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         Critique Composition:     more books (23)
  1. Terms of Work for Composition: A Materialist Critique by Bruce Horner, 2000-04
  2. 11 COMPOSITION: MODELS AND EXERCICES BY GLATTHORN & HAROLD FLEMING
  3. New Musical Figurations: Anthony Braxton's Cultural Critique by Ronald M. Radano, 1994-01-30
  4. Becoming Your Own Critique Partner by Janet Lane Walters, 2006-09-13
  5. The Writer's Guide to Critique Groups by Linda Griffin, 1999-04-01
  6. Alternative Voices: Essays on Contemporary Vocal and Choral Composition by Istvan Anhalt, 1984-04
  7. Presence in Play: A Critique of Theories of Presence in the Theatre (Consciousness Literature and the Arts) by Cormac Power, 2008-04-01
  8. Licorice, Part I.(Cosmeceutical Critique)(Drug overview): An article from: Skin & Allergy News by Leslie S. Baumann, 2007-03-01
  9. Cosmeceutical critique: hyaluronic acid.(Dermatologic Therapy): An article from: Skin & Allergy News by Leslie S. Baumann, 2003-12-01
  10. Reformed English Grammar, a Critique and Textual Outline of English Grammar by John Coghlan, 2009-12-29
  11. Cosmeceutical critique: ginger.(Dermatologic Therapy): An article from: Skin & Allergy News by Leslie S. Baumann, 2003-08-01
  12. Cosmeceutical critique: pomegranate.(Dermatologic Therapy): An article from: Skin & Allergy News by Leslie S. Baumann, 2004-01-01
  13. COSMECEUTICAL CRITIQUE: SALICYLIC ACID.: An article from: Skin & Allergy News by Leslie Baumann, 2001-09-01
  14. Destiny Unfulfilled: A Critique of the Harry Potter Series by Jim Adam, 2010-01-15

61. TWI, Marjorie Curry Woods On Poetic Composition
A Commentary on Chapter 4 The Teaching of Poetic composition in the Later Somereally liked the critique of primary and secondary rhetoric at the beginning
http://www.writinginstructor.com/symposium/woods.html

TWI Archives
(1981-1997) Coming Soon Editorial Board Editors and Publishers
David Blakesley

Dawn Formo
Write for TWI ... The Writing Instructor is a blind, peer-reviewed journal, publishing in print since 1981 and on the Internet since June, 2001. Its distinguished editorial board consists of over 150 scholars-teachers-writers representing over 75 universities, community colleges, and K-12 schools. For more information about acceptance rates, the peer-review process, guidelines for review committees, and the editorial board, please read our Editorial FAQs or write us.
TWI Forums Purdue's OWL
What I Learned from the Second Edition of A Short History of Writing Instruction
A Commentary on "Chapter 4: The Teaching of Poetic Composition in the Later Middle Ages" in A Short History of Writing Instruction: From Ancient Greece to Modern America

Marjorie Curry Woods

University of Texas
Read or print this node in Acrobat (PDF format). Requires the free Acrobat Reader E-Mail This Article to a Friend
Search TWI:
Poetria nova . I feel that my essay as it stands is less idiosyncratic than before, which is probably good, and that its synthetic quality is a good complement to the new essay added by Carol Dana Lanham.

62. L'Art égyptien Au Temps Des Pyramides - Critique De L'exposition Au Grand Palai
Translate this page Le fragment conservé, s'il ne permet pas de voir la composition d'ensemble de lascène, laisse deviner sa complexité par le savant enchevêtrement, à peine
http://www.culturekiosque.com/art/exhibiti/rhfartegypt.html
Home Cyberchef Dance Jazz ...
send page to a friend Bienvenue! Click here to explore our magazine, or pick a section from the above choices.
L'ART EGYPTIEN
AU TEMPS DES PYRAMIDES

H: 211.3cm
par Claude Rilly
Pyramide la IVe dynastie : groupe d'archers
H : 28 cm
New York, Metropolitan Museum
Calcaire, pigment vert
Londres, University College, Petrie Museum of Egyptian Archaeology Argent, turquoise, cornaline, lapus-luzuli Un autre fils de Snéfrou, Nefermaât, fut inhumé avec son épouse Atet, dans un grand mastaba à Meidoum. De la " chapelle " d'Atet qui y est incluse proviennent plusieurs blocs ornés d'un décor étonnant par sa hardiesse technique autant que par les scènes représentées. L'art égyptien, parvenu à la maîtrise formelle, fait ici l'essai de ses forces. Le propriétaire des lieux le proclame d'ailleurs sur les murs du mastaba : " il a fait faire ces images en un tracé indestructible ". 100 x 114 cm Copenhague, NY Carlsberg Glyptotek

63. UCL/ DRT - Programme D'études : Organisation Et Composition
Translate this page Le programme de la candidature en droit tend, en premier lieu, à assurer uneculture générale qui doit permettre l'étude critique des phénomènes
http://www.ucl.ac.be/etudes/entites/drt-enseignement.html

DRT
Organisation des enseignements
Organisation des enseignements selon les cycles
La candidature en droit La licence en droit
  • Centrer l'enseignement sur les principes en distinguant l'essentiel de l'accessoire.

DRT

Recherche
Aide [UCL] ... [Pointeurs utiles]
Responsable : Jean-Louis Marchand
Contact : info@drt.ucl.ac.be

64. Livre Repertoire General Des Aliments Tome 2: Table De Composition Des Produits
Translate this page Répertoire général des aliments Tome 2 Table de composition des produits Leschapitres 3 et 4 concernent les conducteurs à haute température critique.
http://www.lavoisier.fr/notice/fr2852064300.html
Chercher sur Tous les supports Les Livres Les CD-Rom Les Logiciels
Répertoire général des aliments Tome 2: Table de composition des produits laitiers
Auteur(s) : IFN , CIQUAL
Date de parution: 10-1987
2 volumes
Etat : Ancienne édition
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Lavoisier.fr Conditions de vente Sites partenaires Lavoisier recrute Nous contacter ... Evaluation des performances des systèmes de production (Traité IC2, série Productique) PARTENARIAT B2B Profitez de la qualité et l'exhaustivité de notre catalogue en ligne d'ouvrages et de revues professionnels (plus de 750.000 titres du monde entier). Découvrez nos opportunités de partenariat :
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  • 65. Undergraduate Writing Program Course Descriptions
    As in FirstYear composition, students work on honing their interpretive and writingskills through in-class discussion, peer critique, revision, and extensive
    http://www.english.ohiou.edu/undergrad/ugwriting.html
    More Information English Major Requirements
    Secondary English Teaching

    Other Emphases

    Course Descriptions
    ...
    First-Year Composition Goals
    Undergraduate students at Ohio University are currently required to take one quarter of composition at the freshman level, and one quarter at the junior level. Any of the three freshman courses offered will fulfill the First-Year Composition requirement; each of the three courses fulfills the same purpose with a slightly different topic. Very much like First-Year Composition, any one of English 305J, 306J, or 308J will fulfill the Junior-level requirement for students not majoring in English. Students majoring in English must take English 307J. Some of the writing courses at Ohio University are regularly scheduled in Computer Classrooms . Those courses are listed in TRIPS as being taught in Ellis Hall rooms 19 and 20, and are flagged as requiring the use of a computer.

    66. History Of Composition
    You'll be writing a collaborative critique (with 12 other people in the class ofhow editors and authors use their understanding of composition to influence
    http://jan.ucc.nau.edu/~sg7/eng512f99/description512.html
    History of Composition Studies
    English 512 Sibylle Gruber

    Office: LA 335
    Office Hours:
    M 1:00-2:00
    W 10:30-11:30
    any time via email or phone MW 2:20-3:35
    Room: LA 346
    520-523-8369 (O)
    Sibylle.Gruber@nau.edu

    Course Description: The goal of this course is to work toward an understanding of the history of composition and current trends in composition studies. We'll look at some of the instructional models that have governed assumptions about the writing process and that have influenced our own perceptions about reading and writing. As practicing members of Composition discourse communities, we will explore various rhetorics, epistemologies, and philosophies informing the ongoing debates concerning composition studies. Required Readings:
    • Knoblauch and Brannon, Critical Teaching and the Idea of Literacy Course Pack
    Elements of a Good Grade: Active participation in class discussions (20%) Participation in class discussions leads to increased understanding of the readings we will do do in this class. I expect everybody to provide frequent input that will further our understanding of each other, of texts that we read, and of the writing that we will do. This includes acting as a discussion leader for in-class discussions and an oral presentation as parts of the learning process Response File (15%) To make participation easier, you are expected to keep a response file in which you write your impressions about the works that we are reading. Don't write a summary, but write about your responses/reactions to the readings. Write an entry before every class meeting focusing on the texts we are reading. You can write about problems you have with the texts, questions you want to ask, or clarifications you need. I'll collect them halfway through the semester and again at the end of the semester.

    67. Faculty: URI College Writing Program
    the 2001 CCCC Braddock Award). Current Research Interests composition textbook publishing;institutional critique; cultural studies of instructional materials.
    http://www.uri.edu/artsci/eng/cwp_faculty.html
    University of Rhode Island
    Department of English
    College Writing Program College Writing Program Faculty
    Linda K. Shamoon, Professor
    Director of the College Writing Program Teaching Interests:
    Writing with electronic technology; public writing; methods and theories of writing across the curriculum; freshman composition. Recent Publications:
  • Coming of Age: The Advanced Writing Curriculum , co-edited with Rebecca Moore Howard, Sandra Jamieson, and Robert A. Schwegler. CrossCurrents Series, Boynton-Cook, forthcoming. "Exorcising the Ghost of Writing Centers Past, Greeting the Ghost of Writing Centers Future: On Plagiarism and the Writing Center" with D. Burns. in Cross-Disciplinary Perspectives on Plagiarism "Labor Pains: An Analysis of Power Relations between the Writing Center and the University." with Deborah Burns in The Politics of Writing Centers.
  • 68. Index Of /~swrobel/english/Composition/Course Materials/Self Critique Forms
    Parent Directory......Index of /~swrobel/english/composition/Course Materials/Self Critiqueforms. Name Last modified Size
    http://www.ptcfaculty.org/~swrobel/english/Composition/Course Materials/Self Cri
    Index of /~swrobel/english/Composition/Course Materials/Self Critique forms
    Name Last modified Size Description ... Parent Directory 09-Jan-2003 12:00 - ARP Revision.doc 09-Jan-2003 07:39 28k 09-Jan-2003 07:39 27k 09-Jan-2003 07:39 4k 09-Jan-2003 07:39 3k RemEvents.doc 09-Jan-2003 07:39 22k 09-Jan-2003 07:39 3k SelfCritiqueNarr.htm 09-Jan-2003 07:39 5k 09-Jan-2003 07:39 5k WS_FTP.LOG 09-Jan-2003 11:17 5k 09-Jan-2003 15:24 -

    69. Index Of /~swrobel/english/Composition/Course Materials/Peer Critique Forms
    Parent Directory......Index of /~swrobel/english/composition/Course Materials/Peer CritiqueForms. Name Last modified Size
    http://www.ptcfaculty.org/~swrobel/english/Composition/Course Materials/Peer Cri
    Index of /~swrobel/english/Composition/Course Materials/Peer Critique Forms
    Name Last modified Size Description ... Parent Directory 09-Jan-2003 12:00 - ARP Revision.doc 09-Jan-2003 07:39 28k PeerCrit_CriticEval.doc 09-Jan-2003 07:39 22k WS_FTP.LOG 09-Jan-2003 11:17 6k 09-Jan-2003 15:24 - 09-Jan-2003 15:23 7k 09-Jan-2003 07:39 3k 09-Jan-2003 07:39 3k 09-Jan-2003 07:39 6k 09-Jan-2003 15:23 4k 09-Jan-2003 15:23 2k 09-Jan-2003 15:23 2k 09-Jan-2003 07:39 3k 09-Jan-2003 07:39 1k

    70. IRRODL: A Critique Of Stephen Downes' Article, ``Learning Objects'':
    A critique of Stephen Downes' Article, ``Learning Objects'' A Chinese Perspective. objects,(d) appropriate use of metadata to facilitate composition of higher
    http://www.irrodl.org/content/v2.1/lin.html
    A Chinese Perspective
    Contact IRRODL
    Other ODL Journal Resources
    International Review of Research in Open and Distance Learning
    (July - 2001)
    ISSN: 1492-3831
    A Critique of Stephen Downes' Article, ``Learning Objects'':
    A Chinese Perspective
    Fuhua (Oscar) Lin Dr. Fuhua (Oscar) Lin joined Athabasca University (AU) in 2000. Before that, he worked as a research officer in the Institute for Information Technology at the National Research Council (NRC) of Canada and as postdoctoral fellow at University of Calgary. In 1998, he obtained Ph.D. in Industrial Engineering from Hong Kong University of Science and Technology. Dr. Lin was also an associate professor in applied mathematics at South China University of Technology in Guangzhou, China. This paper by Stephen Downes recommends a way of sharing online teaching/course materials to accelerate course development and make education more cost-effective. His paper is a review of basic information about learning objects (LOs) and includes examples that illustrate such technical terms as XML and TML.
    Main Contributions
    Downes makes three main contributions in his article:
  • A definition of learning objects, together with an explanation of why we need learning objects (LOs). Some persuasive examples, using analytic data, are cited to support the need.
  • 71. Annkullberg.com Mini-Critiques
    Send a check or money order for the minicritique. Ann Kullberg, 31313 31 Ave FederalWay, WA 98023. My part composition I'll check your composition and make
    http://annkullberg.com/critiques.htm
    Catch your mistakes early....or even before you make them! Rochelle's pretty new at colored pencil, but she really wanted to do her best with this special piece. So she sought some help from me with a few mini-critiques Needless to say, we were both very pleased with the results of our "working together" on her lovely portrait. See sample Mini-Critiques here How does it work? Through Email Your part: Email me a large jpg of your scanned or digitally photographed art work. I'd prefer it were scanned at a resolution of 150dpi. I'd rather have a jpg that is too large than one that is too small. Your artwork can be at any stage, but I'd suggest fairly early in the process. Email me a large jpg of your photo reference. My part: Composition: I'll check your composition and make cropping suggestions if needed...or ways to improve the composition. Drawing: I'll check for any drawing errors, and suggest how to correct them. The most beautiful rendering (painting) in the world is lost if it doesn't start with a good drawing!

    72. Media Critique #14 - Jerusalem Rally On CNN
    critique will examine five points How many people attended the rally? Coverage ofthe actual event; Historical context of Jerusalem; Demographic composition of
    http://www.aish.com/jewishissues/mediaobjectivity/Media_Critique_14_-_Jerusalem_
    jewish world jewish society israel diary middle east ... by email
    Aish.com delivered
    handheld devices

    e-mail

    by Aish.com Staff
    Hundreds of thousands rally in support of Jerusalem. CNN treats it like a sneeze.
    Receive Israel Update by Email:
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    This week, while at least a quarter-million Israelis gathered outside the Old City walls in support of Jerusalem, CNN completely downplayed the event an act that media watchdogs are calling CNN's worst violation of objectivity in recent memory. This critique refers both to CNN's earlier and later report on the rally: http://www.cnn.com/2001/WORLD/meast/01/08/mideast.02/index.html http://www.cnn.com/2001/WORLD/meast/01/08/mideast.04/index.html This critique will examine five points:
  • How many people attended the rally?
  • Coverage of the actual event
  • Historical context of Jerusalem
  • Demographic composition of attendees
  • Nature of the rally: peaceful or provocative? 1) HOW MANY PEOPLE ATTENDED THE RALLY? In the article headline, CNN quantifies the number of attendees: "Jerusalem protest against U.S. peace plan draws thousands"
  • 73. The Resistant Writer
    section's opening chapter, entitled The Uses of composition History, Paine offersa valuable critique of the tendency in composition scholarship to figure
    http://jac.gsu.edu/jac/19.4/Reviews/strickland.htm
    buy back issues add to the archive contact an editor home The Resistant Writer: Rhetoric as Immunity, 1850 to the Present Charles Paine (Albany: State U of New York P, 1999. 261 pages).
    Reviewed by Donna Strickland, Butler University In a 1998 JAC interview with Stuart Hall, Julie Drew refers to having heard the "first faint rumblings of what may prove to be a significant backlash against cultural studies . . . in rhetoric and composition." Charles Paine's The Resistant Writer adds a certain level of noise to this rumbling, while, at the same time, demonstrating the continued importance of cultural studies to the field of composition studies. Paine writes a compelling cultural history, and he uses that history as a form of critique that demonstrates the limitations of what he refers to as "composition and cultural studies." By examining the theories of nineteenth-century composition teachers within the context of the rise of print journalism and cultural anxieties over its supposed deleterious effects, Paine's study joins a growing number of recent cultural historiesincluding Miriam Brody's Manly Writing , Kathryn Flannery's The Emperor's New Clothes , and Thomas P. Miller's

    74. Composition 100 Policy Statement, Spring 2000, SUNY Oneonta, Dr. McNicholas
    Objectives composition 100 is a course in argumentation. We will alsowrite extensively and critique the w riting of our peers.
    http://employees.oneonta.edu/mcnichj/SPRING00/comp100/wpolicy.html
    Policy Statement Composition 100 Department of English SUNY Oneonta Dr. McNicholas Office: Netzer 319 Office Hours: W 3-5 Meeting Times and Places: SCHU 207 MWF 2:00-2:50 mcnichj@oneonta.edu Objectives:
    Composition 100 is a course in argumentation. Through readings and class discussion, we will become familiar with the fundamentals of argument and rhetoric. We will also write extensively and critique the w riting of our peers. Our goal will be to build arguments with an awareness of audience needs. We will also learn how to:
      * work with readings closely and accurately
      * integrate outside readings into our own writings
      * conduct library searches and document sources
      * revise drafts in t erms of content and organization
      * self edit most errors
    Required Texts and Materials:
    Nancy V. Wood Writing Argumentative Essays a heavy-weight binder for your course work portfolio Diane Ha cker A Writer's Reference a diskette to save your work A Notebook (see below) a good dictionary Course work:
    We are here to become better writers. Since academics is not a wholly individual pursuit, you will be asked to share your written w ork with your peers throughout the course. You will also be reading and commenting on their work. This peer critique method gives you the opportunity to hear other people's opinions about your writing, to find out what others are thinking about when they write, and, hopefully, to develop writing partners who may be useful in other classes as well. Please evaluate the work of your peers fairly and intelligently, and keep in mind, they are counting on you to be here when they need you.

    75. Critique Of Pure Reason (Antinomies)
    critique of Pure Reason are but four cosmological ideas, corresponding to the fourtitles of the categories 1. Absolute completeness of the composition of the
    http://www.hkbu.edu.hk/~ppp/cpr/antin.html
    Critique of Pure Reason (Antinomies)
    P 384 THE TRANSCENDENTAL DIALECTIC BOOK II CHAPTER II THE ANTINOMY OF PURE REASON WE have shown in the introduction to this part of our work that all transcendental illusion of pure reason rests on dia- lectical inferences whose schema is supplied by logic in the three formal species of syllogisms just as the categories find their logical schema in the four functions of all judgments. The first type of these pseudo-rational inferences deals with the unconditioned unity of the subjective conditions of all repre- sentations in general (of the subject or soul), in correspondence with the categorical syllogisms, the major premiss of which is a principle asserting the relation of a predicate to a subject. The second type of dialectical argument follows the analogy of the hypothetical syllogisms. It has as its content the un- conditioned unity of the objective conditions in the [field of] appearance. In similar fashion, the third type, which will be dealt with in the next chapter, has as its theme the un- conditioned unity of the objective conditions of the possibility of objects in general. But there is one point that calls for special notice. Transcendental paralogism produced a purely one-sided illusion in regard to the idea of the subject of our thought. No illusion which will even in the slightest degree support the opposing assertion is caused by the concepts of reason. Con- sequently, although transcendental paralogism, in spite of a favouring illusion, cannot disclaim the radical defect through which in the fiery ordeal of critical investigation it dwindles

    76. BetterPhoto.com - Photo Discussions
    BetterPhoto Photo Discussions Constructive critique Learn from the following discussionsand photo critiques. I do like the composition of this photo though.
    http://www.betterphoto.com/forms/discussionAll.asp?catID=114

    77. Quodlibet Online Journal: Neo-platonic Infinity And Aristotelian Unity: A Critiq
    aims to critique the evidence for this reconstruction of Aquinas’ metaphysicaldevelopment. St. Thomas Aquinas expresses the metaphysical composition of
    http://www.quodlibet.net/meng-essence.shtml
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    Quodlibet Journal: Volume 3 Number 1, Winter 2001 ISSN: 1526-6575 http://www.Quodlibet.net Neo-platonic Infinity and Aristotelian Unity: a critique of W. Norris Clarke SJ’s reconstruction of Aquinas’ metaphysical development W. Norris Clarke SJ has brought to our attention the Neo-platonic inspiration behind what has traditionally been called the Aristotelian-Thomistic thought of St. Thomas Aquinas. [1] The tendency has since been to say that the notion of infinity as imperfection properly befits Classical Greek thought whereas the Medieval, Scholastic and Thomistic paradigm which posits an “infinite perfection” is in contradiction to this, and to trace the proper antecedent of this anti-Grecian paradigm of infinity to the Neoplatonic participationists. Buttressing and built on this hermeneutic is the claim that the Aristotelian act and potency schema in Aquinas’ metaphysics of limitation was introduced later to preserve the unity of beings. This paper aims to critique the evidence for this reconstruction of Aquinas’ metaphysical development. St. Thomas Aquinas expresses the metaphysical composition of beings in terms essence and of what he denotes as

    78. Enculturation: Editors
    s) and Critical Pedagogy in composition Studies, uses educational anthropology toanalyze the feminist critique of critical pedagogy within composition studies
    http://enculturation.gmu.edu/enculted.html
    Editors
    General Editor:
    Byron Hawk
    , George Mason University
    Technical Editor:
    Collin Gifford Brooke
    , Syracuse University
    Copy Editor:
    Thomas Rickert
    , Purdue University
    Editorial Board
    Lisa Coleman , Southeastern Oklahoma State University
    Lorie Goodman
    , Pepperdine University
    Judy Isaksen
    , Eckerd College
    Jeffrey Karnicky
    , Millersville University
    Matthew Levy
    , University of Texas at Arlington
    Timothy Mayers
    , Millersville University Stacia Dunn Neeley , Texas Wesleyan University David Rieder , North Carolina State University James Roberts , Georgia State University Collin Gifford Brooke , Syracuse University Collin Brooke is an Assistant Professor in the Writing Program at Syracuse University. He earned his PhD in the Humanities, with concentrations in critical theory and rhetoric/composition, from the University of Texas at Arlington in 1997. In addition to visual rhetorics, his primary areas of research/interest are writing and new media, philosophies and rhetorics of science and technology, and the intersections among rhetoric and critical theory. An original member of the Enculturation editorial board, his work has appeared in JAC, PreText Electra(Lite), and several edited collections. He is currently working on the manuscript for his first book, tentatively titled Lingua Fracta: Rhetoric and Identity in the Late Age of Print cbrooke@syr.edu

    79. Boswell Critique
    This word is usually used in composition to describe those who sleep or engage insexual activity DOULOKOITHS consorting with slaves, MHTROKOITHS incestuous
    http://www.fordham.edu/halsall/pwh/bosdisc-carlson.html
    Back to People With a History: Boswell Page Boswell Reviews
    [Unsure of origin of this text]
    Stephen Carlson: Boswell's Analysis of ARSENOKOITHS in 1Co6:19 and 1Tm1:10
    One controversial statement from Boswell's seminal book, (1980), is that the term ARSENOKOITHS in 1Co6:19 and 1Tm1:10 means a male prostitute rather than a homosexual (that is, an engager in sexual activity with a member of the same sex) as it is commonly translated. While this could have remained a rather arcane point among scholars, its doctrinal implications make this quite relevant today. Before going into Boswell's analysis, I would like to address some methodological considerations. Determining what a word means in a particular context is quite tricky. Words change meaning over time, and the author may use them metaphorically, idiosyncratically, or with a specialized meaning as jargon. Thus, when considering the meaning of a word, the closer the evidence is to the word's contexttextually, culturally, and chronologicallythe stronger that evidence will be. There are two additional means of analysis which one must use at one's peril. The first is an etymological argument that analyzes how the word is constituted. This is difficult because a word may have changed meaning since it was created, and there is also the problem of knowing the meaning of the constituent parts at the time of creation. For example, the English words

    80. Eastenwest - Participation Et Instructions
    Translate this page 2 inspis (de préférence 4) - 1 herbier - 1 jeu méconnu. Articlesoptionnels mais souhaités. - 1 interview - 1 critique. composition.
    http://eastenwest.free.fr/?type=instructions

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