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         Mckay Claude:     more books (100)
  1. Dialect Poetry of Claude McKay (2 Volumes in 1) by Claude McKay, 1990-01
  2. Selected Poems of Claude McKay by Claude McKay, 1969-04
  3. Caribbean Waves: Relocating Claude McKay and Paule Marshall (Blacks in the Diaspora) by Heather Hathaway, Heather Hathaway, 1999-09-01
  4. Long Way From Home by Claude McKay, 1970-03-25
  5. Harlem Glory: A Fragment Of Aframerican Life by Claude McKAY, 1990-01-01
  6. Harlem, Negro metropolis by Claude McKay, 1968
  7. Banjo A Story Without A Plot by Claude McKay, 1929
  8. Negroes in America (National University Publications) by Claude McKay, A. L. McLeod, 1979-09
  9. Finding Out God's Secrets, and 43 Other Story-Sermons by Claude Allen McKay, 2009-10-11
  10. MY GREEN HILLS OF JAMAICA and Five Jamaican Short Stories by CLAUDE McKAY, 1979-01-01
  11. Constab Ballads by Claude McKay, 2010-09-10
  12. The Liberator; a Journal of Revolutionary Progress. March, 1921, Vol. 4, No. 3. by Max, Floyd Dell, Robert Minor, Claude McKay, Eds Eastman, 1921-01-01
  13. Harlem glory, a fragment of Aframerican life. Preface by Carl Cowl. by Claude McKay, 1990
  14. Gingertown, by Claude McKay, 1932

21. Poet Index For Representative Poetry On-line
claude mckay, born in Sunny Ville, Jamaica on September 15, 1889, came to America in 1912, the year his two books of
http://www.library.utoronto.ca/utel/rp/authors/mckay.html
Poet Index Poem Index Random Search ... Concordance document.writeln(divStyle)
Poet Index
  • ANONYMOUS A
  • Sarah Fuller Adams
  • Joseph Addison
  • Mark Akenside
    Amelia Alderson ( see Amelia Opie
  • Cecil Frances Alexander
    Ellen Alleyne ( see Christina Rossetti
  • William Allingham
    Anodos ( see Mary Elizabeth Coleridge
  • Matthew Arnold
  • Anne Askew
  • John Askham B
  • Mary Barber
  • Richard Harris Barham
  • Sabine Baring-Gould
  • William Barnes ...
  • Richard Barnfield
    Elizabeth Barrett ( see Elizabeth Barrett Browning
  • David Bates
  • Katharine Lee Bates
  • Thomas Bateson (ca. 1570-1630)
  • James Beattie
  • Francis Beaumont
  • Thomas Lovell Beddoes
  • The Venerable Bede ...
  • Aphra Behn
    Acton Bell (
    Currer Bell (
    Ellis Bell (
  • Arthur Christopher Benson
    Mary Berwick ( see Adelaide Procter
  • Ambrose Bierce
  • Robert Blair
  • William Blake
    Phyllis Bloom ( see Phyllis Gotlieb
  • Louise Bogan
  • Francis William Bourdillon
  • William Lisle Bowles
  • Anne Bradstreet (ca. 1612-1672) Tabitha Bramble ( see Mary Robinson
  • Nicholas Breton
  • Gilbert E. Brooke
  • Rupert Brooke
  • Shirley Brooks ...
  • Thomas Edward Brown Felicia Dorothea Browne ( see Felicia Dorothea Hemans
  • William Browne
  • Elizabeth Barrett Browning
  • Robert Browning
  • Alice Mary Buckton ...
  • A. H. Reginald Buller
  • 22. Claude McKay - The Academy Of American Poets
    claude mckay The Academy of American Poets presents biographies, photographs, selectedpoems, and links as part of its online poetry exhibits. claude mckay.
    http://www.poets.org/poets/cmcka
    poetry awards poetry month poetry exhibits about the academy Search Larger Type Find a Poet Find a Poem Listening Booth ... Add to a Notebook Claude McKay Claude McKay was born in Jamaica, West Indies, in 1889. He was educated by his older brother, who possessed a library of English novels, poetry, and scientific texts. At the age of twenty, McKay published a book of verse called Songs of Jamaica , recording his impressions of black life in Jamaica in dialect. In 1912, he travelled to the United States to attend Tuskegee Institute. He remained there only a few months, leaving to study agriculture at Kansas State University. He published two sonnets, "The Harlem Dancer" and "Invocation," in 1917, and would later use the same poetic form to record his reactionary views on the injustices of black life in America. In addition to social and political concerns, McKay wrote on a variety of subjects, from his Jamaican homeland to romantic love, with a use of passionate language. During the twenties, McKay developed an interest in Communism and travelled to Russia and then to France where he met Edna St. Vincent Millay

    23. Claude McKay - The Academy Of American Poets
    claude mckay The White House. The Academy of American Poets Add to aNotebook The White House claude mckay. Your door is shut against
    http://www.poets.org/poems/poems.cfm?prmID=1017

    24. McKay, Claude
    mckay, claude. mckay. Brown Brothers
    http://blackhistory.eb.com/micro/364/59.html

    25. McKay, Claude
    mckay, claude, mukA' Pronunciation Key. mckay, claude , 1890–1948, Americanpoet and novelist, b. Jamaica, studied at Tuskegee and the Univ. of Kansas.
    http://www.infoplease.com/cgi-bin/id/CE031954.html

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    You've got info! Help Site Map Visit related sites from: Family Education Network Encyclopedia McKay, Claude [m u k A Pronunciation Key McKay, Claude , American poet and novelist, b. Jamaica, studied at Tuskegee and the Univ. of Kansas. A major figure of the Harlem Renaissance, McKay is best remembered for his poems treating racial themes. His works include the volumes of poetry Spring in New Hampshire (1920) and Harlem Shadows (1922); and the novels Home to Harlem Banjo (1929), and Banana Bottom (1933). For years McKay was involved in radical political activities, but he became increasingly disillusioned, and in 1944 he converted to Roman Catholicism. See his autobiography, A Long Way from Home Mack, Connie McKay, Donald Search Infoplease Info search tips Search Biographies Bio search tips About Us Contact Us Link to Infoplease ... Privacy

    26. McKay, Claude
    mckay, claude. mckay. Brown Brothers. (b. Sept. 15, 1890, Jamaica,British West Indiesd. May 22, 1948, Chicago), Jamaicanborn poet
    http://search.eb.com/blackhistory/micro/364/59.html
    McKay, Claude
    McKay Brown Brothers (b. Sept. 15, 1890, Jamaica, British West Indiesd. May 22, 1948, Chicago), Jamaican-born poet and novelist whose Home to Harlem (1928) was the most popular novel written by an American black to that time. Before going to the U.S. in 1912, he wrote two volumes of Jamaican dialect verse, Songs of Jamaica and Constab Ballads After attending Tuskegee Institute (1912) and Kansas State Teachers College (1912-14), McKay went to New York in 1914, where he contributed regularly to The Liberator , then a leading journal of avant-garde politics and art. The shock of American racism turned him from the conservatism of his youth. With the publication of two volumes of poetry, Spring in New Hampshire (1920) and Harlem Shadows (1922), McKay emerged as the first and most militant voice of the Harlem Renaissance q.v. ). After 1922 McKay lived successively in the Soviet Union, France, Spain, and Morocco. In both Home to Harlem and Banjo (1929), he attempted to capture the vitality and essential health of the uprooted black vagabonds of urban America and Europe. There followed a collection of short stories, Gingertown (1932), and another novel

    27. Claude McKay - The Academy Of American Poets
    claude mckay The Academy of American Poets presents biographies, photographs, selected poems, and links as part of its online poetry exhibits. Some pages also include RealAudio clips of the poet reading his or her work. claude mckay. claude mckay was born in Jamaica, West Indies, in 1889.
    http://www.poets.org/LIT/poet/cmckafst.htm
    poetry awards poetry month poetry exhibits about the academy Search Larger Type Find a Poet Find a Poem Listening Booth ... Add to a Notebook Claude McKay Claude McKay was born in Jamaica, West Indies, in 1889. He was educated by his older brother, who possessed a library of English novels, poetry, and scientific texts. At the age of twenty, McKay published a book of verse called Songs of Jamaica , recording his impressions of black life in Jamaica in dialect. In 1912, he travelled to the United States to attend Tuskegee Institute. He remained there only a few months, leaving to study agriculture at Kansas State University. He published two sonnets, "The Harlem Dancer" and "Invocation," in 1917, and would later use the same poetic form to record his reactionary views on the injustices of black life in America. In addition to social and political concerns, McKay wrote on a variety of subjects, from his Jamaican homeland to romantic love, with a use of passionate language. During the twenties, McKay developed an interest in Communism and travelled to Russia and then to France where he met Edna St. Vincent Millay

    28. Claude McKay's Life
    claude mckay's Life. Freda Scott Giles Photo by James L. Allen Source.mckay, claude (15 Sept. 189022 May 1948), poet, novelist
    http://www.english.uiuc.edu/maps/poets/m_r/mckay/life.htm
    Claude McKay's Life Freda Scott Giles
    Photo by James L. Allen
    Source
    Songs of Jamaica (1912) and Constab Ballads Having heard favorable reports of the work of Booker T. Washington, McKay enrolled at Tuskegee Institute in Alabama with the intention of studying agronomy; it was here that he first encountered the harsh realities of American racism, which would form the basis for much of his subsequent writing. He soon left Tuskegee for Kansas State College in Manhattan, Kansas. In 1914 a financial gift from Jekyll enabled him to move to New York, where he invested in a restaurant and married his childhood sweetheart, Eulalie Imelda Lewars. Neither venture lasted a year, and Lewars returned to Jamaica to give birth to their daughter. McKay was forced to take a series of menial jobs. He was finally able to publish two poems, "Invocation" and "The Harlem Dancer," under a pseudonym in 1917. McKay's talent as a lyric poet earned him recognition, particularly from Frank Harris, editor of Pearson's magazine, and Max Eastman, editor of

    29. Africana.com: Gateway To The Black World.Screen Name Service
    mckay's work as a poet, novelist, and essayist heralded several ofthe most significant moments in African American culture. His
    http://www.africana.com/Articles/tt_811.htm
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    30. Africana Blackboard Lesson Plans And Learning Exchange: Claude McKay [2]
    Federal Writers' Project Media Photograph of claude mckay Sidebar Harlem RunsWild Features Library of Black America mckay, claude, Constab Ballads;
    http://www.africana.com/blackboard/bb_lga_000104.htm
    Claude McKay Subject Area: Language Arts Related Subject Areas: Grade Level: Estimated Time Requirement: Several class periods for research, discussion, and writing. [Note: This is the second of two companion lesson plans devoted to Claude McKay.] Lesson Objectives:
    • Analyze "Harlem Runs Wild" as a piece of reporting Read excerpts from "Constab Ballads" and write a poem in their own voice Read "The Federal Writers Project," write interview questions, and locate answers in existing slave narratives
    National Standards: Language Arts
    Reading
    Standard 6. Demonstrates competence in the general skills and strategies for reading a variety of literary texts Writing
    Standard 2. Demonstrates competence in the stylistic and rhetorical aspects of writing
    Standard 3. Uses grammatical and mechanical conventions in written compositions Materials:
    • Microsoft® Encarta Africana 2000 CD-ROM
      Articles
      Claude McKay
      Harlem Riot of 1935
      Dialect Poetry
      Federal Writers' Project
      Media Photograph of Claude McKay Sidebar "Harlem Runs Wild" Features Library of Black America > McKay, Claude

    31. McKay, Claude. The Columbia Encyclopedia, Sixth Edition. 2001
    2001. mckay, claude. (m k ´) (KEY) , 1890–1948, American poet andnovelist, b. Jamaica, studied at Tuskegee and the Univ. of Kansas.
    http://www.bartleby.com/65/mc/McKay-Cl.html
    Select Search All Bartleby.com All Reference Columbia Encyclopedia World History Encyclopedia World Factbook Columbia Gazetteer American Heritage Coll. Dictionary Roget's Thesauri Roget's II: Thesaurus Roget's Int'l Thesaurus Quotations Bartlett's Quotations Columbia Quotations Simpson's Quotations English Usage Modern Usage American English Fowler's King's English Strunk's Style Mencken's Language Cambridge History The King James Bible Oxford Shakespeare Gray's Anatomy Farmer's Cookbook Post's Etiquette Bulfinch's Mythology Frazer's Golden Bough All Verse Anthologies Dickinson, E. Eliot, T.S. Frost, R. Hopkins, G.M. Keats, J. Lawrence, D.H. Masters, E.L. Sandburg, C. Sassoon, S. Whitman, W. Wordsworth, W. Yeats, W.B. All Nonfiction Harvard Classics American Essays Einstein's Relativity Grant, U.S. Roosevelt, T. Wells's History Presidential Inaugurals All Fiction Shelf of Fiction Ghost Stories Short Stories Shaw, G.B. Stein, G. Stevenson, R.L. Wells, H.G. Reference Columbia Encyclopedia PREVIOUS NEXT ... BIBLIOGRAPHIC RECORD The Columbia Encyclopedia, Sixth Edition. McKay, Claude

    32. 38469. McKay, Claude. The Columbia World Of Quotations. 1996
    ATTRIBUTION claude mckay (1889–1948), USJamaican poet. After the Winter (l.3–4). . . Poetry of Black America, The; Anthology of the 20th Century.
    http://www.bartleby.com/66/69/38469.html
    Select Search All Bartleby.com All Reference Columbia Encyclopedia World History Encyclopedia World Factbook Columbia Gazetteer American Heritage Coll. Dictionary Roget's Thesauri Roget's II: Thesaurus Roget's Int'l Thesaurus Quotations Bartlett's Quotations Columbia Quotations Simpson's Quotations English Usage Modern Usage American English Fowler's King's English Strunk's Style Mencken's Language Cambridge History The King James Bible Oxford Shakespeare Gray's Anatomy Farmer's Cookbook Post's Etiquette Bulfinch's Mythology Frazer's Golden Bough All Verse Anthologies Dickinson, E. Eliot, T.S. Frost, R. Hopkins, G.M. Keats, J. Lawrence, D.H. Masters, E.L. Sandburg, C. Sassoon, S. Whitman, W. Wordsworth, W. Yeats, W.B. All Nonfiction Harvard Classics American Essays Einstein's Relativity Grant, U.S. Roosevelt, T. Wells's History Presidential Inaugurals All Fiction Shelf of Fiction Ghost Stories Short Stories Shaw, G.B. Stein, G. Stevenson, R.L. Wells, H.G. Reference Quotations The Columbia World of Quotations PREVIOUS ... AUTHOR INDEX The Columbia World of Quotations. NUMBER: QUOTATION: The shivering birds beneath the eaves
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    33. McKay, Claude Renaissance Research Ranch
    mckay, claude Renaissance Research Ranch Post MessageThe Jolly RogerOne PageVersion. Welcome to the mckay, claude Classic Renaissance Research Ranch.
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    35. Herzl , Theodor
    mckay , claude. Banjo a story without a plot PS 3525 .A24785 B4 1929h,COPIES 01. COURSE W3733 S03 PROFESSOR Adams. Search Across
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    36. McKay, Claude Forum Frigate
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    37. McKay, Claude
    mckay, claude 18901948, American poet and novelist, b. Jamaica, studiedat Tuskegee and the Univ. of Kansas. A mckay, claude. 1890
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    McKay, Claude 1890-1948, American poet and novelist, b. Jamaica, studied at Tuskegee and the Univ. of Kansas. A major figure of the Harlem Renaissance, McKay is best remembered for his poems treating racial themes. His works include the volumes of poetry Spring in New Hampshire (1920) and Harlem Shadows (1922); and the novels Home to Harlem Banjo (1929), and Banana Bottom (1933). For years McKay was involved in radical political activities, but he became increasingly disillusioned, and in 1944 he converted to Roman Catholicism. See his autobiography, A Long Way from Home
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  • 38. McKay_Claude_ny
    claude mckay (1890-1948). Harlem is the subject of mckay's novel, Home to Harlem. mckay,claude. Selected Poems . New York Dover Publications, Inc. 1999.
    http://www.ncteamericancollection.org/litmap/mckay_claude_ny.htm
    Claude McKay - (1890-1948) Harlem is the subject of McKay's novel, Home to Harlem . This is a photo of row houses in one of Harlem's historic districts* New York City By Zach Chasky and Michael Malkin
    Village Community School, New York City I. Biography Claude McKay was born in 1890 on the island of Jamaica and came to the United States to attend college in 1881. He attended Tuskegee Institute which was a college for African American students founded by Booker T. Washington. After staying there for a only a few months, McKay left to study agriculture at Kansas State University. Claude McKay had an excellent education considering many people in the 1920's did not go to college. He wrote his first book of verse at the age of twenty. It was called Songs of Jamaica . It was his record of black life in Jamaica. He wrote it in dialect verse while living on his father's farm. Claude McKay came to Greenwich Village in 1917 and continued writing poetry. His first American work was published under the pseudonym Eli Edwards. In 1919 McKay became an editor of the newspaper "The Liberator." This was a journal publishing mainly white avant-garde writers and McKay was the first African American to hold this type of job. Claude McKay's book of poems Harlem Shadows is said to be the first major book of the Harlem Renaissance. The term Harlem Renaissance refers to the work of African American novelists and poets who lived in or described the Harlem district of New York City during the 1920's and early '30's. McKay is mainly remembered for his poetry and that, in addition to dialect verse, he wrote many formal rhyming poems as well.

    39. McKay, Claude
    Comments/Inquiries ©New York University 19932003. mckay, claude. On-LineAuthor Site. Sex, Male. National Origin, Jamaica/United States of America.
    http://endeavor.med.nyu.edu/lit-med/lit-med-db/webdocs/webauthors/mckay169-au-.h
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    McKay, Claude
    On-Line Author Site Sex Male National Origin Jamaica/United States of America Ethnic Origin African Era Early 20th Century Born Died Annotated Works The Lynching

    40. McKay, Claude The Lynching
    Literature Annotations. mckay, claude The Lynching. Genre, Poem. Source, SelectedPoems of claude mckay. Publisher, GK Hall Twayne (Boston). Edition, 1970.
    http://endeavor.med.nyu.edu/lit-med/lit-med-db/webdocs/webdescrips/mckay175-des-
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    McKay, Claude The Lynching
    Genre Poem Keywords African-American Experience Children Death and Dying Freedom ... Trauma Summary The title announces the event described in the poem: the lynching of a black man, already burned to a char by an angry mob. Opening lines emphasize ascendency of spirit, from the "swinging char" to the father in heaven in whose bosom the hanged man will dwell. The spiritual tone is replaced, however, by an account of the cruelties inflicted on this tortured man and the behavior of sorrowless women and children dancing around the "dreadful thing in fiendish glee." Commentary Class discussions of cultural differences, distinctions, and commonalities usually include an examination of the impact of historical events contributing to cultural shapes and expressions. McKay's poem recounts a grisly chapter of history to portray what can happen when groups are subordinated or marginalized. African-Americans continue to struggle for equality, especially in education and healthcare. While the lynched man is dead, a diseased or infected population remains to endanger the well-being of the fragile social fabric.

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