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1. Index
alfred cortot. 18771962. This site is here to make available information on one of the greatest be well aware of this pianist whose interpretations still ring with authority,
http://www.geocities.com/alfredcortot
ALFRED CORTOT    This site is here to make available information on one of the greatest musicians of the 2oth century. Cortot on the web is quite scarce so hopefully this site will begin to ignite some interest in pianophiles as well as students of piano, who should be well aware of this pianist whose interpretations still ring with authority, urgency, intensity and individuality; which in an age of homogeneity in piano interpretation is all to scarce a commodity. Cortot Discography Cortot's extensive student editions Chopin Etudes mp3 Photo of Cortot and Cziffra ... Sign the Guest Book

2. CORTOT, Alfred-Denis - Autograph
Pronunciation Key. cortot, alfred Denis , 1877 1962 , French pianist and conductor.
http://www.argosybooks.com/-autographs/-CDs/Cortot_A.html
CORTOT, Alfred-Denis Music French pianist and conductor, founder of Ecole Normal de Musique in Paris. A.L., signed "Alf Cortot," in French, extending belated congratulations to the recipient. 1 page, 8vo (2 punchholes in left margin). Paris, Oct. 24, 1910. "Excussez moi d'etre sinon le dernier, peut-etre l'avant dernier, a . . . dire toutes mes felictations! Mais j'ai l'excuse du voyageur et puis vous auriez dire etre decore depuis si longtemps que ca a un peu l'air dune blague . . ." Triple-matted in black and white with a black wood frame, accompanied by a black and white photo of the pianist in performance. Outer dimensions 19" x 15".

3. CORTOT, Alfred
cortot, alfred. pianist (26.9.1877 , Nyon (Vaud)15.6.1962, Lausanne)
http://ezines.onb.ac.at:8080/moravec/pub/schr/1387.htm
CORTOT, Alfred Pianist (26.9.1877 , Nyon (Vaud)-15.6.1962, Lausanne)
n die Generaldirektion der ÖSTERR.. NATIONALBIBLIOTHEK. L.a.s. 1f, 2pp. 5.4.1958, Lausanne
Übersendung eines Fotos für die Österreich-Dokumentation.
An MÜLLER VON ASOW, Erich HermannL.a.s. av. couv. 2ff, 1p. 3.6.1950, Berlin
Absage eines Termins, Dank für eine Einladung. siehe auch Personen-, Orts- und Sachregister CORTOT, Alfred MÜLLER VON ASOW, Erich Hermann

4. Index
French pianist page with brief biography and other useful information.
http://www.geocities.com/alfredcortot/index.html
ALFRED CORTOT    This site is here to make available information on one of the greatest musicians of the 2oth century. Cortot on the web is quite scarce so hopefully this site will begin to ignite some interest in pianophiles as well as students of piano, who should be well aware of this pianist whose interpretations still ring with authority, urgency, intensity and individuality; which in an age of homogeneity in piano interpretation is all to scarce a commodity. Cortot Discography Cortot's extensive student editions Chopin Etudes mp3 Photo of Cortot and Cziffra ... Sign the Guest Book

5. Acbio
cortot , alfred ( Denis) b Nyon, 26 Sept 1877; d Lausanne, 15 June1962. French pianist and conductor. At the Paris Conservatoire
http://www.geocities.com/alfredcortot/acbio.htm
Cortot , Alfred ( Denis) b Nyon, 26 Sept d Lausanne, 15 June 1962 French pianist and conductor. At the Paris Conservatoire he studied piano with Decombes, one of Chopins last pupils, and then with Louis Diemer, winning a first prize in 1896. Immeditely he was heard and admired as an interpreter of Beethoven's concertos at the Colonne and Lamoureux concerts, and he also appeared with Eduard Risler in concerts of two-piano arrangements of Wagner's music In 1898 he was appointed first as a choral coach, and then as assistant conductor, at Bayreuth, where he worked until 1901 under Mottl and Richter. This experience enabled him to prepare and conduct the first Paris performance of Gotterdammerung (May, 1902) and a notable Tristan (June, 1902). His Societe de Festivals Lyriques (1902) was followed by the formation of a concert society for which he conducted the first performances in France of Parsifal ( in concert form), Beethoven’s Missa Solemnis and Brahms’ Requiem, as well as still unpublished works by Chausson, Magnard and Roussel. In 1904 he was entrusted with the directions of the concerts given by the Societe nationale and also engaged to conduct the series of Concerts Populaires at Lille. This activity as conductor, which made Cortot one of the leading figures in French musical life before he was 30, did not dampen his enthusiasm for piano although it inevitably limited the number of

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7. Cortot, Alfred Denis. The Columbia Encyclopedia, Sixth Edition. 2001
The Columbia Encyclopedia, Sixth Edition. 2001. cortot, alfred Denis. (älfrd´ d n ´ kôrt ´) (KEY) , 1877–1962, French pianist and conductor.
http://www.bartleby.com/65/co/Cortot-A.html
Select Search All Bartleby.com All Reference Columbia Encyclopedia World History Encyclopedia World Factbook Columbia Gazetteer American Heritage Coll. Dictionary Roget's Thesauri Roget's II: Thesaurus Roget's Int'l Thesaurus Quotations Bartlett's Quotations Columbia Quotations Simpson's Quotations English Usage Modern Usage American English Fowler's King's English Strunk's Style Mencken's Language Cambridge History The King James Bible Oxford Shakespeare Gray's Anatomy Farmer's Cookbook Post's Etiquette Bulfinch's Mythology Frazer's Golden Bough All Verse Anthologies Dickinson, E. Eliot, T.S. Frost, R. Hopkins, G.M. Keats, J. Lawrence, D.H. Masters, E.L. Sandburg, C. Sassoon, S. Whitman, W. Wordsworth, W. Yeats, W.B. All Nonfiction Harvard Classics American Essays Einstein's Relativity Grant, U.S. Roosevelt, T. Wells's History Presidential Inaugurals All Fiction Shelf of Fiction Ghost Stories Short Stories Shaw, G.B. Stein, G. Stevenson, R.L. Wells, H.G. Reference Columbia Encyclopedia PREVIOUS NEXT ... BIBLIOGRAPHIC RECORD The Columbia Encyclopedia, Sixth Edition. Cortot, Alfred Denis

8. Kulturspeilet
spill, men det er her vi møter den virkelige storheten en pianist som ert The mostunknown of the greatest pianists of this century is surely alfred cortot.
http://www.pluto.no/KulturSpeilet/faste/cd/Pianists_Cortot.html
Great Pianists of the 20th Century - Alfred Cortot
Chopin: Etudes op. 10 og op. 25
av Kjell Moe

De store pianistene - Alfred Cortot
Summary in English
Summary in English
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    Alfred Cortot Kirsten Flagstad Cortot Rubinstein, Horowitz
    og Rakhmaninov Cortot Hans Richter Tristan og Isolde og andre Wagner-operaer. Vi fant roen med Cortot 's spill i Ravels Jeux d'eau Rigoletto Summary in English Kjell Moe
  • 9. Cortot, Alfred Denis
    Pronunciation Key. cortot, alfred Denis , 1877 1962 , French pianist and conductor.
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    10. Encyclopædia Britannica
    Your search alfred denis cortot Did you mean cortot, alfredDenis (Swiss pianist),Log In or Subscribe Now. Log-in Password Remember me Forgot your password?
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    11. Cortot, Alfred Denis
    Pronunciation Key. cortot, alfred Denis , 1877 1962 , French pianist and conductor.
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    12. Encyclopædia Britannica
    alfred cortot was one of the outstanding French pianists of the 20th century. Cellist,conductor, pianist, and composer, Pablo Casals was one of the most
    http://www.britannica.com/search?query=alfred denis cortot&ct=ebi&fuzzy=N

    13. Cortot, Alfred Denis
    cortot, alfred Denis 18771962, French pianist and conductor. Among cortot,alfred Denis. 1877-1962, French pianist and conductor. Among
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  • 14. Cortot, Alfred Denis
    cortot, alfred Denis , 1877–1962, French pianist and conductor. Amonghis appearances as a conductor were those at Bayreuth (1898–1901).
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    15. Cortot Schumann/Chopin
    21 (recorded July 8, 1935) alfred cortot, pianist; London Philharmonic Orch/LandonRonald (Schumann); Orch/John Barbirolli (Chopin) NAXOS 8.110612 (B) (ADD) TT
    http://classicalcdreview.com/cortot.htm
    SCHUMANN: Piano Concerto in A Minor, Op. 54. (recorded October 12/13, 1934). CHOPIN: Piano Concerto No. 2 in F Minor, Op. 21 (recorded July 8, 1935)
    Alfred Cortot, pianist; London Philharmonic Orch/Landon Ronald (Schumann); Orch/John Barbirolli (Chopin)

    NAXOS 8.110612 (B) (ADD) TT: 60:58 Alfred Cortot (1877-1962) was a pianist in the grand style, idiosyncratic to the extreme, a superb technician who seldom found time to practice. There is a sense of improvisation present even in his recordings. His lapses in memory are legendary. Sir Thomas Beecham said, describing an episode of forgetfulness when accompanying Cortot, "We started with the Beethoven, and I kept up with Cortot through the Grieg, Schumann, Bach and Tchaikovsky, and then he hit on one I didn't know, so I stopped dead." Don't expect note-perfect performances in these grand interpretations, Cortot's only recording of the Chopin Second, recorded in 1935 with an anonymous orchestra, his third of the Schumann (the first was an acoustic made in 1923, the second an electric made in 1927 all conducted by Landon Ronald). I can still remember when very young (many years ago!) listening repeatedly to the second movement of the Chopin (Victor Album M 567) marveling at the incredible sensitivity combined with bravura in this performance. Both the Schumann and Chopin receive impetuous readings that command attention. Barbirolli often conducted concerto accompaniments (he had recorded the Chopin Second in 1931 with Artur Rubinstein ) and copes admirably with Cortot's waywardness.

    16. Cortot Franck/Saint-Saens
    FRANCK Symphonic Variations (alfred cortot/London Philharmonic Orch cortot produceda sound that belied his small The somewhat erratic pianist had technique to
    http://classicalcdreview.com/cortot2.htm
    FRANCK: Symphonic Variations (Alfred Cortot/London Philharmonic Orch/Landon Ronald, rec. Oct. 13, 1934); SAINT-SAËNS: Piano Concerto No. 4 in C Minor, Op. 44 (Cortot/"Orch"/Charles Munch, rec. July 9, 1935); Etude in the Form of a Waltz (rec. May 1931); RAVEL: Piano Concerto for the Left Hand (Cortot/Paris Conservatory Orch/Charles Munch, rec. May 12, 1939).
    NAXOS 8.110613 (B) (ADD) TT: 59:38 This is a worthy companion to Naxos' recent issue of Cortot's recordings of Chopin's Concerto No. 2 and Schumann's concerto (see review) , completing their survey of Cortot's complete concerto recordings (with the exception of his 1927 recording of Symphonic Variations These performances are extraordinary. Cortot produced a sound that belied his small presence (he was only 5 ft. tall). The somewhat erratic pianist had technique to burn and, at his best, even though on occasion he had memory lapses, was one of the top pianists of the century. Symphonic Variations was of particular interest to him. Louis Diémer was Cortot's principal piano teacher; Franck dedicated the work to him and it was he who played the premiere May 1, 1886 with the composer conducting. Cortot referred to the music as "the work of Franck's that I have played the most, and of which I had the pleasure of being at least a loving interpreter if I had no other merit in nearly every city in the old and the new worlds." Naxos' fine CD notes by Norman Pellegrini give Cortot's detailed comments on all aspects of interpreting the score.

    17. Index To 'Ragging The Classics'
    cortot, alfred Three pianistConductors; Rudolf Ganz, alfred cortot, Erno Dohnanyipart one R/R 155/6 July 1978 p.11 (see Dohnanyi for part two)
    http://www.hensteeth.com/classics.html
    Index to John Sam Lewis' 'Ragging The Classics' column in Record Research Magazine
    ddiehl@tstc.edu Albeniz, Isaac
    The Pupils of Franz Liszt
    R/R 237/238 Nov. 1988 p.5 Bartok, Bela
    The Centenarians [Part One] Mssrs. Bartok, Stravinsky, Petri, Grainger, and Enesco
    R/R 193/4 Oct. 1982 p.8 Brahms, Johannes
    A Whisper from the Past! Joseph Joachim Part Three
    R/R 189/190 Mar./Apr. 1982 p.9 (Johannes Brahms) Beecham, Thomas
    The Beecham Celebration Part One
    R/R 171/2 Mar. 1980 p.12
    Beecham, Thomas
    The Beecham Celebration Part Two R/R 173/4 June 1980 p.12 Beecham, Thomas The Beecham Celebration Part Three R/R 175/6 Sept. 1980 p.12 Beecham, Thomas The Beecham Celebration Part Four R/R 177/8 Nov. 1980 p.12-13 Berger, Julius Discographical Serendipity; Julius Berger Cellist Part One R/R 243/244 May/June 1990 p.8 (Carl Lindstrom labels, Ariel Records, composer credits of Berger's Parlophones) Berger, Julius Discographical Serendipity; Julius Berger Cellist Part Two R/R 245/246 Jan. 1991 p.8 (Parlophones attributed to Emanuel Feuerman) Casals, Pablo

    18. Nimbus Records, Grand Piano, NI 8814, Alfred Cortot Plays Chopin, Liszt, Beethov
    I am absolutely spellbound by the courage of his playing. In an interview AlfredBrendel said of cortot, He is the one pianist who equally satisfies my mind
    http://www.wyastone.co.uk/nrl/gpiano/8814c.html
    Premier Prix in piano at the Conservatoire and his career was launched as soloist with the famed Colonne and Lamoureux orchestras. Soon after, he was touring Europe performing concertos and solo recitals.
    In Paris in 1902, the twenty-five-year-old conductor gave the first performance of Wagner's and later Parsifal German Requiem , Liszt's Saint Elizabeth Oratorio , and even Beethoven's Missa Solemnis which, amazing as it sounds, took eighty-five years to reach Paris from Vienna. Besides this, he championed many contemporary French works both as a conductor and pianist.
    Ever restless and musically hungry, he formed a piano trio with Pablo Casals and Jacques Thibaud in 1905, which must rank as one of the finest chamber ensembles in history. Fortunately, their art is captured in several priceless recordings including Beethoven's Archduke Trio, Schubert's B-flat Trio, and the Mendelssohn and Schumann D minor Trios, while Cortot's conducting may be heard in the Brahms Double Concerto with Casals and Thibaud as soloists.
    Cortot's dedication to his art was tireless. He once warned Lipatti, "If you decide to dedicate your life to this art you must be armed with patience, and be ready for many sacrifices". Cortot's musical advice was often highly detailed. After a public performance by Lipatti of the Liszt Piano Concerto No. 1, Lipatti wrote home: "At the end of the concert Cortot opened the score and made some interesting remarks. He would have liked bars 22-23, in the third section (Scherzo), played a little more freely, more capriciously. Also in the Scherzo, bars 141-161, he suggested I play a tremolo (similar to the one which precedes the last scale-passage in the Coda) instead of a trill, as only in this way will it sound clearly and powerfully. The same applies to bars 70-72 in the Finale. As to bars 80-85, he suggests I play them in the version given as 'ossia', not in original form. He also showed me several changes in the score added later by Liszt himself..."

    19. CORTOT, Alfred, Autographs, Manuscripts, Letters, Documents And
    cortot, alfred, (18771962). pianist. Signature on an album leaf, ca 70 x 110mm (2½ x 4½ inches), dated in pencil in another hand, 29 September 1923.
    http://www.manuscripts.co.uk/stock/6325.HTM
    Restart site CORTOT, Alfred (1877-1962). Pianist.
    [No: 6325]
    back to index
    John Wilson Manuscripts Limited, Painswick Lawn, 7 Painswick Road, CHELTENHAM GL50 2EZ, UK

    Tel: +44(0)1242 580344 Fax: +44(0)1242 580355

    20. Untitled Document
    The Complete Musician pianist. Conductor. Innovator. Collector of priceless manuscriptsand first editions. alfredDenis cortot was every one of those
    http://web02.hnh.com/historical/cortot.htm
    The Complete Musician
    Pianist. Conductor. Innovator. Champion of music of his time. Educator. Editor. Writer on music, musicians, and music appreciation. Collector of priceless manuscripts and first editions. Alfred-Denis Cortot was every one of those things, and as the nourishment of each of them contributed to the others, he became one of the most important musical figures and respected performers of the twentieth Century. In the midst of this, in 1905 he organized, along with the violinist Jacques Thibaud and cellist Pablo Casals, one of the great trios of all time, one which - over its spasmodic years of collaboration and its still highly-regarded recordings - is credited with bringing chamber music to greater public cognizance and appreciation than it had enjoyed previously. Cortot made more than eighty editions of piano music of various composers, most notably Schumann and Chopin, including the latter's Ballades, Preludes, and Etudes published in four volumes. As in his teaching, he included in these editions detailed suggestions for surmounting the technical difficulties in the music as well as writing about the music's character and extolling its worth. He also amassed a large collection of manuscripts and original editions. And through all this, he was a tireless and internationally-acclaimed pianist, concertizing and recording, and these were activities for which he was at the time, and remains, best known.

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