61. Classical Net Review - Liszt - Complete Piano Music Vol. 40 leslie howard, piano Hyperion CDA67034 74 minutes. howard scores particularly inthe introduction, with a technique are merely what a pianist needs to bring http://www.classical.net/music/recs/reviews/h/hyp67034a.html

Franz Liszt Complete Piano Music Volume 40 Gaudeamus igitur - Paraphrase Una stella amica La marche pour le Sultan Abdul Medjid-Khan Seconda Mazurka di Tirindelli variata da F. Liszt Seconde Marche hongroise (first version) Nocturne (Impromptu, first version) Festmarsch zur Sakularfeier von Goethes Geburtstag (first version) Solovei (first version) Galop russe (first version) Lyubila ya (first version) Gaudeamus igitur - Humoreske Ballade 2 (first version) Leslie Howard, piano Hyperion CDA67034 - 74 minutes My, oh my . . . forty volumes. You'd suppose that by now they'd be scraping the bottom of the barrel. Either they have and Howard makes these things sound better than their intrinsic musical merit, or Liszt is simply an uncommonly interesting musical mind. I suspect a bit of both. The works on the program tell us much about the life of a nineteenth-century piano virtuoso. Our own concert tastes seem positively dour beside those of our forebears. Elaborations of popular songs and dances, opera paraphrases, pieces d'occasion, and especially the variations on "national airs" all crowded the kit bag. The traveling virtuoso was not only the priest of high culture, but pretty much the juke box and (with the "monster concert") t.v. as well. S. Frederick Starr lays out much of this in his recent study of Gottschalk. The two marchesthe second Hungarian and the one written for Goethe's birthdaylack the manic passage work of the typical Lisztian showstopper and really seem sketches for orchestral works, and, indeed, the composer orchestrated both. The Sturmmarsch has the energy of Berlioz's Racozky. Howard here manages to suggest the orchestra through a discreet variety of touch and color. The festival march begins like gangbusters with two stunning harmonic ideas, but soon lapses into the less-than-routine. Not even Howard can save it.

62. Phillip Sear - Musical Background theatre and operetta productions, then as rehearsal pianist for Sussex inter alia,Nicolai Demidenko, Christian Blackshaw, and leslie howard (including April http://members.tripod.co.uk/phillip_sear/CV.html

Phillip Sear - pianist Home My musical experience Concerts Midis ... Links Less-performed composers whose piano music I have played in public include (not in any particular order, and with links to relevant composer sites): Erik Chisholm On the lighter side: Rae da Costa, Zez Confrey, Ernesto Lecuona, Billy Mayerl, Franz Vienna, Ethelbert Nevin, Leroy Anderson. Abstract drawing by Phillip Sear My musical experience Whilst continuing my City career, in the 1980s I gradually returned to piano playing, first as accompanist to operatic societies for musical theatre and operetta productions, then as rehearsal pianist for Sussex opera groups, including New Sussex Opera, Regency Opera, and Heber Opera (see list of shows worked on, below). I attended Martino Tirimo's advanced piano class at Morley College for some years, at which I played for him, Gwynneth Prior, Hamish Milne and others. I have also played at masterclasses at various summer schools and ad hoc classes for, inter alia, Nicolai Demidenko, Christian Blackshaw, and Leslie Howard (including April 1999 Liszt Society masterclass). As accompanist for others, I have played at masterclasses conducted by, inter alia, Robin Bowman, Paul Hamburger, John Cameron, John Carol Case, April Cantelo, Michael Bochmann, Judith Hall, and have given public or workshop performances of solo works by many neglected composers. I have also accompanied singers and instrumentalists in concerts in London and the South East. Details of representative public engagements since Spring 1998 are given elsewhere on this site.

63. Hardie Press - Specialist Sheet Music Publishers - Liszt Society Publications Franz Liszt, the Hungarian pianist and composer was born in 1811 and pathétique fortwo Pianofortes Franz Liszt Edited by leslie howard Großes Konzertstück http://www.hardiepress.co.uk/lszpub.html

EDINBURGH Home Fiddle Music Vocal Music Dramatic/Musical ... Links Franz Liszt, the Hungarian pianist and composer was born in 1811 and died in 1886. Liszt Society Publications are published by The Hardie Press and concentrate, with some very specialist volumes, on the following aspects of this 19th Century master's output: Pianoforte Music Works for Two Pianofortes Music for Violoncello and Pianoforte Music for Pianoforte, Violin and Violoncello Songs for Voice and Pianoforte (currently out of print but available again later this year) Please note that although some of the works in this series use the Hungarian form 'Ferenc' of Liszt's Christian name, our website uses the German form 'Franz' in order to make the process of web searching easier. Vol. 1 Late Piano Works

64. Franz Liszt Page Prefatory remarks, commentary and biography, recommended recordings, ode to Liszt, time line, bibliograph Category Arts Music Composition Composers L Liszt, Franz...... Christina Kiss is a phenomenal, HungarianAmerican pianist currently performingthe leslie howard President of the Liszt Society in London and world renowned http://www.d-vista.com/OTHER/franzliszt.html

Table of Contents Preface Recommended Recordings Ode to Franz Liszt Liszt Timeline ... fliszt@d-vista.com Text and Artwork Now Playing: Consolation #3 Orchestrated by Rich DiSilvio Preface W elcome, I regret not being able to communicate in all languages, but luckily we have music the universal language. However with some knowledge of English you should be able to enjoy this site. Regards. German translation: "Herzlich willkommen! Ich bedauere sehr, diese Web-Site nicht in allen gaengigen Sprachen anbieten zu koennen (zum Glueck haben wir ja die Musik als Universalsprache). Doch mit einigen grundlegenden Englischkenntnissen ist es gar nicht schwer, auch diesen Internetauftritt fuer sich zu nutzen und zu geniessen. Danke für Ihr Verstaendnis!" Italian translation: Benvenuto, mi rammarico di non potere comunicare in tutte le lingue, ma fortunatamente abbiamo musica la lingua universale. Tuttavia con una certa conoscenza dell'inglese dovreste potere godere questo luogo. Riguardi. Spanish translation: French translation: Bienvenue, je regrette de ne pas pouvoir communiquer dans toutes les langues, mais heureusement nous avons la musique la langue universelle. Cependant avec de la connaissance de l'anglais vous devriez pouvoir apprcier cet emplacement. Respect.

65. Films And TV: Movie Lookup of a worldfamous violinist (leslie howard) in their knew with the man (Trevor howard)she loved method of treatment attempted for pianist Francesca Cunningham http://www.filmsandtv.com/search.asp?ms=2&uq=Ann Todd

66. DVD Actors Actresses ( O ) Oberon, Merle That damned elusive Pimpernel finds a dashing embodiment in leslie howard, who has comedyabout married couple with problems, and their absurd pianist friend. http://actorsntoz.ofpmovies.com/dvd/actors_actresses/o/oberon_merle.htm

67. CNIDR Search [abt4192] Complete piano music of Franz Liszt ; 6 Notes leslie howard, piano. Recorded Jan.6, 7, and Dec. 7, 9, 1989. Compact discs. Program notes by the pianist (7 p http://www.dlib.indiana.edu/cgi-bin/var/bib?abt4192

68. CNIDR Search [abh0625] versions. leslie howard, piano. Recorded Feb. 810, 1988. Compact disc.Program notes by the pianist (7 p.) inserted in container. http://www.dlib.indiana.edu/cgi-bin/var/bib?abh0625

69. Internet Broadway Database: Production Credits and Anthony Newley; Book by leslie Bricusse and Dance arrangements by Peter howard;Musical Director Music Copyist Thomas Brown; Rehearsal pianist Judd Woldin http://www.ibdb.com/production.asp?ID=3243

70. The Official Website For KT Sullivan-Career from that whole group, and he was her first pianist. she tied up the links betweenPorter, Coward, and howard. Photo by Jerry Dalia, KT and leslie Neilson in http://www.citycabaret.com/ktsullivan/ktcareer.htm

"I love so many things, but I had to focus, and I think I did." The show was ended at a tiny club in Los Angeles called The Rose Cafe. KT was singing alone, and the owner of the club heard her and asked if KT had an act and was looking for work. "I never thought of an 'act.' I love doing stage work. I had just come back from doing, Sugar . with Arte Johnson. I never though of standing up in front of people, singing to people, being yourself. My friend, Howard Witt said, 'You've got to do this. This is what you can do that's YOU. Other people can sing opera better; other people can do Shakespeare better. This is what you can do and you need to focus on this.'" Convinced, KT found a teacher named Carlos Noble, a man who became essential in forming her style. "I always introduce Carlos as the man who taught me 'not to sing.' He approached songs like an actor, and taught me to break down the songs, paraphrasing them. When you've made them into something personal, they'll always be yours like Mabel Mercer did, and Sylvia Syms, and Julie Wilson does, these are the people I admire. Before that I was a chirper." They found a pianist, Bobby Gorman, who had been understudy for Stubby Kaye on Broadway. He had a great sense of humor, and sat down at the piano, throwing her barbs.

71. Supporters Of The Overs Grand Piano Bob Hohf, Piano technician, RPT USA. Dr leslie howard AM, Concert pianist andrecording artist. David Howie, Accompanist - Sydney Conservatorium of Music. http://www.overspianos.com.au/supp.html

SUPPORTERS OF THE OVERS GRAND PIANO The small, forward looking Australian grand piano manufacturer Overs Pianos, with an annual production of only two to four 225 grand pianos per year produces exclusive instruments, with the number of potential buyers totally outstripping the number of pianos available. From an illustrious past as a specialist grand piano rebuilder, Overs Pianos is building a future as a leading manufacturer of grand pianos. When you consider that the Overs grand piano model 225 has been available for only two years, the list of pianists, musicians and other music industry people who have become fans is impressive. These include; Chris Abrahams Jazz pianist - Sydney Michael Ashby Piano technician, New Zealand Dale Barlow Jazz musician - Sydney Malcolm Batty ABC producer David Bollard Senior lecturer in keyboard at Monash University Mark Bolsius Piano technician - ACT John Borsje Piano technician - Victoria Dr Robert Boughen OBE Brisbane City Organist Margaret Brandman Pianist/educator - Sydney Richard Brekne Piano technician,RPT - Bergen, Norway

72. Pianists Information Sites howard, leslie Official site of London-based concert pianist. Includes biography,recordings, compositions, reviews. Leonhardt, Trudelies - Fortepianist. http://songsorg.com/Instruments/Keyboard/Piano/Pianists/

SONGSorg.com Search The Largest Human Reviewed Music Database on Internet (Not sure of spelling? Use first letters and * such as abc* or abcd* or abcde*) Match:.. All Any Format: Long Short Search Words: Search the Internet (Not sure of spelling? Use first letters and * such as abc* or abcd* or abcde*) Match:.. All Any Format: Long Short Search Words: Top Arts Music Instruments ... Piano : Pianists Agents and Managers Barenboim, Daniel Bendix, Victor Bentzon, Niels Viggo ... Argerich, Martha (b.1941) - Excerpts from a 1979 interview with Dean Elder; in-print discography; reviews. Rubinstein, Arthur (1887-1982) - International Music Society Page, includes these biographical notes by Harold C. Shoenberg. Reichert, Aviram - Born in Israel, includes biography, contact information and MP3 clips. Saracino, Siro - Curriculum, concerts, repertoire. Kolacny, Steven and Stijn (1969, 1975) - Piano duo. Includes biography, RealAudio samples, calendar, contact information, picture gallery and press releases. Ousset, C©cile - French pianist page with biography, discography, repertoire and reviews. Klein, Andreas

73. A Chase '72 N0 '02 24) Saturday, guest pianist Lee Jackson '69. The Class of '72-Art Chase, Rusty Murphy,Sue Accord/Skube, Greg Walker, leslie Young, Kirk howard, Jay Hicks http://www.londoncentral.org/classreps/72co/no-02_achase1.htm

londoncentral.org Up Updated on Saturday, August 17, 2002 01:28 PM Art Chase '72 Reunion Photos New Orleans with lots more to come. i will post all the photos you want. email me at jmercer66@londoncentral.org to have your photos posted. click on images to enlarge ... 1)- Friday, Art Chase '72, Susan Hensley/Wadopian '73. 2)- Friday, Barry Gillipsie '71 brings beads out to the balcony. 3)- Friday, Beads on the balcony. 4)- Friday, Beads to amuse the boys. 5)- Friday, Bourbon Street. 6)- Friday, Bourbon Street sign. 7)- Friday, Gigi Blount/McGeehee '68 Hosting the hospitality suite. 8)- Friday, Jane Freeman/Mellman '73, Art Chase '72, Susan Hensley/Wadopian '73. 9)- Friday, Jane Freeman/Mellman '73, Rob Shanks '71, unknown, Susan Hensley/Wadopian '73, Greg Walker '72 party on. 11)- Friday, Rusty Murphy '72, Jane Freeman/Millman '73, Art Chase '72, Susan Hensley/Wadopian '73. 12)- Saturday, Brett Brunson '72, Kirk Howard '72. 13)- Saturday, '73 Boa Babes Janet, Marjorie, Jane, Susan, Vicki. 14)- Saturday, Class of '75 on the balcony. (from Left to right) Jody Nixon/Westmoreland (red dress), Laurel Ritchie/Fleming (white blouse), Darrell "DOC" Savage (yellow shirt), Cathy Mock/Koch (long black dress), Suzanne Dowe (glasses, also with shorter black dress), Tammy Fellows (pink top, black pants), Lisa Allen/Gasseling (far right).

74. Intermezzo (1939) Ingrid Bergman, leslie howard Director Gregory Ratoff Synopsis A great violinistis torn between paternal loyalty and love for a beautiful pianist in this http://www.reel.com/movie.asp?MID=4911

75. CSM 1996 Concert Program Thursday 18 8.15pm Llewellyn Hall The Recital of the Year Outstanding Australiansoprano Yvonne Kenny and pianist leslie howard pay their tribute to the late http://www.anu.edu.au/ITA/AusArts/www/concert/concert11.html

CANBERRA SCHOOL OF MUSIC CONCERT PROGRAM The Canberra School of Music presents staff members, visiting artists and students in concert for the enjoyment of music lovers in Canberra and the surrounding region. Concerts are presented for their educational value, to train student musicians for careers in performance, and to make available to the public music which is not usually presented by entrepreneurial organisations. Concerts are staged in Llewellyn Hall, Canberra's premier concert venue, which has a large seating capacity, in the more intimate Rehearsal Room 3 or in a number of venues throughout Canberra. Some student concerts are free: where there is a charge for admission, tickets will normally be available at the door from one hour prior to each concert. MAIN CAMPUS - CHILDER STREET, ACTON ACT AUSTRALIA 2601 TELEPHONE 06 249 5700 MANUKA CAMPUS - NEW SOUTH WALES CRESCENT, MANUKA ACT AUSTRALIA 2603 TELEPHONE 06 249 5754 FEBRUARY Sunday 18 4.00pm RR3 Post-Romantic Russian Piano Music of the 1920's - 1 Introduced and played by Larry Sitsky Three pieces from Op 15 'Melonimiques' Rebikov Sonata No 2 Roslavets Revelation Obukhov Ereignis VII Polovinkin Syntez Lourie Sonata No 1 Mosolov Admission $10/$6 (concessions and Friends) Sunday 25 4.00pm RR3

76. Hudson Valley Records - Leslie Ritter & Scott Petito - Bios & Photos You can email leslie at LesRit@aol.com Scott Artie Traum, The Dolphins, Bela Fleck,howard Levy, Tom He has collaborated with pianist Warren Bernhardt since http://www.hudsonvalleyrecords.com/scotles/bios.html

A R T I S T B I O S Leslie Ritter Leslie grew up with musician parents and was singing show tunes, Tony Bennett ballads and Puccini arias b y the time she was 6. Following acting studies at NYU, she appeared in several off-Broadway productions before moving to Woodstock to devote herself to singing. Leslie has performed and recorded with James and Livingston Taylor, Dr. John, David Wilcox, Rory Block, John Sebastian, Shawn Colvin, Todd Rundgren, Kris Kristofferson, Artie Traum, Odetta, The Fugs, Tom Paxton and others. She co-founded Amy and Leslie, "upstate New York’s premier female singing duo" (Dirty Linen). By 1995 when she and Amy parted to pursue separate careers, they had received international critical acclaim for three albums, a VH-1 video, placed 2 singles on Top 30 adult Contemporary charts and sold over 25,000 copies of their 1994 recording "Take Me Home". You can email Leslie at LesRit@aol.com

77. RONDO-Archiv: Vergleich, Liszt, H-Moll-Sonate Translate this page Natur bringt der Liszt-Spezialist leslie howard auf die Die CD howard Hyperion/KochCDA 66429 (1990). Kein pianist dieses Jahrhunderts ist der Sonate gerechter http://www.rondomagazin.de/klassik/cdgalerie/liszt.htm

Inhalt CD-Galerie Archiv-Inhalt Titelseite/Inhalt CD-Galerie Liszt: Klaviersonate h-Moll (Aus RONDO 4/96) A ls Ringen einer leidenschaftlichen Seele um das Ideal wurde Franz Liszts h-Moll-Sonate bezeichnet. Was immer man von solchen Deutungen halten mag, außer Frage steht, daß dieses Werk der Extreme mit seinen jähen Stimmungswechseln und seiner monumentalen Form von jedem Interpreten Außerordentliches fordert. Als Franz Liszt 1852 mit der Komposition seiner Klaviersonate in h-Moll begann, lagen seine Triumphe als "Pop-Star" der Pariser Romantik und die dazu geschaffenen Bravourwerke hinter ihm. Nun saß er als Hofkapellmeister in Weimar und rang mit dem Schatten Beethovens, indem er sein bedeutendstes Klavierwerk schlicht "Sonate" nannte und den geplanten bombastischen Schluß zugunsten eines akkordischen Verdämmerns verwarf. Wer indes eine Sonate klassischen Zuschnitts erwartet, dürfte verwirrt sein. Die h-Moll-Sonate, an deren Beginn drei Themen exponiert werden (eines davon, der berühmte "Hammerschlag", bohrt sich sofort ein), kann man entweder als einsätzige Sonatensatz-Fantasie oder auch als Verschmelzung vierer Sätze begreifen. Klassische Themenentwicklung gibt es nicht, sondern ein Gespinst von Verwandlungen dieser Motive, die ständig in anderen Masken daherkommen. Für Statistiker: 81 Prozent der Takte sollen Varianten dieser Keimzellen sein. Doch wer würde ein derart feuriges, grandioses Klavierwerk so strukturell hören?

78. Gavin Bryars Ensemble Council Contemporary Music Network Tour I added another great pianist Martin Jones Zaleski'sGazebo for two pianos 8 hands featured leslie howard, Martin Jones http://www.gavinbryars.com/Pages/ensemble_note.html

Gavin Bryars Ensemble During the 1970's I worked in composer/performer ensembles with composer friends such as John White, Dave Smith and Christopher Hobbs. We played each others' music, writing for each other as performers and accepting the frequent oddity of the ensuing instrumentation. The ethos was one of mutual respect, musical trust and an ability to understand forms of musical shorthand. The first time that we gave a concert entirely of my work was at the 1979 Festival d'Automne in Paris, in the Chapelle de la Sorbonne when I augmented the group with 3 of my students to perform pieces such as The Sinking of the Titanic In 1981 John White and I put together a combined ensemble for a Regional Arts Contemporary Music Network tour which featured, more or less equally, works by each of us, played by a group which included many of the formidable musicians performing John's music for Arthur Miller's Death of a Salesman at the National Theatre. When I started my own ensemble I worked on the principle that pervaded our early work - that first and foremost the ensemble should comprise musicians with whom I wanted to work rather than players who were there simply because I needed certain instruments. For this reason the ensemble has often had an unusual line-up. In 1986, for example, there were 6 players: violin, clarinet, piano, 2 percussion, bass, with the last four all playing percussion and one of the percussionists also playing recorder. My current ensemble is much larger, between 6 and 12 people according to repertoire, but all are versatile musicians being essentially chamber music players who are also exceptional individual soloists. The ensemble has changed over the years, and many fine players have either been members of the ensemble or have performed with it on specific occasions. My closest musical colleague Dave Smith has been with me longest, and we worked together even before my ensemble came into being. The only time that I have performed in New York, for example, was when Dave and I gave two curious duo-piano concerts at The Kitchen in 1978. He was also in the group which played in Paris in 1979 though, because of the need to cover university teaching for myself and John White, he did not tour in the 1981 band.

79. Trinity URC leslie howard at TRINITY. leslie howard, the world renowned concert pianist, willbe giving a special recital on Saturday, 27th January at 7.30 pm at Trinity. http://www.trinitywimbledon.com/events.htm

NEWS AND COMING EVENTS The following are regular weekly activities in the life of Trinity: - meets at 8.00pm on the second Monday of each month at members' homes to discuss topics of current concern. Badminton Club meets every Monday evening in the church hall during the season A drop-in coffee morning which meets at 10.30am every Tuesday - includes a 20 minute informal act of worship normally led by the Minister. Trinity Toddlers - an activity for parents/carers and toddlers meets at 10.00am Wednesdays and Fridays in the church hall Wednesday Social Group Other Regular Activities and Upcoming Events House Groups meet by arrangement in the homes of members Trinity Trekkers (click) Once a month on a Saturday afternoon a walk is organised in the Surrey countryside. The Trinity Course Written by the Minister and led by him, a six week course on the basics on the Christian Faith is organised each year in the spring and autumn. A new course begins on Thursday 6th March at the Church and will take place every Thursday during the season of Lent - six in all. the evenings begin with a shared meal at 7pm and will end at 9.30pm. The course is designed for those who wish to explore the basics of the Christian faith or those who feel the need for a "refresher". This is a brilliant opportunity to invite friends who have no church connection as yet but who wish to discover what Christianity is all about. Booking forms are available.

80. Van Cliburn Foundation Jones, leslie (Canada). F. howard Walsh Foundation. and Vladimir Viardo ($300 eachVan Cliburn for Rachmaninoff's 100th Birthday) Highest Ranking pianist of the http://www.cliburn.org/competition/pastcomp.html

PAST RESULTS OF THE VAN CLIBURN INTERNATIONAL PIANO COMPETITION First Competition Second Competition Third Competition Fourth Competition ... Eleventh Competition Van Cliburn Foundation Download a printable version of this page here First Competition September 24 - October 7, 1962 Winner: Ralph Votapek Winner Country Amount Given by 1. Ralph Votapek USA National Guild of Piano Teachers and Dr. and Mrs. Irl Allison 2. Nikolai Petrov USSR Laura Jane Musser 3. Mikhail Voskresensky USSR The Amon Carter Foundation 4. Cécile Ousset France Fort Worth Piano Teachers Forum 5. Marilyn Neeley USA 6. Sergio Varella-Cid Portugal Mrs. Carl Beutel 7. Arthur C. Fennimore USA 8. Takashi Hironaka Japan Finalist: Hiroko Nakamura* Japan *Withdrew from finals due to illness. Best Performance of Commissioned Work : Arthur C. Fennimore Best Performance of Chamber Music : Ralph Votapek and Hiroko Nakamura Second Stage De Groote, Andre (Belgium) Kono, Hajime (Japan) Perry, John (USA)

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