41. Joel Quarrington - Double Bassist I'm just violinist, but it sounds interesting! I'll be back. mayumi seiler mailtomdkent@interlog.comat Wed Feb 3 233829 1999. Thanks for the inspiration! http://www.interlog.com/~henshaw/guest.html

42. Mayumi Seiler-Classical Music Violin-Toronto,Canada Features a biography, a discography, a concert schedule, reviews, a photo gallery and contact information. http://www.mayumiseiler.com/

43. The Wholenote Magazine opera orchestra in Hamburg, and Midori seiler, the youngest, is a freelance violinistand baroque solo performer in Berlin. According to mayumi, they played http://www.thewholenote.com/wholenote_june_00/cover_story.html

June, 2000 Via Salzburg viva Toronto by Allan Pulker L ooking back over the 1999-2000 music season, the things that meet the eye first, are discordant the traumatic TSO strike; the seemingly endless machinations that threaten to undermine yet again the long overdue Toronto opera house; the very sad demise of the Ford Centre music series; and the close call, just weeks ago, for the Downtown Jazz Festival. To this litany, one could add a 40% reduction in Ontario Arts Council funding over the past four years; continuing budget woes at the CBC; and what looks like the planned systematic destruction of music education in our public schools. But the pages of WholeNote offer another view of the season: the many, many small details that together are evidence of the healthy abundance in our musical scene. T he choral scene is flourishing, with new choirs, like VocalPoint and The Riverdale Children’s Chorus being created, and older ones (too numerous to mention all by name) attracting new members and presenting innovative repertoire to (usually) large audiences. A sign of this strength: one of our choirs, the Exultate Chamber Singers, not only won in its category in the CBC Choral Competition, but also won the top prize as the most outstanding choir.

44. Glenn Gould Studio March 1999 Schedule violin This allMendelssohn program features the dazzling Canadian violinist MayumiSeiler performing Mendelssohn’s Concerto for violin and orchestra in D http://glenngouldstudio.cbc.ca/9903.html

Glenn Gould Studio March 1999 Schedule Box Office and Information (416) 205-5555 Box Office hours- Mon.-Fri. 11-6 Visa Mastercard Amex accepted additional media information- contact Tom Shipton 205-5000 GLENN GOULD STUDIO 250 Front Street West, Toronto Phone (416) 205-5555 Wednesday, March 3 7:30 p.m. CBC Radio One's Tapestry presents The God Inquiry At the end of the 20th century, and the dawn of a new one, do we need a new understanding of God? Come and be part of the live studio audience for a spirited debate organized by the CBC Radio's Tapestry. Join Canadians from across the country who will be grappling with issues that cut to the heart of religious and spiritual experience, whether they be traditional believers, skeptics, or searchers who feel we need to replace the "old" story of God with a new Admission: free (please call the box office for reservations) Thursday, March 4

45. CBC Radio Two -- In Performance -- Listings August 2002 Andrew's Presbyterian Church. The Ottawa Chamber Music Festival presents. ViolinistMayumi seiler and pianist Walter Delahunt. Schumann, Violin Sonata No. http://www.radio.cbc.ca/programs/inperformance/2002/02Aug_listings.html

August 2002: Detailed Listings to listings: July 2002 archived listings Listen to In Performance on week nights, from 8 pm August T hursday, August 1 Han-Na Chang From Roy Thomson Hall in Toronto The Toronto Symphony Orchestra with cellist Han-Na Chang Prokofiev, Symphony No. 1 "Classical" Prokofiev, Sinfonia concertante Mistery piece F riday, August 2 From McGill University's Pollack Hall "Bravo Bellini! Viva Verdi!" Concert marking the 100th anniversary of Verdi's death, and the 200th anniversary of Bellini's birth. Richard Raymond, piano Jerome Ducharme and Jean Vallieres, guitar Andre Moisan, clarinet Jonathan Crow and Ramsay Husser, violin Yehonatan Berick, viola Brian Manker, cello Eric Chapell, double bass Mauro Giuliani, Arrangement for 2 guitars of the Overture to Bellini's opera "Il Pirata" Luigi Bassi, Fantasy on Bellini's opera "I Puritani" (clarinet, piano) Giuseppe Verdi, String Quartet in E minor

46. I FURIOSI - Guest Biographies Beginning his musical training as a violinist under the late Harry Gomez, he MayumiSeiler began her musical upbringing in Osaka, Japan, where she was born of http://www.ifuriosi.com/guests.htm

I FURIOSI Friends Guillaume has recently directed Dal Male il bene, a baroque “Commedia in Musica” at the Innsbruck Festival of Early Music. He has been working in opera since 1996, when he started to collaborate as text advisor and assistant director with post-modern American choreographer Trisha Brown on her opera projects (Monteverdi’s L'Orfeo, 1998; S. Sciarrino’s Luci Mie Traditrici, 2001, both at Théâtre Royal de La Monnaie, Brussels). Last year he directed a semi-stage production of Handel’s Saul conducted by René Jacobs, with Andreas Scholl in Brussels. He also remounted Stanislas Nordey’s production of Claude Vivier’s Kopernikus in Montreal and Toronto. Canadian-born Guillaume Bernardi was raised and educated in France, where he studied French and Italian literatures at La Sorbonne. Subsequently, at the Graduate Centre for the Study of Drama at the University of Toronto, he directed, among other projects, Pirandello's It's Nothing Serious (1990) in his own translation and Racine's Bajazet (1992). Working as the assistant director to Robert Lepage for his visionary 1992 production of Macbeth was another marking experience. From 1993 to 1996, he worked with the Paris-based Compagnie du Samovar on a series of experimental productions of non-dramatic texts, with a strong emphasis on music and movement. Since 1997, Guillaume Bernardi has also worked regularly in Toronto, directing innovative pieces that embraces a highly physical style and new approaches to text. (The Progress of Love by Alice Munro (1999), Six Characters in Search of An Author, by L. Pirandello (2000) Duos based on poems by Anne Nenarokoff-Van Burek (2002).

47. WWW VL Classical Music: Artists, From Soloists To Orchestras Engelsviken (tenor); Jozsef Eotvos (guitar); Robert Eshbach (conductor/violinist); MayumiSeiler (violin); Dejan Sinadinovic (piano); Alim Shakhmametyev; Regina http://www.geocities.com/debmort2001/Html/soloists.htm

Soloists. Bill Adam Tribute Web site (trumpet) Afrocentric Voices in Classical Music ; Biographies and bibliographies on African Americans in classical vocal music John Mark Ainsley (tenor) John Aler (tenor) Susan Allen (harp) Sir Thomas Allen (baritone) Valentina Alykova (violin) Janet Anthony (cello, chamber music) Ole Edvard Antonsen (trumpet) Ole Edvard Antonsen (trumpet) Fabio Armiliato (tenor) Bodil Arnesen (soprano) Susan Asbjornson (soprano) Franck Avril (oboe) Paul Ayres (organ) Thomas Bacon (horn) Suren Bagratuni (cello) Alison Baker (organ) Jean Jacques Balet (piano) Richard Bamping (cello) Kimberly Barber (mezzo-soprano) Daniel Barenboim (conductor, piano) Dame Josephine Barstow (soprano) Benjamin Bayl (organ) Patrice Michaels Bedi (voice) Jos Beijer (organ) Mary Bella (soprano) Rupert Bergmann (bass-baritone) Bart Berman (piano) Anne-Lise Berntsen (soprano) Roar Berg (tenor) Mark Bernat (double bass) (includes the artist's transcription and recording of the complete Bach suites for double bass) Alexander Besa (viola) John Marcus Bindel (bass-baritone) Gerald Blanchard (baritone) Michel Block (piano) Thomas Bloch ; (Glass Harmonica, Ondes Martenot, Cristal Baschet)

48. La Loge - Tuesday From St Andrew's Presbyterian Church The Ottawa Chamber Music Festival ViolinistMayumi seiler pianist Walter Delahunt Schumann, Violin Sonata No 2 Koprowski http://www.laloge.org/archives/august/27.htm

TUesday - 27 August 2002 4:00 am Compos er of the week Donald Macleod playlist Listen on demand for seven days from broadcast Giacomo Meyerbeer 1791-1864 The Italian opera-going public adored Meyerbeer, hailing each of his operas as even greater than the last Donald Macleod uncovers the stories of Meyerbeer's life in Italy, leading up to his first international success, Il Crociato in Egitto, which was performed as far afield as Constantinople, Havana and Rio de Janeiro IGli amori di Teolinda Introduction Radio Symphonie Orchester Berlin/Gerd Albrecht Emma di Resburgo Di gioja, di pace Emma Bronwen Mills Edemondo Diana Montague Norcesto Paul Nilon Olfredo Geoffrey Dolton Donaldo Harry Nichol Etelia Maria Bovino Philharmonia Orchestra/David Parry Margherita d'Anjou Quel parlar! Quellaria incerta Carlo Belmonte Geoffrey Dolton Riccardo Duca di Glocester Alastair Miles Michele Gamautte Russell Smythe Philharmonia Orchestra/David Parry Il Crociato in Egitto Act 2 Extract Palmide Yvonne Kenny Aladino Ian Platt Felicia Della Jones Armando Diana Montague Adriano Bruce Ford Osmino Ugo Benelli Geoffrey Mitchell Choir Royal Philharmonic Orchestra/David Parry 5:00 am I Concerti Di Mattinotre programme Orchestra del Teatro La Fenice di Venezia

49. Current Issue Home Content Calendar Back Issues LSM Issues LSV http://www.scena.org/lsm/sm4-2/sm4-2calendar.htm

Current Issue Home Content Calendar Back Issues LSM Issues LSV Issues Features WebNews Newswire Throat Doctor Interviews ... Concert Reviews CD Critics Books Reviews PDF Files Links Audio Midi LSM About LSM LSM News Distribution Advertising ... Web Search La Scena Musicale - Vol. 4, No. 2 Octobre / October 1998 E-mail: info@scena.org Web: http://www.scena.org (c) La Scena Musicale 1998 Calendrier: Octobre 1998 / Calendar: October 1998 1 octobre au 7 novembre, 1998 / October 1st to November 7, 1998 Contenu / Contents * Calendrier / Calendar MONTRÉAL QUÉBEC PROVINCE DE QUÉBEC OTTAWA ... SASKATOON AVIS AU LECTEUR Le lecteur devrait confirmer par téléphone les détails de chaque concert en cas de changement ou d'annulation. On trouvera les # de téléphone soit dans le calendrier dans la description de l'événement, ou dans la section « Lieux de concerts », ou sous le nom de la compagnie dans les « Abréviations ». Les prix sont arrondis au dollar près. Les prix sont ceux des billets pour le public général, pas pour les abonnés ou membres. Dans chaque section géographique, les concerts ont lieu dans la ville principale (d'après laquelle la section est nommée), et le numéro de tél est dans le code régional principal, sauf indication contraire.

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