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81. Matica Slovenska
was strongly influenced by three people Geza Anda, Hungarian pianist living inSwitzerland (died in 1976); nathan milstein, American violinist and brilliant
http://www.matica.sk/cas_slovensko/c.1-97/09-11.html
A Meeting with an Exceptional Slovak Interpreter The Singing Piano of Marian Lapsansky Marian Lapsansky, an excellent Slovak pianist, has travelled around the world a great deal, gained many medals and diplomas, was a longtime soloist of the Slovak Philharmony, and recorded dozens of records. He is also a successful piano teacher, senior lecturer at the University of Performing Arts in Bratislava, and an organiser of concert life. On February 1st 1997 he was appointed director of Slovkoncert, a Slovak art agency. He initiated the establishment of the Foundation of Constatine and Methodius. In an unusual interview made on the occasion of the artist's 50th birthday, the author endears Marian Lapsansky to the readers from the artistic and human points of view.
Marian Lapsansky comes from Tisovec, a little village in Central Slovakia which was outside a large cultural center; it had, however, its own intense amateur music life. Marian Lapsansky's parents were teachers. They could both play several musical instruments. Lapsansky began playing the piano and the violin at the Folk Art School and became a member of the 'Tisovsky amatersky orchester' (Tisovec Amateur Orchestra). Those were his first steps towards exceptional interpretative art.
At present the artist does a lot for humanity. He tries to raise money to organise festivals and he helps to organize interpretative courses and piano competitions. Since 1991 the Foundation of Constantine and Methodius has supported young artists. The members of its board are significant representatives of cultural, economic and social life.

82. Krasner, Louis, 1903-. Correspondence: Guide.
Historical Note. Louis Krasner (d.1995) was a concert violinist and taught at theNew England Conservatory of Music. Organization. (18) milstein, nathan, 1904.
http://oasis.harvard.edu/html/hou00090.html
bMS Mus 229
Krasner, Louis, 1903-. Correspondence: Guide.
Houghton Library, Harvard College Library
Harvard University, Cambridge, MA 02138
Descriptive Summary
Repository: Houghton Library, Harvard College Library, Harvard University
Location: b
Call No.: MS Mus 229
Creator: Krasner, Louis, 1903-.
Title: Correspondence,
Date(s):
Quantity: 1 box (.5 linear ft.)
Abstract: Correspondence and additional papers of Louis Krasner, the Russian-born American violinist and teacher.
Administrative Information
Processing Information: Recataloged by Barbara M. Wolff
Acquisition Information:
Deposited by Louis Krasner,1501 Beacon Street, Brookline, Ma 02146, 1977 Aug. 31; Gift of Mrs. Louis Krasner, Mrs. Naomi Orenstein, and Mrs. Elsa Miller, 1989.
Historical Note
Louis Krasner (d.1995) was a concert violinist and taught at the New England Conservatory of Music.
Organization
Arranged in two series: I. Letters to Louis Krasner; and II. Letters from Louis Krasner (including additional material).
Container List
  • Series: I. Letters to Louis Krasner
      (1) Achron, Joseph, 1886-1943. 2 letters; 1927-1928.

83. Entertainment ... Violin Category At SunSteam Search
since Heifetz. Ms. Jen. nathan milstein nathan milstein, perhaps the mostnearly perfect violinist of his time . Mayumi SeilerClassical
http://www.sunsteam.com/directory/Entertainment/Music/Artists_and_Bands/Classica
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  • Mayumi Seiler-Classical Music Violin-Toronto, Canada Mayumi Seiler-German, Japanese classical concert violinist, performs solo recitals, chamber music and concertos with major orchestras throughout Europe, North America and Japan to overwhelming acclaim.Virgin Record and JVC recording artist, Seiler teaches eBay Listings : Classical All Items Auctions Buy It Now img src=http://pics.ebay.com/aw/pics/listings/questionMark_14x14.gif width=14 height=14 hspace=4 border=0 align=absbot... index Nathan Milstein Nathan Milstein, perhaps the most nearly perfect violinist of his time.... Albert Spalding Biography of violinist, Albert Spalding... Misha Keylin - Violinist - Official Web Site "Keylin displays a gorgeous, rounded tone and a distinctively Russian phrasing style.... His nuanced readings fully convey the operatic impulse that drives the violin writing, ... Osman Kivrak:Violist and Composer Thanks for stopping by. We are musicians I am a violist, composer and computer geek; Teri is a violinist based in the Washington D.C. area. We...

84. Reissue CDs, NOV. 01 - AUDIOPHILE AUDITION
CD set devoted to The Art of nathan milstein on EMI the test of time the Brahmsmilstein did for Jochum even won the heart of fellow violinist Henryk Szeryng
http://www.audaud.com/audaud/NOV01/REISSUES/recdsNOV01.html
Classical CD Reissues November 2001
BRAHMS: Piano Quartet No. 1 in G Minor, Op. 25/SCHUMANN: Piano Quintet in E-flat Major, Op. 44 Artur Balsam, piano/The Budapest String Quartet Bridge 9110 67:35 (Distrib. Albany): Culled from the Library of Congress concerts from 1951 (Brahms) and 1953 (Schumann), this remarkable reissue, in solid sound, unites the Budapest String Quartet (with Jac Gorodetzky in the second violin part in Schumann) with the great master Artur Balsam (1906-1994). Balsam is known for his accompaniments for the great violinists: Stern, Szigeti, Francescatti, Milstein, Oistrakh, Shumsky, Fuchs. I recall, however, a rare little "Concert Classics" LP with Balsam and conductor Walter Goehr in Beethoven's B-flat Concerto, delicately played. Balsam had first joined the Budapest ensemble in 1946. His rendering of the Schumann adds to the extant Curzon and Serkin collaborations a sort of compromise approach, neither demonic (Serkin) nor lyrically demure (Curzon), but a broad, muscular reading much like the Demus/Vienna Konzerthaus Quartet readings (in Brahms) from roughly the same period. All of these artists are fully conversant in the Brahms style, with Balsam's having assisted Milstein (and Szymon Goldberg) in the first and last of the violin sonatas. The funeral march from the Schumann Quintet possesses lovely balance, not too

85. Daily Online Newspaper: The Christian Science Monitor
He boosted the refined violinist ChoLiang Lin, whose supreme technique is inthe tradition of players like Jascha Heifetz and nathan milstein, who Stern
http://www.csmonitor.com/2001/0928/p15s1-almp.htm
from the September 28, 2001 edition - http://www.csmonitor.com/2001/0928/p15s1-almp.html
Isaac Stern: a vital violinist
Plucky violinist defied scud missiles and would-be developers
By Benjamin Ivry Special to The Christian Science Monitor
Isaac Stern was more than just a violinist. A glib speaker of uncommon personal force, he organized a group to save Carnegie Hall from demolition in 1961, later serving as president of the Carnegie Hall corporation and chairman of the board of the America-Israel Cultural Foundation, as well as helping to establish the National Endowment for the Arts. He died Sept. 22. In his earlier years, Stern's natural bravado conquered his inveterate reluctance to practice the violin and his self-avowed appetites for making merry. Some informed listeners consider his 1952 recording of the Schubert Quintet in C (Sony Classics 58992 ), in the company of cellists Pablo Casals and Paul Tortelier, to be one of the supreme chamber-music recordings. Other early concerto recordings (reissued on Sony SM3K 45952 and Sony SM3K 45956) also contain forceful playing with lots of personality and verve. In the past 20 years or so, with a decayed technique, Stern could sometimes seem assertive and strident-sounding. As one punning critic expressed it: "He left no tone un-Sterned." Teaching and mentoring His staunch support of some younger string players, from fiddlers Itzhak Perlman and Pinchas Zukerman to cellist Yo-Yo Ma, inevitably caused grumbling among musicians he did not wish to play with.

86. DVDnet
century were Fritz Kreisler, Jascha Heifetz, nathan milstein, Yehudi Menuhin milsteinhad a clear pure line which had to my ear the supreme violinist of the
http://www.dvd.net.au/review.cgi?review_id=1942

87. Classical Music On The Russian WEB
Classical Music in Russia main links to a sites of russian musicians, choruses, orchestras, musical Category Arts Music Directories Classical...... nathan milstein violinist.
http://www.classicalmusic.spb.ru/links/
CLASSICAL MUSIC ON THE RUSSIAN WEB
musical theaters
musical teams
international russian links
world links
Links to the St.Petersburg's musical sites are located
on the other pages of Classical Music of St.Petersburg
INFORMATION MUSICAL SITES
"Moscow Musical Vestnik"
Academic music on-line [only russian] Classical music in Russia
Here you could listen to the music performed by Russian musicians in the Real Audio format. Russian classical ballet
This site devoted to the Russian classical ballet, its history, outstanding choreographers, ballet teachers, ballet dancers, musicians, ballet education, photo gallery.
All about music of XV-XVIII cc. Articles, news, free advertisements, links and much more. Medieval music
Hits of the Middle Ages. Classic guitar from Russia
Free classical and flamenco guitar notes, scores, sheet music, transcriptions. Moscow classic [under construction]
MUSICAL THEATERS
Bolshoi Theatre Official web-site.
The Moscow State Conservatory named after P.I.Tchaikovsky
Moscow State Academic Philharmonia Announcements, orchestras, ensembles, soloists, conductors and performers [only russian].

88. Hilary Hahn
Who is your favorite violinist, and why That group includes Fritz Kreisler, MischaElman, Jascha Heifetz, nathan milstein, and Arthur Grumiaux and, of course
http://www.sonyclassical.com/music/60584/journals/qa_1noah.html

P.S. 183, New York, NY
4th-5th grade violin students
The Hobart School, Los Angeles, CA
5th grade orchestra
Index of Postcards

Hi Ms. Hahn! My name is Noah. You were in my school a few days ago, P.S. 183 and I am in the violin class. I had so many questions for you that I didn't get to ask. Here are some:
Do you have an idol?
Hilary:

The closest I have had to a role model was probably my teacher of seven years, Jascha Brodsky. He was born in Latvia in 1907, and in the 1920s he studied with the legendary Belgian violinist Eugene Ysaye, in Paris. Ysaye himself was born in the middle of the 1850s, which means that through Mr. Brodsky I have a pretty direct connection back to the middle of the 19th century.
Mr. Brodsky began to teach me when I was ten and he was 83. He was a wonderful person and teacher (warm and affectionate yet demanding, with very high standards), and a great violinist. I studied with him twice a week, and after my lessons he used to tell me stories about his contemporaries, all the violinists of his generation, as well as his experiences as the first violinist of the Curtis String Quartet, a position that he held for over fifty years. I have some of his recordings, both in that quartet and in recital, and I love his playing, his impeccable sense of taste, his tone, and his style. So I admire him as a human being, as a musician and as a teacher. He died a couple of years ago at the age of 89; I only hope I can live as productive and influential a life as he did.

89. Nathan Milstein - Discography
This is a temporary page for nathan Milstein¹s Discography. with the hope that peoplewho long wanted to have access to the great violinist¹s recordings will
http://www.geocities.com/Vienna/5585/mildisc.html
This is a temporary page for Nathan Milstein¹s Discography. I thought I¹d post it up before completing the final and polished presentation with the hope that people who long wanted to have access to the great violinist¹s recordings will find good use for it. This list is at the courtesy of Stan Klemanowicz, who had compiled this comprehensive list. I regret I can¹t do much on the presentation at the moment for Mr. Stan Klemanowicz¹s hard work due to time constraints. I¹m sure, despite rough cosmetics, this will be a treasure trove for those who loved and inspired by Milstein¹s artistry. In the mean time, if you do have questions, corrections, or addendums, please email to me or Stan Klemanowicz . Thanks, and enjoy.
Nathan Milstein's Discography
This discography needs work and is incomplete. Numerous works are missing, recording data inclusive of recording dates and release dates, as well as accompanying artists and orchestras are required to make this discography whole. Any help will be appreciated. Am especially interested in European and Japanese issues. Please send all comments and corrections to stanklem@earthlink.net. It is my intent to update this list weekly on each weekend, so please come back and see if what you are looking for is here. If not, please let me know. Thanks.
Future plans include pictures and graphics. Should my 6MB of free web turf hold out, the page will be expanded to include other artists. Please be patient as this is my first venture into cyberspace. There aren¹t any buttons yet which can take you to each artist so please substitute the surnames listed below.

90. Interview With Violinist Dylana Jenson
Interview with violinist Dylana Jenson The other thing I was going to mention wasNathan milstein For about ten years or so, I would follow him to recitals
http://www.flash.net/~park29/jenson.htm
Interview with Violinist Dylana Jenson At the age of 11, Dylana Jenson performed the Tchaikovsky Violin Concerto with the Cincinnati Symphony Orchestra, and at 17 she became the first American woman and the youngest ever to win the Silver Medal at the Tchaikovsky Competition in Moscow. She has received unparalled critical acclaim for her performances with major orchestras throughout the U.S., Canada, Europe, Japan, Latin America, Australia and Russia. Hailed by the New York Times as a "mature master," and as "one of the few extraordinary violin soloists in the world" by Frankfurt's Ruhr-Nachrichten , Dylana Jenson is one of America's premiere violinists today. From her acre-and-a-half of "paradise" (as she calls it) in New Mexico, where she resides with her husband, conductor David Lockington, and children, Dylana gave us this interview in the Summer of 1998. Interviewer: As a soloist, what is your own personal view towards musical interpretation?
To what extent is technique important in communicating a piece of music? Dylana Jenson: As far as interpretation goes, I really think that the technical is only a vehicle for expression. If you make people aware of the technical as being awe-inspiring, then you've really lost the point of what interpretation is all about. So, even when I'm playing Paganini, I feel it in a musical way, and I hope that the technical should serve the musical expression.

91. Entertainment ... Violin Category At SunSteam Search
nathan milstein nathan milstein, perhaps the most nearly perfect violinistof his time . Scott St. Johns Home Page Home Page for Scott St.
http://www.sunsteam.com/directory/Entertainment/Music/Artists_and_Bands/Classica
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Results 16 - 21 of 21

  • UnTitled Among the worlds outstanding violinists is Aaron Rosand, whose great art has left audiences spellbound in the United States, Europe and other parts of the world. His many recordings, which have received critical acclaim, can be heard on this website. This Homepage of Cordula Merks Homepage of Cordula Merks, violist... README N/A N/A home.htm 3K 01-Dec-1999 17:27 juliaf1.htm 3K 04-Aug-1996 07:22... Irwin I Eisenberg Mr. Eisenbergs early violin studies were with Scipione Guidi, concertmaster of the New York Philharmonic and St. Louis Symphony Orchestras; and with Gustave Tinlot at... Interview With Violinist Dylana Jenson Dylana Jenson in her Carnegie Hall debut with Eugene Ormandy and the Philadelphia Orchestra was hailed by the New York Times as a mature master. Edward Downes on WQXR New York Times Radio said of her RCA recording, It is unsurpassed since Heifetz. Ms. Jen Scott St. Johns Home Page

92. Biography Of Augustin Dumay
Upon his return from the tour, Dumay was accepted as a student of NathanMilstein, who predicted a great career for the young violinist.
http://www.deutschegrammophon.com/artist/biography.htms?ART_ID=DUMAU

93. All Things Strings: Reviews
of Elgar’s friend Albert Sammons, the great English violinist, is interesting NathanMilstein is all elegant refinement performing works by Mendelssohn, Lalo
http://www.stringsmagazine.com/issues/strings94/reviews.shtml
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Excerpted from Strings magazine, May/June 2001, No. 94
On Record
LEGENDARY
VIOLINISTS
OF THE PAST
A Guide to the Best of the Recent Reissues
by Edith Eisler
There has been a surge of interest in the great violinists of the past recently, as if audiences have tired of the undifferentiated, mass-produced–sounding performances often heard today and begun yearning for the "good old days" when players could be clearly identified by their tone and personality. The resulting flood of reissues on compact disc offers a fascinating look at the style and characteristics of the greatest violinists of the last century. In this selective report on the concerto repertoire, I hope to reclaim some less-known players and stimulate further explorations. The earliest violinist recorded here is Carl Flesch (1873–1944), who is remembered mainly as a great teacher but whose recording of the Beethoven and Brahms Concertos (

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