1. Copley John Singleton, American Masters, Masters, Artists, Art History And Visua Copley, John Singleton Nicholas Boylston 1767 Oil on canvas 49 1/4 x 39 1/8 in. Copley,John Singleton Paul Revere c. 176870 Oil on canvas 35 x 28 1/2 in. http://www.wwar.com/categories/Artists/Masters/American_Masters/Copley_John_Sing

Main Category: Artists: Masters: American Masters: Copley John Singleton The Visual Artist subcategories lead you to specialized information pertaining to visual artists. You can browse in alphabetical order, by artistic medium, subject matter, or discover art history information by following the link to Masters below. Copley was born in Boston into an Irish family. His father died when Copley was still very young, and when he was ten, his mother remarried. Her new husband was the mezzotint engraver Peter Pelham, who encouraged Copley to become a painter. Copley's independent style was achieved about 1757, ... further indepth information Copley, John Singleton WebMuseum, Paris, painting, France Copley, John Singleton Copley, John Singleton Nicholas Boylston 1767 Oil on canvas 49 1/4 x 39 1/8 in. (125 x 99.5 cm) Copley, John Singleton Mr. and Mrs. Thomas Mifflin (Sarah Morris) 1773 Oil on ticking 61 x 48 in. (154.9 x 121.9 cm) Copley, John Singleton Paul Revere c. 1768-70 Oil on canvas 35 x 28 1/2 in. (88.9 x 72.3 cm) Copley, John Singleton

2. John Singleton Copley Posters John Singleton Copley Children Of George Iii, Artist Subject Title Size Article Price in US$ copley john singleton Miscs Children Of George Iii 60 x 50 http://www.3wposter.com/copley.htm

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4. WIEM: Copley John Singleton copley john singleton (17381815), amerykanski malarz i rysownik. CopleyJohn Singleton (1738-1815), amerykanski malarz i rysownik. http://wiem.onet.pl/wiem/0133cf.html

wiem.onet.pl napisz do nas losuj: has³a multimedia Malarstwo, Stany Zjednoczone Copley John Singleton widok strony znajd¼ podobne poka¿ powi±zane Copley John Singleton (1738-1815), amerykañski malarz i rysownik. Pocz±tkowo czynny w Bostonie, gdzie malowa³ przenikliwe, realistyczne portrety tamtejszej bur¿uazji ( Mrs S. Bourne i  Ch³opiec z wiewiórk± - oba 1766, Pu³kownik W. Montresor ok. 1772). W 1775 osiad³ na sta³e w Londynie, od 1779 cz³onek tamtejszej Royal Academy. Malowa³ wtedy g³ównie obrazy historyczne, w których zbli¿y³ siê do neoklasycyzmu ¦mieræ lorda Chathama 1779-1780). W obrazach o tematyce wspó³czesnej podejmowa³ temat walki cz³owieka z natur±, czym zapowiada³ romantyzm Watson i rekin 1778). Jego malarstwo cechuje precyzyjny rysunek i nasycony koloryt. zobacz wszystkie serwisy do góry Encyklopedia zosta³a opracowana na podstawie Popularnej Encyklopedii Powszechnej Wydawnictwa Fogra

5. John Singleton Copley John Singleton Copley. (b.1738, Boston, MA; d.1815, London, England). Lydia Lynde,ca.176264. John Singleton Copley (1738-1815) Lydia Lynde, ca. 1762-64. http://www.nbmaa.org/Gallery_htmls/Copley.html

6. JOHN SINGLETON COPLEY JOHN SINGLETON COPLEY 17371815 Mrs. Daniel Rea and Child, 1757 Oil on canvas,49 X 39 (124.50 x 99. 10 cm.) Unsigned Museum purchase, 947-0-103. http://www.butlerart.com/pc_book/pages/john.htm

JOHN SINGLETON COPLEY 1737-1815 Mrs. Daniel Rea and Child, 1757 Oil on canvas, 49 X 39" (124.50 x 99. 10 cm.) Unsigned Museum purchase, 947-0-103 Along with his friend and some-time rival L Benjamin West, John Singleton Copley was the first native-born American painter to achieve fame at home and abroad. Born on Boston's Long Wharf, Copley was instructed in art by his stepfather Peter Pelham, a mezzotint engraver and portrait painter. Copley also learned from the paintings of Joseph Blackburn and Robert Feke, but he was, to an extraordinary degree, self-taught. Like West, Copley aspired from the start to be a history painter, but was forced to find his principal livelihood in portraits. Copley's likenesses perfected a style that gave special attention to technical dexterity in surfaces-the sparkling sheen of fabric and the detailed reflections of polished furniture, rendered with strong chiaroscuro-yet still probed the inner personalities of the prosperous sitters who commissioned them. Emboldened by the favorable reception in England of Boy with a Squirrel private collection) and by the encouraging words of West, Copley sailed on June 10, 1774

7. John Singleton Copley John Singleton Copley. Largely selftaught, Bostonian John Singleton Copley oftenrelied, like English artists, on European prints for compositional models. http://www.artic.edu/aic/collections/amer/55mac_copley.html

John Singleton Copley Mrs. Daniel Hubbard Oil on canvas, c. 1764; 127.6 x 100.9 cm The Art Institute Purchase Fund, 1947.28 Despite the great influence of European styles, American art has expressed since the founding of the colonies indigenous sensibilities and materials. Largely self-taught, Bostonian John Singleton Copley often relied, like English artists, on European prints for compositional models. In fact, the pose, gown, drapery, and billowing cloud in the background of Mrs. Daniel Hubbard were inspired by a mezzotint portrait of an English noblewoman. Achieving a balance between honesty and sophistication, Copley created convincing images of 18th-century Americans that continue to move us through their incisive characterization and vigorous execution. VIEW larger picture RETURN to American Art

8. John Singleton Copley John Singleton Copley (17381815) Back to Biography. http://www.npg.si.edu/exh/brush/bigcopley.htm

John Singleton Copley Back to Biography

9. John Singleton Copley John Singleton copley john singleton Copley (17381815) Artist Paintedin London, this image is one of only four self-portraits http://www.npg.si.edu/exh/brush/copley.htm

John Singleton Copley Artist Painted in London, this image is one of only four self-portraits by John Singleton Copley, who is admired today for his realistic depictions of colonial American sitters. His ambition to study painting in Europe, coupled with the increasingly violent events that led to the American Revolution, made him leave Boston for England and Italy in 1774. He spent the second half of his life in London, where he painted several important history paintings, including Watson and the Shark (1778), as well as portraits. As Copley began to paint larger works, he adjusted his meticulous colonial style to a looser, broader technique, in keeping with British fashion in the 1780s. The pose, strong highlighting, and contrasting shadows of this self-portrait are an example of this new manner. Self-portrait Oil on canvas, 1780-1784 National Portrait Gallery, Smithsonian Institution Gift of The Morris and Gwendolyn Cafritz Foundation and matching funds from the Smithsonian Institution NPG.77.22

10. Artist Biography: John Singleton Copley John Singleton Copley. return to Artists List. John Singleton Copley (1738–1815)is an artist with few peers in the history of eighteenth century American art. http://www.kgny.com/biographies/johnsingletoncopley.html

John Singleton Copley In America at this time, there were, of course, limners, printmakers, wood carvers, japanners, and others engaged in various forms of artistic work. John Smibert and John Greenwood were two prominent practitioners, both of whom had a virtual monopoly on the New England portrait market. The young and eager New Englander learned a good deal from both but, in less time than anyone could have predicted, went on to surpass them. Despite his success, and as much as he struggled to overcome the limitations of his American colonial environment, Copley dreamed of the unseen world that lay on the European side of the Atlantic. He resolved that he would one day make the grand tour to inspect master paintings firsthand. He also longed to move from portraiture into the field of historical painting, then considered a higher form of artistic expression. Until he could do this, he was busy enough with portrait commissions in various American households, and with the painstaking preparation of a book of anatomical drawings based on two European anatomy books. These show his strength as a draftsman and his determination to rise to the top of his profession. He kept the book with him as a guide throughout his career. Eventually, revolutionary rumblings interrupted Copley's career in New England. In his view, politics and art did not mix: indeed, he was convinced that politicking was to the artist's disadvantage. Interestingly enough, his sitters in America at this time constituted a mixed following of radicals and high Tories. Thomas Gage and John Wentworth were two of the many Tories he painted, while the flaming revolutionaries Paul Revere and Samuel Adams sat for him as well. When we consider the 1770s were years of volatile politics, we must admire Copley's aplomb. In the artist's correspondence about America's moves toward independence, there are some pacifist undertones, but he was firmly decided on going abroad. He left the colonies in 1774. The pursuit of his art was the overriding concern.

11. Harvard University Press/John Singleton Copley John Singleton Copley. 1966 Ailsa Mellon Bruce Studies in AmericanArt 543 pages Cloth edition $40.00 / £26.50 / €40.00 (one http://www.hup.harvard.edu/catalog/PROJOH.html

12. John Singleton Copley Posters Page 1 of 1. copley john singleton. copley john singleton Children OfGeorge Iii. Artist, copley john singleton. Title, Children Of George Iii. http://www.postershop.com/Copley-John-Singleton-p.html

Quick search All artists in alphabetical order. From A as in Adams to Z as in Zappini. More than 150 subjects guide you to the right pictures. Our best selling art prints . We update this list every day. With advanced search you can find specific art prints the convenient way. You can choose among aluminum- and wood frames in 23 different colors. Page 1 of 1 Copley John Singleton Artist Copley John Singleton Title Children Of George Iii Size 24'' x 20'' / 60 cm x 50 cm Availability Usually ships within 5-8 days Item# Price (US$) Page 1 of 1 22,000 posters and prints. Delivery usually 2-3 days. Payment by credit card. Return privilege (14 days). Gift service free of charge. Our new catalogue with over 4,000 posters and prints displayed on 590 pages. Custom hand-made frames for all prints available in 23 designs. Join the postershop.com affiliate program today! Customer comments to postershop.com. Imprint

13. National Gallery Of Art: Watson & The Shark Offers an indepth analysis of the narrative and artistic sources for one of the most famous works of the American painter john singleton copley. http://www.nga.gov/feature/watson/watsonhome.html

planning a visit the collection exhibitions online tours planning a visit the collection exhibitions online tours ... home

14. Collection Tours - John Singleton Copley Exhibition Learn about the renowned American portraitist john singleton copley and his paintings at The Metropolitan Category Arts Art History Artists C copley, john singleton......Learn about the renowned American portraitist john singleton copleyand his paintings at The Metropolitan Museum of Art. http://www.metmuseum.org/explore/copley/copley.html

John Singleton Copley Here is a selection of paintings from the Metropolitan Museum's collection that were featured in the exhibition "John Singleton Copley in America." Click on an image below to learn more. The Return of Neptune ca. 1754 Mrs. Edward Green (Mary Storer) Ebenezer Storer Mrs. Ebenezer Storer (Mary Edwards) Daniel Crommelin Verplanck Mrs. John Winthrop (Hannah Fayerweather) Home The Collection Timeline of Art History The Met Store ... Terms and Conditions

15. WebMuseum: Copley, John Singleton copley, john singleton. copley, john singleton (b. July 3, 1738, BostonMass., USd. Sept. 9, 1815, London, Eng.) Generally considered http://www.ibiblio.org/wm/paint/auth/copley/

Copley, John Singleton Copley, John Singleton (b. July 3, 1738, Boston [Mass., U.S.]d. Sept. 9, 1815, London, Eng.) Generally considered the finest painter of colonial America, John Singleton Copley painted portraits and historical subjects. His Boston portraits show a thorough knowledge of his New England models, and his talent as a draftsman and colorist produced pictures of aristocratic elegance and grace (emigrated to London in 1775). Copley was born on July 3, 1738, in Boston, Mass., to immigrants recently arrived from Ireland. He began to paint in about 1753. His earliest works show the influence of his stepfather, an engraver, and the Boston artist John Smibert. In about 1755 Copley met the English artist Joseph Blackburn, whose use of rococo lightness and coloring he quickly adopted. He also made use of the rococo device called portrait d'apparatportraying the subject with objects associated with his daily lifethat gave his work a distinction not usually found in 18th-century American painting. Eager to expand his reputation beyond New England, Copley sent his

16. John Singleton Copley - Suite101.com A biography of the artist and links to the images of his works. http://www.suite101.com/article.cfm/12192/62107

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17. Timken Museum: Copley, John Singleton copley, john singleton The Metropolitan Museum of Art Learn about the renowned American portraitist john singleton copley and his paintings at The Metropolitan Museum of Art. http://gort.ucsd.edu/sj/timken/t-copley.html

John Singleton Copley American Mrs. Thomas Gage Oil on canvas 50 x 40 in. In 1771, Copley left his native Boston for a six-month stay in New York, where he accepted numerous portrait commissions. His first subject was Margaret Kemble Gage, the American-born wife of General Thomas Gage, commander-in-chief of the British forces in North America (who had sat for a portrait by the artist in 1768). Mrs. Gage wears a turbanlike swath of drapery, a silk caftan over a lace-trimmed chemise, and an embroidered belt - a Turkish-style costume that enhances her languid pose. Such clothing was fashionable at British fancy dress balls, but since masquerade balls were not held at the time in New York, Mrs. Gage would have had no occasion to wear the costume outside the studio. Her faraway gaze suggests pensive thought and intellectuality, implying that she was not preoccupied with trivial matters. This is the first painting in which Copley depicted a woman in such exotic clothing or in such a state of melancholic reverie. [Timken home page] [American ] [Dutch and Flemish ] [Italian ] ... [Russian Icons]

18. NGA - John Singleton Copley Learn about the work of john singleton copley, the foremost artist in colonial America Tour john singleton copley (American, 17381815) http://www.nga.gov/collection/gallery/gg60b/gg60b-main1.html

Tour: John Singleton Copley (American, 1738-1815) Overview Start Tour next room back to American painting Overview John Singleton Copley, the foremost artist in colonial America, was virtually self-taught as a portraitist. By meticulously recording details, he created powerful characterizations of his Boston sitters. After he emigrated to London in 1774, Copley began to specialize in narrative scenes from history and joined the influential artistic institution, the Royal Academy of Art. Copley demonstrated a genius, in both his American and British periods, for rendering surface textures and capturing emotional immediacy. Captions Room John Singleton Copley, Jane Browne, 1756 John Singleton Copley, Epes Sargent, c. 1760 John Singleton Copley, Anne Fairchild Bowler (Mrs. Metcalf Bowler), c. 1763 John Singleton Copley, Elizabeth Gray Otis (Mrs. Samuel Alleyne Otis), c. 1764 ... home

19. COPLEY, JOHN SINGLETON character of the reasonings it introduced http://36.1911encyclopedia.org/C/CO/COPLEY_JOHN_SINGLETON.htm

document.write(""); COPLEY, JOHN SINGLETON character of the reasonings it introduced. The trigonometrical section of the book had been issued as a separate treatise (Wittenberg, 1542) under the care of Rheticus. The only work published by Copernicus on his own initiative was a Latin version of the Greek Epistles of Theophylact (Cracow, 1509). His treatise De monetae cudendae ratione, 1526 (first printed in 1816), written by order of King Sigismund I., is an exposition of the principles on which it was proposed to reform the currency of the Prussian provinces of Poland. It advocates unity of the monetary system throughout the entire state, with strict integrity in the quality •of the coin, and the charge of a seigniorage sufficient to cover the expenses of mintage. by C. L. Menzzer in 1879. (A. M. C.) William Copland, the printer, supposed to have been his brother, published three editions of Howleglas, perhaps by Robert, which in any case represent the earliest English version of Till Eulenspiegel. The Knyght of the Swanne was reprinted in Thom’s Early Prose Romances, vol. iii., and by the Grolier Club (1901); the Hye Way in W. C. Hazlitt’s Remains of the Early Popular Poetry of England, vol. iv. (1866). See further the” Forewords “to Dr F. J. Furnivall’s reprint of fyi of Breyniford (for private circulation, 1871) and J. P. Collier, Bibliographical and Critical Account of the Rarest Books in the English Language, vol. 1. p. 153 (~865). For the books issued, from his press see Hand-Lists of English Printers (1501—1556), printed for the Bibliographical Society in 1896.

20. CGFA- John Singleton Copley john Hancock, 1765, oil on canvas, Museum of Fine Arts, Boston. Online Since 1996. To copley2. Alphabetical. Index. Nationality/Time http://sunsite.auc.dk/cgfa/copley

Charles Pelham, 1753-54, oil on canvas, private collection. 122KB The Return of Neptune, 1754, oil on canvas, Metropolitan Museum of Art, New York. 147KB Theodore Atkinson, 1757-58, oil on canvas, Museum of Art at the Rhode Island School of Design, Providence. 107KB Mary MacIntosh Royall and Elizabeth Royall, 1758, oil on canvas, Museum of Fine Arts, Boston. 106KB Epes Sargent, 1959-61, oil on canvas, National Gallery of Art, Washington D.C. 76KB Mrs. Samuel Quincy (Hannah Hill), 1761, oil on canvas, Museum of Fine Arts, Boston. 105KB Mrs. Nathaniel Allen (Sarah Sargent), 1763, oil on canvas, Minneapolis Institute of Arts. 109KB Mrs. Benjamin Pickman (Mary Toppan), 1763, oil on canvas, Yale University Art Gallery, New Haven, CT. 88KB Mrs. Daniel Sargent (Mary Turner), 1763, oil on canvas, Fine Arts Museums of San Francisco. 84KB Nathaniel Sparhawk, 1764, oil on canvas, Museum of Fine Arts, Boston. 96KB Henry Pelham (Boy with a Squirrel), 1765, oil on canvas, Museum of Fine Arts, Boston. 97KB John Hancock, 1765, oil on canvas, Museum of Fine Arts, Boston. 100KB

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