61. Guardian Unlimited | Arts Critics | Review: Mark Rothko, Fundacio Joan Miro, Bar The ghost in the gallery It's 30 years since the great abstract artistMark rothko killed himself in his studio. So why won't he http://www.guardian.co.uk/arts/critic/feature/0,1169,728570,00.html

Go to: Guardian Unlimited home UK news World news Archive search Arts Books Business EducationGuardian.co.uk Film Football Jobs MediaGuardian.co.uk Money The Observer Online Politics Shopping SocietyGuardian.co.uk Sport Talk Travel Audio Email services Special reports The Guardian The weblog The informer The northerner The wrap Advertising guide Crossword Headline service Syndication services Events / offers Help / contacts Information Newsroom Soulmates Style guide Travel offers TV listings Weather Web guides Guardian Weekly Money Observer Home News Friday Review Regulars ... Help Search this site All stories Reviews only Adrian Searle Latest feature Archive Recent features Masterpieces from Dresden, Royal Academy, London Andreas Gursky, White Cube, London Cobra, Baltic, Gateshead Days Like These, Tate Britain, London ... The god of big things The ghost in the gallery It's 30 years since the great abstract artist Mark Rothko killed himself in his studio. So why won't he let Adrian Searle look at his paintings in peace? Tuesday January 9, 2001 The Guardian I can't deal with Mark Rothko. I stick my head round the door of the room devoted to his paintings at Tate Modern and lurch out, fast. The atmosphere is too hushed, broken by stifled adult sobs and the squeak of felt-tip pens, as schoolkids, sitting cross-legged on the floor, do their studious little Rothko-ettes in purple ink. I want to run away. The Miro Foundation is a good hotel for Rothko, whose encounter with Joan Miro's semi-abstract surrealist work quickened his own drive towards abstraction. The lighting isn't great, the space is a little cramped and awkward (much of Rothko's work is just too big for its surroundings), and the exhibition layout a bit confused, so that you need to be pretty hard-nosed to follow the chronology and trajectory of his art accurately. But these are small gripes.

62. Abstract Art Paintings Sam Frankenthaler, Helen Gris, Juan Hodgkin, Howard Kandinsky, Wassily Klee, PaulMalivich, Kasimir Miro, Joan Pollock, Jackson rothko, mark Vasarely, Victor. http://www.posterlovers.com/abstract.htm

Welcome to PosterLovers.com where finding your favorite abstract art painting is easy. Shopping Mall more posters Tv collectables movie poster collecting Links Abstract Art Paintings Abstract Posters Movie Posters Search CATEGORIES what's hot Artist Galleries Abstract Animals ... World Culture Links Fine Art Abstract Expressionism Abstract Painting Want to shop for Health Products Buyersmls.com Health and Fitness Abstract Art Paintings Abstract art paintings and abstract artists fine art prints and abstract posters available for sale from art.com. Don't forget to check out their custom framing area. Abstract Artists Abstract categories color geometric gestural landscape ... text Abstract Artists Albers, Josef

63. Academic Directories rothko, mark, mark Harden's Artchive mark rothko Images, a biography,and a bibliography are presented here by mark Harden's Artchive. http://www.allianceforlifelonglearning.org/er/tree.jsp?c=40605

64. Collections : Recent Acquisitions mark rothko No. 14, 1960 1960. mark rothko's passion as an artist was toexplore the intellectual and abstract potentials of painting. No. http://www.sfmoma.org/collections/recent_acquisitions/ma_coll_rothko.html

MARK ROTHKO No. 14, 1960 Mark Rothko's passion as an artist was to explore the intellectual and abstract potentials of painting. No. 14, 1960 is a mature, masterful work that poetically achieves Rothko's intention to create a spiritual art. As eloquently stated by John Graham in 1937, "The purpose of art in particular is to re-establish a lost contact with the un-conscious . . . and to keep and develop this contact in order to bring to the conscious mind the throbbing events of the unconscious mind." Rothko's early experiments with abstraction, whether influenced by automatism, archaic art, symbolism, or anthropomorphism, ultimately sought to capture this spiritual dimension. By the 1950s and 1960s, pure color and a sense of light became Rothko's vocabulary to express his inner perceptions and to engage the viewer's unconscious responses. Rothko's genius in the use of color as form, and his ability to hold on a single plane colors that advance and retreat, are amply demonstrated in this work. Rothko soaked paint into the canvas, resulting in a subtle diffusion that is similar to the feathery effect of watercolor. The orange form in

65. Mark Rothko And Jackson Pollock Convergence, 1952, oil on canvas, 93 _ x 155 Gift of Seymour H. Knox,1956 mark rothko (American, born Russia, 19031970). Orange http://www.albrightknox.org/ArtStart/lPollock.html

Mark Rothko (America, born Russia, 1905-1970 Orange and Yellow, Oil on canvas, 91 x 71" Collection Albright-Knox Art Gallery Gift of Seymour H. Knox, Jr., 1962 /Artists Rights Society (ARS), New York, NY Jackson Pollock (American, 1912-1956) Convergence, 1952 Oil on canvas, 93 1/2 x 155" Collection Albright-Knox Art Gallery Gift of Seymour H. Knox, Jr., 1956 /Artists Rights Society (ARS), New York, NY Lesson Plan: Feelings in Color Mark Rothko (American, born Russia, 1903-1970). Orange and Yellow, 1956, oil on canvas, 91 x 71" Gift of Seymour H. Knox, 1956 INTRODUCTION This lesson is an exercise in looking and thinking, making comparisons and connections. It relates to elements in all categories of the comprehension strategies of the third-grade language arts program: relate ideas, organize information, synthesize ideas, evaluate ideas, and generate and apply ideas. The family project could relate to the science and math curricula by turning the students' survey results into graphs and charts, followed by an analysis of the compiled data. INFORMATION FOR THE TEACHER Although artists rarely want to be categorized, the label "abstract expressionism" aptly describes their work. The paintings are completely abstract, with no recognizable objects from the real world (another term for completely abstract is NON-OBJECTIVE), and the purpose of their art is to create expression and emotion.

66. Mark Rothko And Jackson Pollock York, NY. mark rothko and Jackson Pollock both developed their paintingstyles in New York during the 1940s and 1950s. They were http://www.albrightknox.org/ArtStart/Pollock.html

Mark Rothko (America, born Russia, 1905-1970 Orange and Yellow, Oil on canvas, 91 x 71" Collection Albright-Knox Art Gallery Gift of Seymour H. Knox, Jr., 1962 /Artists Rights Society (ARS), New York, NY Jackson Pollock (American, 1912-1956) Convergence, Oil on canvas, 93 1/2 x 155" Collection Albright-Knox Art Gallery Gift of Seymour H. Knox, Jr., 1956 /Artists Rights Society (ARS), New York, NY Although artists rarely want to be categorized, the label "abstract expressionism" aptly describes their work. The paintings are completely abstract, with no recognizable objects from the real world (another term for completely abstract is NON-OBJECTIVE), and the purpose of their art is to create expression and emotion. Abstract expressionism can be roughly divided into two general types. Jackson Pollock was representative of "action" or "gesture" painting, in which the artist's process and movements were an important aspect of the end result. Mark Rothko's work is an example of "color-field painting," in which the artist was more concerned with creating an overall field of paint. The two works included in this lesson plan are typical of each artist's work: Pollock created many so-called "drip" paintings, some in black and white and others with color; and most of Rothko's images consist of two or three floating rectangles in various color combinations.

67. Rothko Scholarship History The mark rothko Scholarship In Memory of Gustave Harrow for Excellencein Art THE PROGRAM. In the autumn of 1984, the mark rothko http://www.nycenet.edu/projectarts/Rothko/Rothko History.htm

The Mark Rothko Scholarship In Memory of Gustave Harrow for Excellence in Art THE PROGRAM In the autumn of 1984, the Mark Rothko Scholarship and the Marlborough Gallery Education Program were established after a highly publicized court battle involving the estate of Mark Rothko, the American abstract expressionist painter, and Marlborough, Rothko's dealer at the time of his death. (Leo Selds' book, The Legacy of Mark Rothko chronicles the suit.) As a result, a fund in the name of Mark Rothko was set up to be administered by the Board of Education of the City of New York. The annual accrued interest of this fund is used to provide scholarships to students who are planning careers in the visual arts. In 1990, the Scholarship was dedicated to the late Gustave Harrow for his contributions and commitment to the legal defense of the arts. As Assistant Attorney General for New York State, he represented the artists of the Westbeth community against co-op conversion. He also represented Richard Serra in the matter of Tilted Arc, and he represented the state in the Mark Rothko litigation. This year, the fund provided ten scholarships of $500 for selected graduating high school students to further their education in the study of art.

68. Artnet.com: Resource Library: Abstract Expressionism c 1950. rothko, mark rothko, mark. Still, Clyfford Still, Clyfford.Thieler, Fred Thieler, Fred. Tomlin, Bradley Walker Tomlin, Bradley http://www.artnet.com/library/00/0002/T000252.ASP

Abstract Expressionism. There are more than 45,000 articles in The Grove Dictionary of Art . To access the rest of this article, including the bibliography, subscribe to www.groveart.com . To find out more about this subject, click on a related article below and subscribe to www.groveart.com Abstract Expressionism Action painting Biomorphism Colour field painting c ... Modernism catalogues collections Jackson, Martha Menil, de Neumann, Morton G. Scull dealers Janis, Sidney exhibitions Miller, Dorothy C. historiography members Baziotes, William Baziotes, William De Kooning, Willem De Kooning: (1) Willem de Kooning Frankenthaler, Helen Frankenthaler, Helen Goodnough, Robert Goodnough, Robert Gottlieb, Adolph Gottlieb, Adolph Held, Al Held, Al Hofmann, Hans (Georg Albert) (1880-1966) Hofmann, Hans Kline, Franz (Rowe) Kline, Franz Marca-Relli, Conrad Marca-Relli, Conrad Motherwell, Robert Motherwell, Robert Newman, Barnett Newman, Barnett Pousette-Dart, Richard Pousette-Dart, Richard c Rothko, Mark Rothko, Mark Still, Clyfford Still, Clyfford Thieler, Fred Thieler, Fred

69. Artnet search Member Services. Galleries Artist Index mark rothko. pageof 2 next. For more information on mark rothko, click here. http://www.artnet.com/ag/fineartthumbnails.asp?aid=14602

70. Beggars Group, USA I knew Jon from the group Geiger Counter and he kindly agreed to play bass (eventhough he'd never played one before) says rothko mainman mark, I then met http://www.beggars.com/us/rothko/

ARTIST PAGES: Abir/Wales Alfie Dot Allison Asian Dub Foundation Ian Astbury Natacha Atlas David Axelrod Badly Drawn Boy Basement Jaxx Bauhaus Heidi Berry Biffy Clyro Billy Mahonie Bolshoi ... Buffalo Tom John Cale Capitol K The Charlatans UK Colourbox Comet Gain ... The Cult Dick Dale Dali's Car Death Cult Delgados Divine Styler Tanya Donelly Dream City Film Club The Drum Electric Six Empirion The Fall Fields of the Nephilim 50 Tons of Black Terror Robert Forster Fun'Da'Mental Future Pilot AKA Gene Loves Jezebel The Go-Betweens Gorky's Zygotic Mynci Gotan Project Grasshopper Groop Dogdrill Tommy Guerrero Gus Gus Neil Halstead Hefner ... His Name Is Alive The Icicle Works Jack Frost Bill Janovitz June King of Woolworths Laika Lemon Jelly Liberty 37 Llama Farmers Long Fin Killie Lunar Drive Lupine Howl The Lurkers Lush Magoo Main Grant McLennan Mclusky Modern English Mojave 3 Mountain Goats ... Mouse On Mars Mucho Macho Mull Historical Society Peter Murphy Nectarine No. 9

71. Lynn Harvey's Helen Frankenthaler And Mark Rothko Menu Lynn Harvey. Helen Frankenthaler mark rothko Requires Frames. http://www.anthemion.com/frankenthaler/

[Requires Frames] anthemion.com

72. Helen Frankenthaler And Mark Rothko mark rothko Yellow Band Untitled 1969 Black Over Deep Red Brown Blue, Brown onBlue Number 11 Untitled 1942/3 Memory Untitled 1948 Untitled 1952 White and http://www.anthemion.com/frankenthaler/frankenthalermenu.htm

frankenthaler.rothko Helen Frankenthaler Buddha Lush Spring Sites Profile; Spiritualist ... Kucera: Prints Mark Rothko Yellow Band Untitled 1969 Black Over Deep Red Brown Blue, Brown ... Profile: National Gallery return to anthemion.com

73. Rothko - The Band - History August 2001 on mark Beazley. rothko was formed in the spring of '97, taking itsname and inspiration from Russian/American colourfield painter, mark rothko. http://www.rothkomusic.co.uk/history.html

home news releases images ... e-mail Biography - 11 January 2003 April 97 to August 2001 - Mark Beazley, Crawford Blair, Jon Meade. August 2001 on - Mark Beazley. Rothko was formed in the spring of '97, taking its name and inspiration from Russian/American colourfield painter, Mark Rothko. Originally playing as an all-bass trio, with myself, Jon Meade from the group Geiger Counter and Crawford Blair, and just finding our way slowly to see how we might sound, we played our first gig in August ’97 at The Hope And Anchor in London with the band Monkey Boy, who we still remain friends with. We were seen at our 5th gig by Simon Williams of Fierce Panda, who offered, to release a single - this was unbelievable for us as we thought he was joking, until we saw the review he gave us in the following weeks NME. The track ‘For Danny’ (featuring a sample of the double-bass playing of folk-rock legend Danny Thompson) was the result. We were also the first band to be released on Fierce Panda off-shoot Livid Meerkat, with the 7” single, ‘Seventyseven A’/’Undone’. Julian Standen produced all three tracks. Since that first single, there have been three albums on Jon Tye's Lo Recordings label, including the debut album ‘A Negative For Francis’, various ep's, 10” and 12" singles, 7” singles and split singles, (including two releases in Belgium, ‘Storm Cycle ep’ and ‘291’ / ‘St. Seno’), collaborations and exclusive tracks on compilation albums by Leaf, Lo Recordings, Arbouse Recordings and Foundry Recordings.

74. Rothko - The Band - Credits lawrie, dan, sarah. mark rothko. edvard munch. francis bacon. williamblake. site illustrations by clare calvert. site designed http://www.rothkomusic.co.uk/credits.html

home news releases history ... e-mail thankyou: nigel adams, jason white, jon tye, crawford blair, jon meade, paul filmer, paul warren, simon raymonde, robin guthrie, fiona glyn-jones, danny thompson, gavin o'shea, richard thomas, tony wilson, david mcginnis, laura b, andrew king, helen baldwin, simon tilbury, ursula hegglin, john peel, radio 3, gordon sharp, john kennedy, juliet blake, denitza moreau, nick olofsson, anet mook, david solomons, andi chunky, clare calvert, phil at norman records, glen at second wave, steven wilson, anthony childs, joana seguro, st giles hotel, burning shed, tim london, tony morley, geert metz, johan and dave, jon mueller, daron gardner, dainis bushmanis, fakejazz, gil gershman, robert jarrell, ted harms, susumu yokota, js adams, matt inwood, andrew mora, marcus, day release records, delicate awol, jim, kavus, lawrie, dan, sarah. mark rothko. edvard munch. francis bacon. william blake. site illustrations by clare calvert. site built by paul filmer

75. ArtKrush - The Art Magazine Online™ These nine paintings arrived at the Tate on February 25, 1970, theday mark rothko took his life. This, no doubt, is one reason http://www.artkrush.com/thearticles/018_woa_reeceonrothko/index.asp

WAYS of SEEING: Sigmund Freud on Michelangelo WRITERS on ART: Leonard Michaels on Michelangelo Charles Bock on Comic Books ... on Max Beckmann M/E/A/N/I/N/G Online: Collaboration Is Resistance Futile? AK Diary Laurel Nakadate General Archive: All Aboard the Art Express! Nauman's Endless Games ... Views Program WRITERS ON ART: Nine Drafts of a Suicide Note by Erik Anderson Reece RED ON MAROON To stand in the Tate Gallery's Rothko Room, surrounded by nine massive canvases, all painted in corpuscular hues of blood and wine, is to find oneself suspended, outside narrative time, outside spatial imagery: in utero. GOD CAN SEE YOU IN UTAH My father, like his father, was a Baptist minister. He shot himself with a hunting rifle when I was three. Twenty years later, my mother gave me his Bible, the one he had used since his days in seminary. I opened it to the cloth marker at Book 10 of Matthew, and read: Never imagine I have come to bring peace on earth;

76. Mark Rothko: White Center With Yellow, Pink And Lavender On Rose Coloring Page - EnchantedLearning.com, Coloring Pages mark rothko. mark rothko WhiteCenter mark rothko White Center with Yellow, Pink and Lavender http://www.enchantedlearning.com/artists/rothko/coloring/whitecenter.shtml

EnchantedLearning.com Coloring Pages : Mark Rothko Mark Rothko: "White Center with Yellow, Pink and Lavender on Rose" Mark Rothko (September 25, 1903-February 25, 1970) was a Russian-American painter. Rothko's "White Center with Yellow, Pink and Lavender on Rose" is part of a series of similar paintings that explore color theory; they were painted in the late 1940s and 1950s. EnchantedLearning.com

77. Mark Rothko: White Center With Yellow, Pink And Lavender On Rose Coloring Page - com! EnchantedLearning.com, Coloring Pages mark rothko. Click ona region in the picture to color it in with the selected color. http://www.enchantedlearning.com/paint/artists/rothko/coloring/whitecenter.shtml

Tell your teachers about EnchantedLearning.com! EnchantedLearning.com Coloring Pages : Mark Rothko Click on a region in the picture to color it in with the selected color. Click on a color swatch in the palette to select a new color. The currently selected color in the palette is indicated by a black rectangle drawn around it. When you click, the point that you're clicking on is at the tip of the arrow or the tip of the pointing finger. Mark Rothko: "White Center with Yellow, Pink and Lavender on Rose" Mark Rothko (September 25, 1903-February 25, 1970) was a Russian-American painter. Rothko's "White Center with Yellow, Pink and Lavender on Rose" is part of a series of similar paintings that explore color theory; they were painted in the late 1940s and 1950s. EnchantedLearning.com Please visit our store. What's New Site map Animal Printouts ... Little Explorers Picture dictionary Rebus Rhymes Geography Oceans Biomes ... Zoom Store Great birthday presents for kids who love animals Subscribe to our mailing list - find out what's new at EnchantedLearning.com. We'll e-mail you our free newsletter each month! As stated in our , we fully respect your privacy and will not use your e-mail address for any purpose other than the newsletter subscription.

78. Barewalls Art Prints And Posters Online - Search Results SEARCH RESULTS. There were 57 matches for all of the words mark rothko 1 2 3 Sort results by Title Artist, SEARCH HISTORY mark rothko. http://www.barewalls.com/cgi-bin/search.exe?searchstring=Mark Rothko

79. Barewalls Art Prints And Posters Online - Search Results SEARCH RESULTS. There were 57 matches for all of the words mark rothko 1 2 3 Sort results by Title Artist, SEARCH HISTORY mark rothko. http://www.barewalls.com/cgi-bin/search.exe?searchstring=mark rothko

80. Mark Rothko, Jean Revol, Musée Ville Paris Translate this page mark rothko. Article écrit à La situation de mark rothko n'est pas sidifférente mais beaucoup plus complexe. Autre demiurge traqué http://karaart.com/art.critic/fr/mark.rothko.html

swiss art artists' forum galleries' forum ceramic art ... Jean Revol Mark Rothko : Untitled Avec Jackson Pollock, mais surtout avec Mark Rothko - que l'on entend visiblement imposer au grand public - la culture américaine s'efforce de nous convaincre qu'elle n'est pas seulement cette société sans tradition, avec ses divertissements, ses engouements éphémères toujours liés au progrès de la pensée numérique, mais qu'elle peut aussi produire des artistes susceptibles de se libérer de la tradition ou de libérer celle-ci. En fait de libération, ces deux oeuvres parfaitement antinomiques souligneraient plutôt, chacune à sa façon, l'exploitation systématique de la rupture séculaire entre l'homme et sa culture. Pollock a d'abord refusé de se satisfaire des moyens trop neutres, trop décoratifs qui lui étaient proposés. Il cherchait un art de violence et de colère, la douleur du dialogue, la communication à son paroxysme. Aussi s'est-il lancé dans ces enchevêtrements complexes où l'individu se perd plus souvent qu'il ne se trouve. Bien qu'il l'ait voulu chargé de fonctions significatives, son geste - l'action - painting - avec tous les prolongements qu'il ouvrait sur l'automatisme, s'est finalement dissous - comme un drame résolu - dans l'enlisement d'un procédé esthétique - gestuelle plutôt que geste, il réapparaît chez Kline comme chez Soulages, stérilisé, simplifié, désamorcé, il est devenu le signe géant, désensibilisé, désoeuvré, gonflé d'intentions monumentales et expressives, mais dépourvu de poids, de densité, de sens.

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