21. Art, Theatre, Dance, Music, Film In Malaysia All Back in the 60s, abstract expressionism, whatever its later failings, provideda http://www.kakiseni.com/articles/features/MDI5MQ.html

Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are. -Oscar Wilde All Theatre Dance Music Film Talks Exhibitions Courses Books Msians Abroad Elsewhere For Kids Nightlife ON TO Home Courses Malaysians Abroad Happening Elsewhere ... East Meets West at the DFP’s Family Fun Day by Cheryl Lim Smorgasbord: Dogs, etc. in Deauville by Amir Muhammad Artist of Many Ta-lann-ts by Jenny Daneels MORE ARTICLES You can find kakiseni's content here: Options (The Edge) Maxis SMS Theatre on Thursday (Radio 4) Search: Home Articles Features Getting It Together Getting It Together What's happening to our local visual arts community? by B.Y. What is the glue that holds our local visual arts community together? In the performing arts, it’s easy enough to pick out key characters, catch wind of big events, small gossip, and even a larger idea of where things are going, or going wrong, or what it is that, say, theatre hopes to achieve. Being in the public eye bolsters any creative community’s sense of importance, of doing a service, and therefore, of community. Relying on selective patronage, it’s somewhat harder for artists and others in the visual arts to realise the vaguest agenda. Also, the practice of visual art is generally solitary, and it’s not really entertainment. Finally, it doesn’t help that what “community” we have is divided at root by schools that recruit along racial lines – divided, one might say, by language.

22. The November Group's Finnish Expressionism : Tyko Sallinen In The Fanatics and The Barn dance Sallinen's manner of painting had and brown, approachingthe austere gloom to which Finnish expressionism gradually sank. http://www.fng.fi/fng/html4/en/ateneum/guide/cont/chap9/sect0/page135.htm

Tyko Sallinen Jytkyt, lauantaitanssit Mutilassa Tyko Sallinen : Jytkyt, lauantaitanssit Mutilassa, 1918, 114,5x138, oil, canvas (A IV 3053) [ 61.7 kB The Barn Dance is a heavily excecuted monument to the cheerless Finnish country dance, a depiction of more mundane ecstasy in the Mutala worker's club. In The Fanatics and The Barn Dance Sallinen's manner of painting had undergone a change. The colours had turned to heavy tones of grey, green and brown, approaching the austere gloom to which Finnish Expressionism gradually sank. Colour no longer had its earlier significance, form and line had taken its place. Gradually the wars over Sallinen abated; as political unrest increased and civil war became imminent interest towards waging battles over art declined. When the November Group opened its first group show on a sleety day in November 1917 there were no more disputes about the content of the exhibited works. The wars over Sallinen had paved the way. The November Group's Finnish Expressionism Tyko Sallinen Omakuva Pyykkärit Tukaattityttö Hihhulit Jytkyt, lauantaitanssit Mutilassa

23. »çÀÌÆ®·Î ±¸¼ºÇÑ ¼¼°è¹®Çп¹¼úµµ¼­°ü in Western theatre dance)Types of dance(Theatre danceBalletBasic characteristicsInnovations in the 20th centuryModern danceexpressionism Merce Cunningham http://school.pressian.com/dictionary/BRITANNICA.htm

BRITANNICA Dance Drama-Theater Architecture painting ... INTERNET LINKS À» µÎ¾î Á¤º¸¸¦ ¸µÅ©ÇÏ°í Àִµ¥, ÀÌ Áß CONTENTS¿Í INDEX ENTRY Dance Introduction The aesthetics of dance Basic motives:self-expression and physical release Problems in defining dance Defining according to function ... Folk and social dance animals[ bees: see dance cranes: Reproductive behaviour from gruiform)]collective behaviour[ Expressive crowds from collective behaviour)] cultures and regions[ Africa: Musical structure from African arts) Dance from African arts)Malai- Cultural life from Malai)American Indian: Dance from Native American arts)Asia:Cambodia- Music and dance forms from Cambodia)Central Asia- Performing arts:dance and theatre from Central Asian arts)China- Han dynasty:musical events and foreign influences from East Asian arts)East Asia- Dance and theatre from East Asian arts)India- see Indian dance Indonesia- Traditional arts from Indonesia)South Asia- Dance and theatre from South Asian arts)Tibet Cultural life from Tibet)Islam: The relation of music to poetry and dance from Islamic arts) Dance and theatre from Islamic arts)Jordan: The arts from Jordan)Oceania: Music and dance from Oceanic arts) Art from Melanesian culture) Cultural life from Tonga)prehistoric cultures: Upper Paleolithic from Stone Age)Western culture: dance, history of

24. Altahmazi: Post-Impressionism & Figurative Expressionism Art Gallery. Oil Painti Oil paintings of women in post-impressionism and figurative expressionism modern fine art. Also wallpape Category Shopping Visual Arts Painting Artists......Contemporary Art PostImpressionism Figurative expressionism Modern Fine Art antiqueaffordable framed flower center cult large dance cheap characteristic http://www.fine-art-painting-gallery.com/post-impressionism-figurative.html

Contemporary Art FAMOUS ARTISTS ART GALLERIES EGYPTIAN ART ASIAN ART ... ALL POSTERS KHALID AL-TAHMAZI PAINTER ARTIST ONLINE PAINTINGS GALLERY ARTIST BIOGRAPHY ARTIST STATEMENT Translate this site to: Deutsch Espa?ol Français Italiano ... Portuguese Search our site Search Joann.com Search Amazon HOME PAGE Guest Book Contacts Khalid Al-Tahmazi Artist Biography Artist Statement Paintings Online Gallery-1 ... Famous Artists Featured Painters Rembrandt Claude Monet Salvador Dali Thomas Kinkade ... Roger Dean If you like our web site refer a friend. Your friends name. Your friends email address. Your Name Your Email Address Symbolism of Dream Desire Oil Paintings Gallery Here you can find the recent oil paintings that were created from 1998 to 2000 by Arabic Bahraini artist Khalid Altahmazi. These paintings were exhibited in the recent solo art exhibition that was held in the art center in Bahrain on 22nd of April 2000, see the artist biography . In this group you find the symbolism of woman portrait in romantic art work using deep and warm Indian color in childish and impressionist technique. The woman figure here is derived from the Arabic cultural background, Read the artist statement here . You can also view and sign our guestbook and you are welcome to post any message, suggestion, or queries here. In addition you can use the search box provided on every page in this site to search for anything about fine art.

25. Discounted Framed Prints: Fine Art Prints Of Abstract, Classical, Expressionism, Coffee/Tea Collage Cows Crowd Cubism Cuisine dance Dawn, Deers Disney Dogs DrawingsDucks Entertainment Equestrian Ethnic Evening expressionism Fantasy Farms http://www.trueparadise.com/art_gallery.htm

Your Online Shopping Guide Bookmark this Page Framed Art Prints Advanced Search Around the House Around the Law Office Art Collector's Guild ... Virtual Rooms Gift Ideas Animal Lovers Botanical For Her For Him ... Vintage Posters Featured Artists Search Your Favorite Albert Bierstadt Alphonse Mucha Amedeo Modigliani ... by Vincent Van Gogh Artwork Categories Americana Animals Birds Boats/Ships ... Contact Us © 2001-2003 True Paradise

26. Anthony: Preface Voaden invented a new theatrical form which he called Symphonic expressionism, combiningmusic, art, dance, lighting, colour, dialogue and choral speech in a http://www.lib.unb.ca/Texts/Theatre/voaden/anthony_preface.htm

“Preface” to “Herman Voaden” In Geraldine Anthony , ed., Stage Voices: Twelve Canadian Playwrights Talk About Their Lives and Work Toronto: Doubleday Canada, 1978. Like John Coulter, Herman Voaden's contribution to Canadian theatre lies in the two distinct areas of political administration and drama experimentation. Both men are of the same generation; both participated in programs to forward the production of Canadian plays; both used the mass media to make public their ideas for government assistance to the arts; both were leaders in their support of theatre in Canada; both experimented with and provided Canadian drama with new forms. Look Both Ways , Macmillan, 1975). Six Canadian Plays , traces these movements that led up to his new genre. In particular he points to Ernst Toller's play, Masses and Men , and comments on the ballet movements of the characters; the choruses of workers, bankers, jailers; the use of lighting techniques and colour. Gordon Craig and Adolphe Appia influenced Voaden, as did the new techniques of Eugene O'Neill. Poetic, romantic and symbolic innovations in drama as well as new approaches in dance and music – all contributed to the crystallization of Symphonic Expressionism. Voaden’s experimentation had, sadly enough, no followers either in Canada or elsewhere. The reasons he gives in a letter to this editor, dated March 21, 1977 as follows:

27. Scholarly Assessments 83109 Wagner, Anton, “Creating a Canadian Imaginative Background Herman Voadenand Symphonic expressionism” in Canadian dance Studies, edited by Selma http://www.lib.unb.ca/Texts/Theatre/voaden/scholarlyassessments.htm

Anton Wagner, Herman Voaden's Symphonic Expressionism: A Thesis submitted in conformity with the requirements for the Degree of Doctor of Philosophy in the University of Toronto, 1984 Anton Wagner Theatre History in Canada , Vol. 6, No. 2, Fall 1985, pp. 187-201 Anton Wagner, Selected Bibliography: Manifestos, Essays, Articles and Reviews Bridle, Augustus, Toronto Star , April 23, 1932 Mason Lawrence Toronto Globe , April 30, 1932, p. 6 Wodson Edward W. Toronto Telegram , September 24, 1932 Charlesworth Hector Unique Dramatics Saturday Night , Vol. 47, October 1, 1932 p. 8 E.A.D. (Ernest A. Dale) Rocks Canadian Forum Vol. 13, November 1932, pp. 75-76 Farquharson Rica McLean New Work by Voaden Is Drama in Rhythm Toronto Mail and Empire December 19, 1932 Mason Lawrence Sarnia Does It Again Toronto Globe December 24, 1932 Howard R. V. Earth Song Saturday Night , December 31, 1932 Mason Lawrence A Beautiful Play Toronto Globe December 14, 1934 Sandwell B. K.

28. ArtBoomer.com - Dance Art owners promote baroque, naturalism, neo classicism, neoexpressionism, nudeart dance, ballet, ballet-dancer, classical music, vocal, singer, singing, solo http://www.artboomer.com/app/catalog/categories.asp?cat=1805

29. Expressionism expressionism. 4/26/2002. 1. Matisse, The Green Stripe, 10. Munch, The Cry. 14.Munch, dance of Life, 15. Kirchner, The Street, 16. Nolde, the Prophet, 18. http://www.bridgew.edu/depts/art/hausrath/exp/

Expressionism EARLY MODERN JH HOME Updated April 26, 2002.

30. About The Academic Program -- BSC Theatre & Dance The course has previously focused on such topics as Greek tragedy, expressionism,20th century Irish playwrights, the works Winterdance and dance Kaleidoscope. http://www.bridgew.edu/Theatre/bsctd/acad/about_pgm.htm

In the Shadow Of Menlo Park - 2002 About the Programs These Programs Are For- Mainstage Mission Statement Program Objectives ... BSC Catalogue BRIDGEWATER STATE COLLEGE UNDERGRADUATE PROGRAM IN THEATRE ARTS AND DANCE Academic And Practical Preparation For All Areas Of Theatre And Dance Art These Programs Are For: High school graduates interested in exploring or pursuing theatre or dance as a career or as avocation. Students preparing to teach theatre or dance in public or private school, community, entrepreneurial, or commercial settings. Non-traditional students pursuing careers in the theatre or dance, or in teaching. Students preparing for graduate or conservatory study in theatre or dance art. People pursuing further training or acquiring specific theatre or dance related skills at a post baccalaureate level. Students preferring programs that allow a significant level of individualized attention. Students seeking personal or professional development through theater arts training. MAINSTAGE PRODUCTION Opportunities for all students to participate actively in dance and theatre are available each academic year in a diverse production schedule: Mainstage productions are presented in a 1400 seat theatre with a fully-equipped proscenium stage. The main stage is occasionally converted into a 120 seat arena or thrust theatre. Student productions and showcases are presented in a 200 seat lecture hall with a small proscenium stage, or in a lecture room with a semi-circular open playing area.

31. DR205: Expressionist Theatre b) recognise theatrical ‘expressionism’ as a form which freely associates withfine art, design dance, music and sculpture and which should be considered http://www.smuc.ac.uk/Drama/modules/dr205.htm

Drama Modules Drama Homepage Staff School of Communication, Culture and Creative Arts DR205: Expressionist Theatre Code: Title: Convenor: Value/Level: Pre-requisites: Duration Of Course: Teaching Pattern: Teaching Methods: Assessment Methods: SYLLABUS Course Aims: Course Objectives: By the end of this module students should:- c) understand how form relates to meaning and be able to describe that process Course Content: This module will explore the origins of expressionism and consider common stimuli and points of formal comparison between the different art forms operating around the early 20th Century. Buchner and Wedekind will be located as precursors of expressionist theatre and a seminal play like Strindberg’s Dream Play considered as launching the anti-nauralistic impetus of the form. Relevant fine artists will be looked at and attention given to writings which unveiled the conceptual thinking which underpins the form. The inter-disciplinary nature of the form will be considered as a major aspect of the aesthetic. The intention of the module is to place expressionism in a historical context, but also to see it as a continuing aesthetic force, which has exerted a powerful influence on late 20th century acting styles as they have been inherited through Grotowski and Artaud.

32. Expressionism printmaker whose intensely psychological and emotional themes was a major influenceon the development of German expressionism in the The dance of Life 1900. http://www.urtonart.com/history/expressionism.htm

33. THE FREE SPIRIT OF THE DANCE In view of the foregoing, we come to the conclusion that the dance isnot a pure DECORATIVE art to reveal the art of LIFE. expressionism. http://www.ninaverchinina.com.br/Nina_ingles/the_free_spirit_of_the_dance.htm

THE FREE SPIRIT OF THE DANCE " Dear Esther Destiny wanted that the paths of our lives crossed each other. It was good to me to meet such a distinguished pupil like you who was able to seize the essence of my school, with restless mind, intelligence and devotion, then cooperating, creating and researching with enthusiasm and love for the Art of Dancing. From your master Nina Verchinina – 1987 - Rio". On the back of this photo, the following dedicatory was addressed by Nina Verchinina to Esther Piragibe who created this site and who worked together with her during the last years of Verchinina´s life as her pupil and also as a teacher, choreographer and an assistant to her: Clic here to see the original dedicatory INTRODUCTION No designation could express with better perfection the great directive of NINA VERCHININA's work, (Russia, Moscow, 20 th January, 1910 – Rio de Janeiro, Brazil, 16 th December, 1995). NINA VERCHININA was born in Moscow and spent her childhood in China, which was the scenery, where she, a very active and observer child, turns her attention to nature’s contemplation. Attentive to everything around her she discovers the MOVEMENT: from the waters, from the trees in the wind, from the clouds, from the animals and above all, from people. At this time NINA watches a Circus show that is passing by the city. A ballet dancer exhibition – a truly magic moment – will define all her life: the DANCE discovery.

34. The Victoria Dance Series - Newsletter, Royal Theatre, Victoria, BC, Canada LM expressionism could probably best be characterized as focusing on the emotionalexperience and the inner life. My dance training at Simon Fraser University http://www.victoriadanceseries.com/newsletter.html

SPRING NEWSLETTER Footnotes Spring 2003 Newsletter 527k - 6 pages NEWSLETTER ARCHIVES Footnotes Spring 2003 Newsletter 140k - 6 pages Footnotes Winter 2002 Newsletter 122k - 6 pages Footnotes Autumn 2002 Newsletter 133k - 6 pages Special Edition Spring 2002 Newsletter 273k - 4 pages Spring 2002 Newsletter 53k - 2 pages Winter 2001/2002 Newsletter 154k - 4 pages Special Edition November 2001 Newsletter 1.13MB - 4 pages To visualize a PDF (Portable Document Format) file from this page, download a free version of Acrobat Reader. WHO IS OHAD NAHARIN? AND JUST WHAT WAS HE DOING IN MONTREAL? By Series Producer, Stephen White On May 5, 1998, the New York Times That moment in time was probably what brought world attention to Naharin and his company, and yet, for many years, he had been impressing critics and dance audiences in Europe and the US with his innovative, provocative choreographies. Founded in 1957, Les Grands Ballets Canadiens has a long tradition of training and performing, as well as commissioning new works to be set on the company. These commissions have ranged from ballet to modern. Current Artistic Director (1999) Gradimir Pankov is committed to building an international reputation for Les Grands as an exciting, accomplished company. In spring 2002, Naharin traveled to Montreal to set 8 short pieces on the company, which comprise a sort of retrospective of his work in the past decade or so.

35. The Victoria Dance Series - Ballet And Dance Performances, Royal Theatre, Victor Volio, the newest work from Lola dance, gives voice aesthetic and meticulouslyconstructed stage images, infused with and informed by German expressionism. http://www.victoriadanceseries.com/performances.html

LES GRANDS BALLET CANADIENS DE MONTREAL MINUS ONE: A Dance Tribute to Ohad Naharin Wednesday, April 9 @ 8:00 p.m. ROYAL THEATRE www.grandsballets.qc.ca The eight-part program includes sections from the interactive ballet, Anaphaza. From the acclaimed Black Milk and Queens of Golub to the marvelously manic closure, Mabul, the fanciful Naharin has fashioned a program exclusive to Les Grands by linking the ballets with choreographic surprises to ensure a most unusual evening. ALL PERFORMANCES AT THE ROYAL THEATRE For more information about the performances, phone (250) 595-1829 As a Subscriber you enjoy: Significant Savings. Adult ticket buyers enjoy a 15% savings over single ticket prices. Students save a substantial 25% Assured Seating and Ticket Exchange privileges Pre-show chats Subscriber Newsletters Special Events Restaurant Discounts And more!

36. Welcome To Korea Now !!!-Society & The Arts Founded in 1928, the dance troupe was at the root of German expressionism, a movementthat swept the country after World War I. Expressionist dance focuses on http://kn.koreaherald.co.kr/SITE/data/html_dir/2002/05/08/200205080034.asp

March 22, 2003 [DANCE FESTIVAL] Stage Expression Modern Dance Festival brings top European dancers to Seoul T he 2002 International Modern Dance Festival (Modafe) was held April 24-29 at the Munye Theater in Seoul, featuring nine renowned dance troupes from abroad, as well as 10 select local dance companies. Some of the participants also took their creations to the performing stages of Gwangju and Busan. Dubbed "The Wave of European Dance," the festival brought three of the most influential European contemporary dance groups to the Seoul stage - Folkwang Tanzstudio led by German dancers Pina Bausch and Henritta Horn, the Performing Arts Research and Training Studio (P.A.R.T.S.) headed by Anne Teresa De Keersmaeker in Belgium, and the European Dance Development Center (E.D.D.C.) of the Netherlands. Also on the program were creations by famous Slovenian choreographer Iztok Kovac, Japanese artist Kosei Sakamoto and U.S. choreographer Wally Cardona. Ballet de Lorraine from France staged works by Jean-Claude Gallotta, artistic director of the Grenoble National Ballet Theater, and Mathilde Monnier, artistic director of the Montpellier National Ballet Theater, and offered an inside look into the artistic trend of the three biggest contemporary dance troupes in France. The E.D.D.C., located in Arnhem, the Netherlands, and the EN-KNAP led by Kovac held auditions on April 27 while the performances were under way in order to offer young Korean dancers a chance to work with internationally acclaimed artists.

37. FAST-BIE-5 (AV2G) INTRODUCTION TO EUROPEAN CULTURE SYLLABUS Europe 19701996 painting Neo-expressionism, Minimalism, Earth Art, ConceptualArt; dance from classical ballet to modern dance (Martha Graham, Cunningham). http://www.uta.fi/FAST/BIE/BI5/bi5sked.html

Introduction to European Culture Syllabus FAST Area Studies Program (Luke) Department of Translation Studies, University of Tampere The following topics will be covered during the course (see also Bibliography The Late Middle Ages architecture: Gothic painting: Giotto and Duccio literature: Dante and Chaucer Transition to the Modern World architecture: Gothic painting: International Gothic, Van Eyck, Bosch The Renaissance Humanism in Italy architecture: Brunelleschi painting: Masaccio, Fra Angelico and Botticelli sculpture: Donatello The Italian High Renaissance painting: Leonardi da Vinci, Michelangelo, Raphael, Giorgione sculpture: Michelangelo The Reformation painting and printmaking: Dürer, Cranach, Holbein the Younger Mannerism painting: Parmigiano, Titian, El Greco literature: Miguel de Cervantes, Shakespeare music: Palestrina The Baroque architecture and sculpture: Bernini painting: Caravaggio, literature: The birth of opera Spain and Flanders painting: Velasquez, Rubens and Van Dyck

38. Printfinders.com - 150,000 Art Prints And Posters. One Store. dance, The Henri(Emile-Benoit) Matisse Dimensions given below include white bordersRELATED SUBJECTS 19th Century 20th Century French Fauvism expressionism http://www.printfinders.com/product/artwork.exe?ArtworkID=6457&thumbs=1

39. Using Digital Resources For Teaching Learning & Research In The Visual Arts: Sec contemporary dance, are you interested in the history, or where dance is taught example,lets say you want to search for modern art, especially expressionism. http://vads.ahds.ac.uk/guides/using_guide/sect21.html

U sing D igital R esources in T eaching, L earning and R esearch in the V isual A rts Section 2: Introduction to Internet Resoures How to use the Internet for searching for visual arts information Introduction Searching on the Net can be a frustrating business: you know roughly what you're trying to find but somehow useful results seem to elude you. So how can you make your searches on the Web more effective and just as important how can you gain an idea that you are accessing quality information ? This article tries to give you a common sense approach to searching on the Net and some suggestions of what to do in the case of complex searches, for instance for academic or research purposes. Getting Your Search Right There are a large collection of search engines available but how to choose the right one for you? One approach is to go to a site with a large collection of these and try queries in them and see which ones give you satisfactory results. Because search engines use different approaches to finding webpages and because some search only the web address for a term whilst others search the whole file, results can vary from one search engine to another and finding the right one is to some degree based on your experience of searching and personal preference. Try some basic searches in the following and see which suit you best:

40. Abstraction In Dance them to a basic set of elementary forms the ellipse, straight line, diagonal, andcircle and designed his costumes and dance steps based Abstract expressionism. http://artnetweb.com/abstraction/dance.html

Abstraction in Dance Oskar Schlemmer , costumes for this way -> As early as 1914, Oskar Schlemmer , a painter and sculptor, began working on a project he called Triadic Ballet . First performed in Stuttgart in 1922, it is less a ballet in the conventional sense than a multidisciplinary, Constructivist work of art. The piece, which consists of dance, costumes, music, and pantomime, is composed of three distinct sequences ranging in mood from lighthearted to serious. Its choreography derives from the distinct character of each costumed dancer, or figurine in Schlemmer's terms. He analyzed and isolated the primary gestures in the movement of the human body, reduced them to a basic set of elementary forms the ellipse, straight line, diagonal, and circle and designed his costumes and dance steps based upon these forms. Schlemmer' s work on this project became the basis for his fundamental-systematizing dances the Form, Gesture, Space, Stick, Scenery , and Hoop dances which he taught at the Bauhaus while in charge of its theater workshop from 1923 to 1929. Abstraction in the Twentieth Century Total Risk, Freedom, Discpline

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