Geometry.Net - Composers: Scarlatti Alessandro

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Translate this page ISMN M-50000-262-8, Nr.1 Si suono la tromba, S,Trp,Org scarlatti, alessandro (1660-1725), 14.30, 4 Rompe, sprezza scarlatti, alessandro (1660-1725), 12.00,
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Koobuycity - Scarlatti, Alessandro : Stabat Mater A 10 Voix Ens. Vivete Felici -
Translate this page Vivete Felici Jourdain + Leo scarlatti, alessandro Editeur M10 / Assai. Vendrevotre CD scarlatti, alessandro Stabat Mater A 10 Voix Ens.
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Which Versions Of La Folia Have Been Written Down, Transcribed Or Recorded?
scarlatti, alessandro (16601725) Variazioni su La Follia for keyboard (1723),29 'eight-bars' variations The structure of these variations keeps within
http://members.chello.nl/folia/html5s.html

Extractions: Steven J. Haller wrote for the 'American record guide' in the issue May 2001 (and he obviously fails to hear any beauty in the Folia theme): Main course here, as in so many recent Salieri repasts, is the La Folia Variations. The interminable and not very imaginative shifts from winds to strings (or fast to slow) and back again that here suffice for "variations" make this one of Salieri's less impressive efforts, particularly set next to the overtures. Pesko takes about 20 minutes for the variations, while Frontalini takes 21 and Spada on ASV takes 23 (Sept/Oct 1996). Bamert without ever sounding rushed or superficial gets through it in 17:47, and (even better) actually manages to hold your interest while doing so. The others have their virtues too, but I think you'll be quite happy with Bamert, assuming you ever want to listen to the piece to begin with. Pietro Spada (Engish version by Carole McGrath Manzoni) wrote as an introduction: The 'Variations on the Follia of Spain' are in all probability Salieri's last symphonic work and can be chronologically placed in the middle of the Beethoven period (1815). They are almost surely the only nineteenth-century orchestral variations until Brahms's celebrated 'Variations on a theme by Haydn'. The folk song, incorrectly called 'Follies d'Espagne', which provides the theme is of seventeenth century Portuguese origin, and has been used and made famous by many composers including Corelli, d'Anglebert, Scarlatti, Pasquini, Bach (in his Cantatas)
Scarlatti, Alessandro
scarlatti, alessandro. (16591725), Italian composer, who helped to establishthe Neapolitan style of opera that dominated 18th-century music.
http://www.cartage.org.lb/en/themes/Biographies/MainBiographies/S/Scarlatti/e1.h

Extractions: Scarlatti, Alessandro Italian composer, who helped to establish the Neapolitan style of opera that dominated 18th-century music. Born in Palermo, Sicily, he was probably trained in Rome under the Italian oratorio composer Giacomo Carissimi. His earliest known opera, L'errore innocente, was produced in Rome in 1679. In 1684 a more important work, Pompeo, was performed in Naples, and Scarlatti was appointed musical director at the Neapolitan court. In 1702-3 he lived in Florence under the patronage of Ferdinand de Medici (1663-1713). Scarlatti was assistant choirmaster at the Church of Santa Maria Maggiore in Rome from 1703 to 1713. He reestablished himself in Naples in 1713, becoming musical director of the Austrian viceroy, and director of the Conservatorio di Sant' Onofrio. From 1719 to 1723 he worked in Rome. He then returned to Naples and lived there until his death. Scarlatti was one of the first opera composers to strongly differentiate the singing styles of aria and recitative. His opera overtures established the Neapolitan overture type, which has three movements, in fast, slow, and fast tempos. His cantatas, numbering more than 600, introduced many advanced harmonic procedures to the musical vocabulary of the time.
SCARLATTI, Alessandro :Gilder-MusicWeb Dictionary Of Composers
scarlatti, alessandro b Palermo, 2 May 1660 d Naples, 25 October 1725,aged sixtyfive. Very little is known of his early life. He
http://www.musicweb.uk.net/Classpedia/ScarlattiA.htm

Extractions: d Naples, 25 October 1725, aged sixty-five Very little is known of his early life. He married in 1678 and had ten children, of whom Domenico, also a composer of importance, was the sixth. Queen Christina of Sweden was his first patron. In 1684 he was appointed maestro di cappella of the royal chapel in Naples and, with leave of absence, he went in 1702 to Florence with Domenico, to enjoy the patronage of the Medicis; then, after a few years in Rome as maestro at Santa Maria Maggiore, he returned in 1709 to his old position in Naples. He was made a 'Cavalier', a secular church honour. fp Gli equivoci nel sembiante, pera fp Pompeo, opera fp Psiche, opera fp Gli equivoci in amore, opera fp Pirro e Demetrio, opera fp Flavio cuniberto, opera fp La donna ancora e fedele, opera Two Sonatas for flute and continuo Il sedecia, re di Gerusalemme, oratorio fp Mitridate eupatore, opera fp Il trionfo della liberta, opera Est dies tropael, Motet Informata vulnerate, cantata fp Tigrone, opera
Fejlsituation
Translate this page Posterne 1 til 20 ud af 36 (lfo=scarlatti, alessandro). 2 CD eti scarlatti, alessandroCantatas, volume IV CD vok scarlatti, alessandro Toccataer for cembalo.
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Alphamusic - Stabat Mater
Translate this page Sonntag, den 09. Februar 2003. scarlatti,alessandro (1660-1725) Stabat MaterCD (Vokalmusik geistlich) Hun, DDD, 85 Bestell-Nr. 5211887 18.49 EUR.
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Baroque Composers
B AROQU E COMPOSERS. scarlatti, alessandro born Palermo, 2 May 1660;died Naples, 22 October 1725 Contributor Rosalind Halton. No
http://www.baroquecomposers.co.uk/content/composer.htm?composer_ID=2
Iclassics.com - Classical Music And More
Newsletter SignUp Herbert von Karajan Listening To Music Beethoven.com.alessandro scarlatti. scarlatti Concerti Grossi. scarlatti
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M657 - TELLEZ - SPRING 2003 Music Library Reserve Recordings
scarlatti, alessandro, 16601725. Cantata Su le sponde del Tebro ; Recit. scarlatti,alessandro, 1660-1725. Messa di Santa Cecilia. Bach Guild BG 621.
http://www.dlib.indiana.edu/variations/reserves/m657mlr.html

Extractions: William and Gayle Cook Music Library Adams, John, 1947- El Niño [sound recording] / John Adams. New York : Nonesuch Records, p2001. 2 sound discs : digital ; 4 3/4 in. Listen to online copy in VARIATIONS Bach, Johann Sebastian, 1685-1750. (Das Alte Werk) CD .B118 D1-1 v. 1 Listen to online copy in VARIATIONS BBC Singers. Music for Christmas [sound recording].] [London] : BBC Music Magazine, p1998. 1 sound disc : digital ; 4 3/4 in. Listen to online copy in VARIATIONS Carissimi, Giacomo, 1605-1674. Oratoria [sound recording] / Giacomo Carissimi. Belgium : Accent ; N[ew] Y[ork] : dist. by Qualiton Imports, [1991?] 1 sound disc (65 min., 40 sec.) : digital ; 4 3/4 in. Listen to online copy in VARIATIONS ***EMA CD*** Charpentier, Marc-Antoine, 1643-1704 Sacred works. Vol. 3 [sound recording] / Marc-Antoine Charpentier. Munich : Naxos, p1996. 1 sound disc (ca. 57 min.) : digital, stereo. ; 4 3/4 in. Listen to online copy in VARIATIONS Handel, George Frideric, 1685-1759. Alexander Balus [sound recording] / Alexander Balus.
Composer
alessandro scarlatti (16601725). alessandro scarlatti, a native of Palermo,made his principal career in Naples, where he was instrumental
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Popular Music: Alessandro Scarlatti
Music. alessandro scarlatti. Sort this page listing by Bestselling.
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Title Arias And Songs Of The Italian Baroque. [Sound Recording]
Translate this page scarlatti, alessandro, 1660-1725. Già il sole dal Gange. 1977.
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Scarlatti & Hasse: Salve Regina, Cantatas & Motets
These cantatas are joined by settings of the Salve Regina by Domenico scarlatti(alessandro's sixth son) and Johann Adolf Hasse (a pupil).
http://www.hyperion-records.co.uk/details/66875.asp

Extractions: Compact Disc CDA66875 In the eighteenth century the cantata was considered to be the supreme challenge for a composer's artistry. Here are recorded three fine examples from the enormous corpus of such works by Alessandro Scarlatti, two for solo voice with continuo, and one which includes a particularly demanding part for obbligato trumpet, faultlessly played by Crispian Steele-Perkins. These cantatas are joined by settings of the Salve Regina by Domenico Scarlatti (Alessandro's sixth son) and Johann Adolf Hasse (a pupil). The work by Hasse is distinctly operatic with florid vocal and instrumental lines, and the younger Scarlatti similarly finds himself drawn away from religious deference to a more flamboyant style. Recorded on 7, 8, 9 February 1996 Recording Engineer PHILIP HOBBS Recording Producer BEN TURNER
Scarlatti,Alessandro (1660-1725) Sinfonie Di Concerto Grosso Nr.6,7,9-11 - Jpc
http://www.jpc-music.com/7354089.htm
Loving Lecter - Leda & The Swan - Alessandro Scarlatti - Links
alessandro scarlatti Links to other sites will open new browser windows. alessandroscarlatti. scarlatti, alessandro (1660 1725). Brief, but worth a look.
http://www.typhoidandswans.com/lovinglecter/leda/links_scarlatti.html

Extractions: The Scarlatti Project Check out this great site with a bit of everything, dedicated to Alessadro Scarlatti... there were two, you know. Baroque Composers and Musicians A great essay of the times and context of Baroque music, including Scarlatti, both Junior and Senior. Scarlatti, Alessandro (1660 - 1725) Brief, but worth a look. Alessandro Scarlatti Another good biography... can't miss the picture.
Alessandro Scarlatti: Life And Work, In Rome And Naples
alessandro scarlatti his life and work, in Rome, later operas and orchestral worksin Naples. BAROQUE COMPOSERS AND MUSICIANS. alessandro scarlatti.
http://www.baroquemusic.org/bqxascarl.html

Extractions: BAROQUE COMPOSERS AND MUSICIANS Alessandro Scarlatti Sicilian-born in 1660, Alessandro Scarlatti was trained in Rome. He married in 1678 and later that year was appointed Maestro di Cappella of San Giacomo degli Incurabili. His first large-scale oratorio-operatic works were performed there the following year when he was only 19. His patrons from the outset were of the highest rank, among them the exiled Queen Christina of Sweden who made him her Maestro di Cappella , Cardinal Pamphili, and the musically indefatigable Cardinal Ottoboni and, in Florence, Prince Ferdinando de Medici. In 1684 at the age of 24 Scarlatti moved to Naples, where he was appointed Maestro di Cappella at the vice-regal court of Naples, at the same time as his brother Francesco was made First Violinist. It was alleged that they owed their appointments to the intrigues of one of their sisters with two court officials, who were dismissed. For the next two decades over half the new operas given at Naples were by Scarlatti, producing over 40 works, which were first performed at the Viceregal Palazzo Reale and then at the public theatre of S. Bartolomeo, where Scarlatti was employed as the director along with nine singers, five instrumentalists and a copyist. In contrast to contemporary five-act Venetian operas, which continued to rely upon mythological characters and stage machinery, Scarlatti's shorter three-act 'Drammi per Musica' centered on the characterization of kings and confidants, lovers and servants.
Alessandro Scarlatti | Music.mysic.com
alessandro scarlatti biographies chords and tabs lyrics videos tour dates musiciansinterviews mp3s music news pictures midi files CD Covers discount.
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ASSOCIAZIONE ALESSANDRO SCARLATTI
Translate this page Associazione alessandro scarlatti Fondata nel 1918 - Ente morale riconosciutoDPR 27/3/1948. LABORATORIO DI MUSICA D'INSIEME 2002. CONCERTI 2002-2003.
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Extractions: Fondata nel 1918 - Ente morale riconosciuto D.P.R. 27/3/1948 CONCERTI 2002-2003 MUSICA DINSIEME Villa Pignatelli ore 21 Fuori abbonamento Prove aperte al pubblico dal 30 /9/02 al 5/10/02 Martedì 1 ottobre G.B. Paisiello : Quartetto in mi bemolle maggiore n.3 A. Piazzolla : Fugata , Soledad , Invierno Porteño , Verano Porteño per violino, chitarra, pianoforte, fisarmonica e contrabasso A. Bruckner : Quintetto in fa maggiore per archi Giovedì 3 ottobre F. Schubert Der Hirt auf dem Felsen D.965 per voce, clarinetto e pianoforte P. Hindemith: Die junge Magd op. 23 n. 2 per voce, archi, flauo e clarinetto - F. Schubert Ottetto in fa maggiore D. 803 Sabato 5 ottobre F. Schubert Auf dem Strom D. 943 per voce corno e pianoforte E. Varése : Octandre per flauto, clarinetto, oboe, fagotto, corno, tromba, trombone e contrabasso W.A. Mozart : Quintetto in mi bemolle maggiore per corno e archi K. 407 violini : Pavel Vernikov, Massimo Quarta, David Romano, Anna Pugliese; viole : Bruno Boano, Alfonso Ghedin;
Vocal Source
Nel Cor Piu Non Mi Sento Why Feels My Heart So Dormant, Paisiello, Giovanni O CessateDi Piagarmi0 No Longer Seek To Pain Me, scarlatti, alessandro O Del Mio
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