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Der Erwerb des Buches enthält gleichzeitig die kostenlose Mitgliedschaft im Buchklub des Verlags zum Ausprobieren - dort können Sie von über einer Million Bücher ohne weitere Kosten auswählen. Das Buch besteht aus Wikipedia-Artikeln: Luciano Berio, Kenneth Starr, Kevin B. MacDonald, William Lane Craig, Bertil van Boer, Vern Leroy Bullough, George Perle, Perham Wilhelm Nahl, Geoffrey Barraclough, Gábor A. Somorjai, Richard Hamming, Jacob Milgrom, Samuel Weber, Judd Marmor, Donald Allan Darling, Katrina Krimsky, Stephen Yenser, Joey Sellers, Glenn James, Thomas Noguchi, Lewis Yablonsky, Robert C. James, Paul Amadeus Pisk, Andrew Yao, Deobold Van Dalen, David Matza,. Online finden Sie die kostenlose Aktualisierung der Bücher. Nicht dargestellt. Auszug: Luciano Berio (* 24. Oktober 1925 in Oneglia; † 27. Mai 2003 in Rom) war ein italienischer Komponist, bekannt für seine experimentellen Arbeiten und einer der Pioniere der elektronischen Musik. Berio wurde in einer musikalischen Familie in der ligurischen Küstenstadt Oneglia geboren. Sowohl sein Vater als auch sein Großvater waren beide Organisten und lehrten ihn das Klavierspiel. Während des Zweiten Weltkriegs wurde er zur Armee eingezogen, verletzte sich aber bereits am ersten Tag mit einem Gewehr die Hand. Er verbrachte einige Zeit in einem Militärkrankenhaus und floh schließlich, um sich einer Widerstandsgruppe anzuschließen. Nach dem Krieg studierte Berio am Mailänder Konservatorium bei Giulio Cesare Paribeni und Giorgio Federico Ghedini. Durch die verletzte Hand am Klavierspiel gehindert, konzentrierte er sich auf die Komposition. 1947 fand die erste öffentliche Aufführung eines seiner Werke statt, einer Suite für Klavier. Zu dieser Zeit verdiente Berio seinen Lebensunterhalt mit der Begleitung von Gesangsklassen; dabei lernte er die amerikanische Sopranistin Cathy Berberian kennen. Sie heirateten kurz nach seinem Universitätsabschluss 1950 (die Ehe wurde 1964 geschieden). 195...http://booksllc.net/?l=de&id=36572 ... Read more

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This digital document is an article from Opera Canada, published by Opera Canada Publications on September 22, 2002. The length of the article is 643 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: What I think about: Luciano Berio's new ending for Puccini's Turandot.
Author: Stuart Hamilton
Publication: Opera Canada (Magazine/Journal)
Date: September 22, 2002
Publisher: Opera Canada Publications
Volume: 43Issue: 3Page: 50(1)

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Word count: 1062. ... Read more

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Der Erwerb des Buches enthält gleichzeitig die kostenlose Mitgliedschaft im Buchklub des Verlags zum Ausprobieren - dort können Sie von über einer Million Bücher ohne weitere Kosten auswählen. Das Buch besteht aus Wikipedia-Artikeln: Luciano Berio, Peter Schickele, Vincent Persichetti, John Weaver, Elliott Carter, William Schuman, John Houseman, Eduard Steuermann, Henry Brant, Christopher Rouse, Joseph Alessi, Sixten Ehrling, Josef Lhévinne, John Corigliano, Benjamin Lees, David Berger, Carl Allen, Itzhak Perlman, Dorothy DeLay, Ivan Galamian, Christopher Durang, Frederik Prausnitz,. Online finden Sie die kostenlose Aktualisierung der Bücher. Nicht dargestellt. Auszug: Luciano Berio (* 24. Oktober 1925 in Oneglia; † 27. Mai 2003 in Rom) war ein italienischer Komponist, bekannt für seine experimentellen Arbeiten und einer der Pioniere der elektronischen Musik. Berio wurde in einer musikalischen Familie in der ligurischen Küstenstadt Oneglia geboren. Sowohl sein Vater als auch sein Großvater waren beide Organisten und lehrten ihn das Klavierspiel. Während des Zweiten Weltkriegs wurde er zur Armee eingezogen, verletzte sich aber bereits am ersten Tag mit einem Gewehr die Hand. Er verbrachte einige Zeit in einem Militärkrankenhaus und floh schließlich, um sich einer Widerstandsgruppe anzuschließen. Nach dem Krieg studierte Berio am Mailänder Konservatorium bei Giulio Cesare Paribeni und Giorgio Federico Ghedini. Durch die verletzte Hand am Klavierspiel gehindert, konzentrierte er sich auf die Komposition. 1947 fand die erste öffentliche Aufführung eines seiner Werke statt, einer Suite für Klavier. Zu dieser Zeit verdiente Berio seinen Lebensunterhalt mit der Begleitung von Gesangsklassen; dabei lernte er die amerikanische Sopranistin Cathy Berberian kennen. Sie heirateten kurz nach seinem Universitätsabschluss 1950 (die Ehe wurde 1964 geschieden). 1951 ging Berio in die Vereinigten Staaten, um in Tanglewood bei Luigi Dallapiccola z...http://booksllc.net/?l=de&id=36572 ... Read more

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Les achats comprennent une adhésion à l'essai gratuite au club de livres de l'éditeur, dans lequel vous pouvez choisir parmi plus d'un million d'ouvrages, sans frais. Le livre consiste d'articles Wikipedia sur : Giacomo Manzoni, Luciano Berio, Andrea Molino, Ludovico Einaudi, Giovanni Verrando, Ada Gentile, Francesco Petracchi, Giulio Castagnoli, Giuseppe de Marzi, Mario Bertoncini. Non illustré. Mises à jour gratuites en ligne. Extrait : Giacomo Manzoni (né à Milan le 26 septembre 1932) est un compositeur et un critique musical italien. Il a débuté l'étude de la composition à Messine en 1948 sous la direction de Gino Contilli, et la poursuivit de 1950 à 1956 au Conservatoire de Milan. En 1955, il obtient un doctorat de Langues étrangères à l'université Bocconi de Milan. Il a composé la musique du film Malina (1991). Il est l'auteur d'une Guida all'ascolto della musica sinfonica, Universale Economica, 14,5 €. Il eut pour élèves nombre de compositeurs contemporains, tels que Giovanni Verrando. Opéras (É possibile la rappresentazione in un solo atto) 1a rappresentazione: Bologna, Teatro Comunale, 17 aprile 1975 - direttore Marcello Panni, maestro del coro Leone Magiera, interpreti principali: Gabriella Ravazzi, Clara Foti, Alfredo Giacomotti, Gianna Logue, Claudio Desderi, Karol Piantamura, Liliana Poli - regia di Virginio Puecher - impianto scenico di Pino Spagnulo 1ª esecuzione: Venezia, Biennale Musica, 7-10-7 - direttore L. Pfaff PERSONAGGI: Giovane Donna (Donna I), soprano; Vecchia (Donna II) contralto; Uomo baritono CORO MISTO a 4 voci (interno o registrato ) Organico: 2222 - 2200 - tp - perc. (G.C., Tamb., Trg.) - pf. 4 mani - org. (anche 2° pianista; interno o registrato) - archi (almeno 10.8.7.5.3) Durata: 25' ca Texte en italique=== Orchestre === anche con solisti strumentali e vocali, coro, nastro magnetico 1a esecuzione: San Marino, Teatro Titano, 12 maggio 1991 - Orchestra Sinfonica della Repubblica di San Marino, d...http://booksllc.net/?l=fr ... Read more

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This digital document is an article from Notes, published by Music Library Association, Inc. on September 1, 2000. The length of the article is 1878 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

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Title: Luciano Berio.(Critical Essay)
Author: Judy Lochhead
Publication: Notes (Refereed)
Date: September 1, 2000
Publisher: Music Library Association, Inc.
Volume: 57Issue: 1Page: 215

Article Type: Critical Essay

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This digital document is an article from Sensible Sound, published by Thomson Gale on September 1, 2005. The length of the article is 812 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

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Title: More not than jazz.(Berio: Orchestral transciritpions)(Milhaud: La Creation du monde, Le Boeuf sur le toit, Suite provencale)(Prokofieff: Lieutenant Kijd, Symphonic Suite Stravinsky)(Sound Recording Review)
Publication: Sensible Sound (Magazine/Journal)
Date: September 1, 2005
Publisher: Thomson Gale
Issue: 105Page: 50(2)

Article Type: Sound Recording Review

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MuseNews, the arts newswire, interviewed fourteen of today’s leading conductors and composers, who describe their feelings about the current state of the music world, about their own careers, and about the future of serious music. The interviews are lively and interesting and put major developments in today’s music scene into intelligent perspective. Everyone with an interest in the performing arts will enjoy MusNews's conversations with these extremely articulate conductors and composers.

The people interviewed include conductor Daniel Barenboim (Staatsoper, Berlin), composer Luciano Berio, composer John Corigliano, composer Peter Eotvos, conductor Gianluigi Gelmetti (Rome Opera), prodigy conductor Daniel Harding, Christopher Hogwood (founder of the Academy of Ancient Music), conductor Gustav Kuhn (founder of the Festival Erl), composer Magnus Lindberg, conductor Sir Simon Rattle (Berlin Philharmonic), composer Kaija Saariaho, conductor Esa-Pekka Salonen, conductor Joseph Swensen (Scottish National Orchestra), and conductor Christoph von Dohnanyi (Cleveland Orchestra). ... Read more

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Vol. 27, No. 2 of Computer Music Journal, focusing on the music of Luciano Berio. ... Read more

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Contains multiphonics and other advanced techniques. ... Read more

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Berio is one of the most widely performed and prodigiously productive of postwar composers.This book is nevertheless the first survey in any language of his work as a whole.Commentators on Berio's work have tended to concentrate on those aspects of his music that have strong extra-musical associations such as his use of words, sense of theatre, and interest in linguistics.While incorporating all of these, this account seeks to rectify the balance by focusing on the purely musical basis of Berio's work.Its chapters cover such areas as the basis of his musical language, his involvement with Darmstadt, his work with computers at IRCAM and Tempo Reale, the importance of folk music, and his theatre works. ... Read more

Customer Reviews (1)

Indeed a useful resource, but irkingly too brief and out-of-date
David Osmond-Smith's guide to the work of Luciano Berio appeared in the Oxford Studies of Composers series in 1991. The work is slim--minus index and appendices it comes to only 118 pages--but tries to cover Berio's entire career up to that point.

One immediately notices that the emphasis here is on the music itself. Biographical material is very limited and brought up only when relevant to the composer's writing, such as his fruitful first marriage to Cathy Berberian. His writing is not handled in strictly chronological order, but the pieces are organized to highlight certain facets of his work. One whole chapter is dedicated to his general conceptions of melody and harmony. The following--for me the most interesting--is on his "commentary techniques", his ability to write new pieces organically growing from the basis of earlier music (sometimes by different composers). A next chapter is dedicated to vocal music. The 1970s, with Berio's return to electronics and maturization of technique, get their own chapter, where "Coro" gets the most substantial treatment. Finally, a last chapter covers Berio's theatre pieces up to the time of writing.

While resources on Berio are woefully few, and I would recommend this book to any fan, the enterprise could have been so much more. Like all Oxford Studies of Composers, this installment is far too brief to give more than a passing glance at most of the composer's work. And since no second edition was prepared after Berio's death, we end things in 1990, before the great triumphs of his late career like the opera "Outis", the Schubert completion "Rendering", and his last work "Stanze". And there's a need for more information on Berio's life itself, such as his involvement in the Italian television series "C'e musica e musica" and what students he inspired. At least Osmond-Smith has also written PLAYING ON WORDS a full-length guide to the wonder that is Berio's "Sinfonia", which fans should also seek out as well. ... Read more