Josquin Desprez Classical Music Pages article on his life, compositions, and contributions to music theory taken from Category Arts Music Composition Composers J josquin desprezEpoch Renaissance Country FranceItaly. josquin desprez (circa 1440-1521). DetailedInformation about. Picture Gallery; List of Works; Bibliography. Introduction. http://w3.rz-berlin.mpg.de/cmp/josquin.html
Extractions: Country: France-Italy Detailed Information about Introduction Perhaps a native of the Vermandois region of Picardy, he was a singer at Milan Cathedral in 1459, remaining there until December 1472. By July 1474 he was one of the 'cantori di capella' in the chapel of Galeazzo Maria Sforza. Between 1476 and 1504 he passed into the service of Cardinal Ascanio Sforza, whom he probably accompanied in Rome in 1484. His name first appears among the papal chapel choir in 1486 and recurs sporadically; he had left the choir by 1501. In this Italian period Josquin reached artistic maturity. He then went to France (he may also have done so while at the papal chapel) and probably served Louis XII's court. Although he may have had connections with the Ferrara court (through the Sforzas) in the 1480s and 1490s, no formal relationship with the court is known before 1503 when, for a year, he was maestro di cappella Josquin's works gradually became known throughout western Europe and were regarded as models by many composers and theorists. Petrucci's three books of his masses (1502-14) reflect contemporary esteem, as does Attaingnant's collection of his
Island Of Freedom - Josquin Desprez josquin desprez c. 14401521 josquin desprez Basic Repertoire List - Josquin http://www.island-of-freedom.com/DESPREZ.HTM
Extractions: Josquin's mastery of every important musical genre of his time is evidenced by his surviving works, which include 19 masses, about 100 motets, some 70 French chansons, and a handful of instrumental pieces and Italian frottole (part songs). These were published widely both during his lifetime and long after his death. His musical style was the product of two cultures: the north, where he was born and educated and to which he later returned and the south, where he reached artistic maturity and spent many of the most productive years of his life. The techniques and styles of the two regions coexist in his music, and he had recourse to them throughout his long career. In many of his works the contrapuntal artifices of the Franco-Netherlanders and the chordal, harmonically controlled style of the Italians are fused into a rich and expressive musical language that has as its primary goal the perfect union of words and music. In his motets, melodic imitation is the prevailing technique. Above all, the motets show highly expressive treatment of text, reflecting Josquin's deep religious conviction as well as the age's new humanistic attention to personal expression. To his secular compositions, his polyphonic (multivoiced) chansons, he applied a range of techniques, from simple and chordal to highly imitative. These works set a standard for composers of the later Renaissance that was often emulated but never surpassed.
Josquin Desprez - A Discography Biographical essay includes his training and work in contrapuntal music. Includes extensive list of Category Arts Music Composition Composers J josquin desprezjosquin desprez (c.1440/551521) - A discography. This page will eventuallybecome a resource on the great Franco-Flemish composer josquin desprez. http://www.medieval.org/emfaq/composers/josquin.html
Extractions: This page will eventually become a resource on the great Franco-Flemish composer Josquin Desprez. A biographical sketch appears below. Introduction and major recordings might best be reached via the Renaissance Overview Discographic material below has been collected to this state primarily by Pierre-F. Roberge. Todd M. McComb Josquin Desprez (c.1440/55-1521) is widely regarded as one of the finest and most influential composers in the history of Western music. The stylistic traits of his music, both in contrapuntal technique and in text-setting, gave the defining direction to the High Renaissance and with it the course of music history as a whole. Not only was Josquin admired by Martin Luther as the greatest of composers, but his music was distributed throughout Europe and especially in Germany for decades after his death. The clear textures and text declamation which Josquin employed set the stage not only for the next developments of technical harmony, but for the clarity and conciseness demanded by the Counter-Reformation of Palestrina et al. as well. Josquin's output displays a rare combination of innovation and accomplished technical mastery, and has retained for him a position as the most prominent composer of the early sixteenth century, perhaps the high point of Western music as a whole. Although he spent a substantial portion of his career in Italy, Josquin evidently received his training in the Northern Franco-Flemish style before then, perhaps at the feet of
Extractions: hatteraslight.com Welcome to the Josquin Desprez (c. 1440-1521) Forum Frigate. Post yer opinion, a link to some of yer work, or yer thoughts regarding the best books and criticisms concerning Josquin Desprez (c. 1440-1521) . We'd also like to invite ye to sail on by the Josquin Desprez (c. 1440-1521) Live Chat , and feel free to use the message board below to schedule a live chat. And the brave of heart shall certainly wish to sign their souls aboard The Jolly Roger If ye long for truth and the honest sea,
Musica Classica - Classical Music - Klassische Musik - Karadar Bertoldi Ensemble Musica Classica Classical Music Dictionary entry with life, works, portrait, picture of a composition, Category Arts Music Composition Composers J josquin desprezjosquin desprez (ca. 14401521). josquin desprez Life. josquin desprezis born circa 1440 and died Condé-sur-l'Escaut, 27 August 1521. http://www.karadar.net/Dictionary/desprez.html
Extractions: Josquin Desprez is born circa 1440 and died Condé-sur-l'Escaut, 27 August 1521. Perhaps a native of the Vermandois region of Picardy, he was a singer at Milan Cathedral in 1459, remaining there until December 1472. By July 1474 he was one of the "cantori di capella" in the chapel of Galeazzo Maria Sforza. Between 1476 and 1504 he passed into the service of Cardinal Ascanio Sforza, whom he probably accompanied in Rome in 1484. His name first appears among the papal chapel choir in 1486 and recurs sporadically; he had left the choir by 1501. In this Italian period Josquin reached artistic maturity. He then went to France (he may also have done so while at the papal chapel) and probably served Louis XII's court. Although he may have had connections with the Ferrara court (through the Sforzas) in the 1480s and 1490s, no formal relationship with the court is known before 1503 when, for a year, he was maestro di cappella there and the highest-paid singer in the chapel's history. There he probably wrote primarily masses and motets.
No. 1166: Josquin Desprez Radio transcript and RAM audio of University of Houston program investigating his life and works. Details his use of musical notation to pay homage to patrons. By engineering professor Dr. John H. Lienhard. http://www.uh.edu/engines/epi1166.htm
Extractions: by John H. Lienhard Click here for audio of Episode 1166. Today, academic detectives look for the real Josquin. The University of Houston's College of Engineering presents this series about the machines that make our civilization run, and the people whose ingenuity created them. F or my money, the greatest composer who ever lived was the somewhat shadowy figure of Josquin Desprez. Josquin defined the new music of the Renaissance. You've probably heard his masses. You've surely heard his little choral piece El Grillo the one that makes such a fine imitation of a cricket. When I was in graduate school, musicologists were waging holy wars with one another over Josquin's particulars. Today a few of those particulars are in pretty good order. We know Josquin was born in the northern part of France around 1440. That rough date comes from the 1459 records of a Milan cathedral which identify him as "Jodocho de frantia biscantori." "Jodocho de frantia" was an Italian version of his name. "Biscantori" meant a young adult singer. The spelling of his name changes from place to place and time to time. Historians finally saw that Josquin himself told us how he wanted his name spelled in a five-voice motet
JOSQUIN DESPREZ De naam josquin desprez zou een vertaling kunnen zijn van Joosken Vanderweyden, maar niets wijst echter op het http://www.geocities.com/Vienna/Strasse/9275/josquin.htm
Extractions: ca. 1445 - 27/08/1521) U hoort nu van Josquin Desprez: El Grillo Deze "Prins der Nederlanden" werd geboren in de buurt van Cambrai (Kamerijk) in Henegouwen tussen 1440 en 1450. De naam Josquin Desprez zou een vertaling kunnen zijn van Joosken Vanderweyden, maar niets wijst echter op het Nederlands als moedertaal: hij componeerde zowel op Franse, Italiaanse als Latijnse teksten, maar geen enkel werk met een Nederlandse tekst, terwijl zijn talrijke namen uit de meest uiteenlopende Europese archieven steeds op zijn Noordfranse afkomst wijzen. Als knaap zong hij in het koor Saint-Quentin, en waarschijnlijk studeerde hij bij Ockeghem in Parijs. Van 1459 tot 1472 is hij zanger aan de Domkerk van Milaan, en van 1473 tot 1479 lid van de kapel van de hertogen Sforza. Intussen moet hij de priesterwijding ontvangen hebben, en vanaf 1479 werkt hij in los dienstverband voor kardinaal Ascanio Sforza, die later naar Rome zou verhuizen om er paus te worden. Tussen 1486 en 1494 maakt hij herhaaldelijk deel uit van de pauselijke kapel in Rome, maar zeker niet zonder onderbreking. Josquin verloor namelijk nooit contact met zijn vroegere werkgevers en beschermheren en maakte nieuwe relaties, zoals het hof der d'Estes in Ferrara. Vanaf 1501 tot 1515 werkt hij free-lance voor Ercole d'Este, zowel als voor Lodewijk XII van Frankrijk. De laatste jaren van zijn leven keert hij terug naar zijn geboortestreek als proost van het kapittel van Condé. Hij stierf waarschijnlijk op 27 augustus 1521. Andere bronnen doen geloven dat hij in 1524 nog in leven zou geweest zijn, maar dit is weinig waarschijnlijk.
Josquin Desprez 1440, possibly in Picardy. Died August 1521, Condésur-l'Escaut. josquin desprez. Born c. 1440, possibly in Picardy. http://cwx.prenhall.com/bookbind/pubbooks/masterworks/medialib/composers/desprez
Extractions: Born c. 1440, possibly in Picardy. Died Josquin's career took him, before he was 20, to the Milan cathedral, thence to his long service of the Sforza family there and, in the retinue of Cardinal Ascanio Sforza, to Rome (1484). In Rome he became a member of the papal choir. He appears to have served the king of France, Louis XII, from the 1490s until past the turn of the century. In the spring of 1502, he became the highly paid maestro di cappella Works Masses (18)
Josquin Desprez josquin desprez Motette "In pace". J. Desprez "Missa pange lingua" 1.Satz Kyrie http://www.musiklk.de/14josqu.htm
Josquin Desprez both zhOs'kaN dAprA'. Pronunciation Key. josquin desprez or Des Prés , c. http://www.infoplease.com/ce6/people/A0826642.html
Josquin Desprez - Missa Hercules Dux Ferrariae Translate this page josquin desprez - Missa Hercules Dux Ferrariae. josquin desprez - Missa HerculesDux Ferrariae A Sei Voci - Bernard Fabre-Garrus, dir. Astrée E 8601 Contents http://www.medieval.org/emfaq/cds/ast8601.htm
Extractions: When you listen to this version, it becomes rapidly quite obvious that it is totally different from the previous New London Choir or Hilliard Ensemble . In those you get a feeling of intimacy and spirituality, in this version a feeling of grandeur and solemnity and the number of performers is impressive. Which performance is the best?, as you wish, each one is superb. Note that the Inviolata, integra et casta es, Maria
Introduction À La Musique De Josquin Desprez Translate this page josquin desprez l'a écrite il ya cinq siècles. Ce site vous propose d'en savoirplus sur ce compositeur de la Renaissance. 1. 2. DECOUVRIR josquin desprez. http://perso.wanadoo.fr/josquin.desprez/
Vie Josquin Desprez Translate this page Vie et oeuvre de josquin desprez. De la vie de josquin desprez telleque pouvons l'entrevoir, nous devons retenir trois choses http://perso.wanadoo.fr/josquin.desprez/Vie_Josquin_Desprez.htm
Josquin Desprez (c. 1440-1521) Classical Music Discussion Deck josquin desprez (c. 14401521) Discussion Deck CLASSICAL MUSIC FRIGATECarolinanavy.comIf ye would like to moderate the josquin desprez (c. 1440-1521 http://carolinanavy.com/fleet2/f2/zclassicalmusic/JosquinDesprez(chall/mobydick.
Extractions: hatteraslight.com Welcome to the Josquin Desprez (c. 1440-1521) Discussion Deck. Post yer opinion, a link to some of yer work, or yer thoughts regarding the best books and criticisms concerning Josquin Desprez (c. 1440-1521) . We'd also like to invite you to sail on by the Josquin Desprez (c. 1440-1521) Live Chat , and feel free to use the message board below to schedule a live chat. And the brave of heart shall certainly wish to sign their souls aboard The Jolly Roger . Josquin Desprez (c. 1440-1521) , Classical Music, Wolfgang Amadeus Mozart, and Ludwig van Beethoven all sail aboard The Jolly Roger If ye long for truth and the honest sea
Introduction To The Music Of Josquin Desprez Translate this page This site proposes an introduction to the music of josquin desprez through severalmusical transcriptions of his works (and of other composers from the http://www.geocities.com/josquinus/
Josquin Desprez josquin desprez. Created by Mike Passaris on Friday the 13th of February, 1998. Inthe province of Hainaut, Belgium around 1440, josquin desprez was born. http://www.vanderbilt.edu/Blair/Courses/MUSL242/josqui~1.htm
Extractions: Josquin's Life In the province of Hainaut, Belgium around 1440, Josquin Desprez was born. His first dominant position he held was to become choirmaster to Duke Ercole I of Ferrara. This is the time where he began to write most of his music. He received musical training at Cambrai, France and was now putting it to good use. He wrote motets, chansons, masses, a handful of instrumental pieces, and Italian frottole's (part song's). In April of 1505, at the duke's death, Josquin became provost of the collegiate church of Notre Dame in Conde. He lived the rest of his life there until he died at Conde-sur-l'Escaut on August 27, 1521. Motets Josquin wrote 100 motets throughout his lifetime. In 49 of the motets he used a plainsong melody. His masses and early motets were essentially in four parts, he did write five and six part motets as well, but they were less common. One early four part motet Victimae paschali laudes (1502) exemplifies his early style with dense texture and lack of imitation. His early motets were very plain with not much rhythmic movement. As he wrote more and more, Josquin developed a greater maturity in his music. The more he wrote the better each piece was. It is noticeable to the listener that each motet, for instance, becomes more involved and advanced. Homophony and imitative passages began to be recognized in his works an example being
Josquin Desprez (ca. 1440-1521) josquin desprez (ca. 14401521). A Flemish Renaissance composer, josquin desprezwas born around 1440 in a town called Picardy, now a part of modern Belgium. http://wicr.uindy.edu/Education/Composers/DesprezJ.html
Extractions: (ca. 1440-1521) A Flemish Renaissance composer, Josquin Desprez was born around 1440 in a town called Picardy, now a part of modern Belgium. Called the "Father of Musicians," Josquin dominated the art of music around 1500. Protestant revolutionary Martin Luther spoke of the composer’s worth: "He is the master of the notes. They have to do as he bids them; other composers have to do as the notes will" (Machlis and Forney 104). Indeed, Josquin’s influence was profound and his music very effectively conveys the emotions it seeks to represent. Like many other Renaissance composers, Josquin’s intent was to keep a textual focus, and he built the music around the existing words. This forward-reaching age created a style of "High Renaissance." As a student of Renaissance composer Johannes Ockeghem Maestro di cappella motets , more than seventeen complete Masses, and over 70 secular vocal compositions. Both motets and Masses are examples of sacred vocal music. A motet is a choral work set to Latin text that uses polyphony . In polyphonic music, each voice has its own line and is independent of all other parts. A popular motet by Josquin dating from ca. 1476 is the famous choral work
HOASM: Josquin DesPrez Discography Translate this page A Partial josquin desprez Discography. AlbumTitle, Subtitle, Works,Performers, Record Label, Catalog No. josquin desprez, Missa Pange Lingua http://www.hoasm.org/IVA/DesPrezDiscography.html
Extractions: AlbumTitle Subtitle Works Performers Record Label Catalog No Josquin DesPrez 1. Missa Pange Lingua; 2. Qui velatus facie fuisti; 3. O domine, Jesu Christe; 4. Christus mortuus est A Sei Voci dir. Bernard Fabre-Garrus E 8639 Musica Vaticana Music from the Vatican Manuscripts (1503 - 1534) Pomerium dir. Alexander Blachly Glissando Carolus Maximus Music in the Life of Charles V 1. Heroum soboles ( Lassus ); 2. Kyrie, Missa Sur tous regrets ( Gombert ); 3. Gloria, Missa Sur tous regrets ( Gombert ); 4. Mille regretz (Desprez); 5. Mille regres, La cancion del Emperador del quarto tono de Jusquin ( Narvaez ); 6. Si qua tibi obtulerint ( Lassus Morales ); 8. Jubilate Deo ( Morales ); 9. Quis te victorem ( Crecquillon ); 10. Fantasia del octavo tono ( Narvaez ); 11. Carole, magnus erat ( Crecquillon ); 12. Mille regres ( Gombert ); 13. Sanctus, Missa Mille regretz ( Morales ); 14. Qui collis Ausoniam ( Gombert ); 15. Agnus Dei, Missa Pro defunctis ( Morales ); 16. Circumdedurent me ( Morales Pomerium dir.
Josquin Desprez Descartes, josquin desprez. josquin desprez was a celebrated composer of the Renaissanceand one of the most influential figures in the history of Western music. http://www.websophia.com/faces/desprez.html
Extractions: Josquin's mastery of every important musical genre of his time is evidenced by his surviving works, which include 19 masses, about 100 motets, some 70 French chansons, and a handful of instrumental pieces and Italian frottole (part songs). These were published widely both during his lifetime and long after his death. His musical style was the product of two cultures: the north, where he was born and educated and to which he later returned and the south, where he reached artistic maturity and spent many of the most productive years of his life. The techniques and styles of the two regions coexist in his music, and he had recourse to them throughout his long career. In many of his works the contrapuntal artifices of the Franco-Netherlanders and the chordal, harmonically controlled style of the Italians are fused into a rich and expressive musical language that has as its primary goal the perfect union of words and music. In his motets, melodic imitation is the prevailing technique. Above all, the motets show highly expressive treatment of text, reflecting Josquin's deep religious conviction as well as the age's new humanistic attention to personal expression. To his secular compositions, his polyphonic (multivoiced) chansons, he applied a range of techniques, from simple and chordal to highly imitative. These works set a standard for composers of the later Renaissance that was often emulated but never surpassed.
JOSQUIN DESPREZ Translate this page Band III (1992), Spalten 611-615, Autor Hans-Josef Olszewsky. josquin desprez,Komponist, * ca. 1440, + 27. August 1521 in Condé-sur-l' Escaut. http://www.bautz.de/bbkl/j/Josquin.shtml
Extractions: Verlag Traugott Bautz www.bautz.de/bbkl Bestellmöglichkeiten des Biographisch-Bibliographischen Kirchenlexikons Zur Hauptseite des Biographisch-Bibliographischen Kirchenlexikons Abkürzungsverzeichnis des Biographisch-Bibliographischen Kirchenlexikons Bibliographische Angaben für das Zitieren ... NEU: Unser E-News Service
