81. Michael Powell Music of Eric Ewazen Trombone Sonata (w/ Ewazen, pianist) 1997 Arabesque LukesGershwin Concerto in F, russell sherman, piano, Gunther Schuller, conductor http://naples.cc.sunysb.edu/CAS/music.nsf/pages/powell

- Music Home Page - Undergraduate Information - Graduate Information - Concert Season ... - Staller Center for the Arts Music Department 3304 Staller Center SUNY Stony Brook Stony Brook, NY 11794-5475 fax 631.632.7404 Melissa Bishop/DoIT Modified on 08/09/2002 12:48:26 PM EDT Performace Michael Powell Performing Artist in Residence Trombone, Chamber Music B.M. Wichita State University, 1973 E-mail Michael Powell at mptrombone@earthlink.net Curriculum Vitae Discography Curriculum Vitae Professional Experience 1983-2003 American Brass Quintet 1984-2003 Principal Trombonist, Orchestra of St. Luke's 1984-2003 Trombonist, the Orpheus Chamber Orchestra 1991-2003 Principal Trombonist, Aspen Festival Orchestra 1989 Three Penny Opera (Broadway show) 1983-97 Principal Trombonist, Aspen Chamber Symphony 1983-84 La Tragedie de Carmen (Broadway show) 1978-82 Principal Trombonist, Kansas City Philharmonic Positions and Offices Held 1987-2003 The Juilliard School, Trombone and Chamber Music Faculty 1995-2003 Rutgers State University of New Jersey, Trombone Faculty 1996-97 William Paterson College of New Jersey, Trombone Faculty

82. Client Letters October 2000, September 1999 russell sherman The renowned concertpianist of Boston comments on his extensive experience. playing http://www.stanwoodpiano.com/letters.htm

Pianists and Clients describe their Stanwood Precision TouchDesign experience. January 2003 Garrick Ohlsen This internationally renowned veteren Concert pianist has had many positive experiences performing on pianos upgraded with Precision TouchDesign. He recently had his primary practice piano in his own home upgraded with PTD. January 2003 Carol Swenson Piano owner in Stanford, California wasn't happy with the work done on her Steinway. After treatment with Precision TouchDesign she says: "the action is totally even, responsive and smooth as silk. The sound is incredibly beautiful, the voicing perfect." June 2001 Ricard de La Rosa The founder of Pro Piano, North America's largest independent purveyor of concert grand pianos, comments on Stanwood's work. May 2001 Eric Wolfley Concert Piano Technician at University of Cincinnati College-Conservatory of Music describes his recent concert stage experience with Fred Hersch September 2000 Keith Jarrett Describes his take on Precision TouchDesign in the September 11, 2000 National Public Radio Iinterview on "Fresh Air" with radio host Terry Gross October 1999 Kimberlea Daggy Music Director of WFDD Public Radio at Wake Forest University, NC

83. Sherman House For decades, the sherman House hosted personages such as Enrico Caruso, LillianRussell, pianist and statesman Jan Paderewski, and others, as the center of http://www.besthotelsresorts.com/shermanhouse.htm

T he Sherman House For decades, the Sherman House hosted personages such as Enrico Caruso, Lillian Russell, pianist and statesman Jan Paderewski, and others, as the center of literary, musical and artistic life in San Francisco. Eight rooms and six suites are re-created in French Second Empire, Biedermeier, and English Jacobean style, all located in the main house, with the exception of three, carriage house suites, and all with views of the formal English gardens or the Golden Gate Bridge and bay. The Paderewski Suite, furnished in the Jacobean style, occupies the former billiards room and features dark wood wainscoting, wood beam ceiling, a nice bay view, and bath with Jacuzzi and second fireplace. The Thomas Church Garden Suite has a separate, spacious living room with free standing fireplace, walls of French-paned windows, Chinese slate floors, and a rattan-wrapped, four-poster bed, all on the lower level of the carriage house, leading to a sunken garden terrace with gazebo and pond. Step into a graceful ambience, where service is marked by personal attention, always present, never obtrusive.

84. Www.ibiblio.org/pub/academic/music/album-reviews/1996/c-December/96.12.16-29 December 29, 1996 Weekend All Things Considered Daniel Zwerdling spoke to thepianist russell sherman Beethoven Piano Sonatas, Volume One by russell http://www.ibiblio.org/pub/academic/music/album-reviews/1996/c-December/96.12.16

85. American Composers Orchestra - January 10, 1999 Concert Conductor Dennis russell Davies leads an unusual program four important Americanpianists Francis Thorne, who as both composer and former house pianist at the http://www.americancomposers.org/rel990110.htm

FOR TICKETS CALL CarnegieCharge: aco homepage concert schedule "this concert isn't as much 'about' Gershwin as it is 'around' him..." Francis Thorne, ACO President Sunday, JANUARY 10, 1999 at 3pm The Gershwin Circle Dennis Russell Davies , conductor Leon Bates Scott Dunn Alan Feinberg Ursula Oppens , piano VERNON DUKE: Piano Concerto in C Major [orch. Scott Dunn] (World Premiere) OSCAR LEVANT: Piano Concerto MAURICE RAVEL: Piano Concerto for Left Hand in D Major Pre-Concert recital/discussion with musicologist Carol Oja at 1:45. Read an essay by noted musicologist Carol Oja about Gershwin and his collaborators The American Composers Orchestra begins its Millennium celebration with the first of its "20th Century Snapshots" series at Carnegie Hall on Sunday, January 10, 1999 at 3 pm. Conductor Dennis Russell Davies leads an unusual program four important American pianists in four works for piano and orchestra. The concert, entitled The Gershwin Circle, focuses on the international impact of George Gershwin and his music and features Leon Bates, Scott Dunn, Alan Feinberg, and Ursula Oppens, in music by Oscar Levant, Vernon Duke, Maurice Ravel, and, of course, Gershwin.

86. Playbill Biography: ANDREW SHERMAN ANDREW sherman (Composer) is from Eugene, Oregon He has toured as keyboard/pianistfor artists such Graduate Ma Rainey's Black Bottom Medea russell Simmon's Def http://www.playbill.com/celebritybuzz/whoswho/biography/11165

April 2, 2003 Home Club Offers Benefits Join Club ... FAQs ANDREW SHERMAN ANDREW SHERMAN Composer ) is from Eugene, Oregon. As Film/TV composer Andrew has composed Clio, AICP, NEBA and LIA award-winning commercial scores, three series, and three films, all from his New York based production house Fluid. A Latin Grammy award winner as producer for his work with Nestor Torres, he is currently co-producing Julia Darling's sophomore album and the Masters of Groove series for Jazzateria records. He has toured as keyboard/pianist for artists such as Mariah Carey, Brian McKnight and Lalah Hathaway, and is currently performing with the bands Redtime, Greg Tannen, and Julia Darling. He has been resident composer for the Moonwork Theatre Company since 1997. Previously seen in Show Theatre Role Debbie Does Dallas Jane Street Theatre Composer Contact Us Advertise Send questions and comments to the Webmaster Entire Site Listings News Jobs Store Features advanced search Come join our club . Find out why you should join See the discounts NEW THIS WEEK: Take Me Out Cabaret Dublin Carol She Stoops to Comedy The Velveteen Rabbit Man of La Mancha Urban Cowboy SAVE MORE ON BROADWAY'S BEST As Long as We Both Shall Laugh Les Miserables The Look of Love Ma Rainey's Black Bottom The Phantom of the Opera Rent Russell Simmons' Def Poetry Jam Say Goodnight Gracie A Year with Frog and Toad Long Runs on Broadway Upcoming Cast Recordings Schedule of Upcoming Broadway Openings Broadway Rush and Standing Room Only Policies Click here to see all of the latest polls !

87. ELibrary.com - American Record Guide 03-01-1998, 'BEETHOVEN Piano ELibrary Is Th Talented pianist Genevieve Wong holds concerts at City Hall **************************************** ***************** The following is issued on behalf of the Provisional Urban Council Genevieve Wong, remarked as "gifted in the hand, soul and http://redirect-west.inktomi.com/click?u=http://ask.elibrary.com/getdoc.asp%3Fpu

88. Pro Arte: 2000 - 2001 Subscription Concert Series Celebrate Thanksgiving weekend with Pro Arte when world renowned pianist RussellSherman joins longtime friend Gunther Schuller to perform their favorite http://www.proarte.org/concerts/detail01.htm

2001-2002 Pro Arte Season Program Notes October 7, 2001 Isaiah Jackson conducting Sunday, 3:00 PM, Sanders Theatre , Cambridge, MA Kristina Nilsson, violin Ann Bobo, flute James Bulger, oboe Dana Russian, trumpet 2pm Aperitif Schubert, Octet: Andante; Ibert, Music for violin and piano 3pm Concert Isaiah Jackson inaugurates Pro Arte’s 24th season with an afternoon featuring four of our principal players. The program begins with one of Mozart's best-loved middle symphonies and closes with Ibert's popular Divertissement, a true showpiece for chamber orchestra. Schubert's Violin Concerto - never before performed in New England - spotlights Pro Arte’s concertmaster. Pro Arte’s principal flute, oboe and trumpet solo in Barber's Capricorn Concerto. Mozart Symphony No. 29, K. 201 Schubert Barber Capricorn Concerto Ibert Divertissement SCHULLER AND SHERMAN Program Notes November 25, 2001 Gunther Schuller conducting Sunday, 3:00 PM, Sanders Theatre , Cambridge, MA Russell Sherman, piano 2pm Aperitif Beethoven and the Development of the Piano 3pm Concert Celebrate Thanksgiving weekend with Pro Arte when world renowned pianist Russell Sherman joins longtime friend Gunther Schuller to perform their favorite Beethoven Piano Concerto. Schuller completes the program with two staples of small orchestra repertoire, Stravinsky's amiable Danses Concertantes and Milhaud's jazz and Latin-influenced Le boeuf sur le toit.

89. The Connection Music Archive Gospel Music. Dennis Montgomery and live gospel music. (11.24.99). Chopin. PianistRussell sherman on the great composer. (11.16.99). Bach Mass in B Minor. http://archives.theconnection.org/archive/category/music/index.shtml

forums about us FAQ stations ... archives Special feature: Call the Show: 1-800-423-8255 Music Fado Scratch Sacred Steel Altan ... Second Hour: The Alloy Orchestra. The three-man Alloy Orchestra give a modern twist to silent films with musical scores composed for plumbing pipe chimes, two-by-four vibes, and a host of other found objects. Second Hour: The Schubert Song Cycle. With Craig Smith , of Emmanuel Music. First Hour: The Music of Bright Sheng. Bright Sheng is a Chinese composer who works in the western classical tradition, a melder of two wildly different musics and cultures. Bud E. Luv. Second Hour: Bud E. Luv does lounge with a capital "L." Tom Rush. Second Hour: Tom Rush is a legend in Folk Music. Second Hour: Duke Ellington. At his hundredth birthday, Duke Ellington stands out among the American jazz composers and performers. Second Hour: Joe Williams. When the late Joe Williams sang "nobody loves me, nobody seems to care," he transformed a familiar blues lament into something that seemed fresh, popular, unforgettable. Second Hour: Dave McKenna Christmas Carols.

90. Philadelphia Inquirer | 11/17/2002 | Record Reviews Eastman Schooltrained bassist Ron Carter and pianist Kenny Barron already incorporate RussellSherman Beethoven Piano Sonatas, Volume 5 (GM Recordings ****). http://www.philly.com/mld/philly/entertainment/music/4535741.htm

Click here to visit other RealCities sites Help Contact Us Archives ... Newspaper Subscriptions Search Search the Archives MUSIC SEARCH Find local concerts List this week's concerts Buy and sell tickets Entertainment Books Celebrities Columnists Dining ... Visual Arts Our Site Tools Weather Philadelphia Doylestown Atlantic City Local Events Yellow Pages Discussion Boards Back to Home ... Entertainment Wednesday, Apr 02, 2003 Music Posted on Sun, Nov. 17, 2002 Record reviews Pop TLC (Arista ***) The late, great Lisa "Left Eye" Lopes was, to quote J.J. Hunsecker, a cookie full of arsenic. I mean that in the nicest way. Her rigorous ribald raps, like her quick-tempered rep, made her a raw-like-sushi presence, whether bumping against the law and sundry beaus or grinding through the sleek soul song of TLC mates Rozonda "Chilli" Thomas and Tionne "T Boz" Watkins. That friction stops in its tracks whenever Lopes makes a posthumous appearance on five of its 13 tracks and leaves a gaping gap whenever she's not. Lopes' frantic stammering stops any warm, hummable melody cold, as on the salacious "Girl Talk" and the rude messy-rhythmic "Quickie." These tracks, though classic girl-disses-boy tunes, are lewder and rowdier than most TLC fare. After she's gone

91. BSQ Reviews In the meantime, I’ll make do with morefamiliar favorites, like pianist RussellSherman and the Borromeo String Quartet at the splendid Rockport Chamber http://www.borromeoquartet.org/reviews/rev_06_23_01.html

Rockport Chamber Music Festival Lloyd Schwartz The Boston Phoenix June 23, 2001 In the meantime, I’ll make do with more-familiar favorites, like pianist Russell Sherman and the Borromeo String Quartet at the splendid Rockport Chamber Music Festival, together in public (I believe) for the first time. The Borromeos are one of the rare ensembles who can play Mozart (K.387) and Bartók (Quartet No. 2) with equal conviction and profundity. They understand how Mozart’s classicism fuses grandeur with piercing intimacy, how formal perfection both withholds emotion and intensifies it. They heard in still-early Bartók modernist quizzicalness, Hungarian rhythmic assertiveness, and the melodic/harmonic contours and transparency of Debussy (who was still alive - though not for long - when Bartók completed this quartet, in 1917). Sherman joined Borromeo violinist Nicholas Kitchen and cellist Yeesun Kim in a loving and exciting Brahms B-major Trio that moved from heart-easing consolation through mysterious stealth and galloping energy to that final rapturous waltz (Brahms anticipating his Liebeslieder Walzer), as if the dancers kept waltzing themselves into some private alcove where they could pour out their most passionate declarations. Each moment flowed so effortlessly into the next - even from piece to piece - that you’d think this is easy to achieve. The uninhibited Brahms, after intermission, came as a great release from the muted, gossamer coda of the Bartók. Brahms’s own breathtaking coda created a thrilling resolution not only to the preceding movements but to the entire concert. And Sherman, as rich in support as in bravura, played as if his new partnership with Kitchen and Kim were as longstanding as their own. (There’ll be more Borromeo at Rockport this weekend, June 21 and 23.)

92. The Austin Chronicle Arts Law And Other Performing Arts Along with the chat, the symposium will also feature performances concerts by pianistRussell sherman and fortepianist Malcolm Bilson, and UT Opera Theatre's http://www.austinchronicle.com/issues/dispatch/2002-03-01/arts_feature2.html

HOME VOL.21 NO.26 ARTS : LAW AND OTHER PERFORMING ARTS Law and Other Performing Arts BY ROBERT FAIRES March 1, 2002: The hottest arts venue in town this week? The UT Law School. Believe it or not, that's where you'll find such internationally renowned cultural figures as playwright Arnold Wesker, author and stage director Jonathan Miller, pianist Joshua Rifkin, musicologist Richard Taruskin, Beethoven expert Lewis Lockwood, artistic directors Bonnie Oda Homsey (American Repertory Dance Company) and Carla Maxwell (Jose Limon Dance Company), New York Times music critic Anthony Tomassini, and jazz pianist Phil Markowitz, along with local arts luminaries Peter Bay, Oscar Brockett, Shawn Sides, Michael Bloom, Ann Ciccolella, Joe McClain, and Kirk Lynn. They're converging there for a symposium on law and the performing arts. It's a pairing with more in common than you might think, as UT Law Professor Sanford Levinson, one of the masterminds behind the symposium, will tell you. After all, the attorney who must persuade the jury of a person's guilt or innocence is nothing if not a performer a fact that's been exploited in dramas from Antigone to Law and Order These ideas and more are the basis for "From Text to Performance: Law and Other Performing Arts," the symposium jointly sponsored by UT's Law School and College of Fine Arts, with the cooperation of the Harry Ransom Humanities Research Center. From February 28 to March 9, the artists noted above will join prominent legal figures, from UT Law School Dean William Powers to Yale professor Jack Balkin, Texas Supreme Court Chief Justice Tom Phillips to

93. UT's Law & Arts Symposium http://www.utexas.edu/law/news/colloquium/lawandarts/schedule.html

Home About the Symposium Speakers and Contributors Contact ... Registration February 28 - March 9, 2002 Please check back for additional videos and transcripts from the Law and Arts Symposium. The videos require Real Player to view. If Real Player is not already installed on your computer it is free to download Russell Sherman, Pianist Monday, March 4 Richard Taruskin, Musicologist Monday, March 4 Dr. Jonathan Miller, The Afterlife of Plays Monday, March 4 Lewis Lockwood, Panelist Tues., March 5 Arnold Wesker Playwright Wed., March 6 Malcom Bilson, Fortepianist Wed., March 6 Phil Markowitz, Jazz Pianist Thurs., March 7 Merchant of Venice, Performance Workshop Friday, March 8 Jeffery Rosen, Panelist Friday, March 8 February 28, 2002, Thursday 3:00pm School of Law, Eidman Courtroom Preserving Choreographic Legacies: What Does This Mean and How Is It To Be Done? Ann Daly, moderator; Bonnie Oda Homsey; Carla Maxwell; and Madeleine Nichols Watch the Video March 3, 2002, Sunday 8:00pm School of Music, Bates Recital Hall Liszt Transcendental Etudes Pianist Russell Sherman Tickets: $12 General public, $8 UT Faculty/Staff, $6 UT Students

94. UT's Law & Performing Arts Symposium http://www.utexas.edu/law/news/colloquium/lawandarts/speakers.html

Home About the Symposium Schedule Registration ... Contact The University of Texas at Austin along with Dean William Powers, School of Law; Dean Robert Freeman, College of Fine Arts; and Symposium Director, Sanford Levinson, Peter J. Alscher Independent Shakespeare Scholar, Cleveland, Ohio James Ayres Distinquished Teaching Professor, Department of English, The University of Texas at Austin Helen Baer Director, Performing Arts Collection, Harry Ransom Humanities Research Center, The University of Texas at Austin Jack Balkin Knight Professor of Constitutional Law and the First Amendment,Yale Law School Michael Barnes Arts Editor and Writer, The Austin American Statesman Peter Bay Conductor, Austin Symphony Orchestra Malcolm Bilson Fortepianist, Fredrick J. Whiton Professor of Music, Cornell University Michael Bloom Obie Award winning Director, Professor of Acting and Directing, Department of Theatre and Dance, The University of Texas at Austin Philip Bobbitt A. W. Walker Centennial Chair in Law, The University of Texas at Austin Oscar G. Brockett

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