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         Di Bondone Giotto:     more books (38)
  1. GIOTTO DI BONDONE by Harry QUILTER, 1881
  2. Giotto: The Scrovegni Chapel in the Arena at Padua by Roberto [Giotto di Bondone] Salvini, 1953
  3. Giotto by Harry Quilter, Ambrogiotto Di Bondone, 2010-03-08
  4. The World of Giotto, C. 1267-1337, by Sarel. Eimerl, 1967-04
  5. World of Giotto by Sarel Eimerl, 1978-06
  6. GIOTTO el feo sublime.(pintor Italiano)(TT: Giotto, lofty ugly.)(TA: Italian painter): An article from: Contenido
  7. Giotto by John Ruskin, 2010-02-06
  8. Early Italian Painting by Fern Rusk Shapley, 1959

41. Giotto Di Bondone | Discovering Great Artists | Bright Ring Publishing
giotto di bondone discovering Great Artists. Buy It Now! giotto di bondone/EggPaint from discovering Great Artists. giotto's (ZHEE
http://www.brightring.com/giotto.html
Giotto di Bondone
Discovering Great Artists
Buy It Now!
Home About Us Books ... View past activities
Giotto di Bondone/Egg Paint - from Discovering Great Artists
Giotto's (ZHEE-O-TO) paints were made from egg yolks mixed with clay, minerals, berries, or even ground insects to make colored pigments. Giotto di Bondone When Giotto was a young boy tending sheep in the mountains of northern Italy, he drew pictures to help pass the time. A traveling artist discovered Giotto's drawings and offered him an apprenticeship. There Giotto learned how to make paintbrushes and art tools, which minerals could be used to create different colors of paint, and worked on drawings and small parts of paintings. Eventually Giotto left to find work on his own. He became the chief master of cathedral building and public art in Florence, Italy. Giotto is best known for painting people who appeared three-dimensional rather than flat. Many paintings of Giotto's time were made with egg tempera paint on special panels of wood. There were no art stores, so each artist had to make paint by grinding minerals, clay, berries, or even insects into fine powder and mixing this pigment with egg yolk and water. Egg tempera makes a thin, fast drying coat of bright color. The paint is very strong and long lasting. Giotto's beautiful egg tempera paintings are over 700 years old!
Young artists explore Giotto's technique of painting with egg tempera with a homemade recipe made with crushed chalk.

42. Giotto Giotto Di Bondone Bellosi Luciano

http://www.my-lexikonchef.de/Giotto-di-Bondone-Bellos-Giotto-3861441063.html
Giotto Giotto di Bondone Bellosi Luciano
Titel: Giotto
Autor: Giotto di Bondone Bellosi Luciano
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Stohrer Matthias Wellpoint. S...

Tai Chi. Gesunde Bewegung...

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43. L'Encyclopédie De L'Agora: Giotto Di Bondone
giotto di bondone, Titulaire Hélène Laberge hlaberge@agora.qc.ca,
http://agora.qc.ca/mot.nsf/Dossiers/Giotto_di_Bondone
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Giotto di Bondone Titulaire
Hélène Laberge
hlaberge@agora.qc.ca
Biographie en résumé
Peintre, sculpteur et architecte italien.
«Il possédait un génie si puissant, que la Nature, mère et créatrice de toutes choses, ne produit rien, sous les éternelles évolutions célestes, qu'il ne fût capable de reproduire avec le stylet, la plume ou le pinceau: reproduction si parfaite que, pour les yeux, ce n'était plus une copie, mais le modèle lui-même. Très souvent ses oeuvres ont trompé le sens visuel, et l'on a pris pour la réalité ce qui est une peinture.»
    Boccace (ca 1350)
source: Jocelyn Giroux, Un regard de Boccace L'Agora , vol. 6, no 4 «Du mariage de ces deux principes, le sentiment librement religieux de la France, de la Gaule chrétiennne, et la grâce harmonieuse de l'Hellénie, naquit à Florence le père de la peinture moderne, l'immortel Giotto. L'observation de la nature vivante compléta l'idéal nouveau qui délivra l'Italie des langes de l'hiératisme byzantin. La peinture italienne montra au monde, pour la première fois, la beauté de forme unie à la beauté d'expression, et l'amour divin uni à l'amour de la nature. L'art antique, dans ses dernières périodes, avait exprimé quelquefois la passion humaine, la passion dans le fini, jamais l'aspiration douloureuse vers l'inconnu, jamais la passion du divin et de l'infini.»

44. Art History Network: Giotto Di Bondone
submit_ad. Home. giotto di bondone. Art Historical Era, Artists, Civilizations. giottodi bondone @ The Worldwide Art Gallery. Submit a site, Link to us, Contact us.
http://www.arthistory.net/artists/bondone.html
Home Giotto di Bondone
Art Historical Era
Artists Civilizations General References and Resources Giotto di Bondone @ The Worldwide Art Gallery Submit a site Link to us Contact us

45. Giotto Di Bondone Poster
All transactions are safe and secure with satisfaction guaranteed. Poster FineArt Renaissance, The Early Renaissance giotto di bondone Poster.
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To purchase any of the poster below click on the image. All transactions are safe and secure with satisfaction guaranteed.
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46. Giotto Di Bondone - Wikipedia
giotto di bondone. From Wikipedia, the free encyclopedia. giotto di bondone(better known as just giotto, 12671337) was an Italian painter.
http://www.wikipedia.org/wiki/Giotto_di_Bondone
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Giotto di Bondone
From Wikipedia, the free encyclopedia. Giotto di Bondone (better known as just Giotto ) was an Italian painter Giotto was born in poverty in the countryside near Florence , the son of Bondone, a peasant, and was himself a shepherd. Most authors believe that Giotto was directly his real name, and not an abbreviation of Ambrogio ( Ambrogiotto ) or Angelo ( Angiolotto The legend says (as reported by Giorgio Vasari in his biographies, derived from Ghiberti 's Commentari ) that at the age of 10, while attending the sheep, he used to draw on the rocks with a chalk. Cimabue saw him drawing a sheep, so natural and so perfect that he immediately asked his father if he could bring Giotto with him to let him study art, and Giotto's career would have started in Cimabue's

47. Giotto Di Bondone
Translate this page Homepage. Rundgang fortsetzen. giotto di bondone (um 1267-1337) dieGrablegung Mariae, um 1310, Pappelholz, 75 x 179 cm Erworben 1914.
http://www.smb.spk-berlin.de/d/feature/ggnb/werke8.html
Giotto di Bondone (um 1267-1337) Die Grablegung Mariae , um 1310, Pappelholz, 75 x 179 cm
Erworben 1914 Giorgio Vasari würdigte sie 1568 und zitierte Michelangelo, der gesagt hatte, "daß die Besonderheit dieser Historie nicht natürlicher und wahrer hätte dargestellt werden können." Das langgestreckte Format mit giebelförmigem oberen Abschluß ähnelt toskanischen Dossalen aus dem späten 13. Jahrhundert, die nach 1300 von Polyptychen und hochformatigen Altartafeln abgelöst wurden. Die Forschung erkannte in der Tafel ein weitgehend eigenhändiges Werk Giottos. Literatur:
  • G. Marchini: in: Rivista de`arte 20, 1938, S. 215 ff.

48. La Vita Di Giotto Di Bondone
Translate this page LA VITA di giotto di bondone di Gianni Pittiglio Nasce a Colle diVespignano nel Mugello intorno al 1267. Pochissime le notizie
http://www.arte.it/articoli/2001/07/05/141942.php

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LA VITA DI GIOTTO DI BONDONE di Gianni Pittiglio Nasce a Colle di Vespignano nel Mugello intorno al 1267. A questi anni risalgono il Polittico dei Badia (Uffizi), la Madonna con il Bambino di Borgo San Lorenzo (oggi ne resta un frammento). Agli anni 1288-90 è databile il Crocifisso per S. Maria Novella, oggi restaurato. Dopo il 1296 torna ad affrescare gli ambienti della basilica superiore di S. Francesco di Assisi: ora copre le zone sottostanti i precedenti dipinti con 28 raffigurazioni con le Storie francescane. Nel 1304 è attivo a Padova dove decora a fresco la cappella di Enrico Scrovegni, di cui è probabilmente anche architetto. Qui i temi trattati sono le Storie di Gioacchino, S. Anna e la Vergine e la Storia di Cristo. Inoltre realizza le allegorie a monocromo dei Vizi e delle Virtù nello zoccolo, il Giudizio Universale sulla parete di ingresso. Gli anni successivi riportano Giotto a Firenze dove esegue la Maestà per la chiesa di Ognissanti (oggi agli Uffizi) e gli affreschi per le cappelle Peruzzi e Bardi in S. Croce. indietro Per l'acquisto di spazi pubblicitari su questo sito o lo sviluppo di altre iniziative commerciali concessionaria esclusiva: NEXTA Media Srl - Roma.

49. - Great Books -
giotto di bondone (c. 12671337), Brief Biography giotto di bondone(better known as just giotto, 1267-1337) was an Italian painter.
http://www.malaspina.com/site/person_488.asp
Giotto di Bondone (c. 1267-1337)
Brief Biography
Giotto di Bondone (better known as just Giotto, 1267-1337) was an Italian painter. Giotto was born in a poor condition in the countryland of Florence, the son of Bondone, a peasant, and he himself was a shepherd. Most authors believe that Giotto was directly his real name, and not an abbreviation of Ambrogio ( Ambrogiotto ) or Angelo ( Angiolotto ). The legend says (as reported by Giorgio Vasari in his biographies, derived from Ghiberti's Commentari ) that at the age of 10, while attending the sheep, he used to draw on the rocks with a chalk. Cimabue saw him drawing a sheep, so natural and so perfect that he immediately asked his father if he could bring Giotto with him to let him study art, and Giotto's career would have started in Cimabue's bottega . His art was extremely innovative, and is commonly considered as prodromic to that evolution which would have brought, little after, to the explosion of the ItalianRinascimento. He treated the religious themes (quite exclusively used in medieval art) with a new spirit, rendering them with a clear freshness and an unexpected liveness, and many critics talk about a "human emotion" for the most peculiar feature of his works. He received commissions for many works through all Italy, and became a good friend of the king of Naples, as well as of Dante Alighieri. Boccaccio cited him in his Decameron. The legend also tells that he was able to paint incredibly perfect circles by free hand, with no helping instruments.

50. CGFA- Bio: Giotto Di Bondone
He was born giotto di bondone in Colle di Vespignano, near Florence.Details of his early life are scarce, but he probably served
http://cgfa.sunsite.dk/giotto/giotto_bio.htm
Bio: Giotto
Special thanks to the Microsoft Corporation for permission to use following biographical information from
Giotto is considered to have been the most important Italian painter of the 14th century. His conception of the human figure in broad, rounded terms—rather than in the flat, two-dimensional terms of Gothic and Byzantine styles indicated a concern for naturalism that was a milestone in the development of Western art. He was born Giotto di Bondone in Colle di Vespignano, near Florence. Details of his early life are scarce, but he probably served an apprenticeship in Florence before embarking on a career that took him to Rome, Padua, Arezzo, Rimini, Assisi, and Naples. The Ognissanti Madonna (1310?, Galleria degli Uffizi, Florence) is roughly contemporary with the Arena frescoes and is Giotto's only attributable panel painting. It shows the influence of the earlier Florentine painter Giovanni Cimabue in composition and style, but is unique in its humanization of the Madonna's face. Two fresco cycles in the Church of Santa Croce, Florence—depicting the life of Saint Francis and the lives of Saint John the Baptist and Saint John the Evangelist—are thought to be later works. While they are extensively restored, they represent the most advanced stage of Giotto's style, showing human figures grouped in free, active poses. The question of Giotto's authorship of the frescoes in the Upper Church at Assisi is an ongoing discussion among art historians. Giotto was ahead of his time. Most of his followers painted in a less significant, more overtly decorative style. It remained for Masaccio, a century later, to expand upon Giotto's monumental style. Giotto's example was crucial to the development of later Florentine painting, and his preoccupation with the realities of the human figure and the visible world became the dominant concerns of the Florentine Renaissance. He died in Florence, in 1337.

51. GIOTTO Di Bondone: San Francesco, Assisi
giotto di bondone San Francesco, Assisi Doctors of theChurch Old New Testament Scenes - Magdalen Chapel.
http://cobweb.cc.oberlin.edu/~jromano/Giotto/giotto7.html
GIOTTO di Bondone: San Francesco, Assisi:
Doctors of the Church View of the Interior Isaac Blessing Jacob Isaac Rejecting Esau ... Mary Magdalen Speaking to the Angels
Doctors of the Church
Doctors of the Church St Jerome
1279-1300, Fresco on the vault above the high altar, Upper Church, San Francesco, Assisi
Saint Francis and Saint Clare
1279-1300, Fresco, Upper Church, San Francesco, Assisi
View of the Interior of the Upper Church
View of the Interior
1279-1300, Fresco, Upper Church, San Francesco, Assisi
Isaac Blessing Jacob
Isaac Blessing Jacob Detail
1290s, Fresco, 300 x 300 cm. Upper Church, San Francesco, Assisi
Isaac Rejecting Esau
Isaac Rejecting esau
1290s, Fresco, 300 x 300 cm. Upper Church, San Francesco, Assisi
Lamentation of Christ
Lamentation Detail
1290s, Fresco, 300 x 300 cm. Upper Church, San Francesco, Assisi
Resurrection of Christ
Resurrection (detail)
1290s, Fresco, 300 x 300 cm. Upper Church, San Francesco, Assisi
Mary Magdalen and Cardinal Pontano
Detail
1320s, Fresco, Magdalen Chapel, Lower Church, San Francesco, Assisi
Raising of Lazarus
Raising of Lazarus
1320s, Fresco, Magdalen Chapel, Lower Church, San Francesco, Assisi

52. GIOTTO Di Bondone
(Bernard Berenson, 1897). giotto di bondone. Italian painter, Florentine school(b. 1267, Vespignano, d. 1337, Firenze) Preview, Picture Data, File Info, Comment.
http://keptar.demasz.hu/arthp/html/g/giotto/
Web Gallery of Art Not what man knows but what man feels, concerns art. All else is science.
(Bernard Berenson, 1897)
GIOTTO di Bondone
Italian painter, Florentine school (b. 1267, Vespignano, d. 1337, Firenze) Preview Picture Data File Info Comment Madonna and Child
Tempera on panel, 85,5 x 62 cm
National Gallery of Art, Washington
True Color
42 Kb
Ognissanti Madonna (Madonna in Maesta)
c. 1310
Tempera on wood, 325 x 204 cm
Galleria degli Uffizi, Florence
True Color 154 Kb Ognissanti Madonna (detail) c. 1310 Tempera on wood, 25 cm (full painting: 325 x 204 cm) Galleria degli Uffizi, Florence True Color 143 Kb Ognissanti Madonna (detail) c. 1310 Tempera on wood, 325 x 204 cm (full painting) Galleria degli Uffizi, Florence True Color 177 Kb The Stefaneschi Triptych c. 1330 Tempera on panel, 220 x 245 cm Pinacoteca, Vatican True Color 51 Kb Pentecoste Wood, 45,5 x 44 cm National Gallery, London True Color 175 Kb Death and Ascension of St Francis c. 1325 Fresco, 280 x 450 cm Cappella Bardi, Santa Croce, Florence

53. Giotto Di Bondone
Translate this page giotto di bondone. (1266-1337). St François recevant les stigmatesgiotto di bondone, influencé par Cimabue (toscans tous les deux
http://lili.butterfly.free.fr/page web/giotto.htm
Index Primitifs
Peinture religieuse
Giotto di Bondone
Cimabue

Crucifix peint

54. Giotto Di Bondone
giotto di bondone. giotto di bondone. Saints A B C D E F G H I JK L M N O P Q R S T U V W X Y Z. Catholic Links @ Sacredheart.com.
http://www.picturesofjesus.com/Giotto_di_Bondone.htm
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55. Giotto Di Bondone: Visitation
Ruth Commentary 11617 Paintings of Other Biblical Women in Ruth Commentary Visitation(detail), by giotto di bondone (1267-1337), fresco, Cappella Scrovegni
http://www.womensearlyart.net/ruth/bibimages/giotto_visitation.html

Ruth: 1:16-17
Ruth Commentary: 1:16-17
Paintings of Other Biblical Women in Ruth Commentary

Visitation (detail), by Giotto di Bondone (1267-1337), fresco,
Cappella Scrovegni (Arena Chapel), Padua, My Studios

56. IRAP - Giotto Di Bondone - Bio
giotto di bondone Biography, giotto di bondone, born around 1267in Colle di Vespignano, was the first real Renaissance painter
http://www.italian-art.org/masters/giotto/bio.html
Giotto Di Bondone - Biography
Giotto Di Bondone, born around 1267 in Colle di Vespignano, was the first real Renaissance painter, who ushered out the flat, one-dimensional artwork of medieval times, and brought paintings into a second dimension. During his early years, Giotto apprenticed under master Florentine painter Cimabue, but soon out-painted his teacher, and became independent.
Most of Giotto's paintings are religious in subject. His most famous work includes 38 frescoes in the Arena Chapel in Padua, and his depiction of the life of St. Francis Assisi in the Church of Santa Croce. Though many of the paintings attributed to Giotto are not signed, the general style and skill of these paintings indicates he executed them.
Giotto's style of two-dimensional painting was unusual for the time in which he lived (nearly 100 years before other masters like Leonardo Da Vinci and Michelangelo). Pope Boniface VIII was said to have sent a messenger to see Giotto, and ask for a sample of his work. Giotto took his brush and painted a perfect circle on the canvas. The messenger took the circle back to the Pope, and when Boniface saw Giotto's work, he hired him on the spot.
Giotto spent many years of his life as a commissioned painter for clergymen and other wealthy people of Italy. In 1334, the city of Florence honored Giotto by giving him the title of

57. IRAP - Extended Information - Criticism - Giotto Di Bondone "The Mourning Of Chr
Extended Information Criticism - giotto di bondone The Mourningof Christ , We can best gauge the extent of this revolution if
http://www.italian-art.org/extended_info/criticism/mourning_of_christ.html
Extended Information - Criticism - Giotto di Bondone "The Mourning of Christ"
- E.H. Gombrich, The Story of Art
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58. WebMuseum: Giotto Di Bondone: The Mourning Of Christ
giotto di bondone The Mourning of Christ. c. 1305 (300 Kb); Fresco,Cappella dell'Arena, Padua We can best gauge the extent of this
http://www.sai.msu.su/wm/paint/auth/giotto/mourning-christ/
Giotto di Bondone
The Mourning of Christ
c. 1305 (300 Kb); Fresco, Cappella dell'Arena, Padua © 21 Oct 1995, Nicolas Pioch Top Up Info Thanks to the BMW Foundation , the WebMuseum mirrors partners and contributors for their support.

59. ArchINFORM
Translate this page giotto di bondone. Lebenszeit. Quellen. ULAN-Personeneintrag. RIBA Library-Literatursuchezu 'giotto di bondone' (empfehlenswert für Literaturrecherchen).
http://www.archinform.de/arch/1218.htm
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60. Giotto ( Giotto Di Bondone ) - The Nude In Art History - OCAIW [Orazio Centaro's
giotto ( giotto di bondone ). Italian Painter, 12671337 - Early Reinassance.Universal Judgement, detail, c.1303. Universal Judgement, detail - c.1303.
http://www.ocaiw.com/galleria_nudo/gallery.php?lang=en&author=885

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