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         Petrarch:     more books (100)
  1. The Worlds of Petrarch (Duke Monographs in Medieval and Renaissance Studies) by Giuseppe Mazzotta, 1993-01-01
  2. Lord Morley's "Tryumphes of Fraunces Petrarcke: The First English Translation of the "Trionfi" by Francesco Petrarch, 1971-01-01
  3. Petrarch, Scipio and the "Africa": The Birth of Humanism's Dream by Aldo S. Bernardo, 1978-10
  4. The Triumphs of Petrarch by Francesco Petrarca, 2009-12-27
  5. An Historical and Critical Essay On the Life and Character of Petrarch, with a Tr. of a Few of His Sonnets [By A.F. Tytler.]. by Alexander Fraser Tytler, 2010-02-10
  6. Life of Petrarch, Volume 2 by Thomas Campbell, Johann Georg Pfister, 2010-02-26
  7. Petrarch, His Life and Times. with Twenty-Four Illustrations by Henry Calthrop Hollway-Calthrop, 2010-04-08
  8. Petrarch's Guide to the Holy Land: Itinerary to the Sepulcher of Our Lord Jesus Christ = Itinerarium Ad Sepulchrum Domini Nostri Yehsu Christi by Francesco Petrarca, Theodore J. Cachey, 2002-12
  9. Life and times of Petrarch. With notices of Boccacio and his illustrious contemporaries by Thomas Campbell, J G. Pfister, 2010-08-29
  10. LIFE OF PETRARCH by Ernest Hatch Wilkins, 1963
  11. Petrarch Laura and the Triumphs by Also S. Bernardo, 1974-06
  12. The sonnets of Petrarch, by Francesco Petrarca, 1966
  13. Petrarch: Poet and Humanist (Writers of Italy Series) by Kenelm Foster, 1987-09
  14. Francesco Petrarch's Rime Disperse, Series A (Library of Medieval Literature)

61. Petrarca Petrarch Canzoniere Italian Love Sonnets Francesco Petrarca - Page 2 Of
petrarch Links College professor provides petrarch students a short seriesof links leading to letters, essays, excerpts, and erudition.
http://italian.about.com/cs/petrarca/index_2.htm
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Petrarca: Canzoniere
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Petrarch Links

College professor provides Petrarch students a short series of links leading to letters, essays, excerpts, and erudition. Petrarch Page
Offers a list of Francesco Petrarch's works, a brief bibliography of Petrarch resources, and a link to his letters. Petrarch's House Now open to the public as a museum with historical exhibits. Includes a woodcut, house diagram, and visiting hours. Previous Email this page! Sponsored Links Italian Language Courses in Florence, Italy Learn Italian in the historical center of Renaissance Florence - small groups, starting dates every 2nd week,certified teachers, extracurricular activities http://scuola-toscana.com/

62. TPCN - Great Quotations (Quotes) By Francesco Petrarch To Inspire And Motivate Y
Francesco petrarch. Q U O T E S T O I N S P I R E Y O U, Great quotesto inspire, empower and motivate you to live the life of your
http://www.cyber-nation.com/victory/quotations/authors/quotes_petrarch_francesco
Francesco Petrarch Q
U
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S P I R E Y O U Great quotes to inspire, empower and motivate you to live the life of your dreams and become the person you've always wanted to be!
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H ow difficult it is to save the bark of reputation from the rocks of ignorance.
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63. Francesco Petrarch Collection
Special Collection Guide. FRANCESCO petrarch COLLECTION. 1,000 items (dispersed).The petrarch Collection contains sixteen incunable editions of the Rime.
http://rylibweb.man.ac.uk/data2/spcoll/petrarch/
The John Rylands University Library
Special Collection Guide
FRANCESCO PETRARCH COLLECTION
1,000 items (dispersed). The Petrarch Collection contains sixteen incunable editions of the Rime . These range in date from the editio princeps of 1470, printed in Venice by Vindelinus de Spira, to the edition of 1486 with its fashionable large type for the verse and smaller type for the commentary. Attention can be drawn to the beautiful and accurate Lauer edition of 1471 and three different Venetian editions of 1473. Manchester also holds two editions not found in the incomparable Willard Fiske Collection at Cornell University Library : the 1477 Neapolitan edition by Arnold of Brussels, and a Venetian edition of 1480 by an unknown printer. 80 of the approximately 150 editions published in the 16th century are present including all the Aldine editions, the counterfeit Lyonese copies, and two of the ten vellum copies of the 1501 edition. One of the latter is beautifully illuminated and is in a fine embroidered binding. The Library also holds numerous editions of Petrarch's Latin works, including the earliest complete edition, printed by Amerbach in Basel in 1496.

64. • P E T R A R C H 2 6 4 •
I GO THINKING I'vo pensando and petrarch's paths of desire © 2002 Holly Barbaccia. Desirefor Laura unambiguously becomes the peggior for petrarch.
http://www.english.upenn.edu/~hbarbacc/scholarship/petrarch.html
I GO THINKING:
"I'vo pensando" and Petrarch's paths of desire

Holly Barbaccia
Please do not cite without the permission of the author. In his canzone I'vo pensando "), which consists of seven eighteen-line stanzas and a 10-line envoy, Petrarch articulates his competing desires for spiritual immortality, literary fame, and erotic fulfillment as an internal dialogue. He writes his inner conflict as a kind of contrasto among three of his own "voices," and the debate resolves with Petrarch in a state of metaphysical paralysis, unable to end his inner deliberation and change the course of his pursuit. The canzone (a kind of incipit to the second, in morte section of the Rime Sparse ) epitomizes the concept of interior delay, which seems on the surface to derail the progress of desire towards its goal, but which Petrarch reveals as an unavoidable consequence of uncontrollable, unfulfillable longing. In the opening stanza, Petrarch describes thought as a kind of movement or journey (" I'vo pensando " ["I go thinking"]) (1), yet his thought process only leads Petrarch around in circles. At the same time, this internal, circular repetition contrasts the inevitable teleological movement of external time, for Petrarch sees " giorno il fin più presso " ("every day the end coming near") in verse 5, and to a certain extent, he clearly longs for some kind of end. Indeed, he explains: ". . .

65. Petrarch.Canzoniere
petrarch. Poems from ‘The Canzoniere’. AS.Kline , 2002 All RightsReserved. 1. You who hear the sound, in scattered rhymes,. of
http://www46.homepage.villanova.edu/wood.bouldin/Petrarch.htm
Petrarch Poems from ‘The Canzoniere A.S.Kline 2002 All Rights Reserved You who hear the sound, in scattered rhymes, of those sighs on which I fed my heart, in my first vagrant youthfulness, when I was partly other than I am, I hope to find pity, and forgiveness, for all the modes in which I talk and weep, between vain hope and vain sadness, in those who understand love through its trials. Yet I see clearly now I have become an old tale amongst all these people, so that it often makes me ashamed of myself; and shame is the fruit of my vanities, and remorse, and the clearest knowledge of how the world’s delight is a brief dream. To make a graceful act of revenge, and punish a thousand wrongs in a single day, Love secretly took up his bow again, like a man who waits the time and place to strike. My power was constricted in my heart, making defence there, and in my eyes, when the mortal blow descended there, where all other arrows had been blunted. So, confused by the first assault, it had no opportunity or strength to take up arms when they were needed

66. Philadelphia Rare Books And Manuscripts: Petrarch
petrarch First US EDITION of This Woman Translator's petrarch — Louisville,1849 Petrarca, Francesco. Canzone and sonnets Of Francesco Petrarca.
http://www.prbm.com/interest/petrarch.shtml
PETRARCH
Petrarch the Newest Patented Carriage Steps (English Literary Periodical). [The monthly magazine, and British register. Vol. VII]. London: R. Phillips, 1799. 8vo (22.5 cm, 9"). [6], 580 pp.; 4 plts.
    very america Provenance From the collection of Joshua Gilpin, a Quaker from Philadelphia who established the first paper mill in Delaware, in 1787.
For more MONTHLY MAGAZINE
volumes, click here
This Handsome Edition Is Its Own "Printing History" Footnote:
The Type Used for It Travelled to America with Juan Pablos Petrarca, Francesco.
De los remedios contra p[ro]spera y aduersa fortuna. [colophon: Sevilla: Jacobo Cromberger, 1513]. Small folio. [6], 169 ff. (lacks final blank leaf).
    the border element appearing at the top of the title-page here (see left) Doctrina breve muy provechosa (Mexico City, 1543). Here the type and woodcut border are crisp and new; by the time Juan Pablos received them in the late 1530s they were much worn, as clearly appears by the comparison of this work with early Juan Pablos imprints. This, Cromberger's printing of Petrarch's classic work on fortune and the conduct of life, is widely held to be an extremely handsome production. It begins with an elaborate woodcut title-page and presents throughout what Lyell, in his

67. Petrarch's Metamorphoses Poetry Texts & Anthologies Poetry & Poets Italian Liter
petrarch's Metamorphoses Poetry texts anthologies Poetry poetsItalian Literature Sara Sturm Maddox. petrarch's Metamorphoses
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68. Grover Furr, "France Vs. Italy: French Literary Nationalism In 'Petrarch's Last
Italy French Literary Nationalism in 'petrarch's Last Controversy' And A HumanistDispute of ca. 1395 . 9. There is no modern edition of petrarch's Seniles.
http://www.chss.montclair.edu/english/furr/pmr.html
"France vs. Italy:
French Literary Nationalism in 'Petrarch's Last Controversy' And A Humanist Dispute of ca. 1395"
Originally published in Proceedings of the Patristic, Medieval and Renaissance Conference , Villanova University, Vol. 4, 1979 (actual date of publication: 1981). In April, 1367, Pope Urban V left Avignon for Rome, ending the "Babylonian captivity" of almost sixty-three years. Before his departure Urban received a diplomatic mission from the king of France, Charles V. Headed by Ancel Choquart, a professor of Canon Law at the University of Paris, this mission added the young king's personal pleas to the already weighty voices of the French party among the cardinals in an attempt to persuade Urban to remain in France. Master Ancel's speech, delivered is composed of practical, political arguments. Urban himself is praised most fulsomely. The king's love, concern , and loyalty are repeatedly expressed. Ancel carefully dismisses the religious and historical argument which seemed to urge the return of the papal see to Rome. Again and again Choquart stressed Avignon's one cardinal advantage: the relative security the pope enjoyed there as compared to the warfare and political turmoil wracking the Italian peninsula. It had been the imprisonment at Anagni of Pope Boniface VIII a capitivity which hastened his death by the warlike Colonna family of Rome in 1303 which had prompted Pope Clement V (French by birth, like Urban) to move the papal see to Avignon in 1305.

69. Petrarch Home

http://www.iireproductions.com/clients/linderoth/fultonhomes/70s/petrarch_home.h

70. Bigchalk: HomeworkCentral: Petrarch, Francesco (Poetry)
Looking for the best facts and sites on petrarch, Francesco? HIGH SCHOOL BEYOND Literature World Literature Italian Poetry petrarch, Francesco.
http://www.bigchalk.com/cgi-bin/WebObjects/WOPortal.woa/Homework/High_School/Lit
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  • World Book Online Article on PETRARCH
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  • 71. British Academy Review July-December 1999 - N Mann, "Petrarch And The Structures
    From Laurel to Fig petrarch and the Structures of the Self. Thus petrarchestablishes a clear parallel of considerable spiritual significance.
    http://www.britac.ac.uk/news/review/02-99b/11-mann1.html
    home contact fellowship funding ... download current issue [pdf, 1.72mb] Review home page Full lecture text published in Proceedings of the British Academy, Vol 105 More on
    Italian Lectures
    Lectures and conferences
    From Laurel to Fig:
    Petrarch and the Structures of the Self
    The following extracts are taken from the Italian Lecture, delivered by Professor Nicholas Mann FBA , Director of the Warburg Institute, University of London, on 9 November 1999 at the British Academy. Confessions of St Augustine. ‘fabula’ . Into that narrative he wove his various works, and as we unpick its threads with the benefit of our hindsight, we become aware of underlying structures which hold it all together, interlacing events, real or imagined, with all manner of texts which both evoke and on occasions actually constitute those events. It is plain that writing well and living well are in Petrarch’s case inseparable, and linked by a single fundamental method, which is that of imitation. By this I do not mean what we might call plagiarism, but

    72. Jonathan Usher: PETRARCH READS INFERNO 4
    Jonathan Usher (Edinburgh University) 5 December 2000 petrarch READSINFERNO 4. Dante's poem can become the organizing iconography
    http://www.princeton.edu/~dante/ebdsa/usher2.htm
    Jonathan Usher (Edinburgh University)
    5 December 2000
    PETRARCH READS INFERNO 4

    Dante's poem can become the organizing iconography even for works with their own autonomous traditions. One such example is Petrarch's detailed account, in Senilis 4.5, of the hidden meaning of the Aeneid . Petrarch relates that years before, in response to an unspecified attack on Virgil, he had elaborated an allegorical interpretation of the poem; now he would try to recall its outline. It was a subject he had plied Robert of Anjou with at the laureation exam. Petrarch's account of Aeneas' early adventures in this Senilis, even though technically an interpretation of Virgil, contains unmistakable references to the opening of the Comedy with its heavy emphasis on the dark, beast- filled wood of error and the saving presence of a specifically 'intellectual' guide, Achates (like Dante's Virgil in canto 1). However, Petrarch imagines that the purpose of Aeneas' descent is to not just to gain knowledge (the traditional gloss put on Aeneid 6, as in Bernardus Silvestris' etymologization of the Sibyl as what is 'scibile') but to acquire renown, 'gloria'.

    73. Plague
    petrarch on the Plague. petrarch endured the Black Death in Parma,and responded to it quite unlike Boccaccio. petrarch addressed
    http://www.brown.edu/Departments/Italian_Studies/dweb/plague/perspectives/petrar
    Petrarch on the Plague Petrarch endured the Black Death in Parma, and responded to it quite unlike Boccaccio. Petrarch addressed the effects of the plague in highly personal and emotional lamentations. One such lamentation discusses the death of Laura de Noves, whom Petrarch had met at Avignon in his youth. Laura died in Avignon, a victim of the plague that was raging there, and Petrarch learned of her death in a letter he received from a friend in May of 1348. Later he expressed the sadness he felt at her death in some lines he wrote on a manuscript of Virgil: Laura, illustrious by her virtues, and long celebrated in my songs, first greeted my eyes in the days of my youth, the 6th of April, 1327, at Avignon; and in the same city, at the same hour of the same 6th of April, but in the year 1348, withdrew from life, while I was at Verona, unconscious of my loss.... Her chaste and lovely body was interred on the evening of the same day in the church of the Minorites: her soul, as I believe, returned to heaven, whence it came. To write these lines in bitter memory of this event, and in the place where they will most often meet my eyes, has in it something of a cruel sweetness, but I forget that nothing more ought in this life to please me. As the plague raged in Parma, the poet wrote to his brother, who lived in a monastery in Monrieux. His brother was the only survivor out of thirty-five people there, and had remained, alone with his dog, to guard and tend the monastery. Petrarch's letter relies greatly on the classics, much as Boccaccio's account does on the influence of Thucydides. The genuine anguish of Petrarch's letter is as apparent as is the horror of Boccaccio's account:

    74. Francesco Petrarch, On Religious Leisure, De Otio Religioso, Susan S. Schearer,
    Francesco petrarch On Religious Leisure (De otio religioso). Edited Translated by Susan S. Schearer. Introduction by Ronald G. Witt.
    http://www.italicapress.com/index186.html

    ABOUT THE EDITORS
    RELATED TITLES BUY THIS BOOK Francesco Petrarch
    On Religious Leisure
    (De otio religioso)
    Susan S. Schearer Introduction by
    Ronald G. Witt AT SOME POINT in January or early February of 1347, Petrarch briefly visited the remote Carthusian monastery of Montrieux, where, four years before, his beloved brother, Gherardo, had pledged himself to live in perpetuity as a renditus, one who took the same vows as a monk but who was not cloistered. In the day and night he spent at Montrieux, Petrarch spoke privately with Gherardo, had lively discussions with other residents, and attended religious services celebrated by the brothers with "angelic singing." Unwilling to disturb the rigid discipline of the monastery longer, he reluctantly departed the next morning accompanied by the prior and the brothers to the limits of their property and he imagined them continuing to watch him until he disappeared from view.
    Returning to the Vaucluse, still "mindful of that whole blessed sweetness which I drank in with you," and troubled that in the course of the hasty visit he had not been able to say many things that he would like to have said, he decided "to express in writing what I was not able to do in person."

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    76. Petrarch
    Francesco Petrarca (130474) from the Songbook (Canzoniere, Rime)61 Blessed be the day and the month and the year and the season
    http://www.usm.maine.edu/~rabrams/petrarch.html
    Francesco Petrarca (1304-74)
    from the Songbook Canzoniere, Rime
    Blessed be the day and the month and the year and the season
    and the time and the hour and the instant and the beautiful
    countryside and the place where I was struck by the two lovely
    eyes that have bound me; and blessed be the first sweet trouble I felt on being made one
    with Love, and the bow and the arrows that pierced me, and the
    wounds that reach my heart Blessed be the many words that I have scattered calling the name
    of my lady, and the sighs and the tears and the desire; and blessed be all the pages where I gain fame for her, and my thoughts,
    which are only of her, so that no other has part in them!
    The beautiful lady whom you have so much loved has suddenly departed from us and, I hope, has risen to heaven, so sweet and gentle were her deeds It is time to recover both the keys of your heart, which she possessed while she lived, and to follow her by a straight and unimpeded road: let there be no further earthly weight to hold you down. Since you are lightened of your greatest burden, you will be able to

    77. Pindar Press - Studies Of Petrarch & His Influence: Joseph Trapp
    24 x 17 cm 496 pp. 246 illus. £150.00 Publication January 2002 ISBN 1 89982871 0 Cloth Bound. STUDIES OF petrarch AND HIS INFLUENCE. by Joseph Trapp.
    http://www.pindarpress.co.uk/catalogue/renaissance/trapp-petrarch.htm
    Home Back 24 x 17 cm 496 pp. 246 illus.
    Publication: January 2002
    ISBN 1 899828 71
    Cloth Bound STUDIES OF PETRARCH AND HIS INFLUENCE by Joseph Trapp Professor Joseph Trapp has been Director of the Warburg Institute, and is an authority on Renaissance humanism and the classical tradition. The present volume brings "together twenty-one of Professor Trapp's more recent papers on the illuminated manuscripts of Petrarch, and his lasting "influence.
    CONTENTS:
    • Preface Petrarch Illustrated: The Iconography of Petrarch in the Age of Humanism Illustrated Manuscripts of Petrarch's De remediis Petrarch's Triumph of Death in Tapestry Illustrations of Petrarch's Trionfi from Manuscript to Print and from Print to Manuscript The Illustration of Petrarch's Secretum The Illustration of Petrarch's Letters Petrarch's Long Legacy: Europe: The Cult of Petrarch: 1. Petrarch's Inkstand and his Cat; 2. Homage to Petrarch as Humanist Saint The Image of Livy in the Middle Ages and Renaissance Portraits of Ovid in the Middle Ages and Renaissance Archimedes' Tomb and the Artists; England: The Humanist Book in Italy and England in the Fifteenth and early Sixteenth Centuries (unpublished)

    78. Avendaño. Sidney And Petrarch; Or, The Contemplation Of Love.
    Term 20001. Universidad Nacional Autónoma de México. Sidney and petrarch;Or, The Contemplation of Love. And petrarch's first canzone goes like this
    http://www.luminarium.org/renlit/avendano.htm
    Abraham Avendaño Martínez
    Final Essay
    Historia Literaria IV-I.
    Prof. Nair Anaya.
    Term: 2000-1.
    Sidney and Petrarch; Or, The Contemplation of Love. Tanto piu' di voi, quando piu' v'ama.
    Petrarca.
    The Renaissance reached its fulfilment in the sixteenth century. English, long neglected by the humanists' preoccupation with Greek and Latin, rose to a wholly new and conscious dignity as a medium of serious literary expression. That English should rise and attain the status of national language is not surprising in view of the fact that the spread of literacy and the introduction of printing, along with the increasingly strong nationalist feeling, did account for its consolidation. There was not only a steady progression towards developing a language of their own; English humanists also felt a peremptory need for constructing and shaping literary modes which were akin to their own set of values and culture. As The Norton Anthology of English Literature 's introduction to the sixteenth century puts it: "Literary conventions challenged Elizabethan poets to find fit forms for their experiences, to show their learning and virtuosity by the ingenious elaboration of [...] well-known patterns, and to create from these patterns something fresh and new." Be it a pastoral poem or a sonnet, the Elizabethan poet would set out to follow the path of 'ingenious invention'. He would sometimes draw on the conventions and modes of the classics or, as the case may be, he could also seek out to emulate the patterns of foreign poets (mainly Italian and French), in order to recreate their poetic utterances.

    79. Petrarch's Africa
    petrarch, Africa, Books 68. Book 6. End of Masinissa-Syphax-Sophonibastory. From http//www.utexas.edu/courses/hannibal/petrarch.html.
    http://www.barca.fsnet.co.uk/petrarch-africa.htm
    Petrarch, Africa , Books 6-8
    Book 6
    End of Masinissa-Syphax-Sophoniba story
    1-97: Arrival of Sophoniba in the underworld
    98-242: Scipio addresses troops and gives gifts to Masinissa and Laelius
    243-270: Masinissa dreams of glory instead of Sophoniba
    271-372: Syphax's lament as he is taken to Italy
    Recall of Hannibal and Mago
    373-503: Carthaginians send for Hannibal and Mago and propose peace terms to Scipio
    504-588: Hannibal receives call to return and laments
    589-631: Hannibal massacres Italians at Croton
    632-729: Hannibal laments as he leaves Italy
    729-786: Hannibal's voyage home
    787-814: Hannibal says he will accept what Fortune brings
    815-912: An old Carthaginian tells of Carthage's troubles since they betrayed Xanthippus
    913-982: Laelius and Carthaginian ambassadors arrive in Rome; Senate rejects peace proposals 983-1018: Carthaginians attack Roman fleet 1019-1060: Carthaginians attack Roman ambassadors 1061-1089: Scipio receives Carthaginian ambassadors, returned from Rome 1090-1150: Mago sets out for home 1051-1199: Lament and death of Mago
    Book 7
    Events leading to Zama
    1-40: Hannibal arrives in Africa 41-114: Anxiety in Rome
    Meeting of Hannibal and Scipio
    115-156: Scipio receives Hannibal's scouts 157-277: Hannibal and Scipio meet 278-478: Hannibal's speech to Scipio 479-596: Scipio's response 597-662: End of meeting and preparation for battle
    Zama
    663-971: debate of Carthage and Rome and Jupiter's verdict 972-1110: Scipio addresses his troops

    80. Petrarch - Acapedia - Free Knowledge, For All
    Friends of Acapedia petrarch. From Wikipedia, the free encyclopedia. petrarch,Francesco Petrarca, (13041374) important innovator in Italian poetry.
    http://acapedia.org/aca/Petrarch
    var srl33t_id = '4200';

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