Geometry.Net - Composers: Marais Marin

- Great Books -
marin marais (16561728), During the period when the French viol schoolled all of Europe in viol virtuosi (1675-1770), marin marais
http://www.malaspina.com/site/person_807.asp

Extractions: During the period when the French viol school led all of Europe in viol virtuosi (1675-1770), Marin Marais (b. Paris, 31 May 1656, d Paris, 15 August 1728) was the premier French composer and bass viola da gamba player. Marais spent all his life in Paris and the majority of it in musical service to King Louis XIV ; as a boy, he sang in the choir at St. Germaine-l'Auxerrois; sometime after his voice broke, he studied viol with Monsieur Sainte Columbe. M. Sainte Columbe is a mysterious figure: in life, he was a recluse and so little is known of him today that the only first name he is known by is "Monsieur." Sainte Columbe was a much sought after gambist and wrote some of the best and most challenging viol compositions to date; it was he who added the seventh string to the bass viol. Marais studied with the Master for only six months; in that short time, it is rumored, that Marais had surpassed Sainte Columbe. Marais returned to Versailles to play for the King in 1676; within three years he was appointed Ordinaire de la chambre du Roi pour la viole. He studied composition with Lully and wrote four operas during this period; Marais remained at Versailles until his retirement in 1725. His position was beqeathed his son Vincent; Marais had 19 children, and many were well known musicians.
Home Page
Instrument. Search Results Formarais, marin FLUTE SOLO. marais, marin(16561728) 3444, Les Folies Variations (STALLMAN). $9.50. * Note
http://www.internationalmusicco.com/search2.cfm?SearchVal=MARAIS, Marin&SearchPa
Marin Marais (1656-1728) - Klassiekemuziekgids.net
klassiekemuziekgids.net. marin marais Parijs 1656 aldaar 1728 Franscomponist en gambist. Studeerde viola da gamba bij SainteColombe
http://www.klassiekemuziekgids.net/componisten/marais.htm
Marin Marais
marin marais was the central figure in the French school of bassviol composersand performers that flourished during the late 17th and early 18th centuries.
http://ibelgique.ifrance.com/violadagamba/Html/cmarais.html

Extractions: France Biographical Sketch by Clyde H. Thompson Marin Marais was the central figure in the French school of bass-viol composers and performers that flourished during the late 17th and early 18th centuries. He spent his entire life in Paris, and the greater part of it in royal service. First appointed as Ordinaire de la Musique de la Chambre du Roi in 1685, he retained that post throughout the reign of Louis XIV and from 1715 to 1725 served under the Regency and Louis XV. His contemporaries recognized him as an outstanding performer and a composer of stature whose works for viols and the operatic stage were known beyond the boundaries of France. These barest of facts represent almost the entire body of readily available information concerning a musician who was a major figure in French music during his lifetime. Little else about Marais' life, and even less about his music, has appeared in print. The most extensive account of his life and works was provided by Titon du Tillet in hisLe Parnasse françois (Paris, 1732). Dedicated to the greater glory of the practically divine Louis XIV, the work depicted an imaginary Parnassus of poetry and music over which Louis ruled with noble forbearance. The leading poets and musicians of the late 17th and early 18th centuries were given places around the throne in accordance with their importance. Marin Marais, in company with Jean-Baptiste Lully, Clèment Marot, Isaac de Benserade, Phillipe Quinault, and Michel Delalande, among others, was included in the royal entourage. Le Parnasse françois is an invaluable source of information concerning poets and musicians of this period. In the case of Marais, it appears to have served as the most important single repository of contemporary information.
Edizioni In Facsimile
Translate this page F3. 014.2 marais, marin Pièces de viole. Deuxième livre, 1701 / marin marais. F3.014.3 marais, marin Pieces de viole. Troisieme livre, 1711 / marin marais.
http://digilander.libero.it/bibliomusicalelatina/datimusica/facsimili.html
La Musique Au Temps De Marin Marais
Translate this page La Musique au temps de marin marais Magnificat à quatre voix H.80 Marc-AntoineCharpentier V 4681 Back to list E-mail Luk Hostens Design by snoop182.
http://www.hostens.be/kiehr/cd/La_musique_au_temps.html
Marin Marais
Translate this page marin marais (1656-1728). marin marais nasceu em Paris no ano de1656, e morreu em 1728 na mesma cidade. Tal como Saint Colombe
http://musicantiga.com.sapo.pt/Musicantiga-Marais.htm

Extractions: Marin Marais (1656-1728). Marin Marais nasceu em Paris no ano de 1656, e morreu em 1728 na mesma cidade. Tal como Saint Colombe está para a viola da gamba na primeira metade do séc. XVII, Marin Marais o está para a segunda metade do séc. XVII. Com efeito, representa o culminar da evolução de um instrumento que tanto brilhou nos salões do tempo de Louis XIV, e que no séc. XVIII cairia em desuso, em detrimento da família do violino. Para além de gambista, Marin Marais era compositor, e a sua principal instrução neste domínio foi feita com Lully. Assim, tornou-se maestro da ópera de Paris, tendo antes já actuado na orquestra do Rei, compondo desde aí óperas como "Alcione", música de câmara, e cinco volumes de peças para viola da gamba. E é na composição para viola da gamba que Marais toma o mais importante lugar. Destas peças publicou cinco volumes com baixo contínuo, e neles não só se nota o grande sentido estético do compositor como também o seu grande virtuosismo. A ele, na corte de Louis XIV só se igualava Forqueray, "le diable", enquanto Marais era apelidado de "l'ange". O diabo e o anjo. Fora do domínio das peças para viola, e ainda na música instrumental, encontram-se grandes pérolas musicais como a "Sonerie du Mont de Saint Geneviéve à Paris", para dois violinos e baixo contínuo, entre várias peças para ensembles de câmara.
Suites Pour Viole De Gambe Marin Marais
Translate this page Suites pour viole de gambe marin marais. Titre Suitespour viole de gambe marin marais. Rubriques Broché
http://www.mylivremaison.com/Suites-pour-viole-de-gambe-M-2844200982.html
Werner Icking Music Archive: Marin Marais
Werner Icking Music Archive Sheet Music; Archives musicales partitions; Archiviodi Musica Spartiti; Musikarchiv Noten; marin marais. marin marais ().
http://icking-music-archive.sunsite.dk/ByComposer/Marais.html

Extractions: Music Archive Home Other Composers Event Log of New Scores Event Log of Revised Scores image of an example page, further information, sound, e-mail address, external Link, PDF-file, compressed postscript file Sonnerie de S:te Genevieve du Mont de Paris for Violin Viola da Gamba and Harpsichord - edited by Johan Tufvesson for his sheet music collection Music Archive Home Other Composers Event Log of New Scores ... Event Log of Revised Scores 2001-02-08, Werner Icking (1943-2001), GMD Christian Mondrup Werner Icking Music Archive
Marin Marais - Analekta
marin marais (1656 1728) - composer Discographie. Cover, Arion 2 3078.marin marais, Click here to join our mailing list! It's free!
http://www.analekta.com/site/bio.e/marais_ma.html
Lista Autori
Translate this page Mannino, Franco. Mannucci, Andrea. Manzoni, Giacomo. marais, marin. marais. marin.Marcello, Alessandro. Marcello, Benedetto. Marenzio, Luca. Marguerite dAutriche.
http://www.conservatoriocomo.it/biblioteca/cataloghi/lista_autori_CD.php?lettera
Marin Marais | Musiques.mysic.com
marin marais biographies partitions et tablatures paroles de chanson vid©osclips dates de concert musiciens interviews mp3s actualit©s musicales
http://musiques.mysic.com/Marin_Marais.html
Marin MARAIS (1656-1728)
GAUDEAMUS THE PREMIER AUTHENTIC EARLY MUSIC LABEL marin marais (16561728) MUSICFROM THE TIME OF LOUIS XIV TIENTOS Johanna Valencia, recorders viola da
http://www.asv.co.uk/gau240.htm

Extractions: JACQUES MARTIN HOTTETERRE 'LE ROMAIN' (1680-1761): Troisième Suite, 1er Livre (1715) / SIEUR DE SAINTE-COLOMBE (c.1691-1701): Concert 'Le Retour', Tombeau 'Les Regrets' / MARIN MARAIS: Suite à 2 Violes, 1er Livre (1685) / MICHEL PIGNOLET DE MONTÉCLAIR (1667-1737): Deuxième Concert (1724) / JACQUES MOREL (fl c.1700-1740): Chaconne en Trio, 1er Livre (1709) The music of the French Baroque is hugely popular for its distinctive elegance, fluidity and chromatic sensuality, characteristics which are epitomised by the music on this disc. Including previously unrecorded works, and music by composers featured in the film Tous les matins du monde, this disc is performed by Tientos, an ensemble internationally acclaimed for its lively and polished interpretations of early music. From sprightly dance-movements to deeply-felt lamentations such as the Tombeau 'Les Regrets' by Sainte-Colombe, this disc encapsulates the full range of styles for which French Baroque music is famed. The viol repertoire represented on this disc exploits the expressive qualities of the instrument, and Saint-Colombe, who was himself a virtuoso violist, employs a free, often improvisatory musical style. His most famous pupil was the greatest of all exponents of the French viol repertoire, Marin Marais, whose third book of viol works, heard on this disc, shows his teacher's influence in the tragic utterances of the Tombeau de Mr. Meliton, contrasted with dance-movements inspired by Lully.
Iclassics.com - Classical Music And More
Newsletter SignUp Herbert von Karajan Listening To Music Beethoven.com. Marinmarais. marais Pièces de Viole. marais Suitte d'un Goût Étranger.
http://www.iclassics.com/iclassics/artists_result.jsp?entityId=595
Seite.com Zum Begriff Marin
http://www.seite.com/cgi-bin/suche.pl?s=marin

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

81-95 of 95 Back | 1 | 2 | 3 | 4 | 5