41. BBC - Painting The Weather - Reynolds Artist Reynolds, Reynolds, Sir Joshua (1723-1792) Self-portrait.© The National Portrait Gallery, London. Painter and theorist, the http://www.bbc.co.uk/paintingtheweather/csv/artist/reynolds.shtml

CATEGORIES TV RADIO COMMUNICATE ... INDEX SEARCH WEDNESDAY 2nd April 2003 Text only BBC Homepage BBC Four Painting the Weather ... Audio Tour See paintings by... ...Artist ...UK Collection ...Theme ...Title ... Help Like this page? Send it to a friend! Artist - Reynolds Reynolds, Sir Joshua (1723-1792) Self-portrait Painter and theorist, the first President of the Royal Academy in London, and the artist responsible, more than any other, for raising the status and prestige of artists in Britain. Born in Plympton near Plymouth, Reynolds trained in London before travelling to Italy where he was inspired by the art of Ancient Rome and the Italian Renaissance. Despite his ambitions for his art, the realities of the British art market, meant he worked primarily as a portrait painter. Mrs Musters as Hebe Reynolds: did you know? Reynolds was always experimenting with painting materials, mixing his paints with anything from varnish and bitumen to eggs and wax, often with disastrous consequences for his paintings. Reynolds’s great rival as a portrait painter, Thomas Gainsborough, complained of his powers of invention with the words: ‘Damn him, how various he is.’ Exhibition curated by the National Gallery, London

42. Bulletin 17, Sir Joshua Reynolds, Portrait Of Charles Churchill 1755 (127.0 x 101.0 cm.) THE NATIONAL GALLERY OF CANADA, OTTAWA Before treatment 1 SIRJOSHUA Reynolds Angleterre 17231792 Portrait de Charles Churchill 1755 Huile http://collections.ic.gc.ca/bulletin/num17/ruggles1_image1.html

1 SIR JOSHUA REYNOLDS English 1723-92 Portrait of Charles Churchill 1755 Oil on canvas, 50 x 39 3/4 in. (127.0 x 101.0 cm.) THE NATIONAL GALLERY OF CANADA, OTTAWA Before treatment 1 SIR JOSHUA REYNOLDS Angleterre 1723-1792 Portrait de Charles Churchill 1755 Huile sur toile, 50 x 39 3/4 po (127.0 x 101.0 cm) GALERIE NATIONALE DU CANADA, OTTAWA Avant le traitement Back

43. Sir Joshua Reynolds Reynolds Sir Joshua (17231792). One of the founding members of the RoyalAcademy. Extremely successful portrait painter, whose somewhat http://www.heritage.me.uk/people/reynolds.htm

Search Updates View Map Castles ... Home REYNOLDS Sir Joshua ( One of the founding members of the Royal Academy. Extremely successful portrait painter, whose somewhat free style earned him the nickname Sir Sloshua from the later Pre-Raphaelites. Self-Portrait circa 1775 Oil on canvas Presented by Robert Vernon to the Tate Gallery in 1847 Back to the Home Page of the UK Heritage collection. This information has been researched and published here by: microart.org

44. Sir Joshua Reynolds Sir Joshua Reynolds (17231792). Source http//www.museum-london.org.uk/MOLsite/exhibits/creative/artistloc/1800/1800_jReynolds_i.html.introduction. http://www.let.leidenuniv.nl/hsl_shl/reynolds.htm

Historical Sociolinguistics and Sociohistorical Linguistics Home Up Home Up Sir Joshua Reynolds (1723-1792) Source: http://www.museum-london.org.uk/MOLsite/exhibits/creative/artistloc/1800/1800_jreynolds_i.html introduction As a portrait painter, Reynolds had the pleasure of seeing and conversing with all the famous people of his time. From 1777 on, he painted a number of portraits for the Thrales’s library at Streatham Park. These portraits not only display Henry, Hester, and their eldest daughter Queeney but also their guests. Reynolds was one of these quests. He belonged to the so-called Steatham circle, or “Streathamites” as Fanny Burney called them. Other members of this circle were Giuseppe Baretti, Edmund Burke, Charles Burney, David Garrick, Oliver Goldsmith and Samuel Johnson. The Letters of Sir Joshua Reynolds (2000) shows Reynolds’ letters written to his fellow Streathamites. Although the edition does not contain any letters written to Oliver Goldsmith and Giuseppe Baretti, both men played an important role in Reynolds’ life. It was Oliver Goldsmith (1728-1774) who introduced Reynolds to James Boswell. The two men became close friends. Reynolds encouraged Boswell to finish his Life of Johnson and it was to him that Boswell dedicated his work. Oliver Goldsmith’s

45. The Cinnamon Drawing Room Originally Hung With White Damask And 1779 by Joshua Reynolds (17231792) Jane, second wife of Edwin Lascelles, broughther two daughters to Harewood. The eldest Dorothy married Sir Richard Worsley http://www.harewood.org/portraits/cgi/portraits/portraits.cgi?t=archive_room13.t

46. Art Museum - Sir Joshua Reynolds Život Sira Joshuy Reynoldse. (17231792) Sir Joshua Reynolds se narodiljako syn chudého ucitele v Plymptonu poblíž Plymouthu. http://www.artmuseum.cz/painters/r/reynolds/

Abecední pøehled: A B C D ... Art Puzzle Sir Joshua Reynolds Život a dílo Realismus Život Sira Joshuy Reynoldse Sir Joshua Reynolds se narodil jako syn chudého uèitele v Plymptonu poblíž Plymouthu. Díky podpoøe nìkolika bohatých pøátel odjel roku 1750 do Itálie, kde zùstal tøi roky. Tam studoval díla mistrù boloòské školy, díla Titianova, Raffaelova i jím tolik obdivovaného Michelangela. Po návratu do Londýna se stal malíøem podobizen a brzy pøijímal pocty jak od krále, tak od vysoké šlechty. V roce 1769 byl povýšen do šlechtického stavu a užíval titulu Sir Joshua. Žil v pøepychovém domì na Leicester Square, dával se obsluhovat sluhy v livrejích se støíbrnými prýmky a vozil se v pozlaceném koèáøe. Ceny jeho obrazù rok od roku stoupaly, dosahovaly ceny až 20 guineí za hlavu a 150 guineí za portét v celé postavì, což byly na tehdejší dobu pøímo astronomické èástky. Reynolds byl také po mnoho let prezidentem Královské Akademie v Londýnì, po 15 let každoroènì zahajoval výuku na Akademii projevy, ve kterých srhnoval své dlouholeté zkušenosti, úvahy a cenné rady do života a hlásal vznešené umìní. Navzdory tomuto významnému postavení prezidenta Královské Akademie si Reynolds uchoval svého èistého ducha a zùstal ušlechtilým èlovìkem. Byl typickým mírným a vyrovnaným spoleèenským Anglièanem, v jeho domì se scházela inteligence Londýna. Reynolds pracoval usilovnì až do doby, kdy na sklonku života pøestal vidìt na jedno oko a musel se s paletou rozlouèit. Zemøel jako starý mládenec a je pohøben v Katedrále Sv. Pavla vedle Christophera Wrena.

47. Reynolds, Lady Caroline Howard, Art Prints From Barewalls Reynolds (17231792) Art posters. Reynolds Lady Elizabeth Delme and her ChildrenLady Elizabeth Delme and her Children Sir Joshua Reynolds 30.75 X19 Barewalls http://www.art-posters-galore.co.uk/reynolds-print.htm

Reynolds art prints Barewalls Home Up Abstract Art Posters Ansel Adams ... Get original film posters! sites Health Internet Music Shopping ... Travel var site="s13postersgalore" Reynolds (1723-1792): Art posters Lady Caroline Howard, 1778, canvas, The National Gallery of Art at Washington D.C. Lady Elizabeth Delme and her Children Sir Joshua Reynolds 30.75"X19" Lady Betty Hamilton Sir Joshua Reynolds 23.5"X16.75" 18"X12.75" The Young Fortune Teller Sir Joshua Reynolds 15.88"X20" Collina Sir Joshua Reynolds 24"X17.5" Special thanks to the Microsoft Corporation for permission to use following biographical information from Microsoft® Encarta Portrait of an Artist on VHS Video series Search for books about Sir Joshua Reynolds over 20 matches Sir Joshua Reynolds was an English painter in the Grand Manner, who was the foremost portraitist of his day. Reynolds was born in Plympton, Devonshire, on July 16, 1723, the son of a cleric. He learned portraiture from a painter in London and in 1749 sailed to the Mediterranean with Commodore Augustus Keppel. After three years traveling in Italy he returned to London, where he soon attracted notice by his portraits of prominent persons. He came to be the first English painter to achieve social recognition for his artistic achievements. In 1764 Reynolds founded the Literary Club, which included essayist and critic Samuel Johnson, actor David Garrick, statesman Edmund Burke, writer Oliver Goldsmith, writer James Boswell, and dramatist Richard Brinsley Sheridan. When the Royal Academy of Arts was instituted in 1768, Reynolds was elected president and was knighted. In 1769 he delivered the first of his annual Discourses (pub. 1778) to the students of the academy in which he set forth the idealistic, moralizing principles of academic art. In 1784 he succeeded Allan Ramsay as painter to the king; in the same year he exhibited his portrait of the English actor Sarah Siddons as the Tragic Muse (1784, Huntington Art Gallery, San Marino, California), probably his greatest portrait. Other well-known paintings are Nelly O'Brien (1760-62, Wallace Collection, London), Lady Sarah Bunbury (1765, Art Institute of Chicago), Heads of Angels (1787, Tate Gallery, London), and Age of Innocence (1788, Tate Gallery).

48. Sir Joshua Reynolds Artist Index Thumbnails Sir Joshua Reynolds. Sir Joshua Reynolds (17231792).view images. There are no details for Sir Joshua Reynolds at this time. http://www.artnet.com/ag/artistdetails.asp?aid=14173

49. Portrait Of Mary Robinson By Joshua Reynolds - _Letter To The Women Of England_ Sir Joshua Reynolds (17231792), a popular, critically acclaimed portraitpainter, had a strong interest in literature and literary subjects. http://www.rc.umd.edu/editions/contemps/robinson/portrait.htm

Sir Joshua Reynolds Mrs. Robinson From the Engraving by Dickenson, after Reynolds ( Memoirs , facing page 82) Sir Joshua Reynolds (1723-1792), a popular, critically acclaimed portrait painter, had a strong interest in literature and literary subjects. He painted Mary Robinson at least twice. In Ainsi va le monde , Robinson lavishly praises Reynolds's "magic skill": "Thy hand, by Nature guided, marks the line/That stamps perfection on the form divine." Robinson claims that Reynolds's abilities surpass those of Raphael and Titian. For detailed information on the numerous versions of this portrait of Robinson, as well as on all portraits of Robinson, see Philip Highfill et al., A Biographical Dictionary of Actors, Actresses , pp. 39-47. Letter to the Women of England contents page to top of this page

50. Pre-Victorian Artists Sir Joshua Reynolds PRA (17231792). Reynolds, the great portrait painterand President of the Royal Academy, was born near Plymouth, Devon. http://www.speel.demon.co.uk/artist18.htm

Pre-Victorian Artists To set in context the information on Victorian artists, this section gives brief biographical details on a some eminent 18th Century and early 19th Century artists. Go straight to: Robert Adam Thomas Bewick William Blake William Chambers ... Richard Wilson Sir Joshua Reynolds PRA (1723-1792) Reynolds, the great portrait painter and President of the Royal Academy , was born near Plymouth, Devon. Intended by his parents for the medical profession, he showed an over-riding proclivity for art, and in 1740 he went to London to pursue his art studies, becoming a pupil of Hudson, a leading portraitist. Back in Devon in 1743, Reynolds set up as a portrait painter himself, but returned to London in 1743. From 1749 to 1752 he lived in Italy, where he studied the works of Michelangelo and Raphael. After this period, his reputation growing, he established himself in London, and was one of the first members of the Incorporated Society of Artists. When the Royal Academy was set up in 1768, Reynolds was appointed its first President. He gave a famous series of fifteen Discourses for Academy students, and exhibited some 245 works in the Academy Exhibitions. He was appointed painter to the king in 1784, and spent his later years living in Leicester Square where there is a small bust to commemorate him.

51. The Lodge Meets On The Fourth Tuesday Of Each Month Excepting July Sir Joshua Reynolds RA. (17231792). by. Gilbert Stuart. Sir JoshuaReynolds' reputation today rests principally on his portraits, his http://www.sirjoshuareynoldslodge.org.uk/sir_joshua_reynolds.htm

Sir Joshua Reynolds R.A by Gilbert Stuart Sir Joshua Reynolds' reputation today rests principally on his portraits, his theoretical writings on art and his role as President of the Royal Academy. Yet in his own day Reynolds' subject pictures were among the most widely discussed British paintings of the century. Sir Josh ua Reynolds was born in the village of Plympton, near Plymouth, UK, on 16 th July 1723, the sixth son of a cleric who was headmaster at Plympton Grammar School, (shown left), where Reynolds was later educated. He was probably named after his uncle, though his father maintained that it would be an advantage in later life to have an uncommon Christian name. Intended by his parents for the medical profession, he showed an over-riding proclivity for art, his first drawing being of the colonnade of the grammar school. In 1740 he went to London to pursue his art studies, becoming a pupil of Hudson, a leading portraitist. He studied with Hudson until 1743 when his father could no longer afford even the reduced fees charged by Hudson and returned home. Reynolds set up as a portrait painter at what was then known as Plymouth Dock and became quite popular locally. However, his popularity waned and he returned to London "to study great pictures and perfect himself in his art". In 1746 Reynolds's father died and the painter set up home for himself and two sisters in Plymouth Dock and then came into contact with the leading painter William Gandy, whose father had studied under Vandyke and whose genius was only spoiled by his lack of perseverance. Gandy taught Reynolds to paint with richness and texture "as if the colours had been composed of cream cheese"

52. Changing Exhibitions and Sir Henry Raeburn. An important artist featured in British Portraitsis Sir Joshua Reynolds (17231792). He served as the Royal http://www.moas.org/exhibitn.htm

M O A S Menu About the Museum The Permanent Collections Changing Exhibitions Membership ... Planetarium The Museum Store Home A Breeze from the Gardens of Persia: New Art from Iran April 27 through June 1, 2003 A new exhibition, A Breeze from the Gardens of Persia: New Art from Iran, is a cultural exchange exhibition with hopes to promote a better understanding between the American and Iranian peoples. Organized by Meridian International Center in Washington D.C. in collaboration with the Tehran Museum of Contemporary Art, the exhibition is the first major cultural exchange initiative of its kind to take place in decades. The exhibition opens on April 27 and runs through June 1, 2003. More than 70 works will be on exhibit at the Museum of Arts and Sciences, and 20 works will be at the Ormond Memorial Art Museum and Gardens, Ormond Beach. Mohammad Ali Taraghijah, "Horses," 2000

53. Sir Joshua Reynolds english, espanol, francais, deutsch, italiano. Sir Joshua Reynolds(17231792). Click on the images to see more Sir Joshua Reynolds -The http://www.inter-art.com/en/reynolds1.htm

Sir Joshua Reynolds (1723-1792) Click on the images to see more The Young Samuel Angels Heads inter-art.com

54. European Masterpieces At The Cincinnati Art Museum Sir Joshua Reynolds (17231792) Portrait-painter of the rich and famous.In the mid-18th century, Sir Joshua Reynolds was what photographer http://www.cincinnati.com/masterpieces/profiles_reynolds.html

Sir Joshua Reynolds (1723-1792) Portrait-painter of the rich and famous In the mid-18th century, Sir Joshua Reynolds was what photographer George Hurrell was to Hollywood in the 20th century. They both captured the rich and famous ... only Reynolds used a brush. Sir Joshua Reynolds Reynolds literally put a memorable face on English painting so long in the shadow of the European masters. He painted more than 2,000 carefully observed portraits of the aristocracy, prominent leaders and artists of the era. They included the writer and his friend Samuel Johnson, statesman Edmund Burke, Josiah Wedgwood, developer of the cream pottery called "Queen's Ware," and the actress Sarah Siddons in Portrait of Mrs. Siddons as the Tragic Muse , arguably his most famous painting, housed at the Huntington Gallery in San Marino, Calif. Reynolds' Countess Spencer and Her Daughter is of special interest today. It hangs at the Spencer ancestral home, Althorp Park, now a residence of the ninth Earl Spencer and burial place of Princess Diana. Reynolds' Miss Susanna Gale ZOOM The "European Masterpieces" show is graced with an example of the stunning elegance Reynolds brought to his portraits. In

55. Sir Joshua Reynolds Paintings Prints Reproductions Sir Joshua Reynolds. British. 17231792, Sir Joshua Reynolds Locations.Sir Joshua Reynolds, The Children of Edward Hollen Cruttenden, http://www.artunframed.com/Reynoldsthumbnails.htm

Print Search Examples Portraits Testimonials Prints ... Information View over 23,000 paintings from the History of Art Commission a copy of your favorite painting European Artists A B C ... Contact Sir Joshua Reynolds British Sir Joshua Reynolds Locations The Children of Edward Hollen Cruttenden Museum of Art, Sao Paolo Cupid Unfastens the Belt of Venus The Hermitage, St.Petersburg The Countess Spencer with her Daughter Georgina Ladies Adorning a Term of Hymen Tate Gallery, London Portrait of Admiral Viscount Keppel Tate Gallery, London Master Hare Musee du Louvre, Paris Lady Sarah Bunbury Sacrificing to the Graces The Art Institute of Chicago Portrait of Mrs Siddons as the Tragic Muse Portrait of the Honorable Henry Fane with his Guardians, Inigo Jones and Charles Blair Metropolitan Museum of Art, New York Colonel George K.H. Coussmaker Metropolitan Museum of Art, New York Heads of Angels Tate Gallery, London Nelly O'Brien Wallace Collection, London Garrick Between Tragedy and Comedy The Infant Hercules Strangling the Serpents Sent by Hera The Hermitage St.Petersburg

56. My Document James McArdell (17281765) after Sir Joshua Reynolds (1723-1792). Mezzotint. ValentineGreen (1739-1813) after the painting by Sir Joshua Reynolds (1723-1792). http://www.library.yale.edu/Walpole/BAC/indx.htm

Title Artist Description Admiral Richard Cletherse (fl. 1406) Wax seal View Image Alexander Pope (1688-1744), ca. 1742 Jean-Baptiste van Loo (1684-1745) Oil on canvas View Image Anne Damer and Mary Berry in the Library at Little Strawberry Hill Richard Cosway (1740-1821) Pencil View Image Basin and Ewer Porcelain, China View Image Beauclerk Cabinet Edward Edwards (1738-1806) Ebony View Image Beggar's Opera, Act III , SCene IX, 1728 William Hogarth (1697-1764) Oil on canvas View Image Bucolica, Georgica, et Aeneis Virgil (Publius Vergilius Maro ) (70-19 B.C.) Birmingham, J. Baskerville, 1766 View Image Cabinet of Miniatures and Enamels , ca. 1788 ?John Carter (1748-1817) after Horace Walpole (1717-1797) Watercolor View Image Conversation Horace Walpole (1717-1797) After Watteau View Image Design for the Library , ca. 1753 John Chute (1701-1776) Pencil and pen and ink View Image Dorothy Clement (ca. 1715-ca. 1739), 1736

57. Prinny's Paintings of Hertford) , Sir Charles Long (17601838 )(later Baron Farnborough), Walsh Porter,and Sir Thomas Lawrence all Reynolds, Joshua (1723-1792), Self-Portrait , http://www.georgianindex.net/Prinny/Prinny.html

Prinny's Paintings The Prince Regent's love of fine objects included paintings. He hung his collection of paintings on the walls of the opulent Carlton House . The "Shipbuilder and his Wife", purchased at auction in 1811 for 5,000 guineas, can be seen hanging on the wall of the Blue Velvet Room in the 1818 watercolor by Charles Wild, engraved by Daniel Havell for the hand colored acquatint plate book The History of the Royal Residences by William Henry Pyne . By 1816, the suite of state rooms at Carlton House was adorned with 136 paintings. 67 more paintings were in the Prince's bedroom suite. His other 250 paintings were in storage. In 1814, the Prince Regent acquired 86 Dutch and Flemish paintings from the heir of the banker, Sir Francis Baring . This brought the total Dutch and Flemish Maters works in his collection to over 200. The Prince Regent then sold 77 of his least favorite paintings, mostly still lifes, anonymously at Christie's on June 29, 1814. The Prince also commissioned and collected works by British portrait painters Thomas Gainsborough, Sir Joshua Reynolds, William Beechery (1753-1839), John Hoppner , and Sir Thomas Lawrence. Lawrence's energetic style and vivid colors particularly suited George the IV's style. The Scottish artist David Wilkie's work of 1818, "Penny Wedding," reminded the Prince Regent of his Dutch paintings. He became Wilkie's patron. George IV's passion for animals led him to patronize sporting artists Sawrey Gilpin

58. LitSearch: An Online Literary Database Reynolds, Joshua, Sir (17231792) Works by this author Seven Discourses onArt. Copyright 2001 Keith Ito. All Rights Reserved. Admin Control Panel. http://daily.stanford.edu/litsearch/servlet/DescribeAuthor?name=Reynolds, Joshua

59. JAMA -- Page Not Found Two hundred years after his death, Sir Joshua Reynolds (17231792) isstill considered to be England's single most important painter. http://jama.ama-assn.org/issues/v284n11/ffull/jcs00029-1.html

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60. Reynolds.html Sir Joshua Reynolds. 17231792. No figure in England exerted greaterinfluence on the art of his day than Sir Joshua Reynolds. Reynolds http://www.faculty.de.gcsu.edu/~rviau/ids/Artworks/reynolds.html

Sir Joshua Reynolds No figure in England exerted greater influence on the art of his day than Sir Joshua Reynolds. Reynolds was brought up in an educated family, unusual for the artists of his day, and eventually became friends with some of the most notable figures of the second half of the century, including Dr. Johnson, Goldsmith, Burke, and Garrick. His great learning and personal influence through the Academy probably had an impact disproportionate to the actual quality of his art. Reynolds was apprenticed to Hudson in 1740 in London, but in 1743 he left his master and returned to his native Devonshire. From 1743 to 1749 he worked on his own in Devonshire and London, and then left for Italy. Before his trip to classical ground, the main influences on Reynolds had been Hogarth and Ramsay, but his two year visit to Rome introduced him to the styles of Raphael and Michelangelo, from whom he learned something of the intellectual basis of Italian art. On his way home he spent two weeks in Venice, and this profoundly influenced his portrait style. In 1753 Reynolds set up in London, met Johnson, and quickly established his name. His only real rivals were Ramsay and Cotes (and later Gainsborough). When the Royal Academy was founded in 1768, the only logical choice for President was Reynolds. He was knighted the following year and given an Honorary Doctorate at Oxford (an honor he shared only with Kneller among artists). Following 1768 Reynolds worked assiduously to use the Academy as an instrument to establish a British School of history painters that rivaled those of Italy. His fifteen Discourses composed and delivered at the Academy from 1769-90 admirably articulate the dominant aesthetic theory of his day.

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