21. Doris Lechner: Shakespearean Theatre - Its Origin, Its Development And Its Influ http://www.petersgasse.asn-graz.ac.at/fba/tsld086.htm

Doris Lechner: Shakespearean Theatre - its Origin, its Development and its Influence on Present Day Drama. (ENGLISCH; Prof. Mag. Wilding-Pluskal) Vorherige Folie Nächste Folie Zurück zur ersten Folie Graphik-Version anzeigen

22. The Theatres At The Utah Shakespearean Festival Adams shakespearean theatre The Adams shakespearean theatre, dedicated in 1977,was designed by Douglas N. Cook, Festival producing artistic director, along http://www.bard.org/SectionAbout/theatres.html

Our Theatres The Utah Shakespearean Festival's two main theatres are world-renowned for their ambiance and technical superiority. Adams Shakespearean Theatre The Adams Shakespearean Theatre, dedicated in 1977, was designed by Douglas N. Cook, Festival producing artistic director, along with Max Anderson of the Utah State Building Board, and is patterned after drawings and research of sixteenth century Tudor stages. Experts say it is one of a few theatres that probably comes close to the design of the Globe Theatre in which Shakespeare's plays were originally produced. It is so authentic, in fact, that the British Broadcasting Company filmed part of its Shakespeare series there. It is named for Grace Adams Tanner, a major benefactor of the Festival, and her parents, Thomas D. and Luella R. Adams. It seats 819, plus 66 gallery-bench or standing-room seats. Randall L. Jones Theatre The Randall L. Jones Theatre, dedicated in 1989, was designed by the firm of Fowler, Ferguson, Kingston, and Ruben, with theatrical design by the California firm of Landry and Bogan, as well as Cameron Harvey, Festival producing artistic director. It was built at a cost of $5.5 million, to expand the Festival's offerings, especially in the area of world classics, and was featured in the August 1990 edition of Architecture magazine. The theatre is named after a Cedar City native known as the father of tourism in southern Utah. It seats 769. Box Office Gift Shoppe Home The Plays ... Contact Us Robert Peterson as Don Quixote in Man of La Mancha, 2002. (Photo by Karl Hugh.)

23. Theatre On The Web At The Utah Shakespearean Festival Company Shakespeare in Santa Fe Shakespeare in the Park Shakespeare Orange CountyShakespeare Theatre, The shakespearean theatre of Maine Stratford Festival http://www.bard.org/SectionEducate/TheatreWeb.html

Theatre on the Web Listed below are numerous links to various web sites we think you will find interesting and informative. We have divided them into three categories: "Other Shakespeare Festivals," "Other Theatre Sites," and "Other Shakespeare Sites." If you know of a site we should include here, please let us know by e-mailing us at: lee@suu.edu Links to Other Shakespearean Festivals Alabama Shakespeare Festival Bard on the Beach California Shakespeare Festival Central Coast Shakespeare Festival ... Virginia Shakespeare Festival Links to Other Shakespeare Sites Absolute Shakespeare All Shakespeare Are You Shakespearienced? EdHelper (Shakespeare Educational Resources) ... Works of the Bard Links to Other Theatre Sites Actors Craft American Association of Community Theatre American Theater Web Broadway.com ... Insights Michael David Edwards (left) as Touchstone and Melinda Pfundstein as Audrey in As You Like It, 2002. (Photo by Karl Hugh.)

24. THEATRE SET-UP The International Professional shakespearean theatre Company THEATRE SETUP performsthe plays of SHAKESPEARE with the same minimalist set-up of cast and http://www.ts-u.co.uk/

THEATRE SET-UP Home Mainland Europe Esoteric in Shakespeare Special Needs ... Contact Us For 25 years promoted by English Heritage, The National Trust, public and private stately homes, gardens and castles in Europe, the UK and the Isle of Man. Standing ovations in Belgium and The Netherlands. "The capacity audience was engrossed in the play" (Brabants Dagblad, 22 June 2002) Click here for the photographs 2003 SEASON "The Two Gentlemen of Verona" in resplendent 18th Century-style costume with music from Mozart's operas played on the harp. The International Professional Shakespearean Theatre Company THEATRE SET-UP performs the plays of SHAKESPEARE with the same minimalist set-up of cast and setting as Shakespeare's own company, The King's Men. The plays are presented with eight company members (eight actors including company/stage manager) in full period costume and with minimal but appropriate properties, each year from May to September. They perform: l OUTDOOR SHAKESPEARE, using natural backdrops of historic and beautiful sites, PERFORMANCES CONTINUING REGARDLESS OF WEATHER. l SHAKESPEARE IN CATHEDRALS AND CHURCHES with no setting or with a backdrop of Kashmir-embroidered curtains.

25. Sporting Events And Shakespearean Theatre Round Out Family Weekend Sporting events and shakespearean theatre round out Family Weekend.Student entertainers, sporting events and shakespearean theatre http://www.valleynewsonline.com/News/2002/1012/Entertainment-Arts/005.html

Front Page Viewpoints Hannibal News Phoenix News ... Archive Archive begins Valley News E-mail Us Newspaper web site content management software and services Entertainment and Arts October 12, 2002 More Entertainment and Arts Headlines SUNY Oswego student lighting designer to shine in Shakespeare play Sporting events and Shakespearean theatre round out Family Weekend Autumn Antiques Show to be held SUNY Oswego art department hosts two new exhibitions ... ‘Cheaper by the Dozen’ features large cast of young actors Sporting events and Shakespearean theatre round out Family Weekend Student entertainers, sporting events and Shakespearean theatre are some of the activities planned for Parents, Family and Friends Weekend at SUNY Oswego, Oct. 18 to 20. Themed "Unity on the Lake," the occasion should present "an eventful weekend of activities that will highlight the talents of our students and emphasize their dedication toward academic success and campus involvement," said Michael Yoon of the college’s campus life staff, who coordinates the weekend. The theme ties in with the recent one-year anniversary of the Sept. 11 terrorist attacks, with the cross-campus committee that plans the weekend attempting "to infuse this annual event with a sense of patriotism and unity," Yoon said.

26. Shakespearean Theatre shakespearean theatregoing was a very different experience from visitingthe theatre today. All types of people would have been http://www.click-education.com/Resources/shakespeare/theatre/intro.htm

Shakespearean theatre-going was a very different experience from visiting the theatre today. All types of people would have been crowded into the theatres (the Globe had a capacity of around 3000), and the playhouse would have been filled with the smells and sights of sixteenth century England. People would have booed and hissed, and the play often came secondary to showing off your new hat. For Elizabethan Londoners, however, it did not matter so much if they didn't hear all the words in the play - the acting would have been exaggerated, so that even if you couldn't hear, or didn't understand all the words, you could still follow the basic plot of the play. ~ Home ~ The New Globe, in London's Southwark.

27. Shakespearean Theatre - Atmosphere People in the shakespearean theatre used their voices to show their opinions ina way we would not do now, and they would have booed, cheered, laughed and http://www.click-education.com/Resources/shakespeare/theatre/atmosphere.htm

Atmosphere The playhouse was a busy place, and everyone from apprentices to royalty would have been crowded in to see the plays. People in the Shakespearean theatre used their voices to show their opinions in a way we would not do now, and they would have booed, cheered, laughed and shouted towards the stage, depending on their opinion. They also may have thrown missiles at the stage, to make the play start faster, finish faster, or even sometimes to get the play changed to a different one. You had to beware of cutpurses and pickpockets at the theatre, especially with the close crush of people - each person had an estimate of 45 cm in which to stand or sit. ~ Home ~ The site of Shakespeare's Globe, on Park Street in Southwark. The site is now a housing complex.

28. SHAKSPER 1991: Shakespearean Theatre In Gdansk SHAKSPER 1991 shakespearean theatre in Gdansk From Ken Steele (KSTEELE@vm.epas.utoronto.ca)Date 03/19/91 A shakespearean theatre IN GDANSK? http://www.shaksper.net/archives/1991/0088.html

SHAKSPER 1991: Shakespearean Theatre in Gdansk From: Ken Steele ( KSTEELE@vm.epas.utoronto.ca Date: Next message: Ken Steele: "Resources for SHAKSPEReans" Previous message: Messages sorted by: [ date ] [ thread ] [ subject ] Next message: Ken Steele: "Resources for SHAKSPEReans" Previous message: Messages sorted by: [ date ] [ thread ] [ subject ] about SHAKSPER ... Hardy M. Cook , design by Eric Luhrs

29. Welcome To Scenic Southern Utah - Iron County, Utah The lineup in the Adams shakespearean theatre is rich with variety, andthe line-up in the Randall L. Jones Theatre is splendid as well! . http://www.scenicsouthernutah.com/2003season.html

Utah Shakespearean Festival Announces 2003 Season CEDAR CITY, Utah - The Tony Award winning Utah Shakespearean Festival recently announced its 2003 summer and fall season. The 42nd summer season of the Utah Shakespearean Festival, based in Cedar City, Utah will run June 19th to August 30th includes William Shakespeare's, Measure for Measure, Much Ado About Nothing, and Richard III, as well as the historical musical 1776, the charming comedy Born Yesterday, and the zany The Servant of Two Masters. The fall season runs from September 18th to October 18th and features Shakespeare's The Comedy of Errors, the musical comedy, Little Shop of Horrors, and the hilarious Oscar Wilde comedy The Importance of Being Earnest. J.R. Sullivan, newly appointed associate artistic director describes the 42nd season as "a collection of pieces that provide audiences with a diversity of experience and depth of material. The line-up in the Adams Shakespearean Theatre is rich with variety, and the line-up in the Randall L. Jones Theatre is splendid as well!" Tickets for the 2003 season are already on sale. They can be purchased by calling the Festival Box Office at 435-586-7878 or 1-800-PLAYTIX or by visiting the Festival

30. Upfront - Illinois State University festival since its inception has been to provide audiences in Central Illinois andfrom throughout the Midwest a professional, summer shakespearean theatre. http://www.ilstu.edu/home/upfront/shakespeare.shtml

31. Shakes Introduction to the Elizabethan Era I shakespearean theatre (from the AATI1996 drama workshop facilitated by Johnny Saldana) Historical Background. http://www.geocities.com/Shalyndria13/shakes.htm

Introduction to the Elizabethan Era I Shakespearean Theatre (from the AATI 1996 drama workshop facilitated by Johnny Saldana) Historical Background 1. Provide an overview of the times, perhaps focusing on period clothing for women and men through slides or plates from books on period costume/fashion. Point out the "eccentricities" and how fashion statements in the mid 1500s-early 1600s may have parallels to today's statements. 2. Discuss how clothing of the aristocracy would restrict and change everyday movement, such as sitting in a chair, posing, rising, and walking around the room. 3. Practice bows and curtsies. Simulate a member of royalty visiting England and have everyone bow/curtsey to the visiting dignitary. Acting on the Elizabethan Stage"Dumb Shows" 1. Show a picture of the de Witt sketch, or a reconstruction of the Globe Theatre. Discuss how the Elizabethan stage would place particular demands on the actors. What would they have to do physically and vocally to perform under the conditions of the theatre at that time period? 2. Discuss "dumb shows." If possible, see the dumb show in the video Rosencrantz and Guildenstern Are Dead in which the story of Hamlet is performed in 5 minutes without words.

32. Shakespeare Home Page shakespearean theatre Groups Royal Shakespeare Company. http://www.geocities.com/Heartland/Plains/4101/shake.htm

William Shakespeare's Home on the Web Shakespeare: His Life William Shakespeare's Globe Theatre Plays Famous Quotes ... Return to Matt's Home Page William Shakespeare During the period between 1585 and 1592 it is reasonable to assume that Shakespeare was doing various "grunt" work in the theatre, gaining the experience he would use in the years to come. By 1592 he had gained notoriety as an actor and playwright. Some-time during 1595 he joined the Lord Chamberlain's Men as both an actor and shareholder. In 1599 the troupe and Shakespeare had built the Globe Theatre and established it as their home theatre. From that point on Shakespeare wrote exclusively for that troupe. Shakespeare and his troupe gained the favor of both Queen Elizabeth and King James. Return to main menu Shakespeare's Globe Theatre Owned by the Burbage family, the Globe Theatre was an open-air public playhouse built in 1599 in Southwark, a suburb of London, when after losing their lease the actors tore down their old theatre, The Theatre, and carried the planks across the frozen Thames. It gained fame as the home of William Shakespeare's theatrical company, the Lord Chamberlain's Men. Shakespeare was a shareholder in both the theatre and the company, and most plays written by Shakespeare after 1599 were performed there. The Globe burned in 1613 during a performance of Henry VIII when a cannon was shot and the thatched roof caught on fire. It was rebuilt the following year and stood there until it was demolished in 1644.

33. Rock Climbing: Castlewood Canyon: The Shakespearean Theatre & Revolution Buttres Directions and information about The shakespearean theatre RevolutionButtress, a crag in Castlewood Canyon. climbingboulder.com, http://www.climbingboulder.com/rock/db/castlewood_canyon/the_shakespearean_theat

Search Sister Sites Devil's Lake, WI Black Hills, SD Bay Area, CA Moab, Utah ... Tucson, AZ Choose an Area Big Elk Meadows (1) Big Thompson Canyon (24) Biglandia (0) Black Canyon (20) Boulder Canyon (478) Buena Vista (3) Buttonrock (17) Carter Lake (60) Castlewood Canyon (216) Clear Creek Canyon (264) Colorado N. Monument (27) Cow Creek Canyon (1) Crags, The (12) CU Campus (21) Devil's Head (82) Deville Rocks (3) Dream Canyon (57) Eldorado Canyon (478) Eldorado Mountain (33) Elevenmile Canyon (28) Empire (20) Flagstaff (35) Flatirons Central (128) Flatirons North (201) Flatirons South (85) Garden of the Gods (47) Gilman Canyon (2) Golden Gate Canyon SP (6) Hardscrabble Pass (12) Hartman Rocks (10) Horsetooth Reservoir (65) Independence Pass (5) Iron Clads (20) Jurassic Park (23) Keystone (4) La Garita Creek (1) Lost Creek Wilderness (2) Lumpy Ridge (164) Miscellaneous Crags (47) Monastery, The (43) Morrison (32) Mount Sanitas (7) Mt Evans (9) No Name (8) North Cheyenne Canyon (22) Old Stage Road (2) Penitente Canyon (35) Pinecliffe (6) Pinewood Rock (0) Poudre Canyon (24) Ralston Buttes (3) Rifle Mountain Park (132) RMNP/Alpine (139) Sacred Cliffs, The (7)

34. Castlewood Canyon / The Shakespearean Theatre & Revolution Buttress / Much Ado A Detailed information and photos about Much Ado About Bolting, a rock climbing routeon The shakespearean theatre Revolution Buttress in Castlewood Canyon. http://www.climbingboulder.com/rock/db/castlewood_canyon/the_shakespearean_theat

Search Sister Sites Devil's Lake, WI Black Hills, SD Bay Area, CA Moab, Utah ... Tucson, AZ Choose an Area Big Elk Meadows (1) Big Thompson Canyon (24) Biglandia (0) Black Canyon (20) Boulder Canyon (478) Buena Vista (3) Buttonrock (17) Carter Lake (60) Castlewood Canyon (216) Clear Creek Canyon (264) Colorado N. Monument (27) Cow Creek Canyon (1) Crags, The (12) CU Campus (21) Devil's Head (82) Deville Rocks (3) Dream Canyon (57) Eldorado Canyon (478) Eldorado Mountain (33) Elevenmile Canyon (28) Empire (20) Flagstaff (35) Flatirons Central (128) Flatirons North (201) Flatirons South (85) Garden of the Gods (47) Gilman Canyon (2) Golden Gate Canyon SP (6) Hardscrabble Pass (12) Hartman Rocks (10) Horsetooth Reservoir (65) Independence Pass (5) Iron Clads (20) Jurassic Park (23) Keystone (4) La Garita Creek (1) Lost Creek Wilderness (2) Lumpy Ridge (164) Miscellaneous Crags (47) Monastery, The (43) Morrison (32) Mount Sanitas (7) Mt Evans (9) No Name (8) North Cheyenne Canyon (22) Old Stage Road (2) Penitente Canyon (35) Pinecliffe (6) Pinewood Rock (0) Poudre Canyon (24) Ralston Buttes (3) Rifle Mountain Park (132) RMNP/Alpine (139) Sacred Cliffs, The (7)

35. William Shakespeare - Pictures And Biography in every eye That tears shall drown the wind. shakespearean theatreBefore Shakespeare¹s time and during his boyhood, troupes of http://opera.prohosting.com/sarir/shakespeare plays.html

FREE MUSIC AND VIDEO DOWNLOADS view operas online! contact home links WILLIAM SHAKESPEARE Click here View great Shakespeare movies Othello (Kenneth Branagh as Iago) Romeo and Juliet (from "Shakespeare in love" movie) Titus (Anthony Hopkins as Titus) Much ado about nothing (Kenneth Branagh, Emma Thompson) Henry V (Kenneth Branagh) The taming of the shrew (Elizabeth Taylor, Richard Burton) High High High High ... Shakespeare movies Macbeth Hath borne his faculties so meek, hath been So clear in his great office, that his virtues Will plead like angels, trumpet-tongued against The deep damnation of his taking-off; And pity, like a naked new-born babe Striding the blast, or heaven's cherubin horsed Upon the sightless couriers of the air, Shall blow the horrid deed in every eye That tears shall drown the wind. Shakespearean Theatre Before Shakespeare¹s time and during his boyhood, troupes of actors performed wherever they could in halls, courts, courtyards, and any other open spaces available. However, in 1574, when Shakespeare was ten years old, the Common Council passed a law requiring plays and theaters in London to be licensed. In 1576, actor and future Lord Chamberlain's Man, James Burbage, built the first permanent theater, called "The Theatre", outside London city walls. After this many more theaters were established, including the Globe Theatre, which was where most of Shakespeare's plays premiered. Performances took place during the day, using natural light from the open center of the theater. Since there could be no dramatic lighting and there was very little scenery or props, audiences relied on the actors' lines and stage directions to supply the time of day and year, the weather, location, and mood of the scenes. Shakespeare's plays masterfully supply this information . For example, in Hamlet the audience learns within the first twenty lines of dialogue where the scene takes place ("Have you had quiet guard?"), what time of day it is ("'Tis now strook twelf"), what the weather is like ("'Tis bitter cold"), and what mood the characters are in ("and I am sick at heart").

36. John Barrymore, Shakespearean Actor Reviews Fluent, incisive, meticulous, faithful to fact Michael Morrison charts thisactor's distinguished contribution to shakespearean theatre tradition. http://www.shakespearean.com/Reviews.htm

Advance Praise Michael Morrison has done the impossible. He has written an exciting, colorful Barrymore book, without resorting to old wives' tales and innuendo. Truth in his lively retelling is indeed stranger and far more satisfying than fiction. -James Kotsilibas-Davis, author of Great Times Good Times: The Odyssey of Maurice Barrymore " ... a fresh perspective of the extraordinary man, John Barrymore. Fluent, incisive, meticulous, faithful to fact - Michael Morrison charts this actor's distinguished contribution to Shakespearean theatre tradition. Richly researched with a superb, sustained quality of writing. The fascination is endless." -William Luce, author of the play Barrymore "Michael Morrison's most readable study vividly recreates act-by-act the Shakespearean art of one of America's most charismatic and influential modern stage actors." -Margot Peters, author of The House of Barrymore Winner of the 1998 Special Jury Prize for Distinguished Achievement for an Outstanding Book in the Area of Theatre Studies, Theatre Library Association Reviews "Few performances of Shakespeare in this century broke as much new ground as Barrymore's 1922 version of 'Hamlet,' a galvanic production that almost single-handedly dragged the English-speaking world's understanding of the Bard into the modern age. The astonishment felt by critics and audiences in America and England is expertly evoked by Michael Morrison in his engrossing book 'John Barrymore, Shakespearean Actor,' which not only offers scene-by-scene descriptions of Barrymore's performances . . . but puts Barrymore's acting feats into historical, cultural, and biographical context. . . . 'John Barrymore, Shakespearean Actor' is a book that should delight theatre scholars [and] the general reader as well."

37. Shakespeare’s Globe Shakespeare's Globe programs provide an excellent introduction to thefamous shakespearean theatre. These stunning recreations celebrate http://www.prairiepublic.org/education/pstv/titles/shakeglobe.htm

Series Information Curricular Areas: Language Arts; Drama; Theater studies Length: 2/20-Minute Programs Grade Levels: 7-12 Web Resources Teacher's Guide Shakespeare's Globe programs provide an excellent introduction to the famous Shakespearean Theatre. These stunning recreations celebrate the recent opening of the new Globe Theatre in London and show how stimulating Shakespeare's work can be when experienced in context. Students experience Shakespearean theatre and language in an authentic setting by drama demonstrated as theatre, not merely text and see how theatre became an agent for linguistic change and development. The program explores Shakespearean drama in a social context and illustrates the conventions of Elizabethan theatre. Episode Descriptions The Audience The Actor SUBJECTS The Arts Foreign Language Health/ Guidance/ Careers Language Arts ... Grade Levels FEATURES Broadcast Schedules Programs Program Rights Teacher Guides/Duplication/ ... PBS Teacher Source Contact Us: Prairie School Television pstv@prairiepublic.org

38. 1999 ENCORE Grantees SI shakespearean theatre Company Theater The Staten Island shakespearean theatrepresented both tragedy and comedy in productions of Shakespeare's King Lear http://www.statenislandarts.org/grnts/grants1999e.html

Home Grants Overview 1999 COAHSI ENCORE Grantees Archaeology Society of Staten Island Art Lab Alice Austen House Museum Ronald Cross ... Viva Voce ENCORE Funded by the New York State Council on the Arts $47,000 to 19 projects. Archaeology Society of Staten Island "Indians of Staten Island" Workshop The grant partially funded a well-attended five-hour workshop on the Lenape Indians by Dr. Herbert Kraft of Seton Hall University, the world's leading authority on the Lenape. $1000. Art Lab Scholarships This grant funded four full scholarships for teenagers and adults at the Art Lab's Summer Studio Program, an intensive, six-week University- level immersion in drawing, painting and sculpture. The program took place in the Art Lab's classrooms and on the 80 acres of parkland of Snug Harbor Cultural Center. $2600. Return to top Alice Austen House Museum Photographic Exhibits The grant partially funded the mounting of three photographic exhibitions at the Alice Austen House Museum: an exhibition of contemporary work curated by Denise Mumm; an exhibition of Alice Austen's steamliner photographs and a photo contest featuring high school and college age students. $2500. Return to top Ronald Cross Harpsichord Recital Once again, this grant will fund a late December solo harpsichord recital by Dr. Ronald Cross, a musicologist and recognized authority on early music. Dr. Cross' scholarship, keyboard skills, and fine programming offer Staten Islanders an unusual opportunity to hear Renaissance and Baroque music played in historically authentic performances. Sponsored by St. Paul's-St. Luke's Lutheran Church. $1145.

39. Shakespeare In India (2) Addy's role is an index of the first phase in the Indian appropriationof shakespearean theatre. By the early 19 th century, a section http://web.uvic.ca/shakespeare/Library/Criticism/shakespearein/india2.html

Shakespeare in India page 2 Early English productions Chronologically, the account must begin with productions of the most obvious and culturally uncomplicated sort, in 'garrison theatres' catering to the British colonists. Theatres were built in the major centres of trade and empire, and Shakespeare provided a prestigious part of the repertory. Shakespeare performances by English troupes in Mumbai (Bombay) date from 1770. In Kolkata (Calcutta), then the capital of British India, the earliest recorded performance is of Othello at the Calcutta Theatre in the Christmas season of 1780. Over the next eight years, the same venue saw Hamlet, The Merchant of Venice, Romeo and Juliet, Richard III and Henry IV . Performances continued till the mid-19 th century, chiefly at the Chowringhee and Sans Souci Theatres. Touring companies become prominent only in the heyday of the Raj, from the late 19 th century. The earliest notable tours were by the Lewis Theatre Company in the 1870s and Maurice E. Bandmann's Company in the 1880s. One event stands out in retrospect. In August 1848, Baishnab Charan Addy, an Indian actor, played Othello at the Sans Souci Theatre, Kolkata. Notices in the English press ranged from the patronizing to the offensive or hostile. Yet many Indian accounts, then and later, have seen the event as a cultural statement, even a cultural triumph, of the colonized Bengali.

40. The Stage And Staging PN2589/B46; Bergeron, David M. Pageantry in the shakespearean theatre.Athens, Ga. University of Georgia Press, 1985. PR658/P25P33; http://web.uvic.ca/shakespeare/Library/SLTnoframes/reference/bstaging.html

Home Life Stage Society ... Next The stage and staging Beckerman, Bernard Shakespeare at the Globe, 1599-1609 . London: Collier-Macmillan, 1962. Bentley, Gerald E The Jacobean and Caroline Stage . Oxford: Clarendon Press, 1941-68. 7 vols. Bentley, Gerald E The Profession of Dramatist in Shakespeare's Time, 1590-1642 . Princeton: Princeton University Press, 1971. Bentley, Gerald E The Profession of Player in Shakespeare's Time, 1590-1642 . Princeton: Princeton University Press, 1984. Bergeron, David M Pageantry in the Shakespearean Theatre . Athens, Ga.: University of Georgia Press, 1985. Butterworth, Philip Theatre of Fire: Special Effects in Early English and Scottish Theatre . London: Society for Theatre Research, 1998. Campbell, Lily B Scenes and Machines on the English Stage During the Renaissance . New York: Barnes and Noble, 1960. Chambers, E.K. The Medieval Stage . London: Oxford University Press, 1903. 2 vols. Cunnington, C. Willet, and Phillis Cunnington Handbook of English Costume in the Sixteenth Century . Boston: Plays, Inc., 1970. Day, Barry

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