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41. Piano Instruments ( 323 Human Selected Links )
Harold (18731951) -Berman, Boris -Bohdan Bubak czech pianist -Brautigam, Ronald Peter(b.1947) -Serkin, Rudolf (1903-1991) -sherman, russell -Smidak, Miron (b
http://www.cbel.com/piano_instruments/
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Brent Hugh's Piano Home Page

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42. Piano Instruments ( 323 Human Selected Links )
Caramiello, Francesco (b. 1964) Bohdan Bubak czech pianist -Bates, Leon Sultanov,Alexei -Spadaccini, Daryl -Sowell, Bobby -sherman, russell -Roldan, Nancy
http://www.cbel.com/piano_instruments/?order=alpha

43. Haesun Paik, Pianist
piano lessons in her native Korea at the age of 4. She is a graduate of New EnglandConservatory where she was a student of russell sherman and Wha Kyung Byun.
http://www.aaronconcert.com/artists/paik.html
Ms. Paik seemed every bit the major talent her advance billing suggested.
The New York Times HaeSun Paik has performed throughout the world following her triumphs at major international piano competitions including a gold medal in the 1989 William Kapell International Competition, a silver medal in the 1991 Queen Elisabeth International piano Competition and bronze medal in the 1994 Tchaikovsky Piano Competition as well as a prize in the 1990 Leeds International Piano Competition. Ms. Paik has received critical acclaim for her "sublime musicianship" and "stunning virtuosity." Following her New York recital debut, The New York Times stated: "in programming as well as performance, one could hardly have asked more from a debut recital. Ms. Paik seemed every bit the major talent her advanced billing suggested." Following her Los Angeles debut in the Wilshire Ebell Theater critics noted that, "she was a sensitive and thinking musician first and an awesome technician second." Ms. Paik has appeared with leading orchestras including the Boston Symphony Orchestra, the National Symphony Orchestra, the London Symphony Orchestra, the Munich Philharmonic, the Japan Philharmonic, the Korean National Symphony, The National Symphony of Belgium, the city of Birmingham Symphony Orchestra, the Warsaw Philharmonic and the Moscow State Philharmonic Orchestra. In addition to concerto performances, she appears frequently in recital including New York's Alice Tully Hall at Lincoln Center, the Kennedy Center in Washington, D. C., and in the concert halls of Brussels, Luxembourg and Moscow.

44. SALON: Sneak Peeks, Page 7
In Piano Pieces, russell sherman treats the piano much neutral indifference ofthe key, sherman writes, in A renowned classical pianist who teaches at the
http://www.salon.com/11/sneakpeeks/sneakpeeks7.html
N O N F I C T I O N PIANO PIECES
I n "Piano Pieces," Russell Sherman treats the piano much the same way Robert Pirsig handled Zen and motorcycles: with deep consideration and love. "The breath, prayers and libido of the fingertips must somehow be transferred to the neutral indifference of the key," Sherman writes, in this astonishingly quotable book; every page drops a golden prose apple. Fingers arc like "a team of wild huskies." The thumb is "the black sheep who is forbidden to roam on the black keys." The piano offers "rare aphrodisiacs of sound." A renowned classical pianist who teaches at the New England Conservatory of Music, Sherman comes at these 88 keys from the vantage of both performer and instructor. The book lacks a conventional narrative, opting instead for a butterfly strategy of quick exploration, then moving on. Hence the "Pieces" of the title; five sections enfold alightings on everything from the specific (the anatomy and musculature of playing) to the overarching (how music unlocks our hearts). The reader soon realizes Sherman's pedagogical style is holistic a term he would sneer at, having tagged himself "an old and unregenerate crust." (He's 66.) Here's his idea of homework, for instance: "I have asked one student to prepare a short discourse on the subject of chiaroscuro. . . another to. . . write an essay on the (plant) cycle, another to work up a list of twenty-five similes for the image of a samovar." Such careening well-roundedness informs the text. The book cites everyone from Edward Steichen to Lenny Dykstra (the man's a big sports fan), Rilke to Ben Hogan, Gerard Manley Hopkins to Wayne Gretsky. "Life and music were full of sweet surprises and agreeable detours," as Sherman's own beloved teacher, Edward Steurmann, showed him. "The role and privilege of being a musician implied a life without gloom, without pedantry."

45. Movies Unlimited: Product Page
angry that he has lost concert pianist girlfriend Lizabeth With russell Johnson asthe skipper of the frat Henreid as the professor, Robert B. sherman and Vera
http://www.moviesunlimited.com/musite/product.asp?sku=106934

46. TianYing-pianist.com
Past performers have included Richard Stoltzman, russell sherman, Ignat Solzhenitsyn,Joseph pianist Tian Ying has been invited by the Shanghai Broadcasting
http://members.aol.com/tianying/News.html
HOME BIOGRAPHY REVIEWS REPERTOIRE ... The Arizona DailyStar
Tian Ying
LATEST NEWS
BOSTON, MA. July 2001 Amnesty International has invited Pianst Tian Ying
to perform at the annual benefit concert at the Longy
School of Music in Cambridge, MA. on Sunday evening,
April 14, 2002. Past performers have included Richard
Stoltzman, Russell Sherman, Ignat Solzhenitsyn, Joseph
Silverstein, among others.
Tian Ying also performed in a recital to benefit the Aids
Outreach Program in Fort Worth, TX. earlier this year. SUNRIVER, OR. February 2001 Tian Ying has been invited to perform at the Sunriver Music Festival in OR. in August. He will join Artistic Director and Conductor Maestro Lawrence Leighton Smith in two concerts of Mozart and Shostakovich Piano Concerti. Tian Ying will also present a piano master class during the festival. SHANGHAI, CHINA October, 2000 SHANGHAI, CHINA July, 2000 Tian Ying returns to Shanghai after 18 years. Pianist Tian Ying has been invited by the Shanghai Broadcasting Symphony Orchestra to perform 2 concerts in September, 2000 in Shanghai, China in celebration of the 2nd anniversary of the opening of the Shanghai Grand Theater Performing Arts Center. This concert will be his first appearance in China since his debut concert at age 10. The repertoire will be Liszt Piano

47. NZPQ Biographies Richard Mapp-Pianist
soloist with all of the major orchestras, as an ensemble pianist with the FavoriteTeaching Material russell sherman Piano Pieces ; Madeline Bruser- The Art of
http://www.massey.ac.nz/~wwnzpq/richard.html
HOME REVIEWS ABOUT THE GROUP REPERTOIRE ... CONTACT
Richard Mapp
Richard Mapp showed musical promise early. He made his solo debut at the age of 12 with the Christchurch Civic Orchestra, playing Mendelssohn's First Piano Concerto. He studied with Ernest Empson, a Godowsky pupil and later at the University of Otago with Maurice Till, who had been a student of Empson. He pursued his musical studies in the United Kingdom studying with Gordon Green. He had inspirational coachings with William Pleeth (cellist and teacher of Jacqueline Dupre) and with the Beaux Arts Trio. His Wigmore Hall debut was very well received and a successful career of solo and recital engagements in Europe, Scandinavia and North America followed. During his time in Europe, he recorded several times for the BBC and his recent release of piano music of Granados on the Meridian label received glowing reviews in the BBC music magazine. His playing was also featured in a Mozart Concerto on the popular New Zealand Symphony Orchestra/Concert FM release "Beauty Spot 2". Since his return to New Zealand in 1991, he has performed as a concerto soloist with all of the major orchestras, as an ensemble pianist with the New Zealand String Quartet and for Chamber Music New Zealand. He has done recitals for Radio New Zealand and enjoys a busy teaching schedule at the Massey University Conservatorium of Music in Wellington.

48. NewStandard: 9/26/99
Photo by Bernard Vidal pianist russell sherman, who has become known as the thinkingman's virtuoso, will be guest soloist for Saturday evening's opening of
http://www.s-t.com/daily/09-99/09-26-99/e05ae178.htm
NBSO makes 'a case for classical music'
Season opens Saturday with Grieg concerto
By Joanna McQuillan Weeks, Assistant features editor
The New Bedford Symphony Orchestra's 85th season offers riches to lovers of Mozart, Beethoven and opera. It promises to uphold a popular holiday tradition and to usher in the millennium in grand, memorable style.
And once again, it will bring to the stage of the Zeiterion Theatre in New Bedford an array of world-class talents.
The program for the "Opening Night" concert at 8 p.m. features the Act II Finale from Mozart's "Don Giovanni," Beethoven's Symphony No. 5 in C Minor, Opus 67, and Grieg's Piano Concerto in A Minor, Opus 16. Guest soloist for the concert sponsored by Slade's Ferry Bank will be Russell Sherman.
In shaping the 1999-2000 season, artistic director Dr. F. John Adams explained, "We've taken a different tack this year to make a case for classical music."
Instead of lightening the repertoire in hopes of attracting an audience, "We've chosen the absolute deepest, most beautiful in particular, the most moving classical music there is ... to show what is special about classical music that you can't get anywhere else," he said.
Each of the three classical concerts Oct. 2, Jan. 2 and May 20 features a concerto Dr. Adams considered to be among music-lovers' favorites.

49. Pianists Information Sites
Alonso, Jose Ramon (b.1966) Spanish pianist's personal home page. sherman, russell- Mr. sherman studied with Eduard Steuermann, a pupil and friend of
http://songsorg.com/Instruments/Keyboard/Piano/Pianists/
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Search Words: Top Arts Music Instruments ... Piano : Pianists

50. 3clefs.com Pianist & Keyboard Bookshelf No. 1
The 3clefs.com pianist keyboard bookshelf no. 2. Approach To Improving Your Techniqueby Richard Prokop, cover Piano Pieces by russell sherman, cover The Adult
http://3clefs.com/001pianobks.htm
**NEW RELEASE**
Teach Yourself Piano
by Gillian Shepheard
How to Play Popular Piano in 10 Easy Lessons
by Norman Monath
David Hal (Designer)
3clefs.com:
  • Novice players page
  • Advanced players page.
  • SITE MAP
  • Links page
    Simple Steps to Playing the Piano
    by Richard P. Anderson, Reid Nibley
    How to Play the Piano Despite Years of Lessons:
    What Music Is and How to Make It at Home by Ward Cannel Fred Marx Free Music-Banner-Exchange Super Sight-Reading Secrets: An Innovative, Step-By-Step Program for Musical Keyboard Players of All Levels by Howard B. Richman (Editor) Quick Start Piano VHS Starring: Ruth Lundell, et al. The Piano Lesson VHS Director: Lloyd Richards (II) VHS Starring: Ethel Caffie-Austin, et al. Play Piano the Fun Way VHS Vol. 2(1992) Starring: Norman Mehr, et al. No Nonsense Piano Method VHS Starring:Ira Shore, et al. How to Play Keyboards (How to Play Series) by Roger Evans With Your Own Two Hands: Self-Discovery Through Music/50482589 by Seymour Bernstein Alfred's Basic Adult Piano Course: Lesson Book, Level One/2236 by Willard A. Palmer Study of Counterpoint by Johann Joseph Fux Alfred Mann(Translator) Boogie Woogie Piano: VHS Rock-a-Boogie Lessons in All the Hot Styles (1999) Starring: Mitch Woods, et al.

51. Piano Pieces
Reviews The Boston Review The pianist russell sherman has written a series of briefmusings in fluid, sometimes florid prose without a trace of jargon, their
http://hallmusical.com/instruments_performers/531.shtml
Piano Pieces
Home Entertainment Music
by Russell Sherman
See More Details

Paperback - 256 pages (June 1997)
Noonday Pr; ISBN: 0374525005 ; Dimensions (in inches): 0.69 x 8.00 x 5.02
Other Editions: Hardcover Reviews
The Boston Review
From Booklist , April 15, 1996
Alan Hirsch
This text refers to the hardcover edition of this title

52. Mosaic Records -
saxophonist Eddie Miller, clarinetist Matty Matlock, pianist Gil Bowers archives ofPrima’s bassist sherman Masinter Pee Wee russell is at his usual eccentric
http://www.mosaicrecords.com/DisplaySelectionDetail.asp?SelectionId=1035

53. Christopher Taylor
he projects in music and a fervent belief and devotion that shows in certain workswith tremendous conviction, said the pianist russell sherman, with whom Mr
http://www.jwentworth.com/taylor/times.htm
The New York Times ran a feature article about pianist Christopher Taylor recently, during a run of engagements he gave in New York in February (2001). Here's what Times reporter Kathryn Shattuck had to say about this remarkable young artist: Christopher Taylor: Seeking Adventure for Fingers and Mind
By KATHRYN SHATTUCK Those who know the pianist Christopher Taylor tend to speak of him in the hushed, reverent tones typically reserved for natural wonders if not the otherworldly. Colleagues trip over words like "innocence," "fervor," "beauty" and "vision" in an attempt to capture his elusive personality. Critics praise his virtuosity, his cerebral interpretations tempered by an aching tenderness, his unconventional programming and his advocacy of late-20th-century music. Mr. Taylor's bold individuality may never have been more evident than at the Van Cliburn International Piano Competition in 1993, where he took the bronze medal, becoming the first American to place in the event since 1981. In a year when Rachmaninoff dominated the concerto round, Mr. Taylor bucked the trend with renditions of the Brahms B flat and the Bach D minor. He saved his Rachmaninoff, an "Étude-Tableau," for an encore. Mr. Taylor " Kit to his friends " has always had a mind of his own. "I have described Kit as a kind of Parsifal with a computer mind, with a tremendous innocence in what he projects in music and a fervent belief and devotion that shows in certain works with tremendous conviction," said the pianist Russell Sherman, with whom Mr. Taylor studied on and off for a decade. "He is one of those strange genius types but very well balanced. The basic package is powerful."

54. Christopher Taylor
on Saturday night, Mr. Taylor, a lanky 31year-old pianist who graduated Julie Bees,and has since studied with Francisco Aybar, russell sherman, and Maria
http://www.jwentworth.com/taylor/taylor.htm
"The young pianist Christopher Taylor is so talented it's almost frightening...Taylor revealed limpid, legato lines of plaintive beauty. His ear was alert to the fantasy and drama in this work." The Boston Globe
"...and his performance of three of William Bolcom's splendid "Twelve New Etudes" [was] delivered with a daring spontaneity that masked some phenomenal technique...Taylor should be watched. He may be one of the most impressive young pianists on the horizon today." Washington Post

" "...his performance was a highlight of the season and already represents an astonishing achievement." The New York Times
"...Taylor really nailed it, certainly deserving the multiple bows he gave and standing ovation he got when it was over. He drew a plump, cushy sound from the big Steinway." (with St. Louis Symphony) St. Louis Post-Dispatch
"Taylor returned to the stage...and once again displayed a remarkable combination of brain, heart and fingers. In past appearances here, he has demonstrated his ability to bound from Bach to Messiaen, from Rachmaninoff to Boulez and do it all persuasively. Taylor can do it all." Fort Worth Star-Telegram
"Taylor made the Steinway work, finding a curiously successful balance between the distinct articulation required for the terraced baroque textures and propelling momentum of the Allegros with the absolute legato of a Chopin cantilena in the Adagio." (with The Polish Chamber Philharmonic)

55. Brent Hugh's Piano Home Page
Forgetting; A Masterclass with renowned pianist russell sherman. AList of Pianorelated Professional Organizations and Publications;
http://staff.mwsc.edu/~bhugh/
Brent Hugh's Piano Home Page
Brent Hugh
Assistant Professor of Piano
Coordinator of Piano Pedagogy
Missouri Western State College Department of Music
Please take a moment to visit the Missouri Western State College Keyboard Studies Home Page , to learn more about our programs in piano and organ performance and pedagogy. Click here to read about and hear an MP3 version of my recent composition
Music of the Human Genome
Piano Sites
This is a list of various piano-related pages that I maintain.
Notes and information about piano performance and music in general

56. Schüler In Berlin
Translate this page Steuermann, Eduard 1892 – 1964 Ukraine (Sambor), 1912 – 1914, privat, TheodorW. Adorno, Alfred Brendel, Joseph Kalischstein, russell sherman, pianist, Dozent.
http://www.schoenberg.at/1_as/schueler/berlin/schueler_berlin.htm
Name
Lebensdaten
Herkunftsland Dauer des Unterrichts Ort des Unterrichts Andere Lehrer Beruf Lewin, Melitta
Stern'sches Konservatorium Reimers, Heinrich
Deutschland (Lehe) Stern'sches Konservatorium Pianist von Webenau, Vilma
privat Fritz Cortolezis Komponistin, Musiklehrerin Clark, Edward
England (New Castle) privat Dirigent, Programmleiter des BBC Deutsch, Max
privat Eduard Steuermann Komponist, Kompositionslehrer Dolbin (eig. Pollak), Benedikt
privat Karikaturist, Diplomingenieur Jemnitz, Sandor
Ungarn (Budapest) privat Reger, Nikisch, Straube, Sitt Komponist, Musikschriftsteller, Dirigent Kayser, Hans
Deutschland (Buchau) privat Humperdinck, Kretzschmar Schriftsteller, Herausgeber Linke, Karl privat Lehrer, Schulreformer Perelmann, Leo privat Steuermann, Eduard Ukraine (Sambor) privat Theodor W. Adorno, Alfred Brendel, Joseph Kalischstein, Russell Sherman

57. Berlin Students
Translate this page Eduard 1892 – 1964 Ukraine (Sambor), 1912 – 1914, private, Theodor W. Adorno,Alfred Brendel, Joseph Kalischstein, russell sherman, pianist, Teacher.
http://www.schoenberg.at/1_as/schueler/berlin/schueler_berlin_e.htm
Berlin Students Name
Date of birth and death
Origin Duration of instruction Place of instruction Other teachers Profession Lewin, Melitta
Ukraine (Kiew) Stern Conservatory Reimers, Heinrich
Germany (Lehe) Stern Conservatory Pianist von Webenau, Vilma
Turkey (Istanbul)
private Fritz Cortolezis Composer, Music Teacher Clark, Edward
England (New Castle) private Conductor, Program Chef of BBC Deutsch, Max
Austria (Wien) private Eduard Steuermann Composer, Teacher for Composition Dolbin (eig. Pollak), Benedikt
Austria (Wien) private Caricaturist, Engineer Jemnitz, Sandor
Hungary (Budapest) private Reger, Nikisch, Straube, Sitt Composer, Music Writer, Conductor Kayser, Hans Germany (Buchau) private Humperdinck, Kretzschmar Writer, Editor Linke, Karl Austria (Wien) private Teacher Perelmann, Leo

58. Calendar, March 29-April 11, 1996
Tues., Apr. 2. 800 PM pianist russell sherman. Shall We Dance, Sonatas in E. Minor,Variations on a Theme by Paganini, Intermezzo in E. Major, Op. 116, No.
http://www.columbia.edu/cu/record/archives/vol21/vol21_iss21/record2121.12.html
Calendar, March 29-April 11, 1996
Talk
Fri., Mar. 29 Noon. "Placed Names: A/Historical A/Effects of Okinawa's 'Cornerstone of Peace,'" by Gerald Figal, Lewis and Clark Univ. East Asian Institute Brown Bag Lunch and Lectures. 918 International Affairs Building (IAB). 12:30 P.M. "Transposed Landscapes and Social Geography," by Mirka Benes, Harvard. Response by Joseph Connors, professor of art history. Graduate School of Architecture, Planning and Preservation. 114 Avery. 3:30 P.M. "On Brushes, Mushrooms and Things that Go Bump in Solution: A Neutron Reflectometry Study of Polymers at Interfaces," by Gregory S. Smith, Manuel Lujan Neutron Scattering Center, Los Alamos National Laboratory. Dept. of Chemistry and Dept. of Chemical Engineering, Materials Science and Mining Polymer and Interface Seminars. 320 Havemeyer. Mon., Apr. 1 Noon. "The Clinton Administration's Approach to North Korea," by Thomas Hubbard, U.S. Department of State. East Asian Institute Brown Bag Lunch and Lectures. 918 IAB. Noon. "When Homologues Meet: Using Transvection to Study Chromatin," by Ting Wu, Harvard. Biological Sciences Colloquia.

59. Miller Opener To Reach A Million On Public Radio
listeners will be able to hear the openingnight concert of the 1994-95 KathrynBache Miller Theatre season when pianist russell sherman's all-Beethoven
http://www.columbia.edu/cu/record/archives/vol20/vol20_iss4/record2004.17.html
Miller Opener to Reach a Million on Public Radio
A million listeners will be able to hear the opening-night concert of the 1994-95 Kathryn Bache Miller Theatre season when pianist Russell Sherman's all-Beethoven program is broadcast across the country on National Public Radio. Sherman will be the first of seven artists in the Theatre's "Composer and the Keyboard" series, and the first of 15 Miller Theatre 1994-95 performances to air on "Performance Today," NPR's afternoon concert program. Sherman '48CC will play the Tempest Sonata, the Eroica Variations, the F major sonata, Opus 54, and Opus 111works he will release later this year on a CD of Beethoven's piano compositions. The opening-night ceremony will be emceed by Jonathan Cole, Columbia provost; Sherman will be introduced by Edward Said, University Professor and cultural critic. Last season three Miller Theatre concerts were broadcast on NPR. "We're pretty greedy this year," says Steven Zakar, music acquisitions producer for "Performance Today," NPR's daily afternoon program which has become the most listened-to classical music show on public radio. Zakar says that Miller's state-of-the-art multi-media stage allows for quality recording, especially of the series that feature individual artists and small ensembles.

60. The Chopin Sound. November 16, 1999. The Connection With Christopher Lydon.
What kind of beauty is the question that piano performers still wrestle with onthe 150th anniversary of Chopin's death, the pianist russell sherman argues it
http://archives.theconnection.org/archive/1999/11/1116b.shtml
forums about us FAQ stations ... archives SEARCH: Music
Call the Show: 1-800-423-8255
Second Hour Listen Now Order a Tape Show airs live 11:06 to Noon EST Frederic Chopin
The Chopin Sound.
November 16, 1999. "Hats off, gentlemen, a genius!" was the tribute to the pianist Frederic Chopin by the composer Robert Schumann, no slouch at the piano himself. "Guns smothered in flowers" was Schumann's description of Chopin's sound, which seized Paris' attention in the 1830's and changed piano music forever as Schubert's songs changed singing. The Chopin sound made the piano as big as an orchestra, even in miniature pieces: it was melodic and lyrical, the sound of a man who'd been trained by singers. It was passionate and poetic, the very definition of Romanticism; it had Polish folk music and nationalism inside its mazurkas and polonnaises; yet it stands on its own, as one soulful virtuoso's approach to pure beauty. What kind of beauty is the question that piano performers still wrestle with: on the 150th anniversary of Chopin's death, the pianist Russell Sherman argues it wasn't the stuff of candy-box covers. The Chopin sound - in the second hour of the Connection.

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