61. Music Books Alphabetic Index Of Titles Commencing With W Mike Paperback ISBN 0006530281 Wannabe Guide to Classical Music cahill, sarah;Mingo,Jack ISBN 0634005219 Wedding Album For The Classical pianist Arranged by http://book.netstoreusa.com/index/bkixmuw.shtml

62. Marin Community Calendar Of Events pianist sarah cahill 400 PM to 600 PM The Dance Palace. Tuesday, January 14,2003. Training Conference 800 AM to 900 PM - Universal Studios Radison Hotel. http://www.marin.org/calendar/index.cfm?tyr=2003

63. The Independent Weekly: Eight Days A Week cahill's Creatures of Habit. sarah Dougher is a feminist, academic and musician whowrites poetic Rhodes and Jane Hawkins The soprano and the pianist perform. http://www.indyweek.com/durham/2002-03-20/eightdays.html

Eight Days a Week Wed, Mar 20 Abyssinia : The Spot March 20, 2002 E I G H T D A Y S A W E E K Berkeley Bogart's : Tim Smith Duo Brewery : Possibilities, The Screwdrivers Cafe Roma : Bobby Hinton Cat's Cradle : Eels Cave : 7:30 pm: The David Spencer Sessions; 10 pm: Groundscore East End : Gee Wiz Jim Duo Foster's Grille : John Dupree Go! Room 4 : Girls Against Boys, Patterns, Yeah Yeah Yeahs. Emerging from the D.C. scene but relocated to NYC, Girls Against Boys hit their stride in the mid-'90s, running into a brick wall of sorts with an ill-fated Geffen Records deal. But GVSB is back with a new album, You Can't Fight What You Can't See , scheduled for a May release, The band, now on Jade Tree Records, recorded with their longtime producer Ted Nicely (Fugazi). But it's not like the individual members haven't been busy: Scott McLoud and Johnny Temple tour and record with New Wet Kojak, and Temple is also busy with Akashic Books, a cutting edge (and quality) publishing company. NYC's Yeah Yeah Yeahs are a garage punk trio that's creating a wicked buzz for their self-titled debut CD. Gotham : Radiance Irregardless : Ed Moon Jazz Trio Kings Local 506 : Esmeralda, Jonasay

64. CDeMUSIC Blue Gene' Tyranny, sensitive and remarkable pianist and improvisor Fender Rhodeselectric piano), Marie PaulineEsguerra (voice), sarah cahill (piano), Anna http://www.cdemusic.org/store/cde_search.cfm?keywords=notable02

65. CDeMUSIC Marie PaulineEsguerra (voice), sarah cahill (piano), Anna sarah Peebles translatesher great gift for so much further' (1966, with Gérard Frémy, pianist). http://www.cdemusic.org/store/cde_search.cfm?keywords=rcntlstngs

66. San Francisco Examiner Local pianist sarah cahill offers Then and Now, focusing on therelationship between classical and new music. Charles Wadsworth http://www.examiner.com/ex_files/default.jsp?story=X0418SCOREw

67. Sounding The Margins/ Program Notes, Concert 2 Also, in one visually remarkable moment, the pianist and page turner exchange roles. PlayPen Homage to Ruth Crawford was commissioned by sarah cahill in 2001 http://www.pofba.org/Retrospective/notes2.html

Sounding the Margins: Program Notes Concert 2 Sound Fishes Trio for Flute, Piano and Page Turner Like the Variations for Sextet , Oliveros' Trio for Flute, Piano and Page Turner is a conventionally notated "traditional" work which explores various aspects of timbre and gesture. However, the Trio is also a pivotal work in Oliveros' style: it is her last composition in which pitch remained "tightly notated," while introducing theatrical elements by including the page turner as an active ensemble participant. Musically, Oliveros was "concerned with the flute and piano mixtures, hoping at times to fool the ear as to which was the predominant timbre and to alter timbres by masking attacks and figurations." The role of the page turner is also uniquely expanded in this composition: besides turning pages, the page turner silently depresses keys for the pianist in order to form resulting harmonics. Also, in one visually remarkable moment, the pianist and page turner exchange roles. Quintuplets Play Pen: Homage to Ruth Crawford Seeger Quintuplets Play Pen: Homage to Ruth Crawford was commissioned by Sarah Cahill in 2001. It is very unique in recent works of Oliveros' in that it abandons her "usual meditative" style. Instead she emulates some of the interesting polyrhythmic ideas that were employed by Ruth Crawford.

68. Reviews Full Story. A Human pianist and Her Disklavier by Edward Wodehouse shows herstrength at Trinity series by sarah cahill, The Tribune, November 12, 1985. http://www.keyboardwizards.com/reviews.htm

Newspaper Article Reviews "Pumping New Life Into Jelly Roll" by Ben Ratliff, The New York Times, August 17, 1997. "The Flying Pianist And Other Wizards Of the Keyboard" by Barbara Jepson, The New York Times, December 17, 1995. [ Full Story "A Human Pianist and Her Disklavier" by Edward Rothstein, The New York Times, May 20, 1995. "Piano: Artis Wodehouse in Gershwin" by Will Crutchfield, The New York Times, December 3, 1987. "Wodehouse shows her strength at Trinity series" by Sarah Cahill, The Tribune, November 12, 1985. Magazine Article Reviews "Hit Gershwin Disc Sparks New Interest in Piano Rolls" by Irv Lichtman, Billboard. [ Full Story "They Had Rhythm, Too" by Michael Walsh, Time, February 5, 1996. [ Full Story "Gershwin, by George" by Michael Walsh, Time, January 31, 1994. [ Full Story CD Reviews "The Voice of Traditional Jazz and Ragtime - Jelly Roll Morton: The Piano Rolls"

69. November 26 69 v Aust 1959) In 1925, Eugene Istomin, NYC, pianist (Leventritt Award Richard Ikeda,Kamloops BC, gymnist (Olympics96) In 1978, sarah cahill, Miss Minnesota http://www.dailyalmanacs.com/almanac2/november/1126.html

On November 26... 330th day of year with 35 days left (Numerology = 1) Happy Birthday to: In 1607, John Harvard, England, clergyman/scholar, founded Harvard Univ In 1640, Carl Rosier, composer In 1653, Andreas Anton Schmelzer, composer In 1663, Pedro de Peralta y Barnuevo, Peruvian poet (Obras Dramaticas) In 1731, William Cowper, England, pre-romantic poet (His Task) [NS] In 1736, Charles-Joseph Panckoucke, French publisher (Mercure de France) In 1744, Karl Siegmund von Seckendorff, composer In 1754, Georg Forster, writer In 1792, Sarah Moore Grimk‚, American abolitionist/women's rights advocate In 1795, Carl P Fohr, German painter In 1795, Cornelis P J Elout, Dutch military/resident of West Sumatra In 1809, Mariano Obiols, composer In 1810, William G Armstrong, of Cragside, Baron/British const (hydr crane) In 1816, William Henry Talkbot Walker, Major General (Confederate Army) In 1818, Louis Lacombe, composer In 1823, Thomas Dyke Acland Tellefsen, composer In 1827, Alfred Moore Scales, Brig General (Confederate Army), died in 1892

70. Notre Dame Theatre Chronology 106 Danforth Daniel Daily sarah Good Sara Paulis JoLynn Ortenzio Box Office Ann cahill,Maggie Dakoske Publicity Kathrene Wales Rehearsal pianist Frank Barrett http://classic.archives.nd.edu/theatre/plays106.htm

Notre Dame Theatre Chronology 1975/76 School Year Faculty/Staff Chairman: Reginald Bain Costume Design: Faith Adams Dance: Marsha Mauer Directing: Reginald Bain Speech: Leonard Sommer Acting: Charles Ballinger Dance: Christopher Stygar Broadcasting/Film: James Baxter Dramatic Literature: Frederic Syburg Tech Theatre, Scene Design: Richard Bergman Communication: Frank Zink Film/Theatre Hist., Criticism: Miles Coiner Dept. Secretary: Marjory Mickelsen Play Title: Indians Author: Arthur Kopit Dates Performed: October 10, 11, 16, 17, 18 Sponsoring/Producing Organization: ND/SMC Theatre Venue: Unknown Artistic Staff Director: Reginald Bain Set and Lights: Richard Bergman Costumes: Faith Adams Sun Dance and Buffalo Mime: Charles Ballinger Cast List Voice: Matthew Regan Buffalo Bill: Daniel Daily Sitting Bull: William McGlinn Senator Logan: Matthew Regan Senator Dawes: Mark Gallogly Senator Morgan: Rick LaBelle John Grass: Michael Feord Spotted Tail: John Walker Grand Duke Alexis: John Colligan Interpreter: Tom Felts Duke's Attendants: Mark Amenta, James Houle

71. Sequenza21/The Contemporary Classical Music Weekly some of today’s mostrespected new-music champions, including sarah cahill andJoseph Not for the timid, these pieces take the pianist's skill to levels that http://www.sequenza21.com/

About Us Essential Library Read Past Issues Resources ... Composer Links March 31-April 07, 2003 The Handmaid's Tale Debuts in English The Handmaid's Tale has catalpulted Poul Ruders into the top ranks of contemporary composers. P oul Ruders’s highly-acclaimed opera The Handmaid’s Tale will have its English language premiere this week in an ENO production at the London Coliseum. Few debuts could be more timely. Based on Margaret Atwood's chilling novel, The Handmaid's Tale envisions a nightmarish future for the United States that would have been unthinkable say, three years ago, but no longer seems so far-fetched. Following a violent overthrow of the United States government by a religious dictatorship, women are denied the right to read, work, own property or enter into relationships other than first marriages. Those who defy the system are arrested, indoctrinated and assigned to childless families for the sole purpose of procreation. Offred, the title character, attempts to subvert this regime with disturbing and fateful results. Premiered in Copenhagen to sold out houses in 2000, Ruders’s opera is described as ‘fabulously inventive’, incorporating elements of a Bach chorale, medieval chanting and gospel music. The effect is both memorable and disturbing.

72. Music Reviews s writing are with a fullness and integrity that shows the pianist’s genius in PhillipBush, Kathleen Supove, and the Bay Area’s own sarah cahill add their http://www.hometheaterhifi.com/volume_8_2/music-classical-part-25-april-2001.htm

Music Reviews Classical Music - Part 25 - April, 2001 Jason Serinus Ratings: Extraordinary Good Acceptable Mediocre Poor MURRAY PERAHIA • BACH: GOLDBERG VARIATIONS • SONY SK 89243 PERFORMANCE: SONICS: Rarely does one encounter a performance so illuminated by genius as pianist Murray Perahia’s Grammy-nominated interpretation of the Goldberg Variations, BWV 988 by J.S. Bach (1685-1750). Bach wrote his four-minute "aria" and 30 variations for his pupil, virtuoso harpsichordist J.G. Goldberg, and published them in 1742. The most famous piano recording of these gems, the 1955 monaural classic by the 22-year old Glenn Gould (now available in a Sony 20-bit reissue), brought the Goldberg Variations back into the harpsichord and piano repertoire, where they have remained ever since as benchmarks of keyboard prowess. The Gould of 1955 played many of the Goldberg Variations at such a stunningly fast pace as to leave one’s mouth agape. What makes his recording so extraordinary is that his startling technique is married to interpretive insights that touch on emotional as well as visceral levels. By way of comparison, I played portions of both Glenn Gould recordings of the work plus the recent, critically lauded version by Angela Hewitt on Hyperion. While Gould’s first recording bowls one over with its combination of speed-of-lightning digitation and emotional depth, his elimination of repeats proves a frequent source of frustration. His second stereo version, recorded toward the end of his life, offers better sound, but reveals an artist whose technical proficiency seems detached from his emotional being.

73. Reviews Reviews. “ a thoughtful and sensitive young pianist. Hymer makes senseout attitude at the keyboard.”. (sarah cahill, Bay Area Express). http://www.wireworks.de/wireworks/Jennifer/HymerReviews.html

Reviews (Sarah Cahill, Bay Area Express) Kalvos and Damian 2001 Ought-One Festival Review from Village Voice: "We Will, We Will Nonpop you" by Kyle Gann Lid Open, Lid Shut The piano as unconventional music machine in Atelier "Freie Stücke" Usually pianists are spared from reorganizations or changes of instruments. Smiling, they sit on the piano bench and watch the bustle of their colleagues' clear-up. However the pianist that undertakes music from John Cage, Vinko Globokar, Belinda Reynolds, George Crumb, Annea Lockwood and Dieter Schnebel has more than both hands full. Lid shut, lid open, glissandos on the strings, strings prepared with wadding, the piano treated with the elbows and heels - in the best cases this would all entail a full musical experience. Jennifer Hymer knows how to do it right. She proved that in Atelier "Freie Stücke". For the first time ever, a grand piano stood in the Atelier and Hymer virtuostically transformed just this into an unconventional acoustic music machine. Present were not only the mere effects, the wonder over metal swabs between the strings and the large squared scores in the foreground; here everything was achieved by handwork and played highly expressively. Every effect received its meaning, every touch thought out and well-measured.

74. CB0010 on A Can, the California EAR Unit, Ensemble Sirius, sarah cahill, Steven Schick BryanPezzone is a Los Angeles pianist who specializes in contemporary music and http://www.coldbluemusic.com/pages/CB0010.html

The Light That Fills the World CB0010 The music These three works exist amid an undeniable esthetic spirit of the times—the embracing of pre-compositional principles and structural processes in the service of a highly personal artistic statement. However, John Luther Adams' recent work tends to transcend his compositional devices—it is simply potent, compelling music that is timeless in its sublimity. This is quietly expressive music in which process never intrudes on the music's "sounding," but churns away in the background, while the foreground shimmers with a simple yet great joy in the very making of sounds. It is a music that may be readily appreciated on both intellectual and sensual levels. Glancing quickly at the inner-workings beneath the music's kaleidoscopically changing surface-textures: The Light That Fills the World The Farthest Place (2001) develops in a way that is consistent with the architecture of The Light That Fills the World , but here the harmonic world is pentatonic rather than diatonic. The Immeasurable Space of Tones (1999/2001), the largest and most complex of the three pieces, might be considered five joined-at-the-hip movements, each of which has an interval expansion and contraction life of its own, yet also falls within a larger overall scheme of interval growth.

75. Evan Ziporyn: Sound On A Can, Nederlands Blazer Ensemble, master p'ipaist Wu Man, Maya Beiser and StevenSchick, Arden Trio, California EAR Unit, pianist sarah cahill, and Orkest http://www.ziporyn.com/bio.htm

From Lincoln Center to Balinese temples, from loft spaces to international festivals, comp oser/p e rformer Evan Ziporyn has traveled the globe in search of new musical possibilities. His work is informed by his twenty-year i nvolvement with Balinese gamelan, which has ranged from intensive study of traditional music to the creation of a series of groundbreaking works for gamelan and western instruments. His compositions for conventional forces have been performed by the Kronos Quartet, Bang On A Can, Nederlands Blazer Ensemble, master p'ipaist Wu Man, Maya Beiser and Steven Schick, Arden Trio, California EAR Unit, pianist Sarah Cahill, and Orkest de Volharding. As a bass clarinetist, he has developed a distinctive set of extended techniques which he has used in h is own solo wor ks, as well as new works by Marti n Bresnick, Michael Gordon, and David Lang. He has been associated with the Bang On A Can Festival since its founding in 1987, appearing as composer, soloist, and ensemble leader. As a member of the Bang On A Can All-stars, he has toured over a dozen countries and worked with composers such as Glenn Branca, Don Byron, Brett Dean, Nick Didkovsky, Arnold Dreyblatt, Steve Martland, Ralph Shapey, Tan Dun, Henry Threadgill, and Julia Wolfe. In addition to writing for the group and co-producing their most recent recordings, he has arranged works by Brian Eno, Hermeto Pascoal, and Kurt Cobain. He also regularly performs and records as a featured soloist with Steve Reich and Musicians. As a conductor, he has toured Europe with Germany's acclaimed Ensemble Modern and has recorded Michael Gordon's "Weather" with Ensemble Resonanz.

76. Kui Dong, New Music Composer She is currently writing a few chamber works for pianist sarah cahill, Dale Singersand Music from China as well as performing with Larry Polansky and http://kalvos.org/dongkui.html

Skip This Menu WHAT WE DO Frequently Asked Questions Site Map Full Site Search Discussion Board ... On-Line Mentoring Project FUNNY STUFF Best of the Bazaar Mixes Show IDs by Composers Distort-a-Composer Musical Bullshit Generator ... Privacy Statement RELATED SITES NonPop International Network Living Composers Project WGDR-FM 91.1 V C M E ... Damian's Home Page SEARCH This Site The Web Get Your Free Site Search Give Your Support Our Sponsors: Unique Visitors Composer Profiles Kui Dong Kui Dong Listen to this show Kui Dong Click here for RealAudio comments by the composer, 4:35. RealAudio 14.4 version Click here for RealAudio2 version of Three Voice RealAudio 14.4 version Kui Dong To reach the composer: On-line: kui.dong@dartmouth.edu By telephone: By fax: By physical mail: Kui Dong and Margaret Lancaster in Hanover, New Hampshire

77. Aufbau108 Two Centenarian pianistComposers Paid Tribute in Concert and on CD. Leo Ornsteinand Paul Ben-Haim Honored. Featured in sarah cahill's Other Minds concert of http://artists-in-residence.com/~ljlehrman/articles/aufbau108.html

Articles written for AUFBAU by Leonard J. Lehrman AUFBAU 68:7 April 4, 2002 p.16 JEWISH LIFE Two Centenarian Pianist-Composers Paid Tribute in Concert and on CD Leo Ornstein and Paul Ben-Haim Honored It has been something of a perennial joke over the last decade or so, as more and more people have discovered the Russian-American Jewish composer Leo Ornstein, noted his birthdate of 1892 or '93, and concluded that he must be dead but when did he die? The answer, incredible to report, was that until February 24, 2002, he was still alive, which makes him probably the longest-lived musician in recorded history. Not even mentioned in William Austin's until-recently definitive Music in the 20th Century , Ornstein enjoyed a vogue from about 1913 to 1925, the year of his magnum opus, the Piano Concerto. He then pretty much disappeared from the public eye, teaching in Philadelphia until his retirement in 1953, though composing (mostly piano music) well into his nineties. Writer Carl Van Vechten was one of his early champions, critic Olin Downes raved about the Concerto, and Ornstein's piano performances introduced U.S. audiences to major works of Ravel, Busoni, Scriabin, and Schoenberg. Yet only recently has his music been receiving the attention it deserves. Stylistically it has always perplexed, because of its eclectic, yet organic, combination of impressionistic textures, extended chromaticism, modal exoticism, and energizing tone clusters, often all in the same piece.

78. EARPLAY 2001 Program Notes Philharmonic, the Jerusalem Symphony, Ensemble Musica Nova, the Berkeley ContemporaryChamber Players, Ensemble Yat·n At·n, pianist sarah cahill, the San http://www.circusmusic.com/earplay/notes020501.html

Earplay P.O Box 192125 San Francisco, CA 94119-2125 earplay@earplay-sf.org Program Notes and Composer Biographies Earplay Brings New Works to the West Coast February 5, 2001 The Forum , Yerba Buena Center for the Arts Mary Chun , conductor Talk, Talk, Talk (1997) by Eitan Steinberg West Coast Premiere Lisa Weiss , violin Ellen Ruth Rose , viola Thalia Moore , 'cello NOTES: Talk Talk Talk (1997) Two motives 'compete' with each other, holding onto their self identity in a stubborn way. They are played nervously in a dynamic scale of Forte to Fortissimo, often 'sul ponticello', creating a feeling of a loud argument. "Talk Talk Talk" was commissioned by the Jerusalem Rubin Academy of Music, as part of its 50th anniversary, celebrated in 1997. At that time I was a Ph.D. candidate in the U.S., and was watching the political situation in my homeland from abroad. My impressions have lead to the creation of this intense musical dialogue, which seems to be still relevant. BIO: www.benzaken-steinberg.com

79. Levitin Productions As producer, recording engineer, and digital editor Maurice Ravel Miroirs and Gaspard de la nuit sarah cahill, pianist. New Albion Records NA 096. http://www.levitinproductions.com/credits.html

Levitin Productions Scott Levitin - Recording Engineer - Specializing in acoustical / classical music recording selected credits As recording engineer: Johann Sebastian Bach: Works For Violin Solo Lara St. John , violinist "Partita #2 in D minor", BWV 1004 "Sonata #3 in C major", BWV 1005 Well-Tempered Productions #WTP 5180 As producer, recording engineer, and digital editor: Maurice Ravel: "Miroirs" and "Gaspard de la nuit" Sarah Cahill , pianist New Albion Records #NA 096 As recording engineer: Cello: "Subliminal Blues & Greens" Cello is a quartet of cellists: Laura Bontrager, Maria Kitsopoulos, Maureen McDermott, and Caryl Paisner. This CD contains 13 compositions by 10 different composers, all written just for Cello. The composers include Kim Scharnberg, Jeff Beal, Mark Weber, Jon Werking, and Tom Rizzo. #DND 1011 As recording engineer: Victoria Drake: "Spanish Gold"

80. C Classical Performers Index Montserrat ( 12 APR )Sp=Sop; cahill, T (30 13 NOV 1992 )Bass; Caldwell, sarah (1924 - )=cond; Carreno, Teresa (Caracas, Venezuela, 1853 - 1917)pianist-Teacher; http://www.geocities.com/musiclassical/performers/c.html

C Classical Performers Index... [sponsors] [CHILDpages] [new CDs] [new BOOKs] ... Get Your Indie Musicians Contact Bible here Welcome to the Performers Index Page of aMUSIClassical Directory Our Classical Music website for good music lovers. CLASSICalmanac days (c.)2000 - 2003 MUSIClassical[tm], LibraryPreviews[tm] ncdn-associates of CDNow, amazon.com site map Cross-referenced to our major pages On the Internet: MP3Radio~MUSIClassical Click to subscribe to MUSIClassical discussion list Classical Music DVD Search by keywords: aMUSIClassical directory A B C D ... Z Soloists, conductors and Ensembles. MAJOR performing artists of the past and present, with date of birth, death, nationality and pronunciation. Remember the links are maintained by the source and we cannot guarantee their accuracy. ~ C ~ Caballe', Montserrat ( 12 APR - )Sp=Sop Cahill, T (30 JUL - )Eng=Sop Cairns, C (11 FEB - )Scot=MezSop Calabrese, Franco (FRAHN' ko kah lah BRAY' zay)( - 13 NOV 1992 )Bass Caldwell, Sarah

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