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         Spicer Jack:     more books (103)
  1. A-Reading Spicer & eighteen sonnets by Beverly Dahlen, 2004-01-01
  2. Fifteen False Propositions About God by Jack Spicer, 1974
  3. A book of music by Jack Spicer, 1969
  4. IRONWOOD 28 Volume 14 No. 2 Fall 1986 LISTENING TO THE INVISIBLE: Emily Dickinson / Jack Spicer
  5. A Selection of Poems for Jack Spicer on the Tenth Anniversary of His Death by Harold Dull, 1975
  6. MANROOT #10: The Jack Spicer Issue by Paul, Editor (Wm. Garber, Robert Berner, George Bowering, Charles Cantre MARIAH, 1974-01-01
  7. White Rabbit Symposium & Jack Spicer Conference. by Jack]. [SPICER, 1986
  8. Homage to Jack Spicer, and other poems: Poems, 1965-1969 by Thomas Francis Parkinson, 1970
  9. Two for Jack Spicer by Stephen Jonas, 1974-01-01
  10. Homage to Jack Spicer and Other Poems by Thomas Parkinson, 1970-01-01
  11. The House That Jack Built: The Collected Lectures of Jack Spicer.(Review) (book reviews): An article from: The Review of Contemporary Fiction by Thomas McGonigle, 1999-03-22
  12. Manroot No. 10 Late Fall 1974/Winter 1975: The Jack Spicer Issue by Jack Spicer, 1974
  13. Writing 2: Jack Spicer by jack] [Spicer, 1970-01-01
  14. Morphogenesis (being a conventionalization of "Morphemes" by Jack Spicer) by Stephen Jonas, 1970

21. Jack Spicer: Bio Notes & Publications
jack spicer Publications spicer 1974); The Collected Books of jack spicer,ed. Robin Blaser (Los Angeles Black Sparrow Press, 1975);
http://epc.buffalo.edu/authors/spicer/spicer-pub.html
Jack Spicer: Publications
Spicer has a relatively complex history of publication, given that several of his books were published only posthumously; these mss. were either withheld or appeared during his lifetime in small poetry zines. The following bibliography has been arranged by category and in roughly chronological order of publication. Some of the books have gone through various permutations after Spicer's death (mostly new editions by different publishers, but with a peculiar instability re title etcetera); only the most familiar editions appear. For a more expansive list, cf. the bibliography in California Librarian (full citation below) and Robin Blaser's detailed bibliography in The Collected Books
  • After Lorca (San Francisco: White Rabbit Press, Nov-Dec 1957)
  • Homage to Creeley (Annapolis, CA: privately printed by Harold and Dore Dull, Summer 1959)
  • Billy the Kid (Stinson Beach CA: Enkidu Surrogate, Oct 1959) illus. Jess Collins.
  • The Heads of the Town Up to the Aether (SF: The Auerhahn Society, 1962) illus. Fran Herndon
  • Lament for the Makers (Oakland: White Rabbit Press, 1962) illus. Graham Mackintosh

22. Jack Spicer: Second Letter (from Admonitions)
1958 copyright © 1975 by the Estate of jack spicer reprinted from The CollectedBooks of jack spicer with the permission of Black Sparrow Press all materials
http://epc.buffalo.edu/authors/spicer/adletter2.html
Second Letter (from Admonitions)
Dear Robin, Enclosed you find the first of the publications of White Rabbit Press. The second will be much handsomer. You are right that I don't now need your criticisms of individual poems. But I still want them. It's probably from old habit - but it's an awfully old habit. Halfway through After Lorca I discovered that I was writing a book instead of a series of poems and individual criticism by anyone suddenly became less important. This is true of my Admonitions which I will send you when complete. (I have eight of them already and there will probably be fourteen including, of course, this letter.) The trick naturally is what Duncan learned years ago and tried to teach us - not to search for the perfect poem but to let your way of writing of the moment go along its own paths, explore and retreat but never by fully realized (confined) within the boundaries of one poem. This is where we were wrong and he was right, but he complicated things for us by saying that there is no such thing as good or bad poetry. There is - but not in relation to a single poem. There is really no single poem. That is why all my stuff from the past (except the Elegies and Troilus ) looks foul to me. The poems belong nowhere. They are one night stands filled (the best of them) with their own emotions, but pointing nowhere, as meaningless as sex in a Turkish bath. It was not my anger or my frustration that got in the way of my poetry but the fact that I viewed each anger and each frustration as unique - something to be converted into poetry as one would exchange foreign money. I learned this from the English Department (and from the English Department of the spirit - that great quagmire that lurks at the bottom of all of us) and it ruined ten years of my poetry. Look at those other poems. Admire them if you like. They are beautiful but dumb.

23. Jack Spicer: The Tower Of Babel
jack spicer The Tower of Babel. According to Edward Foster's jack spicer,he was among the most influencial poets of his generation.
http://www.talismanpublishers.com/catalog/towerof.htm
Jack Spicer
The Tower of Babel
Paper, $12.95, ISBN: 1-883689-04-x Cloth, $33.95, ISBN: 1-883689-05-8 An established writer from an Eastern college returning to his former San Francisco haunts becomes entangled in a labyrinthine series of events that culminate in the sudden, violent death of a respected poet. Described by Lewis Ellingham and Kevin Killian as a "satric look at the private world of poetry gone public in the wake of the Six Gallery Howl reading of October, 1955," The Tower of Babel included finely detailed sketches of the San Francisco poetry world and gay life as they existed then. Jack Spicer (1925-1965) was a key figure in the San Francisco Renaissance, closely associated with the poets Robert Duncan, Richard Brautigan, and Robin Blaser. According to Edward Foster's Jack Spicer , he "was among the most influencial poets of his generation. Thousands of poems and books were written under his tutelage and criticism." Spicer's "Vancouver Lectures" (collected in The House that Jack Built , edited by Peter Gizzi) are considered a seminal work in the development of postmodern American literature. His early poems are collected in

24. Plagiarist.com Poetry » The 500lb. Gorilla Of Poetry.
and Write CommentsComments Help with site features.Help Browse Authors.Browse AuthorsBrowse Titles.Browse Titles More poems by jack spicer.jack spicer (1 poem
http://plagiarist.com/poetry/?wid=4791

25. Plagiarist.com Poetry » A Place For The Genuine.
Search Text size A A A A Poets (View All) A B C D E F G H I J K L M N O PQ R S T U V W X Y Z Select a poem by jack spicer Poems by jack spicer
http://plagiarist.com/poetry/?aid=303

26. Jubilat: Jack Spicer
14 LETTERS TO JAMES ALEXANDER, jack spicer, 1. Fort Wayne, Indiana,is the capital of Nitrogen. All streets end there. No buses arrive
http://www.jubilat.org/jubilatfive/spicer.htm
home current issue previous issues information ... jubilat five 14 LETTERS TO JAMES ALEXANDER Jack Spicer Fort Wayne, Indiana, is the capital of Nitrogen. All streets end there. No buses arrive there except those that carry direct mail or cargoes of Negroes en route on the Underground Railway. There has never been a city made up of so many arms. You can see Troy, New York in the distance. Christmas poems and lovers' holly branches grow there in the winter as well as stuffings of turkeys, memory pie, and little droppings of passing angels. It is not reached by air. Fort Wayne, Indiana, has industries and tournament golf, and blocks and blocks of weeping buildings. It is built on high ground above the slough of utter unwinding. The birds which all look like seagulls or cormorants in its artificial sky finish singing when the day is over. At night they look like elephants. People watch them with telescopes as they hover. In Fort Wayne, Indiana the trees are dying and you can see footprints in the rather wet snow. People take their motor scooters to bed with them.

27. Poet Be Like God : Jack Spicer And The San Francisco Renaissance
Poet Be Like God jack spicer and the San Francisco Renaissance.
http://hallmemoirs.com/gay_lesbian/103.shtml
Poet Be Like God : Jack Spicer and the San Francisco Renaissance
Home Specific Groups
by Lewis Ellingham Kevin Killian
See More Details

Wesleyan Univ Pr; ISBN: 0819553085 ; Dimensions (in inches): 1.40 x 9.30 x 6.34
Reviews
Amazon.com
From the time it first emerged as a renegade liberating voice in the early 1950s, beat writing changed the American social literary scene. Poets like Allen Ginsberg and Lawrence Ferlinghetti altered the sound of U.S. poetry while Jack Kerouac's bebop chantparticularly in his classic On the Road literally changed how Americans spoke. The beats' fame became so great so quickly that their critics accused them of hypocrisy. Not so Jack Spicer; while Ginsberg and Kerouac were busy publishing and promoting their work, Spicerwhose original lyric voice and gay content still resonate todayspent most of his time disdaining the publishing world and making enemies. In Poet Be Like God , journalist Lewis Ellingham and experimental novelist Kevin Killian have produced not only a fully realized portrait of Spicer, but a complexly woven historical and literary tapestry. Spicer emerges here as a brilliant, difficult, and largely unlikable man whose talent for writing matched his inability to function in the world. Ellingham and Killian are equally concerned with explicating the San Francisco renaissance and charting the emergence of North Beach as a gay neighborhood; Poet Be Like God thus rediscovers Jack Spicer for a new generation of readers and presents us with a unique and startling look at gay and literary history.

28. Golem, Jack Spicer & Fran Herndon
Shortly afterwards she met jack spicer, Robin Blaser, Robert Duncan and Jess—thebrilliant crew that had invented the Berkeley Renaissance ten years earlier
http://www.granarybooks.com/books/spicer/spicer9.html
new books about granary catalog search rare/op poetry ... home The work in Golem —Kevin Killian 1998 back more about Golem ] [end] new books about granary catalog search rare/op poetry ... home to contact and/or order books press here: Granary Books

29. Golem, Jack Spicer & Fran Herndon
GOLEM jack spicer. collages by. Fran Herndon. with an afterwordby. Kevin Killian. Granary Books New York City. 1999.
http://www.granarybooks.com/books/spicer/spicer1.html
GOLEM Jack Spicer
collages by Fran Herndon
with an afterword by Kevin Killian
Granary Books New York City more about Golem afterword forward ... home to contact and/or order books press here: Granary Books

30. Casebook: Jack The Ripper - Index To The Casebook - Robert Spicer
Ivor Edwards (1), JK Stephen (6). jack London (1), Jacob Isenschmid (1). RobertDonston (7), Robert Fullerton (1). Robert Sagar (3), Robert spicer (2).
http://www.casebook.org/about_the_casebook/cbindex.html?showindex=Robert Spicer

31. Jack Spicer, "Thing Language"
nothingnew » poets page » jack spicer. Thing Language . by jack spicer.This ocean, humiliating in its disguises Tougher than anything.
http://www.nothing-new.com/poetry/spicer.htm
nothing-new poets page » jack spicer
"Thing Language"
by Jack Spicer
This ocean, humiliating in its disguises
Tougher than anything.
No one listens to poetry. The ocean
Does not mean to be listened to. A drop
Or crash of water. It means
Nothing.
It
Is bread and butter
Pepper and salt. The death
That young men hope for. Aimlessly
It pounds the shore. White and aimless signals. No One listens to poetry. return to the poets page

32. Gay Books: Poet Be Like God : Jack Spicer And The San Francisco Renaissance
Poet Be Like God jack spicer and the San Francisco Renaissance by Lewis Ellingham,Kevin Killian. Click on the link to order the book online from.
http://www.gaybookworld.com/bookstore/0819553085AMUS181373.html

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by Lewis Ellingham, Kevin Killian European users may wish to browse the

33. Jacket 7 - James Herndon - Jack Spicer And The Art Of Fran
jackET SEVEN CONTENTS HOMEPAGE. James Herndon from the memoir EverythingAs Expected jack spicer and the art of Fran Herndon. I looked up jack spicer.
http://www.zip.com.au/~jtranter/jacket07/spicer-herndon.html
J A C K E T # C O N T E N T S H O M E P A G E
James Herndon
from the memoir "Everything As Expected":

Jack Spicer and the art of Fran Herndon
Text taken from Everything As Expected
This piece is five thousand words or about twelve printed pages long.
When Fran and I came to San Francisco, I looked up old friends. I looked up Jack Spicer. I was surprised when he came by our place the very next day. We were not precisely old friends then. He had once written me a letter from Minnesota, addressing me as "Dear Boswell", and signing himself "Samuel Johnson, Esq." My name happens to be James Boswell Herndon. It wasn't in Jack to pass up a good coincidence like that.
He came by to watch the McCarthy hearings on TV *. He came in, got introduced to Fran, asked right away for the TV to be turned on - feeling right at home, it seemed - and questioned us about tuning and focusing in order to see which of us was an expert at the TV, or if either of us was, wanting to know what chance he had of getting the best out of the old set. We watched the Senate hearings for six hours, not counting a break for lunch, which Fran made. Two hot-dogs each, French mustard, New York Martin cheddar cheese, some tomatoes with spring onions. Jack Spicer ate it all and observed that Fran made it all. That lunch got established, once and for all, as lunch
* Continuing a war against the American left that had begun with President Truman's order to search out "disloyal persons" in the U.S. government (Executive Order 9835, 1947), Joseph McCarthy, U.S. Senator from Wisconsin in 1950 initiated the systematic persecution of accused communists beginning with the State Department and coming to encompass all areas of cultural life. It was only in 1954, when McCarthy began hearings to investigate subversive activity in the U.S. military, that his "investigations" were halted and Senator McCarthy himself was censured by the Senate. As Lewis Ellingham and Kevin Killian note, "[t]he occasion described here was probably a television rerun," the televised Army/McCarthy hearings having taken place in 1954. James Herndon, like Spicer himself, had left San Francisco in 1950; he and Fran married in Europe, returned to the city in 1957. Cf. Lewis Ellingham and Kevin Killian

34. David Spicer Productions - Jack O'Hagan's Humdingers
Australia's Biggest Little Musical. jack O'Hagan was Australia's most prolificsong writer from the 1920's until the 1950's. The jack O'Hagan Story.
http://www.davidspicer.com/atrtg.htm
By the writers of SHOUT! the Musical Australia's Biggest Little Musical Jack O'Hagan was Australia's most prolific song writer from the 1920's until the 1950's. His hits are part of the nation's psyche 'Our Don Bradman' ' Ginger Meggs ', 'When the Dog Sits on the Tuckerbox', ' Kingsford Smith' and so forth. Melvyn Morrow and David Mitchell have created a joyous musical that premiered to critical acclaim under the direction of Nancye Hayes at Sydney's Marian Street Theatre in 1997. Here's what the critics said. " a class act....a high cholesterol slice of popular Australian entertainment" James Waite - Sydney Morning Herald " the friend who accompanied me was overcome with emotion. 'Great show' she sobbed wiping away another tear as the finale tracked back to Gundagai " Carrie Kablean - Sunday Telegraph " .. a funny nostalgic look at a unique phase of our past " Julie Moffat - The Manly Daily.

35. David Spicer Productions - English Pantomimes
BY PETER DENYER. *Cinderella * Dick Whittington * jack and the Beanstalk * The Snow Hisscripts are very, very funny. Here’sa taste of jack and the Beanstalk.
http://www.davidspicer.com/ep.htm
BY PETER DENYER
*Cinderella * Dick Whittington * Jack and the Beanstalk * The Snow Queen * Snow White * Mother Goose * Aladdin * Babes in the Wood * Sinbad the Sailor * Beauty and the Beast
Peter Denyer’s is England’s hottest new writer of pantomimes. His titles have been performed by more than 100 professional theatres and in Christmas 98 there were more 60 bookings for his productions on the amateur circuit. Each pantomime has lyrics to songs that you can apply to any music you know. Each script also contains detailed production notes about characterisation, costumes, staging and sets. Peter Denyer has been writing for theatre for 25 years and apeared on television more than 200 times. He is best remembered as the delightful Dennis in Please Sir. His scripts are very, very funny. Here’s a taste of Jack and the Beanstalk. King: Good Morrow, merry milkmaids. Milkmaids: Good Morrow your majesty.
King: Now where is Jack. (FX Motorbike approaching).

36. DINO - Language: Englisch - Arts - Literature - Authors - S - Spicer, Jack
S spicer, jack spicer, jack, Sprache/Language. Websites,
http://www.dino-online.de/dino_page_daa2ce7650208f66f13ade7c83c55895.html
Suche Profi-Suche Katalog Video ... Produkte Suchen: Web-Seiten Video Audio Bilder Produkte Schon gewusst? Hier suchen Sie in 2 Milliarden Webseiten. Live-Suche: Was suchen andere Dino-Besucher?
You are here: DINO Language Englisch Arts ... S Spicer, Jack Spicer, Jack Sprache/Language
Websites Jack Spicer Feature - In: Jacket magazine # 7.
http://www.jacket.zip.com.au/jacket07/index.html
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37. Poet Be Like God : Jack Spicer And The San Francisco Renaissance
Poet Be Like God jack spicer and the San Francisco Renaissance. Poet BeLike God makes the art and passion of jack spicer luminously legible.
http://hallnonfiction.com/gay_lesbian/376.shtml
Poet Be Like God : Jack Spicer and the San Francisco Renaissance
Home Nonfiction
by Lewis Ellingham Kevin Killian
See More Details

Hardcover - 486 pages (May 1998)
Wesleyan Univ Pr; ISBN: 0819553085 ; Dimensions (in inches): 1.40 x 9.30 x 6.34
Reviews
Editorial Reviews
Amazon.com
From the time it first emerged as a renegade liberating voice in the early 1950s, beat writing changed the American social literary scene. Poets like Allen Ginsberg and Lawrence Ferlinghetti altered the sound of U.S. poetry while Jack Kerouac's bebop chantparticularly in his classic On the Road literally changed how Americans spoke. The beats' fame became so great so quickly that their critics accused them of hypocrisy. Not so Jack Spicer; while Ginsberg and Kerouac were busy publishing and promoting their work, Spicerwhose original lyric voice and gay content still resonate todayspent most of his time disdaining the publishing world and making enemies. In Poet Be Like God , journalist Lewis Ellingham and experimental novelist Kevin Killian have produced not only a fully realized portrait of Spicer, but a complexly woven historical and literary tapestry. Spicer emerges here as a brilliant, difficult, and largely unlikable man whose talent for writing matched his inability to function in the world. Ellingham and Killian are equally concerned with explicating the San Francisco renaissance and charting the emergence of North Beach as a gay neighborhood; Poet Be Like God thus rediscovers Jack Spicer for a new generation of readers and presents us with a unique and startling look at gay and literary history.

38. Poet Be Like God : Jack Spicer And The San Francisco Renaissance
Poet Be Like God jack spicer and the San Francisco Renaissance. Not sojack spicer; while Ginsberg and Kerouac were busy publishing and
http://hallamericanclassics.com/american/978.shtml
Poet Be Like God : Jack Spicer and the San Francisco Renaissance
Home American
by Lewis Ellingham Kevin Killian
See More Details

Hardcover - 486 pages (May 1998)
Wesleyan Univ Pr; ISBN: 0819553085 ; Dimensions (in inches): 1.40 x 9.30 x 6.34
Reviews
Editorial Reviews
Amazon.com
From the time it first emerged as a renegade liberating voice in the early 1950s, beat writing changed the American social literary scene. Poets like Allen Ginsberg and Lawrence Ferlinghetti altered the sound of U.S. poetry while Jack Kerouac's bebop chantparticularly in his classic On the Road literally changed how Americans spoke. The beats' fame became so great so quickly that their critics accused them of hypocrisy. Not so Jack Spicer; while Ginsberg and Kerouac were busy publishing and... From Kirkus Reviews , April 1, 1998
Beat insider Ellingham and novelist Killian (Shy, 1989, etc.) have here embraced a most resistant, though not unworthy, subject in poet Jack Spicer. Spicer catalyzed the development of the Beat Generation in 1950s San Francisco. Though few literary tales have been told more often (or more tediously) than those pertaining to the Beats, Spicer's own has been at best ill served, and at worst wholly ignored, by the prevailing mythologies of the time. The authors have thus been admirably careful to... Book Description
"a grand biography" (Samuel R Delany) Synopsis
Unlike his contemporaries Allen Ginsberg, Jack Kerouac, and Gary Snyder, Jack Spicer (1925-1965)a key figure in San Francisco's gay cultural scenewas a poet who disdained publishing and relished his role as social outcast. Virtually unrecognized when he died, his work has since intrigued an international audience. Now this comprehensive biography gives a pivotal poet his due, based on interviews with those who knew him. 35 illustrations.

39. The Jack Spicer Collection
The jack spicer Collection. from. Trifecta Rare Books. Full Catalogue.Contact us at printer@trifectapress.com. See the Trifecta Press
http://www.trifectapress.com/rare/spicer.html
The Jack Spicer Collection from Trifecta Rare Books Full Catalogue Contact us at
printer@trifectapress.com
See the Trifecta Press
Main Page at
http://www.trifectapress.com

40. After Lorca
The jack spicer Collection back to main site. The Collected Books ofjack spicer. Los Angeles Black Sparrow Press, 1975. Limited
http://www.trifectapress.com/rare/catalogue.html
The Jack Spicer Collection
back to main site
After Lorca (unbound signatures and first english printing)
Homage to Creeley

Billy the Kid
...
Collected Poems 1945-1946

After Lorca.
San Francisco: White Rabbit Press, 1957.
Unbound signatures of
(preceded only by a 1952 offprint written under the name John L. Spicer). Scarce in this state.
A fine copy housed in a black cloth slipcase with black morocco label stamped in gilt.
image file
back to list After Lorca. London: Aloes Books, 1971. book. Light cover wear else fine. image file back to list Homage to Creeley. Anapolis: privately printed, 1959. Mimeographed sheets in blue wrappers. considered to be his rarest book, due, in part, to the limited run (thirty-five copies) and the fact that it was only circulated among friends. Single crease along middle of front and back wrapper, fading along the same to back, very faint discoloration to front edges, but about as nice a copy of this rare book as you could hope to find. image file back to list Billy the Kid.

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