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         Schjeldahl Peter:     more books (121)
  1. Samaras Pastels by Peter Schjeldahl, 1981
  2. Eric Fischl [ILLUSTRATED] by Eric Fischl, Peter Schjeldahl, 1988-11
  3. Dreams by Peter Schjeldahl, 1973-01-01
  4. Myths & Magical Fantasies [exhibition: Oct. 27, 1996-Feb. 2, 1997] by Peter Schjeldahl, Reesey Shaw, 1996
  5. Robert Hudson by Peter Schjeldahl, 1977-01-01
  6. Art of Our Time: The Saatchi Collection. 4 volumes by Peter; Michael Auping, Rudi Fuchs et al Schjeldahl, 1985
  7. Kim Dingle by Kim] Schjeldahl, Peter; Knode, Marilu; Otis Gallery Staff (editors) [Dingle, 1995
  8. Jackie Winsor by Peter Schjeldahl, 1988-01-01
  9. Art of Our Time: The Saatchi Collection (Four Volume Set in Slipcase) by Peter Schjeldahl, Rudi Fuchs, et all 1984
  10. The New Yorker Magazine, Volume LXXXVI, No. 33, October 25, 2010 (Cover) "Twilight," Letter From California // U.K. Journal by Maragaret Talbot, Lauren Collins, et all 2010
  11. Edward Ruscha Stains, 1971 to 1975 by Peter Schjeldahl, 1992-08
  12. Miro Sculpture April 27-9 June 1984 by Peter Schjeldahl, 1984
  13. Dreams by Peter Schjeldahl, 1973-01-01
  14. Richard Bosman: Gifts of the Sea by Peter Schjeldahl, 1989-01-01

61. The Hydrogen Jukebox
peter schjeldahl The Hydrogen Jukebox Selected Writings of peter schjeldahl, 19781990Lannan Series Edited by MaLin Wilson. Introduction by Robert Storr.
http://www.ucpress.edu/books/pages/5335.html
Entire Site Books Journals E-Editions The Press
Peter Schjeldahl
The Hydrogen Jukebox
Selected Writings of Peter Schjeldahl, 1978-1990
Lannan Series

Edited by MaLin Wilson. Introduction by Robert Storr.
Publication Date: August 1991 Subjects: Literature Art Criticism Rights: World 380 pages Paperback
Available Now
Free online edition (eScholarship)
available only to University of California faculty, staff, and students (List of public titles) "To read Schjeldahl is not to agree or disagree, but rather to enter the enchanting flow of a fertile imagination." Art in America "Here's art criticism that demonstrates the power of art to evoke art, in the form of some of the most lusciously written responses to visual beauty ever to hit print. . . . During a decade that defined art mostly through commerce, Schjeldahl consistently reminded readers of its necessary soul." Village Voice "A shrewd and fluent critic, [Schjeldahl] has a masterly personal voice, flamboyant, witty, lyrical yet often precise; more important, he has an open-hearted attentiveness to the subjects of his criticism and the imaginative spaces around them." Times Literary Supplement Home Books Journals Electronic Editions ... Search

62. THE SYMBOLIST PRINTS OF EDVARD MUNCH
ParkeTaylor Contribution by peter schjeldahl 1997 European History 246 pp. ElizabethPrelinger and Michael Parke-Taylor, with an essay by peter schjeldahl.
http://www.yale.edu/yup/books/069529.htm
THE SYMBOLIST PRINTS OF EDVARD MUNCH
The Vivian and David Campbell Collection
Elizabeth Prelinger
Michael Parke-Taylor
Contribution by Peter Schjeldahl 1997 European History
246 pp. 90 b/w + 175 colorplates, 9 x 11
Cloth ISBN 0-300-06952-9
The Symbolist Prints of Edvard Munch The Vivian and David Campbell Collection Elizabeth Prelinger and Michael Parke-Taylor, with an essay by Peter Schjeldahl Edvard Munch is one of the twentieth century's greatest printmakers, and his worksparticularly The Scream and Madonnahave made their way into the popular culture of our time. This handsome book considers Munch's graphic work through the lens of an extraordinary private collection that includes outstanding impressions of virtually every one of his major prints, along with alternate versions and early states. The book underscores the technically experimental nature of Munch's Symbolist prints and demonstrates the great themes of love and death that characterize his fin de siècle imagery. Elizabeth Prelinger discusses Munch as a Symbolist printmaker, providing background on Munch as a graphic artist and exploring how he devised innovative methods to fuse technique and meaning in his Symbolist themes. Michael Parke-Taylor reconstructs the reception of Munch's art in America, tracing a reputation that continues to grow a half century after the artist's death. Peter Schjeldahl poetically evokes Munch's work and accounts for the artist's rock star-like career then and now, and tells how Munch has entered popular consciousness and how he is relevant to a contemporary audience. These essays are accompanied by a detailed catalogue of the fifty-eight prints in the collection, as well as reproductions of the paintings that relate to the prints and many documentary and comparative illustrations.

63. Photoshop Bookstore: Product Listing
Eric Fischl by Eric Fischl, peter schjeldahl Our price $75.00 ReleaseDate November, 1988. Richard Deacon (Contemporary Artists
http://www.photoshoproadmap.com/author/books/find_artist Peter Schjeldahl/2
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64. Eyestorm: Artists: Matthew Barney: Resumé
Nichols Goodeve, Thyrza, 'Travels in Hypertrophia', Artforum, May 1995 schjeldahl,peter, 'The Isle of Male', The Village Voice, May 9, 1995 schjeldahl, peter
http://www.eyestorm.com/feature/ED2n_article.asp?article_id=220&artist_id=96

65. Peter Blake Gallery
Tony DeLap. Arts Magazine, 53, 10, (June 1979), p. 13. schjeldahl, peter. TheAudacity of Raphael Ferrer. The New York Times, January 25, 1970, p. II27.
http://artscenecal.com/Listings/Orange/PBlakeFile/PBlakeArtists/TDelapFile/TDela

TONY DELAP BIOGRAPHY
Education Awards Solo Exhibitions Group Exhibitions ... Bibliography
1927 Born in Oakland, California; Lives and works in Corona del Mar, Calfiornia.
EDUCATION
1950 Claremont Graduate School, Claremont, California
1947 Menlo Junior College
SPECIAL PROJECTS/AWARDS
Centinela Gateway Competition for Santa Monica Arts Commission Sculpture Project
1983 National Endowment for the Arts Fellowship Grant, Highest Award for Painting
Los Angeles Department of Airports, Statewide Sculpture Competition (1st Prize)
University of California Regents' Creative Arts Fellowship A.F.A. Ford Foundation Grant, Museum-in-Residence Program, Haverford, Pennsylvania 1964 Nealie Sullivan Award, San Francisco Art Institute ONE-PERSON EXHIBITIONS Mark Moore Gallery, Santa Monica, California Mark Moore Gallery, Santa Monica, California Modernism, San Francisco, California Mark Moore Gallery, Santa Monica, California Mark Moore Gallery, Santa Monica, California California State University, Fullerton, California (catalogue) Gudrun Spielvogel Gallery, Munich, Germany

66. ArtPace | Artists
Saltz, Jerry. “LA Rising.” Art Auction (April 1994). schjeldahl, peter.“Awash in the Venice Biennial.” Los Angeles Times, 20 June 1993. _.
http://www.artpace.org/artists/artist.jhtml?ID=28

67. Artists - Eduardo Kac
Be There Now Telepresence Art Online.” Flash Art, MarchApril 1999. schjeldahl,peter, “DNART.” The New Yorker, October 2, 2000. Shanken, Edward.
http://www.juliafriedman.com/bio_kac.html
Master of Fine Arts, The School of The Art Institute of Chicago, Chicago
American Dream: A Survey, Ronald Feldman Fine Arts, New York, NY
Lieu Unique, Nantes, France
Gene(sis): Contemporary Art Explores Human Genomics, Berkeley Art Museum, University of California
Works on Paper, Julia Friedman Gallery, Chicago, IL
Free Alba!, Julia Friedman Gallery
Gene(sis): Contemporary Art Explores Human Genomics, Henry Art Gallery, Seattle
Gropius Bau, Berlin
Kunst Meran, Merano, Italy (catalogue)
Kaohsiung Museum of Fine Arts, Taiwan
The Eighth Day, Institute for Studies in the Arts, Arizona State University, Tempe The Tang Museum, New York Fundacion Telefonica, Madrid, Spain Genesis, Julia Friedman Gallery, Chicago Yokohama Triennale, Japan (catalogue) Art Chicago, Chicago Electronic Maple, New York Center for Media Arts, New York (travelling) Telematic Connections, San Francisco Art Institute and Austin Museum of Art, Austin, Texas (travelling) Beyond the Skin - Biological Metamorphosis in Contemporary Art

68. 2001 Morgan, Robert C., Painted In New York City The Presence Of
Whitney Museum of American Art, 1981 Biennial Exhibition. Exhibition catalog.schjeldahl, peter. The Hallelujah Trail. The Village Voice, 24 March. Zaya.
http://www.joanthorne.com/content-biblio.html
    Morgan, Robert C.,"Painted in New York City: The Presence of the Past," essay for the catalogue of the show at the Joe and Emily Lowe Art Gallery, Hofstra Museum, Hofstra University, Long Island, NY Westfall, Stephen, "Wild Beauty", essay in catalogue for retrospective exhibition at Museo de Las Americas, March, April.
    Morgan C., Robert, "Straight Painting", essay for brochure of the exhibition at the Painting Center, New York, October Vine, Richard, Art In America Magazine, June, review of retrospective museum exhibition at: Museo Voluntariado De Las Casas Reales, Casa De Bastidas, Santo Domingo, Dom. Rep.
    Southgate,Therese M. MD, Cover of JAMA The Journal of American Medicine Association, September 16.
    De Tolentino, Marianne, "Retrospectiva de la Norteamericana Joan Thorne," Listin Diario, February 1, Santo Domingo, Dom. Rep.
    Los Santos, Danilo, "Las Calidades y esencias de Joan Thorne," El Caribe, January 17, Santo Domingo, Dom. Rep.
    Goris, Virginia, "Joan Thorne en retrospectiva: una evaluacion al trabajo de tres decades," Ultima Hora

69. Shirin Neshat | Bibliography
44, no. 1, p. 113. schjeldahl, peter. Pragmatic Hedonism, The NewYorker, April 3, 2000, pp. 9495. Schorr, Collier. Turbulence
http://www.bampfa.berkeley.edu/matrix/187/bibliography.html
Shirin Neshat was born in 1957 in Qazvin, Iran. She attended the University of California, Berkeley, where she received her Bachelor of Fine Arts degree in 1979; her Master of Arts degree in 1981; and her Master of Fine Arts degree in 1982. Currently, Neshat lives and works in New York City. Art Exhibition Locations
Serpentine Gallery, London, U.K.
Pitti Discovery, Florence, Italy
Kunsthalle Wien, Vienna, Austria
Wexner Center, Columbus, OH
Art Institute of Chicago, Chicago, IL
D'Amelio Terras Gallery, New York, NY
Henie Onstad Artsentre, Oslo, Norway
Tate Gallery, London, U.K.
Whitney Museum of American Art, Phillip Morris Branch, New York, NY
Hosfelt Gallery, San Francisco, CA Museum of Modern Art, Ljubljana, Slovenia Lumen Travo, Amsterdam, Holland Artspeak, Vancouver, Canada Centre d'Art Contemporain Kunsthalle, Fribourg, Switzerland Marco Noire Contemporary Arts, Turin, Italy Lucio Amelio Gallery, Naples, Italy Haines Gallery, San Francisco, CA Annina Nosei Gallery, New York, NY

70. Message
Translate this page Walker (9) Arts Literature Authors P Perutz, Leo (2) Arts Literature AuthorsR Roth, Joseph (3) Arts Literature Authors S schjeldahl, peter (1) Arts
http://web.politinfo.com/index.cgi?base=/profiles/johbeil.html

71. Message
John Ralston@ 20 Sawyer, Robert J.@ 3 Sayers, Dorothy L. 21 Saylor, Steven@3 Schembri, Jim 1 Schiller, Friedrich 15 schjeldahl, peter 1 Schmidt
http://web.politinfo.com/index.cgi?base=/Arts/Literature/Authors/S/

72. Sue Williams - Neue Galerie Graz - Biographie
Saltz, Jerry, Time Out New York (January). schjeldahl, peter, Shock of the Good ,The Village Voice (January). Schwendener, Martha, Flash Art (MarchApril).
http://www.stmk.gv.at/verwaltung/lmj-ng/98/williams/bio.html
SUE WILLIAMS
english version
Sue Williams Ausstellung Bilder ...
Neue Galerie, Graz Galerie Jean Bernier, Athens Galleria Il Capricorno, Venice 303 Gallery, New York Galerie Ghislaine Hussenot, Paris Galerie Jean Bernier, Athens Regen Projects, Los Angeles Modulo Gallery, Lisbon Jack Hanley Gallery, San Francisco Galerie Metropol, Vienna 303 Gallery, New York Galleria Il Capricorno, Venice Modulo Gallery, Lisbon "In The Best of All Possible Worlds", project for Voltaire Issue Furor , Geneva Vera Vitagioia, Naples San Francisco Art Institute, San Francisco "They Eat Shit", artist´s book, San Francisco Art Institute 303 Gallery, New York Regen Projects, Los Angeles Gallery 210, University of Missouri, St. Louis Loughelton Gallery, New York Project for Bomb Magazine Performance: "Damaged Goods", The New Museum, New York Zur Ausstellung wird ein Katalog mit Texten von Elisabeth Janus, Dan Cameron, Peter Weibel und einem Interview mit Sue Williams erscheinen. (ca. 200 Seiten, Abbildungen in Farbe) SELECTED GROUP EXHIBITIONS Biennial Exhibition, Whitney Museum of American Art, New York

73. Pataphysics Magazine Previous Issues
from Brian Aldiss, Lawrence Ferlinghetti, Evelyn Firchow, Roger Zelazny, RichardKostelanetz, Alex Katz, Daniel Libeskind, peter schjeldahl, Ange Leccia, Harry
http://www.pataphysicsmagazine.com/previous.html
PATAPHYSICS
current
previous books online ... contact Pirate issue
Interviews with Dave Hickey , Bruce LaBruce, Barney Rosset on Grove Press and living in a house designed by Pierre Chareau Rudi Ketz on Peter Lindbergh
Published 2001
$US12.50/$A25 postpaid
purchase >>
Tile issue
Published 1993
$US12.50/$A25 postpaid
AUD$10.00
purchase >>
Kitten issue
Published 1991 $US20/$A40 postpaid purchase >> Blue issue John Cage , Sylvère Lotringer, Leon Golub, Albert Oehlen Published 1990 $US20/$A40 postpaid purchase >> Mercedes issue Interviews with Timothy Leary Published 1990 $US20/$A40 postpaid purchase >> Industrial/Grave issue Interview with Asher Bilu Published 1989 $US20/$A40 postpaid purchase >> Curtain issue Published 1989 $US12.50/$A25 postpaid purchase >>

74. Ympäristötaiteeseen Liittyvää Kirjallisuutta
New York 1972. schjeldahl, peter The Hydrogen Jukebox, Selectec Writings of peterschjeldahl, 19781990. Berkeley 1991. Sepänmaa, Yrjö Tuhatjärvinen.
http://www.saunalahti.fi/~tatuhei/kirjall.htm
    YMPÄRISTÖTAITEESEEN LIITTYVÄÄ KIRJALLISUUTTA: Beardsley, John: Probing the Earth: Contemporary Land Projects, Hirshhorn, USA, Smithsonian Institution 1977.
    Beardsley, John: Art in Public Places. A Survey of Community Sponsored Projects Supported by the National Endowment for the Arts. Washington D.C. 1981.
    Beardsley, John: Earthworks and Beyond, Contemporary Art In the Landscape. New York 1984. Second edition 1989.
    Berleant, Arnold: Art and Engagement. Philadelphia 1991.
    Berleant, Arnold: The Aesthetics of Environment. Philadelphia 1992.
    Buck-Morss, Susan: The Dialects of Seeing, Walter Benjamin and the Arcades Project. Cambridge, Mass 1989.
    Celant, Germano: Ambiente/Arte. Dal Futurismo alla Body Art. Edizioni La Biennale di Venezia. Venezia 1977.
    Celant, Germano: The Knot. Arte Povera. Archivi di Arte Contemporanea. Torino 1985.
    Crispolti, Enrico: Arti visive e partecipazione sociale. Da "Volterra 73" alla Biennale 1976. Bari 1977.
    Dickie, George: The Art Circle. A Theory of Art. Haven Publications. New York 1984.
    Fuller, Patricia: Five Artists of NOAA. A Casebook on Art in Public Places. Seattle 1985.

75. S
Siegfried; Sayers, Dorothy L. Schembri, Jim; Schiller, Friedrich; schjeldahl,peter; Schmidt, Arno; Schuyler, James; Scottoline, Lisa; Sedaris
http://www.ad.com/Arts/Literature/Authors/S/
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Setton, Ruth Knafo Moroccan-Jewish author of 'The Road to Fez'. Site contains excerpts of her work and links to publishers.
Category: Arts > Literature > Authors > S
http://www.ruthknafosetton.com/
Smith, Deborah
New York Times best selling author of southern fiction and women's fiction.
Category: Arts > Literature > Authors > S
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76. CRG Gallery - ROBERT BECK
Shaver, The New York Times, August 6, 1999 p. E40 schjeldahl, peter; SelectedAffinities The Artist as Curator The New Yorker, September 6, 1999, p. 86-87
http://www.crggallery.com/artist_pages/beck_robert/beck_robert.htm
Robert Beck Press / Reviews Images Available works Education The Independent Study Program of the Whitney Museum of American Art, Studio Program, NY BA, Undergraduate Film and Television, New York University 1983 Tisch School of the Arts, NY Solo Exhibitions 2002 Anthony Meier Fine Arts, San Francisco, CA 2001 Drawings, CRG Gallery, NY 2000 Nature Morte, CRG Gallery, NY Galerie Rainer Borgermeister, Berlin 1997 Susan Inglett Gallery, NY 1996 Susan Inglett Gallery, NY Group Exhibitions 2003 Little Triggers, Cohen Leslie and Browne Gallery, New York, NY "Somewhere Better Than This Place: Alternative Social Experience in the Spaces of Contemporary Art," The Contemporary Arts Center, Cincinnati, Ohio 2002 Debs & Co., New York, NY. "Different Class" Real Art Ways, Hartford, CT. "Acquiring Tastes" CRG Gallery, New York; The Armory Show: The International Fair of New Art, NY CRG Gallery, New York, NY. "Gallery Artists Group Show" Castle Gallery, The College of New Rochelle, New Rochelle, New York; "Arrested Development" 2001 Cohan Leslie and Browne Gallery, New York; "Song Poems" Centro Cultural Sao Paulo, Sao Paulo, Brazil; "13th Videobrasil, International

77. BibliozinePartXIII
The Cachets of 1958 are the biggest and the most beautiful. They are also the last. schjeldahl, peter; and van der Marck, Jan. Arman Selected Activities.
http://www.geocities.com/johnheldjr/BibliozinePartXIII.html
Bibliozine, Part XIII
Fayt, Christian. Arman. Fayt Gallery, Knokke, Belgium. 1984. (40 pages.)
A short essay by Daniel Abadie in French accompany the color reproductions of the work on display at the Gallery. There are no Cachets illustrated, although there are some significant Allures noted. Succinct biography in the back of the catalog.
Gallerie Pavillon Werd. Arman: Retrospektive. Gallerie Pavillon Werd, Zürich, Switzerland. 1986. 121 pages.
The short essays are in German, French and Italian, but the handsome catalog is notable for some excellent color reproductions of the cachets, especially a blue work, Cachet, from 1961, and two works from 1957, which are orange and brown. These latter are transitional works in that the rubber stamp letters and numbers begin to spread out against the page, and rollers have been used to flush out background.
La Jolla Museum of Contemporary Art. Arman: Selected Works: 1958-1974. La Jolla Museum of Contemporary Art, La Jolla, California. 1974. (48 pages).
Martin. Henry. Arman: Or Four and Twenty Blackbirds Baked in a Pie; Or Why Settle for Less When You Can Settle for More. Harry N. Abrams, Inc., New York, New York. (1973). 200 pages.

78. Galerie Haus Schneider - John Wesley - CV
schjeldahl, peter, Toontown , Seven Days, April 4, pp. 6061. 1973, schjeldahl,peter, The New York Times, Something Funny's Going On , January 7.
http://www.galerie-haus-schneider.de/pages/en/artists/wesley/cv.htm
deutsch
John Wesley - Curriculum Vitae 1928 born in Los Angeles Education: Los Angeles City College und U.C.L.A. Solo Shows: Jessica Fredericks Gallery, New York City Jessica Fredericks Gallery, New York City, Galerie Haus Schneider, Ettlingen/Karlsruhe, Germany Jose Freire Fine Art, New York City Galerie Rolf Ricke, Cologne Stedelijk Museum, Amsterdam, John Wesley: A Retrospective (catalogue) Portikus, Frankfurt, John Wesley: A Retrospective DAAD Galerie, Berlin, John Wesley: Retrospective: Works on Paper Kunstverein Ludwigsburg, Germany, John Wesley: Retrospective: Works on Paper Galerie Marc Jancou, Zurich, Works on Paper 101 Spring Street Gallery, New York City Daniel Weinberg Gallery, Santa Monica, A Retrospective View 1962- 1992 Galerie Antoine Candeau, Paris, Twelve Nudes fiction/nonfiction, New York City (catalogue Drew Gallery, Canterbury, England, Works on Paper (and traveling exhibition) fiction/nonfiction, New York City, Selected Paintings: 1963 - 1973 Chinati Foundation, Marfa, Texas (curated by Donald Judd/catalogue/introduction by Dan Flavin) Carl Solway Gallery, Cincinnati, Ohio

79. Galerie Haus Schneider - John Wesley - Biographie
schjeldahl, peter, Toontown , Seven Days, April 4, S. 6061. 1973, schjeldahl,peter, The New York Times, Something Funny's Going On , 7. Januar.
http://www.galerie-haus-schneider.de/pages/de/artists/wesley/cv.htm
english
John Wesley - Biographie
1928 geboren in Los Angeles Ausbildung: Los Angeles City College und U.C.L.A. Auszeichnungen und Stipendien: National Endowment for the Arts Stipendium Guggenheim Fellowship Einzelausstellungen: Jessica Fredericks Gallery, New York City Jessica Fredericks Gallery, New York City, Galerie Haus Schneider, Ettlingen/Karlsruhe Jose Freire Fine Art, New York City Stedelijk Museum, Amsterdam, John Wesley: A Retrospective (K) Portikus, Frankfurt, John Wesley: Eine Retrospektive DAAD Galerie, Berlin, John Wesley: Retrospektive, Arbeiten auf Papier Kunstverein Ludwigsburg, John Wesley: Retrospektive, Arbeiten auf Papier Works on Paper 101 Spring Street Gallery, New York City Daniel Weinberg Gallery, Santa Monica, A Retrospective View 1962- 1992 Galerie Antoine Candeau, Paris, Twelve Nudes fiction/nonfiction , New York City (K) Drew Gallery, Canterbury, England, Works on Paper fiction/nonfiction , New York City, Selected Paintings: 1963 - 1973 Chinati Foundation, Marfa, Texas (kuratiert von Donald Judd / Katalog Vorwort Dan Flavin) Carl Solway Gallery, Cincinnati, Ohio

80. Keith Cottingham
214 (October 2000) 41. schjeldahl, peter. DNART. The New Yorker (October2, 2000) 14446. Tipp Der Woche. Züritipp Germany May 12-18, 2000.
http://www.kcott.com/bio/bio.html

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