Amazon.com
Michael Chekhov, nephew to the Russian playwright and student of Stanislavski, left Russia and his mentor behind to pursue a career as an actor, director, and teacher in Europe and America. While he was an early advocate of Stanislavski, Chekhov differed from the great teacher in important respects, particularly in his insistence on the use of imagination as opposed to memory in creating a role. (In a famous anecdote, Chekhov once performed a "sense memory" exercise in which he broke down over the tragic death of his aunt. When complimented on the truthfulness of his emotion, he admitted that his "aunt" was entirely imaginary.) One of Chekhov's innovations of technique is the "psychological gesture," in which a repeated external action leads to an internal revelation. Due to his insistence on the importance of the physical rather than the simply intellectual, Chekhov's book is as focused on following its series of exercises as it is in study; acting, he would remind us, is always fundamentally a verb. For actors who feel "hemmed in" by an overinsistence on "feeling" a part or in drawing from their own experiences to feed a role, Chekhov's focus on the primal and limitless nature of imagination is tremendously liberating. --John Longenbaugh Book Description

In the four decades since its first publication, Michael Chekhov's To the Actor has become a standard text for students of the theater. But To the Actor is a shortened, heavily modified version of the great director/actor/teacher's original manuscript, and On the Technique of Acting is the first and only book ever to incorporate the complete text of that brilliant manuscript. Scholars and teachers of Chekhov's technique have hailed On the Technique of Acting as the clearest, most accurate presentation of the principles he taught Yul Brynner, Gregory Peck, Marilyn Monroe, Anthony Quinn, Beatrice Straight, and Mala Powers, among others.

This new, definitive edition of Chekhov's masterful work clarifies the principles outlined in To the Actor concerning the pivotal role of the imagination in actors' understanding of themselves and the roles they play. On the Technique of Acting also expands on Chekhov's previously published work with many unique features, including:

• Thirty additional exercises
• A chapter devoted to screen acting
• More thorough explanations of the Psychological Gesture, inner tempo vs. outer tempo, and other key concepts of Chekhov's approach

For actors, directors, and anyone interested in the theater, On teh Technique of Acting is an essential handbook. ... Read more

Customer Reviews (3)

An outstanding read!
This book is a must for all actors film or stage. It helps one to evaluate your method of acting and helps one to learn using easy step by step methods of each exercise.

The Imaginitive Realm
It would be interesting to read this book alongside Mamet's "True and False." Chekov's passion for creation and exploration through the imagination, set against Mamet's scorn of invention on the part of the actor. Mamet dismisses the idea that character exists and that an actor can "become" the character. Chekov meditated in order to try and commune with the spirit of the character.

Two very different approaches.

In spite of the practical application of Chekov's ideas, there is a childlike hunger here for the imaginitive and mysterious that I feel is critical for any artist. We can appreciate that Chekov defied Stanislavski in search of something of his own, and here is perhaps the most interesting point: Chekov's method was deeply personal. He created his own approaches, and took bold risks in doing so. I most enjoyed the descriptions that his book has of how Chekov would create his own characters.

That any artist could throw themselves into their work with such interest and abandon is thrilling.

Stresses the fantastic and imaginative!
Again my mantra about acting books remains . . .

Reading an acting book must be taken inside the context of personal experience of either production or an acting class.

I value Checkov for the simple reason that, although he often comes across as nebulous and abstract, he stresses the fantastic and imaginative elements of acting.

Escewing working from the emotional inside out Checkov, a veteran of the Moscow Art Theatre, stresses finding the character through imaginative excercises that first engage the external elements of the actor's instrument namely in the creation of fantasy atmospheres and communion with the audience.

Building upon Jung's theories of the Universal Archetype, I find Checkov's bit about the psychological gesture and "living statues"most helpful in teaching, acting and directing.

In a professional world where gut wrenching, self absorbed displays of therepy induced emotion passes for true acting, I find Checkov's teachings most helpful in inspiring the true reasons many find themselves drawn to the stage: the wonder and excitement of telling an imaginative story. ... Read more

Customer Reviews (1)

Psychological Acting
This is a very good book for people who want to dedicate their lives to acting. It goes through basic conditions which people have to create for themselves so acting works for them. The field of acting is so tenuous thatit takes all the concentration a person has, this book gives guidance togaining that concentration. I found it to be a valuable tool when studyingto become an actor. I recommend novices and professionals alike to read andreread this book becuase it sets things in motion, it gets your brain andyour body ready for what you have to confront as an actor. It empahsizesfocus, dilligence and above all to know yourself. I honestly can say thatthis book made a differnce in my approach to acting and I think it willdefinitely affect other readers and benefit their objectives whether it bein theater or film. ... Read more

Book Description

Customer Reviews (11)

Outstanding guidebook for anyone who speaks or sings in public
As an academic physician and professor, I am called upon to give many lectures to lay and medical audiences. The goal in lecturing is always to convey the intensity and drama and importance of the message, without blocks by personal inhibitions. Whether you are a doctor, or an actor, or a singer, or a lawyer,or businessperson,or speak at PTA meetings, Jane Robbins wise suggestions and instructions will enable you to reach your best performance potential.

I finally found what I was looking for
More books should be written on this subject.I bought an acting book and was on the verge of trying to find an image consultant or taking acting classes to learn how to act like I was totally confident and in control of every situation.When I felt insecure or lacked confidence, everyone knew it, I didn't know how to hide it in my facial expressions or body language.This book has really helped.More could be written on everyday life acting techniques, there are many more situations that could be addressed.

Great for Business!
I personally have no desire whatsoever to be an "actor."However, this book has been invaluable to me as a business executive.The techniques inside can give you a decided business advantage when working with clients.I highly recommend this book!

Yes - this one is a KEEPER - and a User and Re-User.....
I wasn't sure what to make of this book when I first opened it. I am an actor and an entrepreneur - so currently "act" on stage and believe in Shakespeare's oft quoted phrase, "All the world's a stage....."

I wasn't prepared to find so many valuable tips and tricks to begin to use immediately both in my acting (I am looking forward to my next audition!) and in my everyday life.I will also try some of this out in my coaching practice - and perhaps modify accordingly.

Another bonus is Ms. Robbins writing voice. I have no idea what the voice that springs from her body sounds like, but I just "get" that it is warm, engaging, open and has a melodious quality to it.... just like her book.I had to put the book down last night to go meet a friend and I found myself wanting to read "just one more suggestion, just one more...." And I think it was partially because I wanted to "hang out" with the author some more.

This book would be handy for EVERYONE.Go ahead, you know you want a copy, too.

Finally something true to the title!
This book encompasses multiple techniques that anyone can use in situations
where they may feel uncomfortable or insecure. It is cleverly written and fun to
read.

As I was reading "Acting Techniques" I started applying the author¹s techniques
to everyday circumstances in which I felt insecure, or when I felt inadequate.
Gradually I gained genuine self-confidence and the same situations were a breeze. Basically,protein is to
muscles as this book is to your confidence. ... Read more

Product Description
In this unique 35-card-deck, actor/writer Jane Marla Robbins shares simple, effectivetricks of the actor s tradethat will help you be your most authentic self, which she believes is naturally self-confident, joyful, and shining. Each card contains a difficult real-life situation and an acting technique to help make that situation easier, and yes, even fun.*Look and Feel Better: Look younger, more attractive, and radiant. *Deal with Difficult People: Don't let obnoxious, critical, or intimidating people keep you from being your best self. *Overcome Anxiety: Learn to enjoy situations like public speaking, meeting new people, and even asking for a raise. *Get Results: Build self-confidence and courage to perform the way you want in the world. Or just be a star in any situation! ... Read more

Customer Reviews (2)

Like having your own acting coach, with a sense of humor.
Witty, down-to-earth, practical advice in a fun format. A handy guide and morale-booster for anyone facing an unfamiliar audience.It's like having your own acting coach, with a sense of humor.I gave a set to my daughter who's just out of college and job-interviewing in San Francisco.It goes well with Acting Techniques for Everyday Life, the book by the same author.A little time taken to understand Ms. Robbins's approach to acting can have a surprisingly transformative effect on--yes--your every day life.

LOVE these cards!
Jane Marla Robbins' cards have been extremely helpful in boosting my confidence level and are helping me make better impressions in my work and social life.I have always struggled with feeling insecure in difficult situations but after reviewing the cards and putting the techniques to use I feel I no longer have the same sense of dread going into situations that literally used to make me sick to my stomach.I plan on giving the cards as gifts to several friends who also struggle with low self esteem.The illustrations are very clever and funny and they help me visualize the techniques -- which makes it a lot more fun to practice learning how to feel more comfortable in difficult situations...but I'll still never act! ... Read more

Book Description
Actors who want to get inside the script and make it come alive now have a step-by-step guide from a Broadway director and renowned acting teacher. Honed by the author's 35 years of teaching, this advanced book offers different warm-up exercises concentrating on the actor's sense of smell, sound, sight, and touch; sensory tools for conveying the climate and environment of the text; tips for suggesting a character's physical conditions; and much more. Individual exercises will help actors to free the voice and body, create a character, find the action and condition of scenes, and explore the subconscious for effective emotional recall. Readers will also find meticulous guidelines for best using rehearsal time and preparing for in-class scene work. The foreword is written by two-time Academy Award nominee Edward Norton. Those who act, direct, or teach will not want to miss the acting lessons that have made T. Schreiber Studio a premier actor training program. ... Read more

Customer Reviews (2)

From relaxation techniques to sharpening awareness and making characters seem more real
So you have the talent to be an actor, but you need training: turn to Terry Schrieber's Acting: Advanced Techniques For The Actor, Director And Teacher to cover the techniques of his own noted actor training program. Actors are given a 'tool bag' of exercises to help break into character, practice interpreting scenes, and more. From relaxation techniques to sharpening awareness and making characters seem more real, Acting: Advanced Techniques For The Actor, Director And Teacher is packed with solid ideas for improvement.

Impressive
As an actress, in reading this book I was amazed at not only how well the book was written or at the way in which the author communicated his knowledge to the reader, but I was astounded at how honest and open the works embedded in this new book are. I recomend this book to actors, teachers, or anyone interested in learning the truth about acting. ... Read more

Amazon.com
Sanford Meisner has been called "the theater's best-kept secret," and Sanford Meisner on Acting by Dennis Longwell gives some insight into what techniques the hugely influential drama teacher used in his 50-plus years of work. One of the founding members of the Actors Studio (with Lee Strasberg, Stella Adler, and Harold Clurman), Meisner developed his own special lessons based upon his understandings of the great Russian teacher Stanislavsky. Turning away from the sense-memory exercises common among his colleagues, his training focused instead on a realistic approach to imagination and creativity. Unlike many other educators associated with "the Method," Meisner had little tolerance for self-absorption or striving after strong emotional effect, instead preaching that clarity of purpose and efficient use of the psyche are the actor's greatest tools. Longwell's book follows a class of eight men and eight women through one of Meisner's 15-month courses at New York's Neighborhood Playhouse, with extensive transcripts taken directly from Meisner's notes to the students on the basis of their exercises. With an introduction by director Sydney Pollack, one of the many influential artists who studied with Meisner (the book includes accolades from Maureen Stapleton, Arthur Miller, Gregory Peck, and Eli Wallach), this is an excellent introduction that helps to demystify the work of a great theatrical teacher. --John Longenbaugh Book Description
This book, written in collaboration with Dennis Longwell, follows an acting class of eight men and eight women for fifteen months, beginning with the most rudimentary exercises and ending with affecting and polished scenes from contemporary American plays. Throughout these pages Meisner is delight--always empathizing with his students and urging them onward, provoking emotion, laughter, and growing technical mastery from his charges. With an introduction by Sydney Pollack, director of "Out of Africa" and "Tootsie," who worked with Meisner for five years.



"This book should be read by anyone who wants to act or even appreciate what acting involves. Like Meisner's way of teaching, it is the straight goods."--Arthur Miller


"If there is a key to good acting, this one is it, above all others. Actors, young and not so young, will find inspiration and excitement in this book."--Gregory Peck ... Read more

Customer Reviews (32)

a masterpiece...
Mr. Meisner's book should be in your collection if you are a serious student..on the Mt Rushmore of acting teachers he would be right up there with Hagen, Adler, Stanislavsky and Strasberg. Meisner goes beyond the 'method' to what are the greatest tools you can bring to any performance...listen and react...listen and react..if you master the first the reaction will come naturally..but the first is the most difficult for any beginning actor..you might think you're listening but chances are you're not..

A Great View of Meisner Acting
Sanford Meisner shared some very cool ideas on the theatre, and a contrast to Stella Adler's talkative nature.

They basically believe the same thing, but go about it in completely different ways. For a stage performer , and in a different way, any artist, this book is one of the many paths to a deeper and richer manifestation of your craft.

A great read indeed.

Meisner On Acting Review
This is different from other acting books in that the reader learns the technique through following the process of students in thier first year with Meisner.He never gives any direct, step-by-step, this-is-how-we-learn-to-act instruction. You have to be patient enough to follow the story and mine the diamonds for yourself. I found a few useful tidbits to add to my technique, but many of Meisner's tools don't work for me, for I'm an Adler girl at heart; however, I have also found it useful to understand the process of my colleagues who use Meisner's technique.

great book
I bought this book at a time when I bought a lot of other, more recently written, books on theater.The books were by Anne Bogart and others who wrote about techniques that are not the Method.I thought that I would get a Meisner book because I thought it would be good to get to know some of the history of acting... and Meisner was certainly important historically.I saw this book as a sort of "eat your vegetables".So, I left it for the last book of the bunch that I read...... and it turned out to be WONDERFUL!

This book is INCREDIBLY not dryly written.It is SO interesting to read.It is written as a series of reports on a class that Meisner was teaching, so you get to follow along and learn the Method with his class and see where Meisner is coming from on his beliefs on the Method.The writing style is really interesting and easy to read because Meisner's speech is really interesting.

This book is WONDERFUL!

A Free Meisner Class with the Man Himself
This excellent book is an edited transcript of an actual studio class, recorded during one of Sanford Meisner's two-year studio sessions. The reader begins at the beginning and tracks this group through the major phases of training, while getting to read Meisner's own words, and those of his students. If one already knows something about acting techniques and even Meisner, this book deepens and develops that understanding right from the horse's mouth; it charms and provokes myriad thoughts about the art of acting. It's awesome. However, if one is looking for an introduction to the "Meisner Technique" or to any other technique that branches from Stanislavski or The Group Theater, this book is too advanced -- and even somewhat opaque at times -- because it takes for granted certain underlying concepts and vocabulary. ... Read more

Customer Reviews (2)

A Graduate Course in Commercial Acting Excellence
Joan See, a classically trained actor (Sanford Meisner, Wynn Handman), explodes numerous myths about acting in commercials, such as:

o Commercial acting is easy

o Commercial acting requires no craft orskill

o Commercial acting is selling

On the contrary, says See: theactor's job is not to sell.Actors "must bring little stories to lifein a way that makes other people believe them. If you believe that your jobis selling, you will feel that something other than acting is required. Butdon't forget what the advertisers hired you for - your acting skills. Theywant your ability to communicate ideas and feelings in such a way thattheir audience believes you." In other words, actors in commercialsneed to remain grounded in their foundation skills of acting.

Thechallenge for actors with a background in theater, says See, is that theydon't understand the differing requirements of acting in front of a camera,and the challenge for all actors unfamiliar with the commercial genre isthe need to turn in masterful performances in mere seconds in the somewhatbewildering formats and styles found in commercials. This book providesdetailed help on both fronts.

The author begins by reviewing actingfundamentals that apply to the naturalistic stories actors are most oftenasked to bring to life in commercials, including the basic skills ofrelaxation, concentration, listening and responding, and physicalization.She then discusses the mechanics of acting before a camera, both in theaudition and on the set, and lays out strategies for overcoming the mostcommon traps in those settings.

Finally, in the meat of the book, Seeidentifies the three most common forms that Madison Avenue tends to use incommercials -- slice-of-life, spokesperson, and MOS -- and the three mostcommon styles in which those forms are expressed -- film-style,sitcom-style, and "Honeymooners" -- and lays out extensivestrategies for practicing, auditioning, and performing in these forms andstyles.

This is valuable information indeed: "Analyzing commercialscripts by pinpointing their form and style gives an actor the first chanceto control the material. With this information, you suddenly haveguidelines for your performance. You have something to work with. Thedirectors and casting directors in the commercial advertising field knowwhat results they want. They are not always skilled at helping actorsobtain that result. Actors must be able to function as their own directorand bring their performance into the audition with them."

This bookprovides an excellent set of tools for navigating these challenging butlucrative waters. It is full of practical information, example scripts, andhelpful guidance, almost all of which is firmly rooted in classic acting.Practicing and using the techniques in this book, an actor should no longerbe like a deer in the headlights at an audition or on the set. Highlyrecommended.

Up-front, practical, informative, easy to grasp concepts
I have had the pleasure of reading several books for actors aspiring to make commercials a part of their livelihood.This is an easily understood exposition of the many facets of commercial work and the transition fromstage acting to camera.Many superb examples of eye-opening scenarios givethe book life and energy.Anyone aspiring to make commercials should givethis book thorough study.Ms. See offers several other sourcesfor selfstudy in the pages toward the end and examples of commercial copy and themind set to make a performance count. ... Read more

Book Description
Practiced by such actors of stature as Marlon Brando, Robert De Niro, Julie Harris, Dustin Hoffman, and Ellen Burstyn (not to mention the late James Dean) the Method offers a practical application of the renowned Stanislavsky technique.

On Method Acting demystifies the "mysteries" of Method acting -- breaking down the various steps into clear and simple terms, including chapters on:

Sense Memory -- the most vital component of Method acting

Improvisation -- without it, the most integral part of the Method is lost

Animal Exercises -- just one way to combat the mental blocks that prevent actors from grasping a character

Creating The Outer Character -- so actors can give the freshness of originality to a role while at the same time living the life of the character

On Method Acting is also an indispensable volume for directors, designers, lighting technicians, and anyone in the dramatic arts interested in creating a believable and realistic effect in their productions. ... Read more

Customer Reviews (1)

2 thumbs up!
This book has taught me how to be a method actor. Until I read this book Iwas strugglling with my acting, I could never really find the charactor.But with this book I was able to analize a charactor successfully. And as aresult I have improved my acting skills and gotten larger and better partsin plays. I highly recomend this book if you're struggling with your actingor if you are just staarting to explore the world of acting. It's a greatplace to start. ... Read more

Customer Reviews (2)

Things I wish I had known for 20 years
As a "working actor" I wish I had known 20 years ago even 1 of these techniques or pieces of information. It would have changed my career. John Shepard's book is beyond informative -its a miracle.

Nancy Mimless

Get this book! An actors bible to camera work
This is a terrific book. Acting is a craft, so like any other craft it has it's changes. It should come as no surprise that there are growing number of facets where knowledge can give you an edge. No actor can be expected to know everything. Enter John Shepard. Here's a book that spells out the variety of camera work out there. Should you find yourself up for a commercial, industrial, creating CD Roms, Soap Opera, film, or episodic TV, Shepard has a chapter on each one. Everything, from what you wear to the details of auditioning techniques, is laid out. Do you expect to be working on location? Shepard tells you what you can expect as well as what's expected of you. There are sample scripts, scenes to practice and exercises to sharpen your skills. This book is full of good stuff. ... Read more

Book Description
For actors by an actor of rare subtlety and imagination; for directors by a brilliant versatile director. Richard Boleslavsky's knowledge of the theatre was based on wide experience. A member of the Moscow Art Theatre and director of its First Studio, he worked in Russia, Germany and America as actor, director and teacher. On Broadway, he produced plays and musical comedies and he was a leading Hollywood director. ... Read more

Customer Reviews (17)

?
I'm not sure why this book has so many positive reviews. I read it a few years ago for an acting class,and was neither engaged or inspired by this book. While some of the techniques are helpful you could find the same info in another acting book. I would advise going to a bookstore first and reading parts of it before you decide to buy it online.

Excellent Handbook
This is an excellent book that I call a handbook because it must be returned to over and over. The lessons are in the form of dialogues/conversations between teacher and student.

The lessons are: Concentration, Memory of Emotion, Dramatic Action, Characterization, Observation and Rhythm.

This is a very basic yet infinitely deep series on the tools that an actor needs, which Boleslavsky draws out of his pupil, here called The Creature. The antiquated nature of the relationship seems of the time, 1933, and though that may distract from the substance, it rapidly becomes as much a device as the dialogue/conversation format used to express the lessons.

I could pick this up and open to any lesson and mine that for a time. These lessons are not mastered, rather they are practiced.

Great Book for the Acting Student
I recently took a scene study class, and the teacher used this book as our reading material for the course. This is a great book to get if you want to find out what it takes to be a serious actor. The book teaches the basic foundations of acting, for example Concentration and Characterization and more.

It is told in a story type format with the Teacher meeting "The Creature" and her aunt and other people in her life. The characters in the book talk about the fundementals of what it takes to act. Because it is told in this format, the ideas in the book are very easy to follow.

I did find that the Teacher refering to his student as "The Creature" was somewhat demeaning. But then you have to consider how long ago this book was written and the time period it was written in. This was probably typical of the period. Even though the actual book was written so long ago, it is a classic for the acting student. And the techniques and methods the Teacher speaks about are things even modern day actors must learn.

If you are interested in the Craft of Acting, this is definately a book you should read.

Deceptively Simplistic
At first, I thought this book would just skim the subject. Wrong! It is the nuts & bolts of acting without which you may as well forget it! This book truly is the "bible" of acting.

An Actor's Best Buy
I just finished reading this book as a part of an acting class, and I highly recommend that anyone with an interest in acting check out this book.It's an amazing resource.Boleslavsky shares from his amazing wealth of knowledege of the stage, and it would be foolish not to take advantage of the knowledge provided here. ... Read more

Book Description
Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. ... Read more

Customer Reviews (1)

A good primer
This book offers a wide variety of information on various acting styles and techniques.It provides the reader with a virtual history of acting.Though there is much information, much of it is not practical.Much of theinformation is in the form of exerpts from other books.There is no way topractically apply the information given in "Actors on Acting"without reading the entire book that the article being read comes from. This is more difficult because many of the actors quoted do not have booksavailable. This book however is an excellent primer.A person begining toexplore the craft of acting can find styles they would like to explore ingreater depth without buying an entire book on that particular style.Irecomend this book for anyone who is begining their study of the craft ofacting. ... Read more

Book Description

This handbook, complete with graded exercises, is for teachers and students of both drama and dance, who wish to use the Laban system of movement.

Author Jean Newlove, a renowned movement teacher, takes the reader step-by-step througfh the basic principlesd of movement, with graded exercises following the end of each chapter. She also provides practical examples of how movement training can be used in the development of characters in specific plays.

Customer Reviews (2)

OnStage
This book is very practical and offers plenty of ideas for anybody working with actors or preparing an acting part themselves. I have used the exercises with a variety of ages and it has worked well with all. They have enjoyed trying the suggested techniques to explore and develop their characters for performance purposes.

Excellent LMA text
I use this book as one of the cornerstones of my Space and Effort units at school. The chapters are concise and well organized. The Laban material is presented clearly and with visual diagrams. I did find some of the language challenging (UK English) as opposed to American English... for the students...i.e. thrust as opposed to punch in the Effort chapters...an excellent text for all levels beginner (excellent introduction to Laban's theory and work) through advanced movement analyst (good reference and teaching text). ... Read more

Book Description
A new technique for improvising performances with scripted andmemorized lines.

The ability to improvise a skilled performance while speaking scripted andmemorized lines is of paramount importance to actors working in today'sfilm and television productions, which often allow very little if anyrehearsal time. Through his innovative Improvisation Technique, StephenBook shows the actor how to create a spontaneous performance by applyingimprovisation to traditional script-acting for film, theater, andtelevision.

Book on Acting begins with immediate training in how to improvise. Book'sfundamental principle of improvisation is "Acting is doing, and there isalways more to do." The actor learns what to do to keep himself in aspontaneous improvisational state.

This Improvisation Technique is then applied to exercises with scriptedlines, developing sophisticated improvisation skills for enhancingcharacter, emotions, conflict, and agreement as well as improving theactor's audition process. Also included is a unique process for breakingdown scripted scenes into improvisation choices.

Book on Acting contains film and television scenes in which Book-coachedactors, used his Improvisation Technique to create their performances.These scenes, showing the actors' performance choices, demonstrate the useof Improvisation Technique in different genres of acting. Well-knowntheater and film scenes are included, as well as scenes from such TV showsas Melrose Place, Star Trek: Voyager, L.A. Law, Frasier, and The Practice.

Book's Improvisation Technique extends the work of Viola Spolin (author ofImprovisation for the Theater). Book was Spolin's student, assistant,representative, and her partner in the Spolin Theater Game Center inHollywood, where he served as executive director and principal teacher inthe 1970s. ... Read more

Customer Reviews (4)

Awesome!
I'm going to enter the author's studio first chance I get. Excellent, excellent book. Full curriculum for acting workshop. Hugely different from most classes. Big idea: dancers don't learn to dance by sitting and watching people do prepared dances. Actors should learn to act by acting. Improv games, not comedy improv, more like, emotion shift is a game, convey the subtext is a game. Play by conveying twenty different subtexts, learn the skill of conveying subtext by playing the game, then when you have to do it as part of actual work, you've got the skill ready. This book is innovative, original, daring, disciplined, and brilliant.

A Very Effective and Reliable New Technique
I'm an actor and I've studied and practiced the "Improvisation Technique" outlined in this book and I can't recommend it more. Stephen Book has created a way for performers to create a workshop for themselves without the need for a "teacher" (or tuition!). The costs of acting classes can be very prohibitive; but now, with this book, a group of actors can commit to doing the curriculum at little or no cost and learn a very effective and reliable new technique.

Book's "Improvisation Technique" is different than other "traditional" methods:
1) It's a doable and reliable methodology that can be used solely or in conjunction with other techniques.
2) The learning is layered; it's a step-by-step, logical process. In every class, something new is added to what was previously learned.
3) Participants learn "acting focuses" independent of scripted work. Once an "acting focus" is learned and mastered, the participants then learn how to apply it to scripted work.

4) The "teaching" is never personal or critical so those learning are never put in a place of being judged.
5) The learning is experiential - participants learn by doing, not watching or analyzing. Every class, every participant works on their feet.

I graduated from one of the top theatre schools in the country. When I graduated and moved to Los Angeles, I took an ongoing class in Uta Hagen's approach as well as participated in a several general scene study classes. I had a mixed bag of different ways of working, but I didn't have firm grasp of a single reliable approach. Then, I was introduced to "Improvisation Technique."

Compared to other acting training I've had, I'd say the biggest difference is that my other training was mostly an exercise in being directed (which does have some limited value), while "Improvisation Technique" is much more about self-sufficiency.

And actors absolutely must be 100% self-sufficient in the professional world. On the sets of television and film production, there is often only time for a blocking rehearsal, and the director is often more concerned with the shot than the performance. My theater and scene study training did not prepare me for this reality.

I never had a reliable way to quickly and efficiently break down a script and make choices. Now I do.

I used to read scripts from "my character's" point of view and make choices based on "How would I respond if I were this person under these circumstances?" Now I read scripts from the writer's point of view and make choices based on facilitating the writer's vision of what is being dramatized, and my callback/booking rates have increased dramatically.

Used to be, intellectually, I had an idea of what my character wanted and what I wanted the performance to be, but I had no way of getting that into my body in any sort of consistent/reliable fashion. Now I do.

My acting used to be very reactive, very "in the moment." And if I was reading/acting opposite someone who wasn't very good, I wasn't very good either. I relied on external forces to create my performance. Now I can create spontaneous performances, nailing all the beats, whether I'm acting opposite a tired casting director or an award-winning actor.

Reaching high levels of certain emotions used to be very intimidating for me. But Book's technique allowed me to relax, do A, B, and C, and presto! they came easy and simply. Now I approach an emotionally charged scene with confidence.

And it's all because of this technique.

WARNING! This book is not meant to be read and considered. It's meant to be put on its feet! And Book takes participants through the curriculum one step at a time.

Book takes the fundamental improvisation principles of Viola Spolin ("Improvisation for the Theater") and extends them into dealing with scripted and memorized material.

The exercises in this book are presented in logical sequence. Each exercise picks up where the last one ended; so, I guess you could say that each exercise gets progressively harder. But, because they are learned one at a time, in sequence, participants only notice the current one they are learning as being difficult.

It's kind of like juggling. You first learn to keep one ball in the air. Then two. Then three. Then four. Then four with fire, etc. When you were learning how to keep two balls in the air, THAT was the hardest exercise. But when you move on to juggling three balls, two has suddenly become ridiculously simple.

The beauty of this kind of learning is that the goals are constantly being pushed higher, just out of reach. Participants are constantly engaged because there is always another challenge and it's only in retrospect that they realize how much they've learned.

All you need is some empty space, some dedicated friends, and this book, and you'll have everything you need to learn a new acting method that will get you out of your head and into a spontaneous improvisational state while you say your lines on cue.

Will it make a difference in your professional career? It has in mine.

Splendid & thorough book on a stellar acting technique!
Stephen Book's "Book On Acting" is a great achievement!With a clarity and thoroughness rarely found in books of this sort, this author/acting-coach lays out every how, why, what & where needed to learn this brilliant technique.Book explains how to learn the tools of improv and then take them to a new level by using them for the WRITTEN word.The technique gets an actor out of their head & into their body, increases their "stage" presence and allows them to deliver a fresh performance every time the camera rolls or the curtain rises.Whether you're an actor who wants to learn this technique or a coach who wants to teach it - this book will fulfill all of your needs.I can't recommend it enough!

Offering ways to improve one's performance
Book On Acting: Improvisation Technique by acting coach, teacher, and directory Stephen Book (long-time faculty member of The Juilliard School and the University of Southern California) is a "user friendly" handbook written especially anyone who serious aspires to becoming professional actors in film, theater, and television. Offering ways to improve one's performance with both scripted and memorized lines, and covering everything from using improvisation to liven one's monologues or improving one's chances at an audition in better displaying conflict, agreement, etc. on camera, Book On Acting: Improvisation Technique is an excellent and confidently recommended single volume instructional resource. ... Read more

Book Description
This guide for actors and directors develops a valid method for training performers to act from their core--whether they are cold reading, auditioning, or performing for film or television.This book teaches actors how to achieve and respond to believable and honest emotions before the camera, and it maintains that the key to a successful performance lies in how the actors relate to one another and to the circumstances. Exercises, including script examples, throughout the book give readers an easy resource for practicing the principles outlined.

The Art of Film Acting applies a classic stage acting method (Stanislavsky) to the more intimate medium of performing before a camera, teaching readers to experience an emotion rather than to indicate it.

*Applies a proven method to screen acting

*Includes exercises and practice material

*Helps actors train themselves to relate and respond ... Read more

Customer Reviews (8)

what a great book!!
As an actor who is very comfortable on stage, I've always been surprised by my difficulties in front of the camera. This book not only identified what I was doing wrong but has given me very helpful and practical ideas about how to work in the medium of film. What a great find!

Like Being In Class
Loved this book! The author's writing style is easy to understand. A lot of the book is an actual script of what happened in his class - the students dialog and his (the teacher). The students read scripts with each other and he instructs/helps them improve their acting. Highly recommended for the beginning actor!

Brilliant Insight In A Simplified Approach To Film Acting
Jeremiah's ability to convey such a clean and concise approach to film acting is endlessly refreshing, especially to the working actor overhwhelmed by the endless masses of techniques and methods out there.He strips acting down to its very essence and truth through his emphasis on being in the moment and on developing ones skills of observation and listening.His simple wisdom reminds us of what we already know-- what we knew as children and chose to forget-- the endless wonder of a human face, the natural expression of unjudged emotion, how to live openly in the present without expectation, to trust unwaveringly in the given circumstances.Truly a great work and one every actor, director, artist or filmenthusiast should have.I will read this book again and again and I do not doubt that one day it will be a staple in any serious actor's collection. Excellent.

A must read
Jeremiah has an honest approach when presenting this book.It is very useful, and a definite book to have on your shelf.I have found myself unable to put it down.I would recommend this book for any type of actor wanting to understand and practice his craft too the best of his ability.

A definitive instructional manual for training performers to act from their core
In "The Art Of Film Acting: A Guide For Actors And Directors", Jeremiah Comey draws upon his more than 25 years of experience and expertise in teaching film acting (include the several years in Hollywood he spent acting in feature films, television sitcoms, soap operas, industrial films, and commercials, as well as directed several short films) to provide a definitive instructional manual for training performers to act from their core -- whether they are doing a cold read, auditioning, or performing. Aspiring actors will learn how to manifest honest and believable emotions before the camera, relate to other actors and the their circumstances as those cameras roll. Enhanced throughout with exercises and script examples, students of acting are provided with an easily accessible resources designed for practicing the outlined principles as they pursue a mastery of their craft. Practical, "user friendly", informed and informative, "Guide To Naturalization Records Of The United States" is a core addition to any personal, professional, or academic Theatrical Studies resource and reference collection.
... Read more

Book Description
One of the country's top voice-over talents shares his secrets to success in this insider's guide to the voice-over industry. Not only does veteran actor Harlan Hogan offer a fascinating personal account of the crazed clients, practical jokes, and amazing coincidences encountered during his twenty-five year career, he also provides a wealth of tested tips for surviving and thriving as a voice-over actor. This indispensable guide features dozens of techniques to help readers train their voices, gain experience, make a demo, join unions, get an agent, and more. It also includes strategies for finding work in venues outside film and television, including games, automated telephone systems, and even Web sites. Actors, broadcasters, and anyone else who longs to make money speaking into a microphone will cherish this informative, insightful, and often hilarious glimpse at the business. ... Read more

Customer Reviews (66)

A great book from a VO: PRO!
I really enjoyed Harlan Hogan's book VO: Tales and Techniques of a Voice Actor. I read it early last year, and have gone back to it several times since for wisdom and tips in my own Voice Career!
The format of the book made it an easy read. Chapters from Harlans life and experiences mixed with Tips and Tricks of the Trade.
A book for any aspiring Voice Over Library!

Like talking with a friend
Harlan Hogan provides a lot of explanation of how things work in the VO world (or at least as they did in 2002, when this book was written).He gives great advice while lightly touching on subjects like running your business, jargon, union vs. "pre-union", etc.However, he also offers some insight that beginning voice actors aren't likely to find in a lot of other books.Harlan does this by recounting stories from his own experience that not only entertain, but relate to the major points of each section.He also lets the reader in on inside jokes of the trade like "Blooper's Soap" and the infamous Findus Foods session with Orson Welles.Sure, they're easily Google-able, but how are they woven into the fabric of the industry?

I've done radio for a dozen years, switched to the computer tech side
for another half-dozen and now I'm studying and working on figuring out
where I will best fit into the VO market.This book not only confirmed
a lot of things I felt instinctively, but it also helped me to not
listen so much to the "what if" voice that we all carry with us.

Extremely entertaining and informative
I really enjoyed this book, it is really informative, entertaining and gives and inside look at voice over acting. This is one of the few books that I will re-read becouse of all the usefull information, a must read for anyone starting out or considering a career as a voice actor.

Can I give it 100 stars instead of 5?
This book is excellent. It's packed with information about what one should expect if he/she wants to work in the Voice Acting industry, and it also includes many tips & tricks that voice actors could follow in order to advance in their careers.

It's hilariously entertaining yet down-to-earth informative - a rare combination achievable in books.

On top of that, it's easy to read, so you don't see much of those long-worded-jargons-which-you-will-find-in-technical-books for instance. Instead, you get cute cartoons replacing the too-much-information type of thing.

As I've mentioned in the title, I'd give this book 100 stars if I could.

This book truly is one of the BEST purchases I've EVER made.



~ Jessie

Simply excellent
If you're someone who's always felt they had the talent to do voiceover work, and had no idea where to start, you simply can't go wrong with Harlan Hogan's excellent book.Mr. Hogan's writing style is light and humorous, which makes the book a very unintimidating way to get acquainted with the world of voice acting.

Mr. Hogan relates his path to a VO career with memoirs and humorous anecdotes (you can tell he really enjoys his work!), while providing separate "techniques" sections throughout, covering all the aspects of the voiceover profession from getting the work to doing the work to accounting for the work. Yes, even the section on bookkeeping and the IRS is fun to read, while providing critical information to prevent common mistakes.

As an added bonus, you also get clued in to the VO profession's shorthand and lore.Do you know what "wild on the last line" means?Have you ever heard of Blooper's Soap, or know why you can crack up just about any professional VO simply by saying "IN July"?You will after reading Mr. Hogan's book!

Whether you're a clueless wanna-be (like me, at this point), a newcomer or an established professional, Mr. Hogan's _VO: Tales and Techniques of a Voice-Over Actor_ is a must-read!

Will Crowder ... Read more

Amazon.com
In her introduction to Respect for Acting, actress and teacher Uta Hagen talks about a time when she herself had no respect for the art of acting. "I used to accept opinions such as: 'You're just born to be an actor'; 'Actors don't really know what they're doing on stage'; 'Acting is just instinct--it can't be taught.'" But this attitude of "you got it or you don't" is fundamentally one that denigrates the craft, as she points out. Great actors do not perform effortlessly, or merely through learning the appropriate tricks and cheats to manipulate an audience. Great acting is about the difficult fusion of intellect and action--about sincerely and truthfully connecting to the moment, your fellow actors, and the audience--and Hagen's thoughtful and profound book contains a series of observations and exercises to help an actor do just that. Her prose style is admirably clear and filled with examples from her own lengthy career both as a performer and in the classroom. While her exercises in sense memory and basic objects skirt close to the sort of self-absorption that followers of "the Method" are routinely accused of, they are presented clearly and with a focus on practical results. And in such places as her chapter "Practical Problems," which includes discussions of stage nerves and how to stay fresh in a long run, her straightforward advice is invaluable. --John Longenbaugh Book Description
"This fascinating and detailed book about acting is Miss Hagen's credo, the accumulated wisdom of her years spent in intimate communion with her art. It is at once the voicing of her exacting standards for herself and those she teaches, and an explanation of the means to the end. For those unable to avail themselves of her personal tutelage, her book is the best substitute." —Publishers Weekly "Uta Hagen's Respect for Acting is not only pitched on a high artistic level but it is full of homely, practical information by a superb craftswoman. crafts-woman. An illuminating discussion of the standards and techniques of enlightened stage acting." —Brooks Atkinson "Hagen adds to the large corpus of titles on acting with vivid dicta drawn from experience, skill, and a sense of personal and professional worth. Her principal asset in this treatment is her truly significant imagination. Her `object exercises' display a wealth of detail with which to stimulate the student preparing a scene for presentation." —Library Journal "Respect for Acting is a simple, lucid and sympathetic statement of actors' problems in the theatre and basic tenets for their training wrought from the personal experience of a fine actress and teacher of acting." —Harold Clurman "Uta Hagen's Respect for Acting…is a relatively small book. But within it Miss Hagen tells the young actor about as much as can be conveyed in print of his craft." —Los Angeles Times "Uta Hagen is our greatest living actor; she is, moreover, interested and mystified by the presence of talent and its workings; her third gift is a passion to communicate the mysteries of the craft to which she has given her life. There are almost no American actors uninfluenced by her." —Fritz Weaver "This is a textbook for aspiring actors, but working thespians can profit much by it. Anyone with just a casual interest in the theater should also enjoy its behind-the-scenes flavor. Respect for Acting is certainly a special book, perhaps for a limited readership, but of its "How-To" kind I'd give it four curtain calls, and two hollers of "Author, Author —King Features Syndicate ... Read more

Customer Reviews (23)

A Classic
This book is a classic. I should be read by everyone interested in a career in acting. I'm a Talent Manager and partner in www.actinglink.com and I recommend this book to everyone of my clients. It's been called "the textbook for aspiring actors". If you are interested in acting but not sure where to start, I would strongly suggest starting with this book.

Michael Packenham

Great Book
As an actor, I found this book to very helpful with ways to aproach acting.

a drama students must read!!!!!
Uta Hagen is fabulous, according to my daughter.Her drama teacher loaned her the book and she wore it out.She now has a new one of her own and thinks all drama students need to read this.

indispensible, actors bible...
this is the first book I ever read on acting just as I was about to embark on my first acting lesson, oh, so many years ago. any beginner, pro or dabbler would enhance themselves by reading this..Respect For Acting is the title, respect is the key, to respect your art, your discipline, your craft..you won't find everything you need in here, no book can do that for you that comes from experience but this is the finest book on acting you might ever read, right up there with Stanislavsky's books and a few others...this opened up the world of acting for me and showed what was expected of me and it's lessons still ring true after over 20 years of acting..

Uta Hagen is a better actress than a writer; however...
...fortunately for anyone who might want the benefit of some of the late Ms. Hagen's acting advice, her writing improved enormously and her second book 'A Challenge For The Actor' (published in 1991) shows her capacity to grow as a scribe as well as a thespian. I would recommend that an aspiring acting student, especially one who is early in his or her career purchase 'A Challenge For The Actor' instead of 'Respect For Acting' as is 'A Challenge For The Actor' far less muddled and obtuse than 'Respect For Acting' ... Read more

Product Description
A detailed guide for parents of children (ages 5-18) on entering the wonderful world of acting. ... Read more

Customer Reviews (6)

great starter book!!
I bought this book because my little brother decided that he wanted to enter this crazy industry and become an actor. I bought it because it never hurts to have a guide to look back at, plus, maybe there was some info in regards to kids that I already did not know. This is a great book. That only reason I gave it a four is because I did not really learn something new, but then again, I plan on working in the entertainment industry once I graduate so I already know alot in regards to breaking into it. But it is a great book. Also, it's an easy ready. Seriously, I read it in less than 45 minutes (and that's with me watching tv at the same time).

A Must For Parents And Kids Alike
I Have been in show buisness for over 20 years, and my greatest fear has always been parents [paying too muchy for] acting teachers, photograghers and agents. This book will prevent that from happening. And save you many hours of frustration and regret. If your starting out, and even if you've been at it a while, this book is a MUST. Simple and straight forward.

Right on the MONEY!
As the mother of a young performer and a producer and performer myself, I am familiar with all the pitfalls, perils and pluses of having a child in "the biz".Lucia has accurately addressed the most important issues and then some.This is a MUST READ for anyone contemplating getting their child started in the business.Run, do not walk and buy this book.This book is easy to understand and covers all the major topics needed to make good decisions.Thank you Lucia it is about time someone wrote this book!!

Acting Up:How to Get Your Kid in the Biz
This is a great resource for parents whose kids are eager to tap into their talents.In detailed and nicely organized chapters, it covers everything from how to deal with your child's aspirations and dreams in the business world to how to find and deal with representation.It's comprehensive, easy to follow and most importantly, stresses the "fun" factor for kids.Stage moms beware!This is a MUST READ for every parent with a future star in the family or a very expressive child.

Great How To!
This great "how to" book provides the information you need to get your children into show business.Clear, succinct information....and forms to walk you through your own experience. ... Read more

Book Description
Written to meet the needs of thousands of students and pre-professional singers participating in production workshops and classes in opera and musical theater, Acting for Singers leads singing performers step by step from the studio or classroom through audition and rehearsals to a successful performance. Using a clear, systematic, positive approach, this practical guide explains how to analyze a script or libretto, shows how to develop a character building on material in the score, and gives the singing performer the tools to act believably. More than just a "how-to" acting book, however, Acting for Singers also addresses the problems of concentration, trust, projection, communication, and the self-doubt that often afflicts singers pursuing the goal of believable performance. Part I establishes the basic principles of acting and singing together, and teaches the reader how to improvise as a key tool to explore and develop characters. Part II teaches the singer how to analyze theatrical work for rehearsing and performing. Using concrete examples from Carmen and West Side Story, and imaginative exercises following each chapter, this text teaches all singers how to be effective singing actors. ... Read more

Customer Reviews (7)

Acting for Singers: Creating Believable Singing Characters
I have been a professional opera singer andvoice professor for many decades.This book REALLY gets to the heart of the acting delima which singers' face.The index is very thorough, allowing the singer to find exactly the topic they are looking for easily.The book should be read cover to cover many times if the singer is new to the field of acting.(I find it helpful for each singer to ponder this question:Am I a singer who acts or, an actor who sings, or both.) An opera singer MUST learn to create operatic characters with which the audience can identify. Each Mannerism and gesture will change with each new operatic role one intends to interpret. This book should be a great help for the preparation of singers who aspire to act realistically and who wish to conquor this extremely demanding and rewarding field called OPERA.

How to breathe life and artistry into your characters
David Ostwald's new book, "Acting for Singers," is an important and helpful guide for singers-in-training, for professionals learning new roles, and for seasoned performers who wish to infuse new dramatic life into their repertory. As a former arts administrator for San Francisco Opera and Affiliate Artists, Inc., I feel that Ostwald's book is equally useful for stage directors, conductors, teachers, and coach/accompanists who strive to make their highly collaborative art form appear as seamless as possible. Ostwald covers a number of pertinent topics including the foundations of believable acting, ways to improve concentration, and how to motivate a character's actions. Having judged many auditions over the years, I found the chapter on "Getting the Part" to be especially helpful to young singers who may not know how to dress for the occasion, speak to the judges, or introduce their selections from the stage. The author's "Ten Maxim's of Believable Singing" provide a concise checklist of wisdom gleaned from his years of teaching and directing. Ostwald's analysis of how directors and teachers can help their singers grow and flourish, including the sage advice of "Always be supportive" and "Never humiliate anyone," presents a pithy list that bosses in any business should read and take to heart. The text is lively, clear and well designed, with headings, bulleted points and enough white space to make the book's insights both accessible and memorable. Each chapter contains helpful exercises, summaries or trouble shooting techniques which will enable singers and their colleagues to create superior performances. "Acting for Singers" will likely become an indispensable, dog-eared companion for any singers who wish to breathe live and artistry into their characters.

Perry-Lynn Moffitt

A Must Read for Performers
Although the title is Acting for Singers, actors and directors will benefit as well from Ostwald's excellent analysis of what makes a believable character on stage.The book is full of helpful exercises and explanations of what works on stage.Acting for Singers should be on the bookshelf of every performer.

Good book
I came upon this book while preparing for the North American debut of a 1640's Baroque opera in Washington D.C. The information in it is invaluable and succinct.Great for anyone trying to extract meaning from music and convey it to an audience.Well-written and containing excellent advice and exercises, I recommend it.

The Real Power of "Acting for Singers"
"Acting for Singers" speaks to the problems that most all of us share in creative situations when we are speaking to a group or preparing an article or script for publication. We do not have to be singers to use the wisdom of Ostwald's mind and experience. These challenges are inevitably concentration, trust, projection, communication, and the self-doubt that most of us sometimes experience.

If you could see David Ostwald in action, you would recognize how his life is a demonstration of his work. When the groups at my seminars would get excited and several voices were talking at once in an exercise, David (upon my request) would clearly enunciate one or two words to the whole group in a tone that instantly shifted everyone's attention to the work at hand. The whole group loved David's wit and wisdom, his power to achieve the intended focus and hold it, plus his demonstration of an open mind, the will to learn and to share knowledge gained through years of a focused mind and experience.

David's whole life is filled with the qualities of concentration, trust, projection, and communication. This is the real power of his written words. I think this book will prove so useful that it will become an essential textbook for teaching acting to singers. ... Read more