41. Peter Joseph Riley (1892-1954) And Margaret Riley (1899-1992) Of peter Joseph riley (18921954) and Margaret riley (1899-1992) of JohnsonCity, Tennessee. Margaret (Mrs. peter Joseph riley) (b. 26 http://www.contrib.andrew.cmu.edu/~jw3u/riley.html

Peter Joseph Riley (1892-1954) and Margaret Riley (1899-1992) of Johnson City, Tennessee Margaret (Mrs. Peter Joseph Riley) (b. 26 June 1899, d. 26 August 1992) married Peter Joseph Riley (b. 27 August 1892, d. 13 January 1954), a nightwatchman at a lumber yard. Margaret's mother was Minnie Wilcox White and father was James J. White . Peter's father was from Ireland, and his siblings are John Riley (b. 23 December 1885, d. 5 August 1945) and Mary C. Smith (b. 19 February 1882, d. 11 October 1959). Minnie Wilcox White McManus, James White, Jr., and Margaret Riley, 1957. For more information on Margaret's and James' families see their mother Minnie's entry on the Wilcox Page. Jack, Elsie and Robert Riley, 1997. Thanks for reading about the Rileys! New information will be received with much appreciation. Thanks to the Riley family for contributing family information. Return to the Wilcox, White, Riley, Powell Home Page. This page maintained by James White at jw3u@andrew.cmu.edu. URL: http://www.contrib.andrew.cmu.edu/~jw3u/home.html © May 1997

42. Peter J. Riley http://www.ph.utexas.edu/~riley/

Dr. Peter J. Riley riley@mail.utexas.edu Professor Department of Physics The University of Texas at Austin Austin, TX 78712-1081 Office: RLM 10.313 Telephone: 512-471-5957 Fax: 512-471-9637 Associate Dean College of Natural Sciences The University of Texas at Austin Austin, TX 78712 Office: WCH 3.126 Telephone: 512-471-3285 Fax: 512-471-4998 Courses I will teach PHY 398T in the spring of 1997. My syllabus and course handout will both be available here on the Web before the spring semester.

43. Jacket 2 - Peter Riley - Three Poems peter riley. Three Poems. peter riley and friend, Cambridge (UK),1997. Photograph copyright © John Tranter, 1997. Château Musar. http://jacketmagazine.com/02/riley02.html

Homepage Catalog Peter Riley Three Poems from Snow Has Settled [....] Bury Me Here (Shearsman Press) Midsummer Common What were the victory fireworks like in 1945 The people and their victory? The sky Scripted in hot lights, the sky full And veiled rim to rim. Oh to escape Under the edge of night, red hair streaming In the wind like coals in a world fire, a fire Glowing ardour, the great ring on the bone And purpose of love for the field is full Of folk, firework, seedscape. And return As a soldier returns, to what? There is something Further out in the dark than the painted stars, Something that also hates us and our wars. S. Cecilia in Trastevere What moves between bright thoughts and finished body? Lies on the floor, denied her time, face Turned away so as not to view her own pain... What moves between is all we live, heavy And light banked in winged tiers, that we Carve our eyes through day to day, kiss The bed and back to the devastating sight again... I believe in a centre to the wasted life That is carried before the world and holds love Through distance and strife to the end of a Perfect reconciliation however many times Occluded in failed responses finally standing Whole and obvious, like an orchard in the rain.

44. Jacket 21 - Peter Riley - Second Sett peter riley. This material is copyright © peter riley and Jacket magazine 2002The URL address of this page is http//jacketmagazine.com/21/riley.html. http://jacketmagazine.com/21/riley.html

Homepage Peter Riley Second Sett Heaps of fruit piled up against the houses grandfathers piled up in the ground churchyard fruit, pears, cherries travellers selling small bags of hazels a thin sigh in the fields, baby where did our love go? The house in the fields breathes, its timbers flex in the night changes, the star wheels churn Piles of apples outside in the yard yellow and red in separate heaps slowly, under careful control rotting into the music. And all our promises into the dark street through a doorway shadows passing, many shadows, blurred into the night and the soil of the road Kindling stacked up in the yard quiet talking behind the wooden fence shadows passing like smoke in the street , about seeds, electricity bills, the exact wording of a fourth verse, carried from door to door Shield us from the arm in the sky the glittering scar badges when the hand drops the cash Partners, workmates, door to door, guard your hope, columns of shade. Guard your offer, the trust that spreads through the towns, the open door, the carved double arc

45. Peter Riley Shupe, B: 1830 - Wythe County, Virginia peter riley Shupe Born 20 Oct 1830 Wythe County, Virginia Marr 23 May 1850- Died 24 Aug 1899 - Other Spouses Cynthia Lockain Born - Died - Other http://www.gedhtree.com/welkmayn/gp325.htm

Father: Peter Shupe(Shoop) Born: 1792, Virginia Marr: 1814 Died: 1846, Iowa Mother: Sarah Wright Born: 1793, Virginia Died: 1846, Iowa Peter Riley Shupe Born: 20 Oct 1830 - Wythe County, Virginia Marr: 23 May 1850 - Died: 24 Aug 1899 - Other Spouses: Cynthia Lockain Born: - Died: - Other Spouses: INDEX HOME EMAIL Generated Mar 1, 2003 GEDCOM to HTML by GedHTree V2.20 Richard Wright Born: 1739 - Grayson, Virginia Marr: - Died: 25 May 1820 - w/p, Grayson Co., Virginia Other Spouses: Sarah ?Unknown Born: - Died: - Other Spouses: 1. William Wright Born: 1758 - of Grayson, Virginia Marr: - Susannah Ingram Died: BEF. 1882 - of Grayson, Virginia INDEX HOME EMAIL Generated Mar 1, 2003 GEDCOM to HTML by GedHTree V2.20 Richard Wright Born: 1739 - Grayson, Virginia Marr: ABT. 1757 - Gray, Grayson, Virginia Died: 25 May 1820 - w/p, Grayson Co., Virginia

46. Peter Riley Shupe, B: 1830 - Wythe County, Virginia Husband peter riley Shupe Born 20 Oct 1830 Wythe County, Virginia Marr 23 May1850 - Died 24 Aug 1899 - Father peter Shupe(Shoop) Mother Sarah Wright http://www.gedhtree.com/gp325.htm

Family Group Husband Peter Riley Shupe Born: 20 Oct 1830 - Wythe County, Virginia Marr: 23 May 1850 - Died: 24 Aug 1899 - Father: Peter Shupe(Shoop) Mother: Sarah Wright Other Spouses: Wife Cynthia Lockain Born: - Died: - Father: Mother: Other Spouses: INDEX HOME EMAIL Generated Mar 1, 2003 GEDCOM to HTML by GedHTree V2.20 Family Group Husband Richard Wright Born: 1739 - Grayson, Virginia Marr: - Died: 25 May 1820 - w/p, Grayson Co., Virginia Father: Mother: Other Spouses: Sarah ?Unknown Wife Born: - Died: - Father: Mother: Other Spouses: Children William Wright Born: 1758 - of Grayson, Virginia Marr: - Susannah Ingram Died: BEF. 1882 - of Grayson, Virginia INDEX HOME EMAIL Generated Mar 1, 2003 GEDCOM to HTML by GedHTree V2.20 Family Group Husband Richard Wright Born: 1739 - Grayson, Virginia Marr: ABT. 1757 - Gray, Grayson, Virginia Died: 25 May 1820 - w/p, Grayson Co., Virginia Father: Mother: Other Spouses: Wife Sarah ?Unknown

47. Peter Riley - 1931 - Archive Photograph Gallery. Education, Arts & Libraries. Lo peter riley 1931. peter riley and his wife in about 1931. He workedas an oil lamplighter for Dagenham parish council. If you have http://www.barking-dagenham.gov.uk/4-heritage/people/p-peter-riley.shtml

Peter Riley - 1931 Peter Riley and his wife in about 1931. He worked as an oil lamplighter for Dagenham parish council. If you have additional information about any images or would like to submit images of your own, please contact the Web Editor: devans@bardaglea.org.uk For further Information on any images shown, please contact: Tony Clifford at the Central Library . Email: tclifford@barking-dagenham.gov.uk

48. Peter Riley 1931 - Archive Photograph Galleries. Heritage And History. London Bo Picture of peter riley 1931 Click image for larger version peter riley1931. peter riley 1931 Click image for larger version peter http://www.barking-dagenham.gov.uk/4-heritage/people/p-peter-riley.html

Click image for larger version Peter Riley Homepage Learning Heritage and History Local History ... Archive Photograph Galleries Peter Riley Click image for larger version Peter Riley and his wife in about 1931. He worked as an oil lamplighter for Dagenham parish council.

49. Peter Chowka Speaks With David Riley, MD of the mistletoe study in the journal he edits, David riley, MD went on the recordin a telephone interview from his home in Santa Fe, NM. peter Chowka Most http://www.annieappleseedproject.org/petchowspeak.html

While Iscador/mistletoe is a popular therapy for cancer in Germany and Switzerland (studies have shown that it is the most widely used unconventional cancer therapy in Germany), it is less well known than other alternative cancer treatments in the United States. As a cancer treatment, Iscador/mistletoe is injected, almost always under a physician's supervision. It is generally used as an adjunct or complement to other treatments, conventional and unconventional. In Europe, and to a limited extent in the U.S., it is employed as one of a number of treatments of anthroposophical medicine, an alternative philosophical and healing system developed by Rudolph Steiner, PhD (1861-1925), a European scientist, philosopher, educator, and the founder of Anthroposophy. Contrary to Cassileth's assertions in People magazine, there are ample reports of mistletoe's value in treating cancer. James Gordon, MD, the chairman of the White House Commission on Complementary Alternative Medicine Policy, summarizes some of the promising research on pages 138-140 of Comprehensive Cancer Care (2000, Perseus Publishing). Several excellent online sources on mistletoe and cancer are listed at the end of this article. One of the best is the page on mistletoe at the Center for Alternative Medicine Research in Cancer (University of Texas at Houston) Web site.

50. Free Verse - Peter Riley peter riley was born 1940 near Manchester and now lives in Cambridge wherehe sells books. Copyright © 2003 by peter riley all rights reserved. http://english.chass.ncsu.edu/freeverse/FV3/Poems/P_Riley.htm

f rom Poems to Paintings by Jack B. Yeats Music in the Train No escape from a small country. An old man Stands up in the train and plays his violin. Ghosts pour out of it. Everyone nods, this Is a music to die to, knowing what you are Bound to and the train rattles on. We pay a dream tithe to the ancestral hat And head into the city looking for work. I never asked to be out of this I was never in. I never longed for another. Green hills out Of the train window, touched by cloud, Draw the very breath from my throat until The only dying left is into this line. Which is I suppose too a way, a rather Circuitous way round the hill but a way For all that of supposing, and launching Your soul into the guess, that the work you do When you arrive is good work, and time once Properly located sets all things right. Music Night at the Old Slip Inn Nothing less than exactitude: exactly a 40 degree lowering of the eyelids in respect of a national hope and the degree of emancipation that might result, exactly

51. Untitled Sequence By Peter Riley ISBN 1 903090 16 4. Click here to read an interview with peter riley conductedby Keith Tuma. See below for author's note and extract. Author's note http://www.wildhoneypress.com/BOOKS/US.html

Price: USD 5 / STG 3.50 Buy Now Check Out 13x21 cm, 16 pages, 250 gsm green Strata card cover, hand sewn with green twist. The cover image is from an old physics book showing a longitudinal wave. ISBN 1 903090 16 4 Click here to read an interview with Peter Riley conducted by Keith Tuma. See below for author's note and extract. Author's note: A set of poems which in its first incarnation was the fifth and last section, subtitled 'Germany', of The Linear Journal , which was published by Grosseteste Review Books in 1973. Its reading implies some acquaintance with this book, to which the first poem is an explanatory link. Written 1970 / abandoned 1972 / rewritten 1977 / a few leaks plugged 1999. Thanks are due to Peter Robinson for drawing my attention to this work, which he published in an issue of Perfect Bound in from Untitled Sequence I trust in the heart-work it becomes a steady and calm series like adding the alphabet together, thick stones and thin stones one after another, the avenue, the planes. For the words spoken among us are still cooling in the sky And the lights go out letter by letter each claim dies as day folds in.

52. Peter W. Riley - Schwebel, Goetz & Sieben - Minnesota Personal Injury Law Firm peter W. riley DIRECT DIAL 612344-0425 E-MAIL priley@schwebel.com I deeplyappreciate the honor I am given when asked to represent an injury victim. http://www.schwebel.com/attorney/peter-riley.html

PETER W. RILEY DIRECT DIAL: E-MAIL: priley@schwebel.com I deeply appreciate the honor I am given when asked to represent an injury victim. My goal is to see to it that my clients' needs are fully met. I accomplish that goal by working with my team here at the firm to assure regular communication with each of my clients, and by being as accessible as I can be. AREAS OF PRACTICE: Personal Injury, Wrongful Death, Product Liability, Medical Malpractice, Legal Malpractice. Minnesota State Bar, 1977 U.S. Federal District Court - District of Minnesota, 1978 U.S. Supreme Court, 1978 EDUCATION: University of Minnesota Law School, cum laude, 1977 Williams College, cum laude, 1974 Blake School, Minneapolis, MN JOINED FIRM: 1991 and became a shareholder in 2002 PAST EMPLOYMENT: PROFESSIONAL ASSOCIATIONS: Minnesota Trial Lawyers Association (Treasurer 1999-2000, Secretary 2000-2001), Vice President 2001-2002 American Board of Trial Advocates Academy of Certified Trial Lawyers Association of Trial Lawyers of America Minnesota State Bar Association Panel of Arbitrators - American Arbitration Association Hennepin County Bar Association Million Dollar Advocates Forum HONORS: Martindale-Hubbell Law Directory -A.V. Rated

53. Does Mr2.1 Actually Work ? -- Peter Riley -- 1999/12/09 Subject does mr2.1 actually work ? From peter riley peter_r@glassworks.co.uk .Date Thu, 09 Dec 1999 120622 +0000. I have a http://www.softimage.com/community/xsi/discuss/Archives/mental.archive.9912/msg0

General Softimage Discussions Product Specific Discussions Softimage Mental Ray Toonz Illusion Specific Topic Discussions ... Visit the EXP web forum now! mental.archive.9912 Date Thread Author Search: Subject: does mr2.1 actually work ? From: peter_r@glassworks.co.uk Date: Thu, 09 Dec 1999 12:06:22 +0000 I have a volume shader that appears to work on single frames and sequences of 1 -200 frames but when I set off a render for 500 frames it ground to a halt after a while with the time per frame going from 1-2 mins to 30 mins. Is there a recognised fault with MR2.1 taking exponentially longer or is it more likely that my shader is shite? Cheers, Pete. Replies: Re: does mr2.1 actually work ? Halfdan Ingvarsson Date Thread

54. Lens Shader/motion Blur In MR2.1 -- Peter Riley -- 2000/03/13 Search , ,,, Subject lens shader/motion blur in MR2.1. From PeterRiley Peter_R@glassworks.co.uk . Date Mon, 13 Mar 2000 132232 0000. http://www.softimage.com/community/xsi/discuss/Archives/mental.archive.0003/msg0

General Softimage Discussions Product Specific Discussions Softimage Mental Ray Toonz Illusion Specific Topic Discussions ... Visit the EXP web forum now! mental.archive.0003 Date Thread Author Search: Subject: lens shader/motion blur in MR2.1 From: Peter_R@glassworks.co.uk Date: Mon, 13 Mar 2000 13:22:32 -0000 Hello, I've written a fisheye lens shader in both MR 1.9 and 2.1 for use with Soft SP2. Under NT, motion blur works fine with both versions, but using IRIX, motion blur is non existent for the 2.1 version. Any ideas? Cheers, Pete. Replies: Hyperflow Levi Date Thread

55. Jacket 11 - Keith Tuma - An Interview With Peter Riley Keith Tuma An Interview with peter riley This interview is part of issue 4/5 ofthe magazine «The Gig», a booklength collection of essays on the work of http://www.zip.com.au/~jtranter/jacket11/riley-iv-by-tuma.html

C O N T E N T S H O M E P A G E J A C K E T # E L E V E N A P R I L 2 Keith Tuma An Interview with Peter Riley ndorward@sprint.ca Keith Tuma: I have just been reading your essay "The Creative Moment of the Poem" in Denise Riley's collection, and I want to begin this interview with a question or two about it, or rather about your own work as it might be set beside some of the claims of that essay. [Peter Riley, "The Creative Moment of the Poem." In «Poets on Writing: Britain, 1970-1991», ed. Denise Riley, 92-113. Houndmills: Macmillan, 1992.] You are at some pains in the essay to define the poem as "an object between poet and reader which is both a means of communication and a barrier to communication," as an artifact "neither opaque nor transparent," a "body of light" which reflects "the need to say and be revealed crossed with the need to remain silent and secret." You set up a clear opposition between poetry and prose; unlike poetry, you say, prose has to do with a more "direct transmission" between writer and reader. "Prose, properly speaking, draws a thread from a singular past through an author and a construct to an imaginative reconstruction in the future." I want to use these remarks as background to a question about the prose in some of your own books. «Alstonefield», for example, opens with excerpts from your letters to Tony Baker. One might read these letters as, in part, meditation on the possibility and politics of pastoral poetry, but they are letters - direct address - to a real person who happens to be a poet. Then there's the prose opening «Lines on the Liver», which is full of provocative claims about the nature of the self and desire, industrial "encrustation" and "marine fossil energy in suspension which has men mining in their sleep," and so on. The prose there, as also to a lesser extent in the letters to Baker, sometimes takes the form of rhetorical questions - e.g., "Isn't the lack which drives us into work then something from a distance, if not distance itself?" The prose is meditative but it is also propositional - much the same might be said of the poems - though the questions do suggest a direct turn to a real or supposed reader.

56. Peter Riley: Alstonefield http://www.shearsman.com/pages/books/backlist/page4_riley1.html

57. Peter Riley: Snow Has Settled [...] Bury Me Here One can draw so much from peter riley's poems, because they are poemsby someone wholly in command of their art and their language. http://www.shearsman.com/pages/books/backlist/page4_riley2.html

...They are not fashionable poems, they won't win prizes, they probably won't be broadcast on the radio. They are, nonetheless, quite excellent. Martin Stannard, Poetry Quarterly Review One of the real pleasures of this book, apart from the many striking phrases and lines in particular poems, is the sense of rhythmic undulation of the poems taken as a group. The language can cary from the sinuously colloquial to echoes of a Spenserian poetic diction. The density of the poems varies from the most vitally immediate to the really quite gnarled and knotty... A fascinating book in which formal constraints give a tautness to the expression while also providing a system of coordinates which the poet explores and transforms. Randolph Healy, Orbis

58. - Creatop - Peter Riley peter riley. Managing Director peter has extensive experience in navigationdesign and computer mediated communication as well as http://www.creatop.com.au/index.cfm?MenuID=127&&TopMenuID=23

59. Season's Greetings From Chris, Laurie, Peter, Riley, And Lise Freeze up at Fifteen Mile Creek. Our Holiday Message, Season's Greetings. Home. http://web.uvic.ca/~lalonde/holidays/

Home Home

60. Happy Holidays From Chris, Laurie, Peter, Riley, And Lise Christmas photos http://web.uvic.ca/~lalonde/holidays/2001/

Christmas photos Christmas photos

A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z

Page 3     41-60 of 96    Back | 1  | 2  | 3  | 4  | 5  | Next 20