmaterial desires (deceitful, because forever disillusioning), and flinginto the crackling fire of fresh spiritual enthusiasm your robe ofpenitence for having ever indulged in them." ... Read more

Book Description
1899. This volume contains an English rendering in quatrains of the first, second and fifth editions of Omar Khayyam's Rubaiyat, together with notes indicating the minor variants found in the third and fourth editions. ... Read more

Customer Reviews (4)

unknown famous writer
Omar has contributed so many phrases to us that for the most part, people are unaware of their origin.
"Eat drink and be merry."
"The moving finger writes, and having writ, moves on. nor all thy piety, nor all thy wit, can lure it back to cancel half a line of it." Nothing ever written captures the inexorable one way march of time better than that single sentence by this master. But is it Fitzgerald, or is it Omar? What the hell... who cares?
Just wallow drunkenly in the rapture of his prose. Only Rumi approached this writing. But wait.. was it Barks, or was it Rumi? LOL.
Few books, excepting perhaps the Bible, have so many exquisitely crafted and picaresque sentences in them. A little tid bit from the book, unrelated to his prose:
The word Assassin, was associated with the life and times of Omar and two boy hood friends of his.
If you have not read this book, I envy you. You have before you, a stunning feast of prose by an unknown famous writer. Two of them. Omar and Fitzgerald. Although at one time Fitzgeralds star was burning bright.

A poem to be enjoyed
My knowledge of theRubiyat came from reading it in Poetry Anthologies .The hypnotic rhythms , the combination of life- philosophy and striking poetry seemed to naturally lead to the memorization of many stanzas.
There is the 'seize the day' enjoy life now, ' a jug of wine a loaf of bread and thou/ kind of hedonism. There is also a certain skeptical and realistic attitude which as I understand created problems for Omar Khayyam in a Muslim society.
How I wonder is this treasure of world - literature taken, or perhaps censored in the radical Islamic Iran of today.
In any case Fitzgerald's is one of the great translations of world- literature one of those cases, some experts say, in which the translation surpasses the original.
A poem to be enjoyed .

One Of My Favorites is............
Whether at Naishapur or Babylon,
Whether the Cup with sweet or bitter run,
The Wine of Life keeps oozing drop by drop,
The Leaves of Life keeps falling one by one.

one of the greatest works of poetry in the world
"We are no other than a moving row
of magic shadow shapes that come and go,
'round with the sun-illumined lantern held,
at midnight by the master of the show.

But pieces of the game he plays
upon this chequer-board of nights and days,
and hither and thither moves and checks and slays,
and one by one, back in the closet lays."

Khayyam's Rubaiyat is a great work of amateur philosophy, as well as being one of the literary greats of all time.It combines a deeply poetic, resounding tone with ideas and images so vivid and sophisticated that one has to admire the genius of the work.Khayyam's view of the world runs back and forth, from religious to agnostic to atheistic.His central thesis, though, remains the same, that man's time on earth is limited, and he should drink the wine of fulfillment while he can, before it's too late.

"The moving finger writes, and having writ,
not all thy piety nor wit,
can lure it back to cancel half a line,
nor all thy tears can wash away a word of it." ... Read more

Book Description
Oh, come with old Khayyám, and leave the Wise To talk; one thing is certain, that Life flies;One thing is certain, and the Rest is Lies; The Flower than once has blown for ever dies. -XXVIThough it's difficult to imagine, these 12th-century stanzas-oft quoted and frequently looked to for inspiration by those seeking to live life to the fullest-did not come to the public's attention until Edward FitzGerald published them in English in 1859... and even then they were ignored until the painter Dante Rossetti discovered a remaindered copy two years later and excitedly spread news of it around his intellectual and artistic circles.Not a direct translation, these liberal interpretations make Khayyám's verse accessible to readers in the English language. Several editions of FitzGerald's work are included in this volume, allowing the reader multiple approaches to their wisdom and beauty.Persian astronomer and poet OMAR KHAYYÁM (1048-1131) also authored works on music and mathematics.British poet and translator EDWARD FITZGERALD (1809-1883) also wrote Polonius: A Collection of Wise Saws and Modern Instances (1852) and translated from the Spanish Six Dramas of Pedro Caulderon (1853). ... Read more

Book Description
Now after eight centuries, Paramhansa Yogananda, one of the great mystics of our times, a master of yoga and the author of the now-classic Autobiography of a Yogi, explains the mystery behind Omar's famous mystical poem. The Rubaiyat of Omar Khayyam Explained is available at last, edited by one of Yogananda's close disciples, J. Donald Walters. This new & expanded version is now available in paperback. ... Read more

Product Description
This Elibron Classics edition is a facsimile reprint of a 1900 edition by Methuen and Co., London. ... Read more

Customer Reviews (8)

Visually stunning and an esoteric piece of work!
The spiritual interpretation of "The Rubaiyat of Omar Khayyam" by Paramahansa Yogananda reveals to the reader the depth of Yogananda's spiritual understanding and attainment. Yogananda interprets the poems in a very esoteric manner which leaves all sincere readers on the spiritual path breathless with admiration and veneration for Omar Khayyam.

Yogananda's commentaries on these poems will bring every scholar on mystical Islam to shame. His depth of understanding on Sufism is a welcome diversion of Yogananda's main spiritual books. Yogananda's main goal was to show the unity of Hinduism and Christianity to the West. But this book clearly shows to the world that Yogananda DID NOT neglect the second most popular religion of this primitive earth - that is Islam.

The illustrations are amazingly beautiful with a touch of Islamic art. But it is the interpretations of the poems that this book shines out. There are three levels of interpretations of each poem. The word for word translation; the practical application of the poem and last but certainly not the least, the deeper spiritual meaning and application of the poems.

Lastly I would love to recommend this piece of timeless art to all the Muslims in this sordid world. The reason is because this book shows the reader the deeper aspect of Islam - which is Sufism. Muslim mystics like Rumi and Khayyam are dangerous to orthodox Muslims because these mystics have already realized Allah and are beyond the mundane rituals of basic Islam. Their state of spiritual attainment is similar to that of Yogananda, Jesus, Buddha, Ramakrishna, Sai Baba, and so on.

Thus no one is in a better position than Yogananda (except for those souls who have God realization), to interpret these poems the way Khayyam had intended it to be understood. I would also like to recommend other books about Sufism which would compliment this book beautifully.

MISTRANSLATIONS COMMENTED BY MANY STOCK PHRASES
In the Fitzgerald text that HH Yogananda comments, the Persian poem is not truly TRANSLATED: that is well explained in the Encyclopedia Britannica.

Yogananda dispensed with real translations to base his commentary on. That was unwise, for translators of the poem see how great the differences are between Fitzgerald's work and a translation of Omar's poem. With such an infirm basis to work on top of, the "interpretations of Omar" by Yogananda become formidable hocus-pocus - they are, rather, what he reads into Fitzgerald's book - which differs from the work of Khayyam considerably.

(1) In this process Yogananda uses mistranslations as deep symbols to interpret; hence ERRONEUS guru dealings.

(2) He repeats himself up to gruesomely by STOCK PHRASES - very boring to some.

(3) MESS: To complicate things further, there are today TWO VERSIONS that lay claims on bringing Yogananda's (non-savoury) interpretations. These independent versions often differ. It means you may not be sure you get the true wordings of Yogananda - after the essentials of Khayyam have been done away with by Fitzgerald.

CONCLUSION SO FAR: In this work there is too much inept or senile-looking handling to deal with.

Eternal spiritual truths resurface after a millenium
"It takes one to know one," is here shown to apply to mystics.In this award-winning volume, Twentieth Century Indo-American sage Paramahansa Yogananda applies his irrepressible spiritual pursuit to Omar Khayyam's Twelfth Century masterpiece. Like most cultures through the ages, Kayyam's Persia was much friendlier to his mainstream career (in mathematics and astronomy) than to his spiritual revelations. The wondrous poetic beauties which sparkle through his Rubaiyat express his personal, non-canonical insights into Enlightenment (aka: the Kingdom of Heaven, Nirvana, Samadhi) are in metaphors - symbolisms whose spiritual implications register only for those "who have eyes to see" - who have themselves had a glimpse of higher spiritual realms.

The publisher of Wine of the Mystic has included an eye-opening foreword to this volume that puts these complexities into perspective, including 1) the fact that Edward FitzGerald (translator for the most famous English-language editions) only grudging acknowledged the mystical significance of the work, 2) FitzGerald's poetic techniques that faithfully capture the *spirit* of stanzas even when they are not linear translations, 3) the tradition among Sufi mystical poets of using wine as a symbol for Divine Intoxication.

Why should a poem that is merely (on the surface) a hymn to the joys of drunkenness survive for a millenium and continue to fascinate cultures around the world in languages so unlike its author's?In his introductory words, Yogananda summarizes the miracle of FitzGerald's (apparently materialist) translation by called him "divinely inspired to catch exactly in gloriously musical English words the soul of Omar's writings."To those who have received a hint of the Divine Intoxication, a deep intuitive chord may be struck by Yogananda's explanation: "Profound spiritual treatises by some mysterious divine law do not disappear from the earth even after centuries of misunderstanding, as in the case of the Rubaiyat."

As to the book itself (Wine of the Mystic)? The awards it has won, the beauty of its color illustrations, tastefully selected type faces, and rich reproduction make this volume irresistable immediately upon opening its pages.Readers are then embraced by Yogananda's sensitive and unprecedented bouquet of insights as they are welcomed to a never before dreamed of wine-tasting.

There is *no* edition to compare. This volume will reward your reading and re-reading for years. A gorgeous gift item.

CONTENTS:
Introduction of author's (Yogananda) insights.
Foreword of publisher's (Self-Realization Fellowship) history and spiritual perspectives on the Rubaiyat's.
Presentation of each Rubaiyat quatrain, along with FitzGerald's translation, Yogananda's glossary of spiritual symbolism, Spiritual Commentary, and Practical Implications for the reader's spiritual work.
Addendum reprinting all of the verses (FitzGerald translation) without interruption.

The Universal Truth
as interpreted by Yogananda.Here Yogananda does a commentary
on "the Rubaiyat of Omar Khayyam."Also an interpretation.Yogananda made
the fatal error of believing that there was only one religion or truth.And that he,
himself, could discern it in all religions.He did that with the Bible.He does
this here with a Sufi poem.But this is a fine book.Very beautiful.But Yogananda's
Self-Realization Fellowship was and is Hinduism straight up the middle.Not
Original Christianity and Original Yoga as he claimed.So this book is an Islamic
poem as interpreted by a Hindu.And I think that you had better realize that
before you buy this book.And it is a beautiful book.Yogananda was always a
great writer.Most of his books are real "choppy" because they are taken from talks.
But when he wrote, it was excellent.He was quite a writer.And it comes out
in this book.But if you want the "real stuff," buy Yogananda's "God Talks to

Arjuna."Thank you.

EVERY QUATRAIN IS NOW A DEEP & ENLIGHTENING SPIRITUAL LESSON
This wonderful book is not just A TRANSLATION of the Rubaiyat, it is a collection of deep spiritual discourses which are meant as an exhortation to the soul (what we essentially are) to transcend beyond this ephemeral world of temporary illusion and to ever constantly search for the realtruth which lies within every one of us. ... Read more