Amazon.com
Robert Greskovic's enthusiasm for ballet is infectious. The combination of ideal bodies moving into wondrous shapes, beautiful music, and often fantastic sets and costumes makes it, in his opinion, a near perfect art form. Still, many art lovers who regularly visit museums and galleries and think nothing of an evening at the opera or theater practically panic at the thought of sitting through a ballet. Ballet 101 should ease those people's fears. Greskovic starts off with a lively but solid history of ballet, then covers the training of a dancer. These two elements alone offer an excellent foundation for understanding what's going on on-stage. The book also includes clear information about the logistics of a performance--from the conductor's arrival in the orchestra pit to the final curtain call, no pique, glissade, or arabesque is left unexplained. After covering these basics, Greskovic examines 14 ballets in great detail--most are classics like Les Sylphides, but a number of modern treasures like Balanchine's Apollo are also covered. For readers yearning to take in more dance than their local ballet company offers in a season, the book includes an extensive videography as well as excellent suggestions for further reading. The tone of Ballet 101 is serious without being dry and informative without being condescending--a great find for anyone anxious to learn more about this often under-appreciated art form.Book Description
Veteran dance writer Robert Greskovic's comprehensive handbook on how to watch and appreciate the ballet is now available in this new edition. It includes a complete analysis of sixteen important and popular ballets, from Swan Lake to Twyla Tharp's Push Comes To Shove.As Mikhail Baryshnikov states in the book's foreword: "All the things that ballet fans talk about at intermission, while newcomers stand there wondering what they mean: those things are here...(Robert Greskovic) has been thinking about ballet --- watching it, reading, writing, and talking about it --- day after day for more than thirty years. He knows it through and through. Now he shares his knowledge." ... Read more

Customer Reviews (7)

For newcomers to ballet!
Noted dance writer and critic Robert Greskovic's handbook is a recommended pick for any who would understand ballet; especially for newcomers to dance. BALLET 101: A COMPLETE GUIDE TO LEARNING AND LOVING THE BALLET isn't just an overview of dance: it's a full history of ballet in general, using specific performances to outline key players, techniques, ballet positions, and notable performances and videos alike. Thirty years of background both as a watcher and behind the scenes lends to a critical yet lively commentary on the art and perceptions of performers and audiences alike.

Informative, but somewhat awkwardly and carelessly written
Reading this book was a good learning experience -- the author, clearly, knows his stuff; at the same time, it's a bit awkward, hard to read (somewhat meandering, artificially florid, disjointed at times, with proofreading snafus -- for example, "graphein" is said to be a German word: obviously a typo made in haste) -- overall, I wish the writing were simpler, more to the point; it'd be great if an editor kneaded it all into a more graceful literary shape.

Recommended though: although the book can be improved, overall it's informative, quite good for a novice.

PS. When reading reviews on this page, please be careful to distinguish between bona-fide reviews by real readers and phony commercial blurbs by publishers' flunkeys who dishonestly use the amazon review capability to post advertizing copy here. A case in point, a review right above, by "D. Donovan, Editor/Sr. Reviewer": visit this person's reviews page and count the number of reviews posted in a single day. For example, on April 26, no less than forty (40!) reviews were added by this "reviewer", and so on, nearly every day, back to the beginning of time. No one can read forty books a day every day, to say nothing of reviewing them afterwards. I've discovered lately that this is a very widespread practice here. Beware! Not every reviewer posting something here is honest.

a little bit flat-footed
This book is proof that a good editor can make all the difference.This might have been a great guide, but unfortunately its editor let it wander off in the wrong direction.

There's no question that Robert Greskovic knows what he's talking about.He is a talented writer with charm and all manner of neat little anecdotes.But the problem with this book is how he spends his time.

The book is 600 pages long, but regrettably half of it is composed of cheesy "let-me-walk-you-through-it-and-tell-you-what-you're-seeing" descriptions of twelve famous ballets available for home viewing on videotape.Some 300 pages of that stuff.

The remaining 300 pages, though, are very interesting.In fact, in reading that first half of the book, you will get a very good idea of the history of ballet, and the names of its major shapers, stars, and proponents.Also, the glossary at the end of the book is both clear and generous.

All in all, this book doesn't really come through on its promise.It's sort of an encyclopedia article on the history of ballet worldwide glued onto "Leonard Maltin Goes to the Ballet."And the whole notion of teaching readers how to go to the ballet and appreciate it sort of gets left in the wings.

Truly informative and beneficial reading for anyone.
The book includes information from the very beginning of dance through many great ballets and into the present. There is an excellent videography at the end of the book as well as a glossary with all of the ballet terms.

Excellent! and very readable!
Robert Greskovic brings a clarity and readability to a topic that is typically over-written. An excellent book no matter what the background of the reader. Greskovic's references to available videos makes it possible toexperience what he is talking about. ... Read more

Book Description

Customer Reviews (6)

Review of RAD Ballet Class Book
I really enjoyed reading about the different levels and what they encompassed.I had been through these levels but couldn't recall what each offered.As an instructor, it was a great review.

GREAT
This is great for the first time dance teacher to break down things by age.Super if you are having a time trying to remember what the basics were!Great book with pictures :)

Step-By-Step Ballet Class
Good illustrations and text especially for the beginner.It was too basic for my daughter who has had 5 years of ballet classes. I recommend it for the 1-2 year ballet student.

A great help in my dancing
Since I come from a family that moves around a lot, sometimes it's hard to find a serious quality dance studio.This book was a tremendous help in keeping me toned and in gear.It gives me the help I need to reach theheight of my aptitude.

"Great explanations, truly easy to follow" ~Julia Hulia
This book is great for the young ballet dancer.I just started the Royal Academy of Dance at Grade 3, and I wanted to catch up a little, so I got this book and I understand so much more in class!It's great, easyexplanations, side reminders, ("Tummy in!") and also characterdance tips. ... Read more

Customer Reviews (12)

Not his best stuff, but not bad.
Charles Bukowski, Bone Palace Ballet (Black Sparrow, 1997)

The main problem with the fact that Charles Bukowski has now published more work after his death than he did during the first sixty years of his life is that, well, not all of it is all that wonderful (and, really, the quality of the doorstops that were coming out in the seven or eight years before his death wasn't exactly stellar, either). This is not to say that some really, really good Buk books haven't come out posthumously-- The Captain Is Out to Lunch and the Sailors Have Taken Over the Ship quickly became one of my favorite Buk reads-- but Bone Palace Ballet is not one of them. It's a lot like those last few books published before his death in that there are a number of places where you can see why it is that Buk was able to become the sole American poet able to make a comfortable living solely off writing the stuff, the kind of talent that makes Burning in Water, Drowning in Flame or War All the Time a book that, when you're done with it, will stay with you for the rest of your life. But those times are few and far between (though to be fair, there's a lot more "few and far between" in a 363-page book, pretty much by definition, than there's going to be in one of the seventy-page wonders most poets turn out about twenty percent as frequently as Buk). Worth reading for established fans, but newbies will want to go father back in the canon for their first approach. ***

Chinaski, you never had it!!!
To read Sir Charles is to read about life without the pompous filter you get with most other pap.This installment is no different from anything else from Lord Chinaski.

Here's to Bukowski
With Bukowski there is no middle ground; you either love him or you hate him. Yes he can be filthy, jaded and downright mean. But there is the ring of truth here as well. Published posthumously this is a feast for Bukowski fans. There are a lot of dark poems here like Walking with the Dead and Return to Sender. But there is also some lighthearted stuff. In The Fool Dines Out he shows us his human side; he is the husband whose rude behavior towards a waiter brings on spousal criticism (in private of course)
He has been accused of being a misogynist; in Bone Palace Ballet
there is no evidence of that. Bukowski was a bit of a misanthrope, or did he just see the human condition a whole lot clearer than the rest of us?A must have for any Bukowski fan!

bukowski's wife's collection
not a bad collection
you have to figure that there a wealth of stuff still out theer yet to be released. this book is proof of that
some good stuff here
its easy to decide that this is the stuff he chose not to release but i like to think he just hadnt gotten around to it yet

not with a wimper, but a bang
Bukowski in his last years.Rare to see a writer grapple with aging and death in such a matter of fact way.There are some true gems in this one.....Bone Palace is a little repetitive, but you can't be shocked to find Bukowski holding forth on booze, women, horses, hypocrites, and writing.What else did he ever write about?And really, what more can you ask for? ... Read more

Book Description

Customer Reviews (9)

Nicely Translated Book for those studying Vaganova!
This book does well as a student resource for those studying Vaganova Methodology.Simple sketched pictures assists well those individuals whom really want to know what soviet dance instruction is all about.

I love it.
It is very informative, specially for students of dance, as well as instructors. It made me appreciate and perform ballet (and technique)better.It's worth all the cents you will pay and more.

A ballet classic!
Agrippina Vaganova is legendary in the world of Russian ballet and, in fact, the Russian style of ballet is usually called the Vaganova style(the term "school" is usually used instead of style).The reader should keep in mind that this is a classic and not a modern tutorial; nevertheless, it is so well written that it is still useful to today's students.In these pages we can learn many little tips not found elsewhere.The book is amazingly complete, despite its small size.The book will be most appreciated by the more mature sudents of ballet.This classic is ALWAYS included in any serious ballet library!

Beautiful Book
As a student dancer I usually like to brush up on things that I wish I could at school or on the bus. It's a great book emphising on Russian Technique and basic steps. For eight bucks it was one of the most cheapest ballet books I have boughten. It goes straight into the positions of the feet. It tells you of what are the correct ways and what are the incorrect ways. It gives little drawings of a ballet practicing the step. If you can remember those little diagrams of the silloutte of feet for ballroom dancing, most of the diagrams are like that. In the drawings when a leg is suppose to switch or the body, little lines are drawn and it is almost impossible not to understand what the steps are drawn out to be. The only thing I wish was more of introduction to pointe. There are only a chapter dedicated to pointe work, clear and understandable on how to develop strength with echapes and releves. Even in the diagrams they give you Russian and French and Italian for some to show you the possible difference. This is a very detailed book, the only problem you would have if you didn't live in the ballet world at all. If your looking for an introduction I suggest the Royal Academy Ballet Book, but if you know your ballet terminology and learning how this manual will save you steps, get it. It helped me understand really what I was suppose to do. Visually you don't learn everything but it breaks it down perfectly to really know what your doing physically than visually.

Not the best book for reviewing the basics!
I would recomend ballet basics. This is better illistrated!
Ballet teacher in Tx ... Read more

Book Description
Authored by one of the ballet's most respected experts, this volume includes scene-by-scene retellings of the most popular classic and contemporary ballets, as performed by the world's leading dance companies. Certain to delight long-time fans as well as those just discovering the beauty and drama of ballet. ... Read more

Customer Reviews (5)

Book For The Lovers And The Haters
This book is one of the best book I have obtained over the years. My brother uses it when he has to attend ballet with our family since he can never figure out what is goin on since there is no speaking. Balencine has a great understanding of the ballets and tells you the important parts and leaves out the "hoopla". I recamend it for anyone who attends the ballet as a person that apreciates the art or someone just forced to go.

Save Your Money
I purchased this book and now regret it.So many of the ballets decribed are minor pieces that are rarely performed any more, while many major classic ballets that are still performed and/or that are important in dance history are totally neglected (e.g. Le Corsaire, Raymonda, Paquita, Esmerelda).Other descriptions focus only on one part of the ballet rather than telling you the actual story.The entry on "La Bayadère," for instance, focuses almost entirely on Act IV, which is frustrating since this is a ballet with a complicated libretto that could really benefit from a complete summary.I'd recommend going to a library and photocopying the info on the ballets that interest you rather than purchasing this as a handy reference book to have at home.It's just not worth the money.

No One Can Beat George Balanchine
Balanchine had a unique ability to understand the ballet and to be able to explain it to others, even if they did not know anything about it. This book which he wrote with Francis Mason, is very handy for balletomane's to have on their shelves. It explains about different ballet's, both classical and contemporary, and describes their story line or plot and gives detailed comments about how the ballet is presented. Good for reference or for curious readers.

Extremely Helpful, But Now Dated
This book should be of interest to any ballet fan, as it contains thelibrettos of many famous ballets. It was written by George Balanchine, thefamous choreographer of New York City Ballet, along with Francis Mason, adance critic. In the preface, Mr. Balanchine writes, "This bookcontains stories of 101 ballets. Fifty are old favorites, ballets in thestandard repertory that are performed regularly, plus a few ballets ofmajor historical importance. The fifty-one others are among the many newballets that have appeared in the past six years, since 'Balanchine's NewComplete Stories of the Great Ballets' appeared in 1968. The idea behindthis paperback edition is to keep up with main trends in the repertorywhile also providing the background of the standard repertory. (p. ix)

Ilearned that I needed a book such as this one, when after viewing act 1 of"Giselle," I realized that I had become completely lost in tryingto understand the story line, and there was no libretto provided on the VCRtape. I suppose that one could watch a ballet just for the sake of thedancing and the music, but I like to understand the plot as well! Many ofthe crucial points in understanding a ballet often come down tointerpreting mime gestures, or dance movements that function as a mimegesture, as there are no spoken words in a ballet. That's where this bookcan really help out.

Each entry begins with an overview that contains alot of information and historical data. Here is a typical entry from"Romeo and Juliet": "Ballet in three acts. Music by SergeiProkofiev. Choreography by Kenneth MacMillan. Scenery and costumes byNicholas Georgiadis. Lighting by William Bundy. First presented by theRoyal Ballet at the Royal Opera House, Covent Garden, February 9, 1965,with Rudolf Nureyev and Margot Fonteyn as Romeo and Juliet. First presentedin the United States by the Royal Ballet at the Metropolitan Opera House,New York, April 21, 1965." (p. 373) In some cases, there are multipleversions of same ballet. For instance, there are five differentinterpretations of "Romeo and Juliet," those of LeonidLavrosvsky, Antony Tudor, Frederick Ashton, John Cranko, and KennethMacMillan. Following the overview, there is a detailed analysis of everyscene of each act. Even if you are familiar with a particular ballet, youmay come to appreciate some finer points through the expert analysis.Sometimes at the end, Balanchine will also provide his own commentary, andthere are often excerpts from critical reviews.

It's too bad that thethird and last edition of this book was made in 1975, as Balanchine died in1983. It would be nice to have something more contemporaneous, but this isthe only one of its kind that I have been able to find, except for a fewfor children. As was stated in the quote from the preface above, half ofthis book is devoted to ballets that were created in the six years prior to1975. I cannot say how well all of these ballets have held up over time, orwhether they are actively being performed. But, at a minimum, the fiftyballets from the standard repertory should be helpful to today's balletfan. This book does not include mention of any new interpretations of thesestandards from the last twenty-five years, but these librettos willprobably get you fairly close. Despite the fact that this book is nowdated, I still find it extremely helpful and valuable.

Awesome Book
This is a great book. I read the story, then watch the ballet. It has helped me to understand the ballets. ... Read more

Book Description
“For soundness, for clarity, for succinctness, this manual of basic ballet is the best there is anywhere.”
–Edwin Denby, The Nation

With a precision unparalleled in any other book of its kind, The Classic Ballet presents a lucid text, and nearly six hundred drawings describe and illustrate in minute detail the proper body position, balance point, movement, and attitude of each position and step in the basic classical repertory.

As George Balanchine wrote in his preface: “There are no shortcuts to great dancing, but what is necessary to remember and unalterable in its instruction may be found in this book . . . An admirable source of reference for the highest standard of practice.” It is an invaluable tool for the student or teacher of ballet–as well as a must-have treasure for the balletomane. ... Read more

Customer Reviews (5)

Great for Ballet Buffs
I purchased this book because I wanted an updated copy of the 1971 version.This book is practically identical to the older copy, but it's still great information and a really cool book.

These Drawings Are Clearer Than Photos!
This is a wonderful book for beginners as well as experienced dancers.In particular, this is one of the best references for barre exercises, but the center steps are well covered, too.This is actually my first choice when recommending barre exercise references, which is reason enough to include it in a ballet library.

Timeless Beauty Revisited
This beautiful classic, repackaged by Alfred A. Knopf, will remain a treasured addition to the library of any lover of the ballet.Six hundred stunning illustrations, in 156 plates by Carlus Dyer bring life to the concepts.

Fantastic book!!!
I have the hard bound edition of this book, published some time ago byAlfred Knopf, and I never tire of looking at the drawings and appreciatingthe mathematical precision of classical ballet. The reading of this bookwill be of an enormous assistance to studying ballet, and it is alsoinvaluable if one wants to study the more technical facets of the subject.Ballet is one form of dance that can be mathematically systemaitized andcharacterized, and this book is a great reference for such an undertaking. Definitely worth having and the paperback edition with its low price makesit completely accessible to all.

Good Info
I thought this book contained good information and the drawings are incredible- although confusing at times. There are many steps described in this book, both advanced and beginner. I find this book a great addition tomy ballet collection. As a dancer, it is a good reference book for me whenI have a question or uncertainty about a step. This book describes indetail how to preform barre exercises, allegros, turns, pointe work, etc.This is a necessity for all dancers and dancer-wannabes. ... Read more

Book Description
A companion guide to one of the bestselling Limelight Edition titles, this book by Asaf Messerer, a founder of what has become known as the Bolshoi School, is one of the most celebrated manuals of classic dance instruction in the world. Messerer has gained an international reputation for his classes in classical technique-models of invention and well-rounded exercise, stressing both precision and fluid artistic control. Nearly 500 photographs of principal Bolshoi dancers illustrate the positions and steps indicated, and an introductory section by Messerer outlines his basic plan and philosophy of teaching. ... Read more

Customer Reviews (3)

stimulating reading
Once you get to grips with the (Bolshoi) excercises being described in measures rather than counts it's a wonderful resource for the serious teacher and adolescent student. There are lots of clear(if old fashioned) photos: Plisetskya and a young Maximova included. This book should be on every ballet teacher's bookshelf, along with theory books relating to Cecchetti, Kirov and English schools of training... A serious book for passionate bookworms like me.

Teachers and dancers will find it a top instructional pick.
CLASSES IN CLASSICAL BALLET has long been a classic out of print, so its reappearance after thirty years makes it a 'must' acquisition for any serious dance or ballet collection. Author Asef Messerer is a celebrated dancer and teacher, the founder of the Bolshoi school of ballet, and here provides six of his classes with notes, positions and steps illustrated by nearly 500 black and white photos of principal Bolshoi dancers. Teachers and dancers will find it a top instructional pick.

Diane C. Donovan
California Bookwatch

Six complete ballet classes of the BOLSHOI SCHOOL.
This book is not for a beginner.It contains six virtuosic ballet classes by the great Bolshoi teacher, Asef Messerer, uncle and teacher of Maya Plisetskaya. The classes are abundantly illustrated followed by a section on Bolshoi Theatre Artists in performance including those of Asef Messerer himself. ... Read more

Book Description
Ten-year-old Ellie Brown is an American girl living in London. For Ellie, ballet isn't just a dream, it's become a way of life. She's danced for almost as long as she can remember and started ballet lessons when she was four. Now Ellie is presented with the opportunity of a lifetime-a chance to audition for a spot to dance with the Royal Ballet. But Ellie knows that even if she won a place, it would mean moving to London and leaving her ill-stricken mother behind with no one to care for her. When the day of the audition finally arrives, Ellie must decide between pursuing her dreams or sacrificing her goals of joining the Royal Ballet to be with her mother. What will Ellie do?

Taking center stage this spring-Ellie Brown in The Royal Ballet School Diaries! With a passion for dancing and the drive to succeed, Ellie, an American girl, will stop at nothing to achieve her dream of getting accepted as a ballet student at the Royal Ballet School in London. This new series is the perfect mix of ballet, friendship, competition, and taking chances!
Dear Diary,
I can't believe I'm really here in London! It was hard to say good-bye to everyone in Chicago, but I promised to write. And I think it will be kind of cool to see what it's like to live in another country. The coolest part is that I'm going to audition for The Royal Ballet School's Junior Associate Program! The Royal Ballet School is only THE BEST dancing school in England! If they accept me, my dream of becoming a famous ballerina just may come true. I'm going to start practicing extra every day. I don't want to make any mistakes during my audition! Wish me luck! I may need it! ... Read more

Customer Reviews (4)

This book is good for a small ballerina.
My daughter who has ballet lessons loves to read this series.

good young adult ballet story for anyone
This is a charming book that makes the ballet world come alive for its young students. Anyone who dreams of becoming a ballerina, especially those that want to study at the Royal Ballet School, will love this book. It describes ballet classes and the school itself. The narrator of the story is Ellie, who is moving to England with her widowed mother who just got a new job there. Now Ellie is able to attend an audition for the R.B.S. junior associate program. Ellis goes through all the issues with moving to a different country, meeting new friends, trying to keep old ones, and also seeing her mother fall in love with someone. This story will please anyone interested in ballet, especially younger ones.

Ellie's Chance to Dance
I do ballet, and Alexandra Moss' books are so acurate with the way things actually happen that I absolutley love them. They face real life problems that aren't exaggerated in any way! This book is wonderful!

the best book
Ellie has moved from Chicago to England to attend RBS. There are many problems ahed of her:
1. Her mom has MS and gets attacks,plus her father died when she was younger.
2. Rachel, a girl in her class who is teasing her about being so talented.
3. She might not be accepted to RBS for the Lower House because she isnt a good dancer.
4. Her mom is in love.
5. Her best friend might not like her anymore.
What is Ellie going to do? ... Read more

Customer Reviews (2)

Perfect fit
The item purchased was as decribed.However, the description should have stated that it was an 18-month calendar, the date (month) that it began and the month that was last, etc........No onewants to give as a gift for the holiday season a calendar that began in July or September as it looks like a left-over sale item.........

The photos are great.Easy to read.A perfect fit for a friend who adores ballet and has made it a part of the fabric of her life.

A year of beauty
As always, this is my favorite calendar!Fabrizio Ferri's photos are exquisite and capture the grace and strength of each dancer featured. ... Read more

Book Description
The girls' first summer term is here, and Ellie Brown and friends can't wait to kick up their heels again. They are even more excited when they learn that two former RBS students, now world-famous dancers, will be filming a documentary at the school! Everyone is thrilled for the opportunity to meet the dancers and star on film—except Kate. Ellie doesn't understand why Kate seems so distressed. When the girls learn why, the truth is shocking—and teaches them that true friendship prevails even when circumstances are not as they seemed. ... Read more

Customer Reviews (3)

Another wonderful read in the series
In the fifth installment of The Royal Ballet School Diaries, the girls' start their first summer term. Ellie and her friends are thrilled when they learn that two past R.B.S. students, who are now world- renowned dancers, will be filming a documentary at the school. Everyone is ecstatic for the opportunity to meet the dancers and get a chance to be on film -- except for Kate. Ellie doesn't understand why and tries to find out. The girls are shocked to learn why, but with Ellie around, no one can be upset for long. This is just another example of how to be a good friend and realize that some problems are not as bad as they seem. As usual with the series, it is a good story about ballet and friends. Everyone will enjoy this book, and also the series. And as I stated in my previous reviews in the series, the only thing that I don't care for in The R.B.S. Diaries are that at times they can sound like a R.B.S. advertisement. Other than that, it is highly enjoyable!

Sooooooooooooooooooooooooooooooooooooo good
This book is so good! It's my favorite so far. As I was reading it, I just couldn't put it down! My mouth was wide open in shock as I read it. I think anyone who reads this book will just absolutly love it, even if you don't dance. The only thing is that you have to read the other 4 before reading this one, otherwise it'll be hard to follow. Hey, it is a series!

good book
This is a great book for ballet students named Margo

Emily ... Read more

Book Description
Ellie Brown is so excited to be returning to The Royal Ballet Lower School forher second term. She can't wait until classes start—she and her fellow classmates are finallylearning to dance on pointe! But a new girl, Isabelle Armand, throws everyone off. Isabelle isfrom France and believes that the French way is the only way—when it comes to clothing,food…and especially ballet. Isabelle is a flawless dancer, but she's terribly unfriendly. How canEllie and her friends warm to Isabelle when she keeps giving everyone the cold shoulder? ... Read more

Customer Reviews (3)

Try Ballet Friends instead
This RBSD book is blah. Head over to Ballet Friends, a new series all about ballet, friendship, and fun! And lots of cute boys! The first book is called Ballet Friends: Get to the Point! and the second book is called Ballet Friends 2: The Rise of Beezilla. I got em both and I can't stop reading them. If you like fun books and ballet, then Ballet Friends is for you.

a wonderful lesson mixed with a great ballet story
Ellie and her friends have returned to The Royal Ballet Lower School for their second term. When they come back, they are surprised to find a new girl, Isabelle Armand, who is French and is mean to everyone, including the teachers. In Ellis's usual fashion, she is determined to understand why Isabelle is so mean and try to be friends with her. Meanwhile, Ellie continues to work hard at becoming a great ballerina. This is a must read for any fan of The R.B.S. Diaries. Anyone else that is interested should read the first two; although it isn't necessary, it will make the story more pleasurable. As I stated in my reviews of the previous books, the only negative comment I can make, is that it can sometimes sound like an advertisement of the R.B.S., which is fine, but can be annoying at times.

Isabelle the MEANIE turns to Isabelle the NICE!!
Reporter's Opinion: I think that this is a wonderful book. It is the third in the Royal Ballet School Diaries series. You should read the first two books before reading this one, so you get to know the people and their personalities.

Summary: When the girls come back from the Christmas break, they notice another bed in their dorm. They soon find out that a girl named Isabelle is coming to the Royal Ballet School. When Isabelle comes in, she is very rude to everyone. A couple of weeks later, Ellie finds out that Isabelle's parents are divorced and that she lives with her Mom. Isabelle is not being nice because she doesn't think that she needs friends. That is because Isabelle's Mom cannot decide where she wants to live and Isabelle had to keep moving and changing schools. In the end, Isabelle and the rest of the dorm are good friends!!
My favorite part was when they were playing truth or dare and they dared Lara to send Oliver Stafford (the most annoying boy who is a real pain and is stuck-up about himself) a Valentine's Day card. I liked that part because it was really funny. When Lara wrote a note on the card, she wrote it in French. It said: "Oliver, je t'adore, mon petit chou!" It really means, "Oliver, I love you, my little cabbage.
... Read more

Book Description
Ballet in Western Culture is a history of the development of ballet designed for dance history courses. After a brief discussion of the origins of dance through the middle ages, the author then traces the beginnings of ballet to Renaissance spectacle in Italy and the beginnings of ballet in France. In the second part of the book, the maturation of ballet as a style is studied, from the 1600s through the 1800s, in France, Russia, and other major European countries.Finally, the last part of the book focuses on the changes in ballet through the 20th century, including major movements in the U.S. and Europe.Nicely illustrated with historic prints and photos, the book is easy to read and ideally suited to the dance history student, addressing both historical issues and the evolution of ballet technique. ... Read more

Customer Reviews (1)

Good
I enjoyed this book very much, but for all its well researched statements, etc., I could not believe that the author included the following statement, which must be corrected -

"Riccardo Drigo...composed two undistiguished ballet scores in the service of the choreographer (Petipa)."

In fact Riccardo Drigo wrote 5 ballets for Petipa (two for Lev Ivanov - "The Enchanted Forest" -1887, and "The Magic Flute" -1893), which were anything but undistinguished in their time -

"The Talisman" (1889) was revered for its score, though the ballet itself was not, and even pleased such grand dames of the artistic world as Alexander Benois and Tchaikovsky himself. Drigo presented a new version of his score in 1907 for Nikolai Legat's revival.

"The Awakening of Flora" (1894, created for the celebrations held at Peterhof for the wedding of Tsar Alexander III's daughter Xenia). Drigo's score was revered by the critics of the day, and the work survived long in the repertory of the Imperial Ballet and Pavlova's company. 30 minutes of it was recorded by Richard Bonynge. The work was choregraphed by Petipa, though there is a long running error which has spread from source to source that it was Lev Ivanov's ballet.

"The Pearl" (1896, created for the festivities held at the Moscow Bolshoi Theatre in honor of Tsar Nicholas II's coronation) Drigo's score was hailed as masterpiece - the ballet, set in an under-water kingdom, boasted a score that featured an offstage choir.

"Harlequin's Millions" (aka Harlequinade) (1900) Drigo was mobbed after the premiere of this ballet by the Imperial audience, who were so enraptured with the score. The New York City ballet includes this work in thier repertory in Balanchine's version.

"The Romance of the Rosebud and the Butterfly" (1904) this work never premiered in light of the Russo-Japanese war and Petipa's falling out with the Imperial Theatre's new director Telyakovsky. It was later revived as "The Tale of the Rosebud" in 1919 by Fydor Lophukov, and was a success.

Maybe a second edition will fix the author's incorrect statement. ... Read more

Book Description
Teaching a beginning ballet class can be a challenge. Even dancers who have studied ballet for many years may be intimidated by the idea of teaching ballet technique. Teaching Beginning Ballet Technique puts new teachers at ease by explaining exactly what to teach and when and how to teach it.

The authors couple ballet pedagogy with motor learning, teaching styles assessment, and instructional strategies to offer valuable insight and advice for teaching beginning ballet. With its inviting layout and easy-to-read format, Teaching Beginning Ballet Technique facilitates the learning process for both the instructor and the student.

Part I gives instructors the tools they'll need to teach the content in Part II. It provides specific information about the teaching/learning process, understanding the theoretical foundations of ballet, constructing and managing the class, and assessing student progress.

Part II presents a logical, sequential plan that guides instructors through the actual teaching of exercises, steps, principles, and progressions. The authors outline four instructional units, each representing three to four weeks of a high school or college term. Each unit includes objectives, teaching strategies, assessment tools, teacher responsibilities, and performance test content. In addition, each exercise and step is accompanied by a detailed description consisting of

• a definition with pronunciation cues,
• a verbal depiction,
• arm positions,
• standard introductory movements or preparation,
• proper breathing or breath phrasing,
• teaching cues and images,
• an assessment checklist, and
• much more.

The book also contains 215 photos that illustrate proper beginning ballet technique.

A related CD-ROM, Interactive Beginning Ballet, provides another power visual tool for understanding techniques and terminology. The book and CD-ROM are available separately, or you can save money by buying them as a package. See "Companion Resources" for more information. ... Read more

Customer Reviews (6)

Excellent resource
This book was written to be used in an academic setting but is an excellent resource for teaching beginning ballet in general. I was a dancer for many years, but I am just now getting in to teaching. Like the authors said, it is good to get a review because it is a long time since I was a beginner. The book helps to clarify what beginners can and can't do. I just skipped over the parts about tailoring your classes to teaching in high school/college since it didn't apply.

Technique Illustrated
I was asked to teach a ballet class as an extension club activity in my school and was looking for a book that would illustrate correct technique.After carefully reviewing numerous books, I chose this one.I provided what I was looking for.

Good reference guide!
As a new dance teacher, I have ordered several books and other resources on teaching. This book is definitely a good purchse - it basically outlines class format and what should be covered for various levels of beginners. I feel it also applies to intermediate students as well. Lots of pictures and descriptions make it easy to understand. I would recommend it for any ballet teacher.

A Great Teaching Aide
This is a great teaching aide if you have never taught older beginner dancers. (Teen and older).It is geared more for an academic setting such as a college, but is easily adapted to the studio setting.

Good for a novice teacher
I have been teaching ballet for more than 10 years and whereas I found this book quite basic, I think it would be a wonderful tool for a new teacher.It goes into great depth about the differnt teaching styles, constructing a class, dicipline, basic technical concepts, imagery, etc.

I did want to note that this book is written for instructors teaching beginning ballet in a high school or college, not so much for the "Studio" teacher.

If you are a new teacher and not quite sure where to start, this would be a good book for you. ... Read more

Book Description
With the end of the school year looming, the girls are warming up for summer and a big summer performance that marks the end of the year. Planning for the show brings lots of excitement—and even more pressure. All the girls are feeling it, but Ellie notices that Grace does not seem to be performing well. In fact, she is dealing with the stress in a way that could be very dangerous. Can Ellie rally Grace's friends and family in time to save Grace from making a terrible mistake? ... Read more

Customer Reviews (3)

Oh Please! OCD? Just read Ballet Friends!
First, I hate the cover. Why do I want the ugly girl's butt in my face? I'm afraid to hold this book around school, for fear of being called a lesbian. Actually, all the covers look like this, and I just rip them off. My mom agrees. Anyway, I hate the OCD stuff, and thanked the lord when Ballet Friends came out! It is so cool and funny, and just what I wanted. If you like ballet, you'll love Ballet Friends! Try #1, Ballet Friends: Get to the Point! Then read #2, Ballet Friends 2: The Rise of Beezilla. You'll thank me.

Another terrific installment that tackles more serious content
The end of the R.B.S. year is fast approaching and the girls are working hard in their classes for the big summer performance that marks the end of the year. The girls are filled with anticipation -- and plenty of pressure. While all the girls are nervous, Ellie notices that Grace is more anxious than everyone else and doesn't seem to be performing as well as usual.

This installment deals with more serious issues, and is a good way to introduce younger girls to OCD. Ellie runs to Grace's rescue as she always does, and tries to do all that she can to help, even though she gets frustrated herself. Ellie, as always, demonstrates what a good friend does for another. Meanwhile, Ellie is working hard for the end of the year performance! This book is just as good as the rest of the books in the series and is exceedingly pleasing. And as I stated in my previous reviews in the series, the only thing that I don't care for in The R.B.S. Diaries are that at times they can sound like a R.B.S. advertisement.

This was a very good book.
Reporter's Opinion: I thought that this was an excellent book. It was very exciting and easy to understand. I recommend this book for all girls ages 8 - 16.

Summary: Grace's mom is putting too much pressure on Grace to be the best dancer of her age group. Grace was always under pressure and she felt that she must be perfect about everything, and she was very sensitive. Ellie told Grace that she might have a disorder called OCD (obsessive-compulsive disorder), and together, they told their dorm mom, Mrs. Hall. Mrs. Hall told the principal, and she made arrangements for her, Grace, and Grace's mom to have a meeting about the disease. In the end, Ellie helps Grace to overcome her symptoms, and together, they dance in the Grand Defile.

... Read more

Amazon.com
Ballet-Fit is for the adult beginner ballet student, "whether 17 or 70." The authors admit the atmosphere in most ballet studios can be a bit intimidating, but say it needn't be.

We concede that if you hang around your local ballet school or dance studio, at first glance, it probably will seem to be filled with long-legged, lean-limbed adolescents, with tight little hair buns, stern little faces, and rumpled leg warmers around their ankles. But ... chances are the 23-year-old stretching on the floor isn't a budding ballerina but a law student who finds beginning ballet a relaxing break from her books. As for the thirty-something woman at the barre, very likely she's a new mother who's thrilled with the stronger, firmer, more flexible body she has developed since she began classes.

Ballerinas, as dancer Allegra Kent put it, "have the strongest, most beautiful, and very probably the most envied bodies in the world." With Ballet-Fit and some dedication, you can work your way toward becoming a toned, flexible balletomane, too. --Erica JorgensenBook Description
The world-renowned Joffrey Ballet School makes the art and joy of ballet available to everyone.Let Dena Simone Moss and Allison Kyle Leopold teach you everything you need to know to get in shape, beautifully sculpt your body, and truly appreciate the art of ballet. They'll let you in on all their secrets, including:-A demystifying explanation of ballet terms and positions-Tips on finding the right instructor and studio-and feeling comfortable once you're there-Hints on ballet attire-including finding, choosing, and tying pointe shoes-An exhaustive directory of where to find ballet publications, audio and videotapes, books, dance wear, schools, and studios.Perfect for the beginner and the veteran balletomane, The Joffrey Ballet School's Ballet-Fit offers an inside glimpse into the mysterious and beautiful world of ballet. ... Read more

Customer Reviews (20)

The Only Book of It's Kind
Most books on ballet are either dictionaries of terminology or else they are intended to be read by young children and teenagers.Ballet fit fills in a void in the literature for those of us who started dancing late, already have some kind of career, and do it for the sheer love of it.I wish there were more books for adult beginner dancers.

Disappointment
The book was somewhat of a disappointment due to the fact that I had already started ballet when I bought it. I had also already found out a lot of useful information on the internet. The target group of the book is adults THINKING of starting talking up ballet. The "Ballet fit" at the end was mostly a brief summary of what excercised that can be expected from a ballet class. Many of the movements are difficult to understand since there weren't enough amount of illustrating pictures. The pictures that are there are surely beautiful, but unfortunately, they have mostly used a pre-pro student in the center of focus and NOT real adult beginners (they are placed at the back). Which really doesn't give you any indication of how far an adult beginner can reach.
If you are going to buy the book, do it for the right reason: As a motivation for starting classes and NOT a technical instruction book or ballet work-out book!

From barbells to Ballet slippers
Ballet is one of the best workouts a person can get. It promotes good posture, flexibility, coordination, strength, grace, and balance at the same time bringing out one of the most artful forms of expression through dance. There is a recent trend of people wanting less grinding forms of fitness such as weight lifting and aerobics. This has caused a serge in popularity in workouts such as Pilates and Yoga in adults. This has also brought interest in means of working out that are both beneficial to your health and fun to do; thus the rising popularity of adult ballet classes.

A few years ago adult ballet classes were very rare. It was considered inane because there really was no hope in becoming professional when starting as an adult. However, there is a new movement of adults whose goal is not to become the professional ballet dancers but turning to it for the sheer fitness benefits. This book is perfect for the types of people just mentioned. There is a certain amount of anxiety and hesitation, however, when entering the world of ballet for the first time as an adult. Ballet is very structured and detailed and this can be a huge turn-off for someone who's not acquainted to this. This book takes all of that anxiety out for you. It tells you everything you need to know so you are completely prepared for your first class. It goes over how to buy your fist pair of ballet slippers; how to get the correct size and fit. It tells you the proper attire. It goes over all the basic foot and arm positions, correct form, and all the terminology. It also has wonderful pictures so you can see just what the positions are supposed to look like. It tells you what to expect the structure of the class to be like.

Now, I actually took ballet for several years when I was younger, but quit my sophomore year of high school. I'm now 26 years old and have had a child, so I was a bit apprehensive to even think about going back into ballet. This book was a great refresher and gave me the courage to get back on my toes again.

Wow!
This book was amazing! I read the entire book before deciding to take an adult ballet class and this book was dead on. It helped clarify everything from what to wear, to how the class would be formatted. I felt so at ease when I walked into my first class and saw the age range of the students - there were young 20-somethings all the way to a lady in her 50's - and there was even a guy in our class! The workout section towards the end of the book is great. You can do one or all of the exercises on your days out of class. And some of them will really get you stretching. I've noticed that there aren't many, if any, floor exercises during class - such as crunches. Most of the class time is spent doing barre work and some center work at the end. These workouts provide an excellent warm up before class. I definitely recommend this book to anyone who is interested in getting into (or back into) ballet. It will clarify any questions you could possibly have and leave you feeling like you can do this when you're finished reading it!

Exellent introduction for the adult novice
This book is written for female and male adults who have never danced ballet but would like to learn it without professional ambitions. It describes a typical ballet class and physical requirements, it addresses concerns adults may have such as fear of ridicule, prior sports injuries, costs and outfits involved, use of French terminology, etc. It also shows that ballet is not only for the fit 25-year-old woman, but equally beneficial to a 50-year-old. And, that many men practice it, too. The authors mention that Vince Lombardi, the "very macho" coach of the legendary Green Bay Packers, had his players take ballet for coordination, discipline, and endurance.

In addition to dance theory, the book explains dance terminology in words and clear photographs, it also shows ballet exercises that will prepare you for the class.

The book is realistic, encouraging and a great preparation before you sign up for a class. Finding a ballet school in your area that teaches adults, of course, is another matter, unless you live in a big city. But the book does list many schools all over the United States that accept adults. ... Read more

Book Description
Because every prima ballerina started at the beginning! Perfectly pitched text by expert author Kate Castle gives a practical guide to ballet, while specially commissioned photographs capture the magic of dance, from the excitement of a child"s first class to the joy of dancing onstage and the wonder of watching a performance. Clear information about what to expect as a young dancerfrom what to wear to how to perfect positionsis combined with an inspirational look ahead to the turns, leaps, and arabesques that build from these first steps. The book is full of hints, tips, and step-by-step instructions that will help every child make the most of his or her ballet classes. ... Read more

Customer Reviews (2)

An enduringly popular choice that is as engaging as it is informative.
Expertly written by former Royal Ballet dancer Kate Castle, "My First Ballet Book: From Barres And Ballet Shoes To Plies And Performances" is effectively illustrated throughout with full color photography. This makes it an ideal introduction and guide to ballet for young readers into the wonderful, magical, thrilling world of dance. Along with seeing 'backstage', readers are provided with practical tips, step-by-step illustrations, and engaging background information that will solidly benefit aspiring young ballerinas. Very highly recommended for family, school, and community library collections, "My First Ballet Book" will prove an enduringly popular choice that is as engaging as it is informative.

Great Introduction
I bought this book for my six year old daughter. She was fascinated by the pictures and I found the explanation of terms helpful in communicating with her dance teacher. My one criticism would be that the book could cover additional basic material and possibly include some advice for parents of budding dancers.

Still, well worth the modest price. ... Read more

Book Description
The Dancer's Book of Ballet Crafts: Dancewear, Accessories, and Keepsakes is a romantic and practical collection of accessories that can be knitted, crocheted, beaded, hand-painted, embroidered, and quick-sewn-from bun covers and warm-up sweaters, to beaded tulle tutus, and bejeweled tiaras. Beautifully illustrated with over 300 full-color photographs of the dance world, The Dancer's Book of Ballet Crafts includes photographs of the easy steps needed to accomplish each of the over 25 gorgeous projects. Captured in intimate detail are the young dancers as they warm up, cool down, practice at the barre, and get ready for a performance, each exquisite photograph taken by Rosalie O'Connor, a frequent photographer for the ABT. Personal quotes and sayings from professional dancers and students are scattered through the pages of the work. A separate diary/journal section concludes the collection. ... Read more

Customer Reviews (3)

Absolutely Beautiful!
This is a truly lovely book.It is eye candy for the knitter!My only complaint is that it is mainly knitting - just one or two of each other craft - very nice if that's what you're expecting.The description really doesn't indicate that.I will say that the knitting projects are for all different levels; however, you will need to practice a bit first if you are a beginner.The photography is outstanding, and the ribbon bookmark is a nice touch.

A FABULOUS addition to your ballet library!!!
The Dancer's Book of Ballet Crafts is a fresh and lovely collection of craft patterns for all experience levels.It is beautifully written, directions are easy to follow, and dance lovers young and old will melt into every page!The photography is warm and welcoming and the art work and history of ballet informative.Christina Haskin has shared her love of ballet and crafts with us and dancers of all ages will find this a useful and heartwarming addition to their libraries.Don't pass this one by!!

Great gift for a young ballet dancer.
This book would make an excellent gift for a young dancer. The photos are beautiful and inspiring. ... Read more

Book Description
Ballet: From the First Plié to Mastery is designed as a complement to a beginning student's ballet training. The book opens with a brief description of the benefits of ballet training to young dancers, and then introduces fundamentals and precepts of the technique. Clear photographs show exactly how to execute each movement.Then an eight-year course is presented, taking the student from age 5 or 6 through the teen years, outlining exactly what is to be taught and how it is to be performed.A glossary, bibliography, and discography close the book.
Young girls-and increasingly boys-are drawn to ballet training as a way of developing healthy musculature and bones, building an aesthetic awareness, and enhancing body image.Paskevska believes that-when performed correctly-ballet can provide a lifetime of artistic and physical pleasure.Shunning pyrotechnics and flashy technique, the book offers a solid grounding in the basics of ballet movement that will serve the student well, whether or not he or she chooses to continue training.Through her comprehensive examination of the how, why, and when of performing basic ballet techniques, Paskevska offers a concise and easy-to-follow regimen for everyone from the beginning to more advanced dancer.
For ballet students, their parents, and their teachers, Ballet: from the First Plie to Mastery is an invaluable first step toward enjoying dance and excelling as a dancer. ... Read more

Customer Reviews (9)

Big academic, Bad book, inaccurate information...
"Ballet: From the First Plie' to Mastery, An Eight-Year Course" or "WHERE'S THE BEEF?"

I admit.I ordered this book expecting to get a condensation of Kostrovitskaya's "100 lessons". (available through this site)(A book I highly recommend.The John Barker translation is no longer available, but Oleg Briansky's is still available:

Yes.I saw the name "Paskevska" and said to myself, "Well "8 Lessons" and she's gotta be a Vaganova practitioner, right? WRONG!!!

Okay, I have been a Vaganova practitioner for many years.But, I wrote a thesis on the Documentation and Colloquia of the Oral Tradition of Balletic Vocabularies in the English Speaking World. (Not very publishable). When I opened the book I knew that it wasn't what I expected.photos of children too young to assimilate the positions they are posed in (and thus are showing them incorrectly) most of the dancers breaking their hips (leaning slightly forward), under utilizing the natural turnout available from their buttocks, hips and through their legs.But, no - I don't have problem with this: its difficult to find well trained dancers in the US.I knew that examining content was the best way to evaluate the book.So I went on to examine it...

here's what I found:
- Cecchetti and French terminology combined, (with some Legat thrown in for good measure) without explanation throughout.particularly ports de bras and relative spacial positioning.
- No decent explanation of turnout as an active function in ballet virtcle.No explanation of utilization of ports de bras as 1) functional as counter balance to extension, flexion, motion or stasis 2) the primary functionary of presentation.
- No decent explanation of placement as either somatic (as in some English styles and Cecchetti, or placement as spacial as it is in all other schools (eg: `a la seconde is placed in accordance to available external rotation from hips in Cecchetti.`A la Seconde is placed in accordance to second position of the feet and angular relationship toaudience in Vaganova and other schools.)

In fact, there is so much more I find wrong with this book, I can't fit it in here.So, here is the little of what I liked, unfortunately undone by each points' subsequent failing:
1) it does a half decent job giving the progression of classes structure and emphasis -according to the author's presumptive stance._In other words, because of the lack of definitive information of alternative schooling, the author has assumed that her presentation is best.(If she didn't, she wouldn't have written a book about it.)The truth is that it is an American Melting Pot of a variety of styles.This was fine through the 1980s when Americans dominated world ballet...that is, until Perestroika!

2) She is an academic and so writes in a succinct and direct manner that is easy for a novice to understand.But, the devil is in the details in two ways in this statement.

A) Novices hould not read a book to learn ballet.Period.(For example, a novice would not be able to fathom Kostrovitskaya's 100 lessons.It is a good reference book, but terrible to glean an ability to instruct - as it should be!It is a book for seasoned trained professionals.)

B) She is an academic with little professional experience.To train children from beginner to professional (as as if they are to be professional) one must not only have studied pedagogy -with professionals who were your teachers- but one should have at least some professional experience on stage for a few years.Ballet is meant for the stage; if you haven't been on many, night after night, dealing with applause and the rather difficult lifestyle, you won't be able to prepare your dancers for what ballet really is: an ATHLETIC ART FORM!!

To Ms. Pavkevska credit, she has a long resume'.But her background is dated.The principles she prescribes in "Ballet" are simply out of date.For example, we now know that creative dance is good for children from age 4 (at the earliest) until 9.You can start a child in ballet at age 7, but this "level one" must continue until age 9 to 11, depending upon physical and mental maturity.At this point, the only major in emphasis should be arms, stretch and strength training.Some forms of character and movement can be trained.But around age ten is when you really kick in teaching technique in the form of positioning, and simple transition movements.If you have taught them arms first, when standing still, they already look like pros!Even the photos in Pavkevska's book betrays the lack of strength and training in these young dancers.Further, the training of dancers breaking the line of their upper body forward at the hips, so their is a slight sitting back in the lower body, will stunt these young children as they grow.

Could a dancer become a finished dancer using the generalist techniques outlined in this book?Only if they then leave to go -retrain- with another teacher.I'm sure she has students who have gone on to professionals, and others who could have done, but like many talented students chose other paths that they thrive in.But, though well organized, and she does have good points about discipline etc., it exemplifies the "ballet light" that has been pervasive for years, and has been run asunder by the Russian invasion by dancers who are so much more superior in their training that few Americans stand a chance.

Where Americans thrive is in our ability to switch dance and choreographic genre.If only Pavkevska stated this in her Preface or first chapter.Sadly, I have not found it yet.She needs to be specific that this is more than just a rehashing of Nicholas Legat's Cechetti influenced dated methodologies.

P. S. Rosemond

best one yet
I have been living with ballet teachers and students for years now (my family) and I am a martial art teacher myself so this is a subject I learned and practiced myself. The writer is an exellent teacher and writer. The progression is precise and explained and something to look up to in todays teachers. She takes the body from the initial