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21. March 21
William Hannaford, sociologist In 1932, joseph Silverstein, Detroit Mich, violinist(Denver Symphony Eastman Ga, 4X100m relayer (Olympicgold-1960) In
http://www.dailyalmanacs.com/almanac2/march/0321.html
On March 21...
80th day of the year with 285 days left (Numerology = 6)
Happy Birthday to:
In 1466, French van Brederode, leader Hoeksen
In 1474, Angela Merici, Italian monastery founder/saint
In 1521, Mauritius, duke/nice monarch of Saksen (1547-53)
In 1527, Hermann Finck, composer
In 1609, Jan II Kazimierz, cardinal/King of Poland (1648-68)
In 1624, Fran‡ois Roberday, composer
In 1642, Georg Schmezer, composer
In 1685, Johann Sebastian Bach, Eisenach Germany, composer (Matth„us-Passion)
In 1708, Caspar Ruetz, composer In 1713, Francis Lewis, signer (Decl of Ind) In 1716, Josef Ferdinand Norbert Seger, composer In 1763, Jean Paul, writer In 1765, Henry Fagel, Dutch/English baron/diplomat In 1768, Jean-Baptiste-Joseph Fourier, mathematician/Egyptologist In 1779, Alexis Garaude, composer In 1806, Benito Pablo Ju rez, Oaxaca Mexico, president of M‚xico (1858-72) In 1813, James Jesse Strang, King of Mormons on Beaver Is, MI (1850-56) In 1816, Charlotte Bronte, novelist/poet In 1820, Frank Mori, composer

22. February 17
In 1949, Fred Frith, English guitarist/violinist/bassist (Skeleton NHL forward (TeamCzech Olygold-1998, Philadelphia Olympics-96) In 1982, joseph Gordon-Levitt
http://www.dailyalmanacs.com/almanac2/february/0217.html
On February 17...
48th day of the year with 317 days left (Numerology = 1)
Happy Birthday to:
In 1444, Rudolf Agricola, [Roelof Huysman], Dutch humanist/organist
In 1490, Charles de Bourbon, officer/governor (Lombardy)
In 1519, Fran‡ois de Guise, [Balafr‚], French general strategist (Calais)
In 1583, J Henry Alting, Dutch theologist
In 1653, Arcangelo Corelli, Fusignano Italy, violinist/comp (Concerto Grossi)
In 1667, Georg Bronner, composer
In 1675, Johann Melchior Conradi, composer
In 1696, Baron Ernst Gottlieb, composer
In 1697, Louis-Maurice de La Pierre, composer In 1699, Hans Georg Wenzeslaus von Knobelsdorff, German architect (Sanssouci) In 1723, Tobias Mayer, "method of lunars" for longitude determination In 1740, Horace B de Saussure, Swiss physicist/geologist In 1747, Narciso Casanovas, composer In 1752, Friedrich M Klinger, German playwright (Wirrwarr) In 1754, Jan Jachym Kopriva, composer In 1758, John Pinkerton, Scottish historian In 1774, Raphaelle Peale, US, painter (After the Rain-1823) In 1781, Ren‚-Th‚ophile-Hyacinthe Lannec, France, inventor (stethoscope)

23. Croatian Music, Bunjevci Croats In Backa
anthem have been composed by joseph Haydn in the violinist Zlatko Balokovic (18951965),he was in Dragica Martinis (1922),; Nada Puttar - gold (1923),; Biserka
http://www.hr/darko/etf/et12.html
Croatian Music
Darko Zubrinic, Zagreb (1995) An age is known by its music
Croatian proverb (see [ Kuhac The first Croatian neum manuscripts for church music date from the 11th century. The Osor Evangelistary (1080-1082) from the convent of st. Nikola in Osor (island of Cres) is written in beneventana, ornamented by Monte Cassino initials, and accompanied with old neums. This evangelistary contains among others a prayer for the Pope, for Byzantine tsar, and for the King which at that time was factual ruler of Osor (regis nostri) - Crotian King Zvonimir. The evangelistry is held in the Vatican Archives. Some of the Christmas folk songs from the 12th century are still very popular. It is interesting that the Croats have more than 500 (five hundred) Christmas carols. There are Christmas verses that can have a dozen of different melodies, varying considerably from region to region. The number of Christmas carols is surprisingly large even in world's proportions. A special place in the history of Croatian music has the Glagolitic church singing . The earliest mention of glagolitic singing in Croatia is already from the year 1177 , when Pope Alexandre III visited the town of Zadar, known for its very old and fruitful glagolitic tradition in Croatia . In the 1368

24. The Maritime Heritage Project: Gold Rush Ships, Passengers, Captains
to Hawaii, 1854; Adolph Heinrich joseph Sutro (1830 Pioneers. After forty days ofgolddigging at Mr. Wiska Hauser, the distinguished violinist, accompanied by
http://www.maritimeheritage.org/vips.htm

25. Contra Costa Times | 01/31/2003 | NEWS BRIEFS
violinist joseph gold will be the featured performer at The Gift of Music, a benefitevent for Citizens Highly Interested in Music Education, or CHIME, at 7
http://www.bayarea.com/mld/cctimes/news/local/states/california/counties/alameda
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News War with Iraq Breaking News ... Sports Wednesday, Apr 02, 2003
Piedmonter
Posted on Fri, Jan. 31, 2003 NEWS BRIEFS
CHIME benefit set for tonight Violinist Joseph Gold will be the featured performer at "The Gift of Music," a benefit event for Citizens Highly Interested in Music Education, or CHIME, at 7:30 p.m. tonight in Piedmont High School's Alan Harvey Theater. Gold, who studied with the late violinist Jascha Heifetz, will be joined by violist Debbie Dare and Kurt Rapf, former director of music for the city of Vienna. Rapf will conduct the PHS chamber strings. Joe Piazza and Amy McKenzie from the school's music department will sing. Tickets, $5 for students and $15 for adults, can be bought at the door. Piedmont Choirs concert staged tonight Piedmont Choirs' girls groups will perform at 7:30 p.m. tonight at the First Congregational Church of Oakland, 27th and Harrison streets. PRAISE sets forum on music and learning Piedmonters for Resources, Advocacy and Information in Special Education hosts its next meeting on music therapy and its impact on learning with Susan Rancer, a music therapist who teaches privately in Piedmont. The forum will be held at 7 p.m. Wednesday, Feb. 5, at the Ellen Driscoll Theater, 325 Highland Ave. Rancer will discuss the impact music therapy can have on children's academics. She will discuss her research findings on the innate abilities of learning-disabled children to whom she has been teaching music for more than 20 years and will show a video of children's piano performances. She teaches 41 special-needs children and is a music director at Beth Abraham preschool in Oakland and Beth Israel Judea Synagogue in San Francisco. For more information, call 510-547-5018.

26. MLive.com: Entertainment
appeared on stage in a choir robe as a lone violinist to launch the gold Company25th joseph The next exhibit at the Fort Miami Heritage Society in St
http://mlive.com/entertainment/kzgazette/index.ssf?archive

27. Corvallis-OSU Music Association Concert History
Elva Beal. gold Fizdale (duopianists). Iva Kitchell. Danilova Ballet Ensemble.William Warfield (baritone). joseph Schuster (violinist). Jakob Gimpel.
http://www.music.peak.org/history.htm
Home Corvallis-OSU Music Association History since 1948 Andres Segovia (guitarist) Elva Beal Iva Kitchell Jerome Hines (bass) Portland Symphony Charles Wagner Opera Four Piano Ensemble Marian Anderson (contralto) Portland Symphony Isaac Stern (violinist) Mariemma Vienna Choir Boys Portland Symphony(Grace Harrington Thomas L» Thomas (baritone) Viennese Ballet William Kapell (pianist) Blanch Thebom (contralto) Charles Wagner Opera DePaur Infantry Chorus Guiseppe DiStefano (tenor) Robert Shaw Chorale Tossy Spivakovsky (violinist) Artur Rubenstein (pianist) National Male Quartet Portland Symphony Ballet Russe Concert Company Elena Nikolaidi (contralto) Grant Johannesen (pianist) Jan Pearce (tenor) Leonard Warren (baritone) Portland Symphony Ruggiero Ricci (violinist) Longine Symphonette Yehudi Menuhin (violinist) Vinevar Voices Musical Americana Claramae Turner (contralto) Robert Shaw Chorale Danilova Ballet Ensemble William Warfield (baritone) Joseph Schuster (violinist) Jakob Gimpel New York Philharmonic Iva Kitchell Zurich Little Symphony Seymore Lipkin (pianist) Todd Duncan. (baritone)

28. Harvard University Press/The Harvard Biographical Dictionary Of Music/Instrument
Duo pianist (with Arthur gold).(b. Toronto, 1917; d. New York, 1990 JOACHIM, joseph,(b. Kittsee now Köpcsény near Poszony, 1831; d. Berlin, 1907 violinist.
http://www.hup.harvard.edu/features/ranhab/instrumentalists.html
INSTRUMENTALISTS This document contains a selection of instrumentalists for whom the Harvard Biographical Dictionary of Music includes entries. (For the most part these are classical musicians; jazz pianists, for example, will be found on the page devoted to jazz musicians.) BETHUNE (Green), Thomas [Blind Tom] (b. Columbus, Ga., 1849; d. Hoboken, 1908). Pianist and composer. (b. Paris, 1857; d. Monte Carlo, 1944). Pianist and composer. CHUNG, Kyung Wha (b. Seoul, 1948). Violinist. (b. Vienna, 1928). Recorder player, composer, and musicologist. DAVIDOVICH, Bella (Muhazhlovna) (b. Baku, Azerbaijan, 1928). Pianist. (b. Amsterdam, 1792; d. Bern, 1873). Flutist. FIZDALE, Robert
GOLD, Arthur (b. Chicago, 1920; d. New York, 1995). Duo pianist (with Arthur Gold).(b. Toronto, 1917; d. New York, 1990). Duo pianist (with Robert Fizdale. FRESCOBALDI, Girolamo (b. Ferrara, 1583; d. Rome, 1643). Keyboardist and composer. GALAMIAN, Ivan (Alexander) (b. Tabriz, Persia, 1903; d. New York, 1981). Violinist and teacher. GEMINIANI, Francesco (bapt. Lucca, 1687; d. Dublin, 1762).

29. Live From Lincoln Center Telecasts
interviews with Glenn Dicterow (Concertmaster)/joseph Robinson (Principal Oboe PinchasZukerman, violinist. Brown, Florence Fitzgerald, Tom gold, Nilas Martins
http://www.pbs.org/lflc/86-90.htm
Great Performers at Lincoln Center Emerson Buckley, Conductor
Luciano Pavarotti, Susan Dunn, Jerry Hadley, Mary Jane Johnson, James Morris, Cheryl Parrish, Alan Titus, Carol Vaness, Delores Zielger, Soloists. The New York City Opera Orch. (63) January 6, 1986
"Pavarotti Plus!" Patrick Watson, host Verdi, LUISA MILLER Overture
Ponchielli, LA GIOCONDA, "Cielo e mar" (Pav)
Donizetti, LUCIA Sextet (John/Zieg./Pav./Titus/Mor./Had.)
Bellini, PURITANI Duet (Titus/Mor.)
Donizetti, LUCIA Duet (Van/Pav)
Mozart, DON GIOVANNI Duet (Pav/Morr)
Verdi,
INTERMISSION
Bizet, THE PEARL FISHERS duet (Had/Titus) Cilea, L'ARLESIANA, "Lamento di Federico" (Pav) Puccini, BOHEME Quartet (Dunn/Joh./Had/Titus) Verdi, UN BALLO IN MASCHERA Quintet (Parr/Zieg/Pav/Titus/Morris) Gounod, FAUST, Final Trio (Van./Had/Morr) Bellini, NORMA Duet (Joh/.Zieg) Verdi, AIDA Nile Scene (Dunn/Pav/Morris/Zieg) ENCORES: "O sole mio" (Neopolitan song) DeCurtis, "Torna a Sorriento" Puccini, TURANDOT, "Nessun dorma". Pretaped intermission in 3 parts with Watson commentary live backstage (Titus/Pav/Van/Had/Mor/ Robert Jocobson, Editor of Opera News/Herbert Breslin, Pavarotti's manager/James Levine [Music Director of the Metropolitan Opera House] featured in taped interviews). Program Length: 2:57:48 Chamber Music Society of Lincoln Center Irene Worth, Narrator

30. Southwest Michigan  Symphony Orchestra
Peter Kolkay, bassoonist gold Medalist of the 2002 Concert joseph native Emily Kutzneris an accomplished Irish and traditional violinist and is
http://www.smso.org/Guest Artists.htm
Southwest Michigan
Symphony Orchestra Robert Vodnoy, Music Director About the Guest Artists Lori Sims, Pianist - First Prize Gold Medalist at the 1998 Gina Bachauer International Competition. She has won top prizes in the Mendelssohn Competition and the Kosciuszcko Foundation Chopin Competition. Ms. Sim is Associate Professor of Music at Western Michigan University. Peter Kolkay, bassoonist - Gold Medalist of the 2002 Concert Artist Guild Competition. His performances have been featured on NPR's Performance Today and New York City's WQXR-FM. He is founding member of Trio Encantar. Charles Wetherbee, violinist, has appeared as soloist with the National Symphony under Mistislav Rostropovich and the Buffalo Philharmonic with Symon Bychkov. He has served as concertmaster of the Columbus Symphony Orchestra since 1994, and records on the Vienna Modern Classics Label and Cascade. Anne Hills, singer/song writer , "is such an exquisite singer
that it's understandable that people might be swept up in the pure beauty of her voice and thereby overlook her writing... For me, Anne's writing is a direct, melodic and deep as any work being done today."- Tom Paxton

31. No. 630: John Joseph Merlin
Merlin was a harpsichordist and violinist. John joseph Merlin The Ingenious Mechanick,The Iveagh Bequest Beatson of Calgary, Canada, won a gold medal from the
http://www.uh.edu/engines/epi630.htm
No. 630:
JOHN JOSEPH MERLIN
by John H. Lienhard Click here for audio of Episode 630. Today, a genius takes pleasure in a world of his own making. The University of Houston's College of Engineering presents this series about the machines that make our civilization run, and the people whose ingenuity created them. H ere's a Gainsborough painting. It's a man in his 40s with a fine, clear-eyed face. He's someone you'd like to know. But who is he? A second miniature version of the painting finally turned up in 1973. It had his name on it. He's John Joseph Merlin, a Belgian, born in 1735. As a young man he worked in Paris as a mathematical-instrument maker. He made clocks and other fine machines. Merlin's contemporary James Watt also started in that trade. Merlin was a mechanical prodigy. The Spanish Ambassador to England knew of him. He brought him to London in 1760. Merlin was soon running with Johann Christian Bach, Thomas Gainsborough, Samuel Johnson, and Horace Walpole. This mechanic may have run in fast company. But his work makes it clear that his genius was no pretense. He produced a whole set of museum-quality clocks and watches. He built a "perpetual motion machine" that ran on atmospheric-pressure changes. He built wheelchairs and weighing machines. He invented an early roller skate. He made robots.

32. JOSEPH SMITH LAMB
As a violinist, joseph was in great demand to play for joseph also spent some timewith his other sons, Louis and Orin, were the first to discover gold in the
http://www.stewartkin.com/histories/lamb_joseph_smith.html
JOSEPH SMITH LAMB Son of Abel Lamb and Almira Merrill Written by Harriet Jane Lamb Stradling
Some time after the organization of the Church, Brigham Young went on a mission to Canada, during the course of which he went down into New York State. While there he called at the home of the Lamb family. They were deeply impressed by his eloquence and sound doctrine and accepted the gospel after careful and prayerful investigation. In gratitude to the missionary, they named their next child Brigham Young Lamb. They had been members of the Church for three years when their sixth son and seventh child was born. He was named Joseph Smith Lamb in honor of the Prophet.
During his infancy the family moved to Missouri, only to be driven out in the expulsion of the Saints from that place. Little Joseph’s early years were spent in moving from place to place with his parents as they heeded the call of the Church in those troubled times. They were privileged to have the Prophet and his brother, Hyrum, visit their home. They were witnesses to the building up of Nauvoo the Beautiful, from which they were driven by mobs. Joseph was seven years old when the family arrived in Salt Lake City. At first they lived in the Eighth Ward, and he helped his father in the cooper shop, learning the trade in his youth. Being gifted musically, he learned to play the violin very well. In fact, Brigham Young once said that Joseph Lamb was his favorite dance fiddler.

33. Boy Musical Prodigies: Grisha Goluboff
love with it. violinist joseph gold explains, For Grisha it waslike departing with a close friend. A great violinist develops
http://histclo.hispeed.com/act/music/pro/ind/g/pro-gol.html
Musical Prodigies: Grisha Goluboff (United States, 1919-2002)
Figure 1.Grisha is seen here at age 5, it would have been about 1924. He has a child's size violin. He wears a sailor suit, a popular child's style at the time. Image courtesy of Gladys Chase.
Family
Grisha came from a musical family. His father played the violin and always had good music playing (at the beginning, on his crank-arm victrola). His mother also wanted to learn the violin as a child but family finances made it impossible for her to do so. He had numerous relatives in music and the arts. His maternal grandfather (the one who fled the Tsar's Army) was a violinist and made it his life's work. He was the father of Lennie and Agnes Niehaus, the music arranger, and Agnes, the concert pianist. His sister was a concert pianist, another cousin was an opera singer, and another an artist (twice nominated for an Oscar for his work in the film industry), and another uncle who played the violin professionally.
Siblings
Grisha had a brother and sister. Gladys was about 4 1/2 years younger than Grisha, the youngest in the family. Gladys remembers her brother fondly, "He was such an amazing child, it was a rare blessing that I was born his sister to see him growing up and also as an adult." His sister also remembers that the family moved a great deal. " Our family moved several times, to my memory we lived in California (Stockton, San Francisco, and Los Angeles). We did, however, spend a great deal of time in San Francisco. When he would go to Europe, it was from the east coast (New York primarily). At such time the rest of our family (there was also another brother) would move to the west coast where our mother's family lived). When he returned to the U.S., we moved back to the east coast. (I went to 16 different schools between the two coasts by the time I reached the 6th grade.)" [Chase]

34. Artek Recordings - Classical
joseph Joachim. first and only American violinist to win the gold Medalat Moscow¹s. Tchaikovsky International Competition.
http://www.artekrecordings.com/artek/CD3contents.htm
ARTEK Recordings
Contents of CD3 Booklet
Click to Order Recordings
Johannes Brahms Violin Concerto in D, op. 77 Brahms, like his predecessor Beethoven, wrote only one violin concerto, also in the key of D major. Described once by the distinguished Viennese musician Joseph Hellmesberger, as ³Beethoven¹s heir², Brahms himself declared that ³To follow in Beethoven¹s footsteps transcends one¹s strength.² Although it is indeed safe to say that Brahms¹ concerto would not have existed without Beethoven¹s example, the story of its influences is far more intricate. The name of Eduard Reményi invariably surfaces during a discussion of Brahms¹ violin concerto. A part-German, part-Hungarian violinist who was once soloist to Queen Victoria, Reményi rescued a young Brahms from piano-playing in taverns by engaging him as his accompanist on a tour throughout Germany in 1853. Although their partnership was brief, the collaboration proved significant: Brahms was introduced to the Hungarian and gypsy folk music that Reményi played so well, eventually leading to a whole category of

35. Artek Recordings - Classical
only American violinist to win the gold Medal at He is also the first violinist to. byAlberto Ginastera, Einojuhani Rautavaara, joseph Achron, joseph Joachim,.
http://www.artekrecordings.com/artek/CD7contents.htm
ARTEK Recordings
Contents of CD7 Booklet
Click to Order Recordings
Time has a fascinating way of imprinting the mind and soul with memories and impressions that, when reduced to their simplest form, become part of the fabric of one¹s musical and emotional being. In preparing to record an album of short pieces this became a strong musical consideration. What shall I play? Do I focus on the range of my interpretive style? Do I choose repertoire that shows the lyrical, the virtuosic or the diversity of musical character? In the early part of my career, when faced with such considerations, I would have no doubt contemplated all of those elements. However, when thinking about the material for this particular album I instantly recalled the memories and impressions of works played by the most beloved violinists of my youth. Yes, it may be sentimental and nostalgic, but indeed the time was ripe for me to look back to those special moments and to make them part of my recorded legacy. So, rather than offer you more of the same historical information in the form of liner notes, I have chosen to share with you some of my personal feelings

36. Karen Bentley -- Recent Performances
Also on the program Benjamin Britten's Simple Symphony and GiuseppeTartini' Devil's Trill Sonata with joseph gold, violinist.
http://www.kbentley.com/recent.htm
Home Upcoming
Performances Recordings
CDs and MP3s Bio Friends Photos Poetry
Recent Performances

37. Composers, Opera And Musicians - LIVE AND INTERNET AUCTION PART II
$75100. 1392. joseph JOACHIM (1831 - 1907) Hungarian violinist and composer known Floatedon a cream mat and set, with burgundy accents, into a gold frame.
http://www.alexautographs.com/oper.htm
Composers, Opera and Musicians
LIVE AND INTERNET AUCTION - PART II
BEGINS AT 12 NOON EASTERN, TUESDAY, NOVEMBER 19, 2002
Securing a loan from a patron
1372. JEAN SIBELIUS (1865 - 1957) Finnish composer in the Classical style, he wrote seven symphonies, piano music, and over one hundred songs. Good content A.L.S. " Jean Sibelius " 3pp. 8vo., Jarvenpaa Station, Sep. 8, 1910, in Finnish, in part: " ...Honored Herr Direktor, Knowing of your outstanding generosity and your lively interest in all the arts, may I put forward the following proposal? I wish respectfully to inquire whether you...could make me a loan of five thousand Finnish marks, to be repaid on the following terms: One thousand in 1911, and two installments of two thousand each in 1912 and 1913. The payments would be made by November each year. I have taken the liberty of embarking on making this request to you in the light of your well-known, warm helpfulness towards all artists... ". Very good. These years were transitional for Sibelius: he had moved his home to the country, was in the midst of touring in England, and had commenced work on his fourth symphony, a much darker score than his previous efforts had yielded. Fine condition.
1373. FRANZ LISZT

38. Assorted Notes From Joseph Spencer
indie retailers in the country, joseph Spencer manager shop and cafe here- seeshis gold not in great In Stil Moderno featuring violinist Ingrid Matthews
http://www.musicaloffering.com/notes2.htm
  • GOLDBERG Early Music Magazine
    • Recently we received Issue No. 7 of GOLDBERG Early Music Magazine [Revista de Musica Antiqua]. As before, it is nothing short of breathtaking. This is a major publication. Large, generous format, beautiful papers, luscious color printing, a roster of writers, some of whom will be familiar to you, with a whole lot of Spanish surnames giving us the idea of that old music is popular in Spain... this magazine continues to be more than I bargained for. Every page is bilingual; Spanish and English tests are distinguished by their typefaces, so clumsiness is averted completely. Glancing through the index, this issue starts off with The Best of 1997, listing picks by each of Goldberg's eight staff reviewers. Some fairly predictable picks include Ton Koopman's Bach Cantata series (Erato), Alessandrini's Monteverdi madrigals (Opus 111), and the Telemann Paris Quartets by the Kuijkens, with Leonhardt (Sony). More surprising are a Telemann Resurrection and Ascension of Jesus by the Rheinische Kantorei/Hermann Max (Capriccio), or the anonymous St Matthew Passion from the Uppsala Ms (1667) (Accord), by Martin Gester's Parlement de Musique. Anonymous 4 got the nod for their 11,000 Virgins (harmonia mundi). There's an article about Michel Bernstein's label Arcana (annoyingly, presently unavailable in the US!) and about

    39. Wedding Plans
    down ceremony music selections and have asked the pianist and a violinist to play joseph'sboutonnière will have an ivory rose with purple and gold stock
    http://josephandamber.freeyellow.com/plans.htm
    Calendar of Events Ceremony Reception Home
    July 28th, 2001 Visit our wedding site at http://josephandamber.tripod.com July 19, 2001 This is the last entry I'll make here. The wedding is a week and two days away! The bridesmaids and I have been busy putting together the programs and favors. Joseph and I have been running all over town doing last minute errands. We've paid all the deposits on the honeymoon and picked up the tickets! We're getting the marriage license this weekend. I cannot wait to marry him; I can't believe how fast this engagement has gone! Hope you check back on our post-wedding site for all the details of our big day and for pictures from our honeymoon! July 10, 2001 It's only 17 days away! There are so many little details left to be done. The ceremony music has finally been decided and the musicians are ready for the big day. Now, Ashley will put the programs together for the ceremony. We've got to make some decorations and favors, too, but the big decisions are out of the way now. We decided on the menu with the caterer. We've ordered the rental equipment for the reception (chairs, tables, etc.). We will begin decorating for the reception on Thursday before the wedding. Luckily, Mom is getting lots of help from friends to help decorate the gym.

    40. Franz Joseph Haydn (1732-1809)
    the uniform of that family, blue, trimmed with gold, and of sister of the woman hetruly loved, joseph discovered that a singer and wife of a violinist in the
    http://wicr.uindy.edu/Education/Composers/HaydnF.html
    FRANZ JOSEPH HAYDN
    • Member of the Classical "Viennese School"
    • Father of the Symphony; Composer of the "London" Symphonies
    • Known as "Papa" Haydn
    Joseph Haydn is considered a prominent member of the Viennese Classical school and a leading composer of the 18th-century Classical period, along with composers Wolfgang Amadeus Mozart (1756-1791) and Ludwig van Beethoven (1770-1827). Regarded as the father of the symphony , "Haydn’s career is a story of many years of hard work, steady development, and ultimate fame and fortune" (Kerman 399). Haydn's Childhood In 1732, Franz Joseph Haydn was born in Rohrau, a village of southern Austria. Haydn came from a poor family who highly valued music. His brother, Johann Michael (1737-1806), also became a composer and worked for the Archbishop of Salzburg. Though his parents did not have any formal musical training (his father made wagon wheels for a living), the family included music as a natural part of life. As a young boy, Joseph learned folksongs and peasant dances from his parents. His father also played the harp while his mother sang. The music Haydn experienced as a child in an impoverished village later played an important role in the style of his compositions. Haydn commented on his modest childhood: "Young people can see from my example that something still may come from nothing. What I am today, moreover, is the product of utmost poverty" (qtd. in Downs 199). Influencing such composers as

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