Customer Reviews (1)

F.Liszt + Agnes Street-Klindworth:A Correspondence
This book is an exciting document relating the tendre relationship between F.Liszt, great composer of 19 centuary, and Agnes S.-K. acting with her father as secret service agent in european courts. I have read a lot of Liszt correspondance with another famous people of the 19th century (Wagner, Marie d'Agoult, his pubishers, composers etc), but the correspondence with Agnes is very personal and discovers both human features of Liszt as a man and his very sincere opinion of the "new music of the future" including his own music and its problems with audience and critics. After finishing this very well documented correspondance I must say that Franz Liszt was not only music genius, but also humanist and fascinating man whose true value and role in the history of music has not yet been properly appreciated. Thanks especially to Pauline Pocknell(editor)!!! ... Read more

Book Description
"You can't help but keep turning the pages, wondering how it will all turn out: and Walker's accumulated readings of Liszt's music have to be taken seriously indeed."--D. Kern Holoman, New York Review of Books "A conscientious scholar passionate about his subject. Mr. Walker makes the man and his age come to life. These three volumes will be the definitive work to which all subsequent Liszt biographies will aspire." --Harold C. Schonberg, Wall Street Journal

"What distinguishes Walker from Liszt's dozens of earlier biographers is that he is equally strong on the music and the life. A formidable musicologist with a lively polemical style, he discusses the composer's works with greater understanding and clarity than any previous biographer. And whereas many have recycled the same erroneous, often damaging information, Walker has relied on his own prodigious, globe-trotting research, a project spanning twenty-five years. The result is a textured portrait of Liszt and his times without rival." --Elliot Ravetz, Time

"The prose is so lively that the reader is often swept along by the narrative. . . . This three-part work . . . is now the definitive work on Liszt in English and belongs in all music collections."--Library Journal ... Read more

Customer Reviews (3)

Doing justice to Liszt
This is the third and final volume of Alan Walker's lengthy and in-depth biography of Liszt. It so happens to be the third volume I purchase. This is the most informative and entertaining biography I've ever read (including footnotes and the appendices). Mr. Walker goes beyond the call of duty (or defines it), by having done extensive travels during his years researching for this masterwork on the master of Romantic music, Franz Liszt. He was even granted access to the Vatican's Secret Archive to study what happened during Liszt and Carolyne's struggle to get married.
Anyone truly interested in reading the definitive biography on Liszt cannot consider anything else but these three volumes by Mr. Walker. I came upon them by chance, and now do I consider myself very lucky. He has since the publication of the third volume released some complimentary books, with more specific topics and correspondence of the time. Alan Walker is indeed The Liszt erudite. Period!

an inspiring and scholarly book
I have just finished the reading of all three volumes of Walker's Liszt biography and it is like the composer is in front of me, alive and awe-inspiring.Walker's fortes are the uncanny ability to revive the atmosphere of the 19th Century and its relevance to Liszt's compositional frame of mind. He is also extremely thorough on his research of primary sources, which leads to some unexpected conclusions about the composer's personality and creativity. As it is with many other biographies of men who seem to be one step up on the ladder of intellectual output, creative energy and forward looking imagination, the author seems to be a bit too keen on justifying his failures. To him, the object of his admiration can do no wrong and one has to go to the pains of blaming everyone else for what happens of negative in his life. Liszt had obvious shortcomings as a composer if we compare him to his contemporary Chopin for instance, but the all-embracing nature of his interests were surely unique and constitute themselves reason enough to attract one's admiration. One doesn't need to play down the bad aspects. The biographer has obviously to admire the object of his study, but he doesn't need to behis posthumous PR. Having said that, one cannot be but overwhelmed by the sheer ammount of information and by the delicious style with which it is presented.In fact, it is difficult to put the the books down inthe first place, and upon reaching the end one feels like forgetting it only to have the pleasure of reading it again. Walker's tremendous stature as a scholar and Liszt's absolutely super-human productivity and larger-than-life personality are an inspiration to anyone who feels that one has to do something out of one's life. It is impossible to read thiese magnificent books and remain stuck in petty pursuits. They give us a measure of the miracle each human life is.

Finest biography of Liszt you will ever read
"Franz Liszt: The Final Years" is compelling and at times, heartbreaking.It reads like an epic novel.I was literally catapulted through the book and couldn't stop reading it, yet I didn't want it to end.Walker does a magnificent job of breathing life into 19th century Europe with intimate details of the lives of its most innovative geniuses, Richard Wagner and Franz Liszt.I've read all three volumes of this biography, but the final volume was most devastating in its power.It's a moving tribute to the charisma and warmth of Franz Liszt, one of the most fascinating, brilliant men who ever lived ... Read more

Customer Reviews (3)

Attention all Lisztians
If you are a Lisztomaniac, this is for you.It is a book that is very difficult to put down.Liszt's life reads better than a novel, and Walker's narrative flows superbly.He has investigated every biographical avenue and brings the Weimar of the 1800's to life.

On the negative side: There are copious footnotes, which often stray off the subject, whilst others belong to the main text from which they divert.As the book is meant to be a work of scholarship, the amount of opinion and speculation which peppers the book is also rather annoying.One has to be very cautious in separating Walker's own views from the first-class academic research that he has done.

Nonetheless as this book covers the most prolific period of the composer's life, you can do no better than read Walker's account to dicover just who Liszt was, his importance to musical history and the enigma of the man himself.

Attention all Lisztians
If you are a Lisztomaniac, this is for you.It is a book that is very difficult to put down.Liszt's life reads better than a novel, and Walker's narrative flows superbly.He has investigated every biographical avenue and brings the Weimar of the 1800's to life.

On the negative side: There are copious footnotes, which often stray off the subject, whilst others belong to the main text from which they divert.As the book is meant to be a work of scholarship, the amount of opinion and speculation which peppers the book is also rather annoying.One has to be very cautious in separating Walker's own views from the first-class academic research that he has done.

Nonetheless as this book covers the most prolific period of the composer's life, you can do no better than read Walker's account to dicover just who Liszt was, his importance to musical history and the enigma of the man himself.

Fantastic Source about a Fantastic Man.
I have been a great fan of Franz Liszt for quite some time, and Alan Walker brought the composer to life in his trilogy of books about the famed musician.

This volume goes into great detail about Liszt's life after hedecided to end his life as a virtuoso, and become a composer.His love forPrincess Carolyne became apparent in his music, and in his interactionswith others.

While it is not as descriptive as I would have likedregarding Liszt's symphonic poems, my favorites among his many works, istill felt that this volume is well worth every penny I spent on it. Definitely a worthy buy for anyone interested in music and what makes up acomposer. ... Read more

Book Description
The greatest pianist there has ever been, an innovative, forward-looking composer, and an outstanding conductor and teacher, Franz Liszt was one of the most charismatic and sought-after figures of the nineteenth century. Amongst much else, his letters record his creative work, his travels and concerts throughout Europe, his relations with his family, and his liaisons with several remarkable women, above all the French countess and bluestocking who bore his children, and the Polish princess--described by one contemporary as `phenomenon without equal'--who strove to become his wife. His astonishingly wide and varied acquaintances included not only popes, cardinals, kings, queens, and emperors, but also Beethoven, Alexander von Humboldt, Victor Hugo, Hector Berlioz, George Sand, Chopin, Robert and Clara Schumann, Bedrich Smetana, and most notably, Richard Wagner. Outstanding figures all, their names recur repeatedly in these fascinating and important letters, the majority of which are here made available in English for the first time. ... Read more

Book Description
"If only I do not die here."

After falling ill during a visit to Bayreuth, Franz Liszt uttered this melancholy refrain throughout his final days, which were spent in rented rooms in a house opposite Wahnfried, the home ofhis daughter Cosima and his deceased son-in-law Richard Wagner. Attended by incompetent doctors and ignored and treated coldlyby his daughter, the great composer endured needless pain and indignity, according to a knowledgeable eyewitness. Lina Schmalhausen, his student, caregiver, and close companion, recorded in her diary a graphic description of her teacher's illness and death. Alan Walker here presents this never-before-published account of Liszt's demise in the summer of 1886.

Walker, whose three-volume biography of Liszt was praised as "without rival" by Time, states that "no one who is remotely interested in the life and work of Franz Liszt can remain unaffected by the diary." Schmalhausen's tale of neglect, family indifference, and medical malpractice was considered so explosive at the time of its writing that it was kept from public view. The twenty-two-year-old Schmalhausen was regarded with suspicion by many in the composer's inner circle, as well as by other confidants, and a sanitized and inaccurate depiction of Liszt's death made its way into the history books.

For this volume, Walker has overseen the translation and thoroughly annotated the eighty-one-page handwritten diary, and added a selection of illustrations. A prologue contains important background information on Liszt himself and on Lina Schmalhausen's diary. An epilogue discusses the funeral and ensuing controversies over disposition of the composer's remains. ... Read more

Customer Reviews (3)

Sad look into Liszt's last days before his death
This is a very accurate tale of Franz Liszt's final days. Walker'ssource is the diary of Liszt's student Lina Schmalhausen. Schmalhausen was a pupil, caregiver and confidante of Liszt in his last years. Her diary covers July 22, 1886, to August 3, 1886, the day of Liszt's funeral in Bayreuth. Its contents include the daily comings and goings around the dying Liszt and her very personal comments on events and many of the people involved. We hear from Liszt on topics such as his personal keepsakes, his students, human relations and romances. And, of course, the powerful figure of Cosima, Liszt's daughter and Wagner's widow of three years, is present throughout the book. She faced overseeing the performances and social events of the Bayreuth Festival while her dying father was close by. Schmalhausen gives a daily account of this situation. When I first got this book I thought, is the diary of Schmalhausen reliable? Walker does caution the reader to view her interpretation of the facts in the light of her relations with Liszt, Cosima and several other Liszt pupils, relations which he presents to the reader.Walker's prologue and epilogue gives a sad revealing look at friends and family of Liszt arguing over where he should be buried among other things.This is a wonderful book and I have read it many times. There are also eight black and white photos in the book. I think any one interested in Franz Liszt would enjoy this book.

Quite an addition to the Liszt literature! But look at the source of the find!
My compliments to the reviewer "Klavierspiel" who captured the essence of the book and in passing also mentioned that it also bears the touch of what many [myself inclusive] consider to be "the" authority on Franz Liszt, Dr. Alan Walker. Just as a quick sidebar: It's my own view that Dr. Walker's quite excellent biographical trilogy is quite simply the definitive Franz Liszt. Keep alert for Amazon vendors offering the 'hardcover' 'used' editions of these otherwise pricey tomes [in hardcover] because with a little patience I was able to get literally mint hardcovers from 3 separate Amazon vendors for 'very' reasonable and greatly reduced from original hardcover list [no pun intended!] prices.

Anyway and the known 'sanitized' versions that exist of Liszt's demise not to mention the fact that Lina Schmalhausen herself was the object of some friction by others [simple envy that the 'master' took a liking to her .. and her care of him?] , but I go with the diary and Dr. Walker. And this too from someone who was 'there' which only adds, IMO, much credence to the matter with regard to the personal treatment of Liszt albeit of a 'non' medical nature by his own daughter, Cosima Wagner : Let theconductor, FelixWeingartner also speak, and I quote, "The Wagner family gave no outward sign of mourning. The daughters wore black dresses but that was all. We had confidently expected that at least one of the festival performances would be cancelled [...] If at least the flag on the roof of the theatre had been removed or hung at 'half-mast' [sic] ... But nothing, nothing at all was done to show outward reverence to his memory. Not even the receptions in the Villa Wahnfried were interrupted. Everything was made to look -- as if on purpose-- that Franz Liszt's passing was not of sufficient importance to dim the glory of the Festivals even temporarily by a veil of mourning. From that day on I never entered the portals of Wahnfried again." [sic -- "The Book of Musical Anecdotes", Norman Lebrecht, The Free Press, 1985 hardcover edition, p. 151].

Rather telling, I would say, or put another way, 'Der Stoff zum Nachdenken' [food for thought] in more ways than one! I think Dr. Walker should be commended for not just his own valuable contributions via his truly magnificent 3 volumes on Franz Liszt but also making this discovery of the unpublished Schmalhausen diary part and parcel of the Liszt biographical literature. And if the reader will bear with one additional sidebar: I'm still trying to figure out the literal jihad that Clara [Wieck] Schumann had later on in life with Franz Liszt. Another puzzler with all sorts of conjectured 'whys and wherefores' but nothing definitive there either save for the wags to call it a "cobra/mongoose situation" but the 'why' of it is still puzzling! But back to the Schmalhausen diary: to be colloquial about it, it's quite an eye-opener! And I thoroughly trust the source of the diary find, editor and examiner, Dr. Alan Walker.

Doc Tony

A must-read for Liszt enthusiasts
Alan Walker is generally recognized as the foremost authority on the great Franz Liszt, piano virtuoso, composer, and teacher, born in Hungary but claimed by all of Europe. After Walker's monumental three-volume biography it would have seemed that hardly more could be added to the Liszt tale; yet this slender book is an essential supplement.

Lina Schmalhausen was one of Liszt's lesser piano pupils and, from several accounts, not a human being of total integrity. She was openly despised by many in Liszt's inner circle of relatives, students and friends--Walker correctly warns the reader against taking all of her judgments at face value. Yet a genuine affection appears to have existed between her and the increasingly frail Liszt during his final years; certainly Schmalhausen was a devoted friend and caregiver (the jury remains out on whether there was an actual romantic attachment between the two), to whom the composer left some of his original manuscripts and other valuables. She visited him during his fatal journey to Bayreuth in the summer of 1886, and her firsthand written account of Liszt's last days on earth, in pain, largely immobile, racked by spasms of coughing, makes for harrowing reading. Even more painful is the indifference and incompetence of the relatives, servants, students and doctors who should have helped him and instead ignored him (his daughter Cosima, who was more preoccupied with running the festival of her late husband's work), or gave him incompetent medical advice and treatment that needlessly increased his suffering and may even have caused his death. Long suppressed and/or ignored by authorized Liszt scholars and biographers, Schmalhausen's diary has been edited, readably translated, extensively annotated (occasionally to excess, the only small drawback) and given a prologue and epilogue by Walker that sets the material in context. ... Read more

Book Description

Book Description
Liszt's B minor Sonata is now regarded as his finest work for piano, and one of the pinnacles of Romantic piano music. This book, written by a pianist who has performed the Sonata extensively, includes a survey of Liszt's early attempts at sonata composition and clears away some of the persisent myths regarding program music in Liszt's output. The central chapters, built around an analysis of the B minor Sonata, discuss various interpretative approaches, while the concluding chapter treats the performance practice and performing history of the work. This is the first book to elucidate this ground-breaking piece for the general reader. ... Read more

Customer Reviews (13)

Very well written and engaging!
This is a very well written and engaging biography of one of the most incredible musicians of all time. Totally worth it!

The definitive Franz Liszt -- all 3 of the volumes!
This will probably be one of my shorter reviews [A sudden shout: "Yeah, right Doc!"] because I can quickly cut to the chase, to wit, Dr. Alan Walker has produced in this painstakingly researched 3 volume biography [spread out over 25 years during the research] with this 1811-1847 book being the first in that series, the 'definitive' Franz Liszt! This trilogy is a must read for those interested in Liszt and, IMO, is not only the definitive Liszt from "the" acknowledged authority and foremost Franz Liszt scholar but a decided asset to the Liszt biographical literature per se.

Two more comments: Watch the Amazon vendor prices for the 'hardcover' editions! Originally, these were rather pricey books in hardcover [although well worth it! Knopf quality!] but I was able to get 'used' albeit literally mint hardcover editions of the 3 volumes from 3 separate Amazon vendors. What's that? Sure! The original harcover editions were, in order of publication, $25.00, $39.95 and $45.00. I'll generally check out the hardcover offerings over the paperback editions in most of my books and sometimes there are some really exceptional buys out there although if it's a choice between 'good' and 'very good' pay the few dollars extra for the 'very good' or 'like new' grade notations.

Finally, check out among other of Dr. Walker's tomes on Franz Liszt, "The Death of Franz Liszt: Based on the Unpublished Diary of his Pupil Lina Schmalhausen" which is quite an eye-opener with regard to the "treatment" [or lack of same therein] of Liszt prior to his demise. As I said when I reveiewed that book, I trust the source of the diary find as well as the findings and its editing, annotations and examination via Dr. Walker as to the veracity of the Schmalhausen remarks. I quoted the remarks of the conductor, Felix Weingartner, who was 'there' at the time and his own observations [et al] lend credence to the Schmalhausen diary.

So too, and if finances permit and you want Franz Liszt a la mode, get the 3 volumes in one swoop plus the Lina Schmalhausen diary book which was edited and annotated by Dr. Walker in re the death of Liszt and finally, putting it all together, the 2005 published Dr. Alan Walker 'capstone', if you will, "Reflections on Liszt." See my reviews on those two tomes as well.

Doc Tony


What's that? Why not! Doc Walker with a straight white haired wig resurrecting Steve Allen's "Meeting of Minds" and doing the one and only "F. Liszt" as a sort of latter day counter-balance to Victor Borge's 'interpretation' so to speak in that classic Mike Wallace skit! Who better than Doc Walker to play Liszt and concurrently know what he's talking about! Ahhhh! That's the rather cogent difference!

A sudden voice: "What about Doc Walker's Chopin and Schumann tomes?" Fine!They could be played next! ;-) [as I place much trust in Dr. Walker's sense of humor! But the obvious compliment of his research is clearly evident!]

Superb accomplishment - enlightening
As a music student in the 70's the subtext when discussing Franz Liszt was that he was a showman who leaned on his empty virtuosity.Chopin, Mendelssohn, and Schumann on the other hand, were the true romantic artists.

It's taken me over 35 years of studying piano and music to get to the point where I would read this wonderful biography of Liszt, and my eyes have been opened even wider about the wonderful artistic character of Liszt and his completely indespensible role in 19th century music.

This book (I have all three) is a wonderful read, at some times it is "laugh out loud" funny, and is filled with musical examples that perfectly illustrate the points that Mr. Walker makes.

If you are a musician interested in the piano, or the Romantic period, you owe it to yourself to let the scales fall from your eyes, and read this enlightening exposition.

Great Biography Of The World's First Rock Star
Alan Walker deserves 5 enthusiastic stars for making his life's purpose the writing of Franz Liszt's definitive biography, and succeeding nearly as well as humanly possible considering the availability of the always-emerging Liszt materials throughout the years. For me, I would have liked to have seen an even more musically-oriented life of Liszt. More than a few times, Walker mentions that eyewitness accounts exist of important concerts, only to refer us in a footnote to some person's diary (probably only available in some Transylvanian dialect if you could ever find it) rather than telling us about it himself. Meanwhile we're treated to almost painfully detailed renderings of Franz's love life with Marie D'Agoult and the many domestic dramas which haunted him as his pursued his life on the concert trail... but these are minor quibbles. The book is great, no doubt about it. Poor Liszt, he was the busiest piano virtuoso in history at that time, traveling in various carriages and carts across thousands of miles of potholed roads where he was jolted mercilessly and endured illness, exhaustion, rain, mud, snow and ice while he raced to his next gig. He was literally thrown to the ground violently at least twice, when wheels dipped into ditches or the drivers fell asleep and the whole carriage overturned. (It's sad and sobering to realize that this is exactly how the original bassist for the rock group Metallica, Cliff Burton, was killed more than 150 years later on a lonely road in Sweden. He was sleeping on the band's tour bus when it overturned. In a similar accident, singer Gloria Estefan was lucky to escape with her life.) Somehow, despite these gritty and dangerous travel conditions, Liszt performed a grueling succession of mostly triumphant concerts everywhere from Italy to Scotland to Russia before he decided he had been bounced around quite enough thank you, and settled down to compose and teach in Weimar, where Volume two of this epic biography begins. Towards the end of Volume 1, I began to feel as if author Walker's spark was fading slightly. And lo and behold, as I began reading Volume 2, I was very pleasantly surprised to see that the intervening years in which the author was researching the next installment had allowed him to completely recharge his batteries, and present part 2 to the public with a fully-renewed sense of brilliance, wit, and passion for his subject matter. Highly recommended reading for biography buffs interested in great musicians and composers!

10 stars for this phenomenal achievement
This is simply the standard of Liszt biography. The fact that Alan Walker researched enough to fill three volumes is an achievement enough, but you know what else makes this biography so good? It's fun to read. Without a doubt, anyone interested in Liszt will find anecdotes, insights, illuminated facts, and even musical analysis of the most colorful and exciting character in classical music: Franz Liszt.

I've read this book twice, actually, and the second time was even more enjoyable. This owes to many things: Alan Walker's superb writing style, eloquent organization (gives the pedantics many footnotes to absorb at the bottom of the page) and a fine cohesion of thoughts and ideas put into each chapter. Sometimes I can't help but enjoy the biography as I would a novel. Yet Walker does not write it like a novel and clearly sets out to chronicle Liszt's life from his youth all the way to his retiring from the concert stage. In between these pivotal times, Walker manages to debunk myths, explore Liszt's underrated music from his virtuoso days, and examine other characters who interacted with the Hungarian composer. Walker is always focused on Liszt but never detracts by discussing Clara and Robert Schumann's reactions, or Sigismond Thalberg, Chopin and even Alkan. Walker depicts their perspective of Liszt and goes on to explain why there were so many misunderstandings.

Stories of Liszt's true meeting with Beethoven, his exciting romance with Marie D'Agoult, the duel with Thalberg, his generous nature to play for charity, and so many enticing stories of his concert days all help to shed light on what a remarkable man Liszt was, and at such a young age, too. The whole book is an exquisite panorama of Liszt's character, detailed through his letters, his travels, his music, and his legacy as researched by the author. What Walker has done is set the standard for the way Liszt should be viewed in the history books. For so long, musicologists were almost feeding us false information. From the really low ones we were even getting propaganda that he was a womanizer, a cheat, some kind of vulgar pianist, and even a fraud. Walker candidly mauls those old and incorrect views into the dust; he explores and accurately dispels the myths and ignorance that so many people harbored and still harbor for him, and for that I feel thankful.

Never have I read a biography twice like this and found the second reading even more engrossing. There is never a dull moment, never a chapter that slows down. To be fair, the only chapter that was uninteresting was the prologue and biographical information of Liszt's family. Despite that, once you're absorbed into Liszt's young world with Czerny, his move to Paris, and his tours all over Europe, it's like being on a rollercoaster ride during the whole book.

Bottom line: Liszt lovers must read this book; it's the best wealth of knowledge to get on the young Franz Liszt and it is written in a way that doesn't just educate, but also entertains. Highly recommended. ... Read more