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Elegant works of great lyric expressiveness that rank among the glories of Baroque music. This volume, reprinted from the standard edition, contains all 48 of the trio sonatas (including the famous chaconne) of Opp. 1, 2, 3 and 4, along with all twelve solo sonatas, Op. 5. Edited by Joseph Joachim and Friedrich Chrysander.
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Customer Reviews (2)

A Treasure Trove ofWonderful Music
This volume is a bargain at any price, and at this price, it is an exceptional find.It contains every sonata Corelli wrote (Opus 1-5), giving anyone interested in playing Baroque chamber music a lifetime's worth of beautiful compositions to explore.The format is large and the music itself is clearly printed and extremely readable.Though it is fully bound, it easily opens completely, allowing perfect performance copies to be made.Even if you don't think you will ever play more than a handful of the sonatas, the total collection is a pleasure to have in hand to follow along while listening to Corelli's work.I won't take the time here to sing the many praises of Corelli's music, but suffice it to say, his trio and solo sonatas are the standard by which all Baroque sonatas are measured.

the orpheus of the violin
extremely good edition of these classic works.the violin sonatas include not only the straightforward version of the first print (Jan 1, 1700) but the elaborate ornaments included in later publications "as Corelli plays them" -- a fascinating light on what people actually did with this music.every violinist should play these -- contemporaries called them "the very staff of life." ... Read more

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Six solos for a flute and a bass being the second part of op V by Arcangelo Corelli - Walsh and Hare, London, 1702 - for treble recorder and bass. With Follia - 6 sonatas op V with the follia. Score ... Read more

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This new Kalmus collection contains all twelve sonatas from Corelli's Opus 4.Separate parts are included for two violins, cello and piano. ... Read more

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This new Kalmus edition offers six sonatas from Corelli's Opus 1 for two violins, piano and optional cello.All parts are included. KALMUS EDITIONS are primarily reprints of Urtext editions, reasonably priced and readily available. They are a ""must"" for students, teachers, and performers. ... Read more

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This sheet music was newly engraved from early and authoritative editions. ... Read more

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No Description provided. ... Read more

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All 12 of the Baroque master’s concerti grossi, among the earliest examples of the form, and celebrated for their vibrant lyricism and crisp dignity of style. Reproduced from the famous late l9th-century edition prepared by violinist Joseph Joachim and musicologist Friedrich Chrysander.
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Customer Reviews (1)

Excellent service
I received the score 10 days afater my order, although the@notice of delivery was told 45 days later for regular international service.The book (Complete score for Correli's concerto grossos) is beautiful and clear for our daily ensemble use.Moreover, the price including shipping cost was much lower than that in the music stores here in Japan. ... Read more

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The first full-length study for forty years, Arcangelo Corelli offers a much needed reassessment of the seminal composer's life and works. His current historical perspective is still largely conditioned by the opinions of Burney and Hawkins in the late 18th century who saw him as the consolidator of past trends rather than an instigator--a view fully endorsed in the two biographies of the present century. Neither of these writers was truly in a position to make such judgements if only because neither was aware of the contributions of the Roman School to which Corelli emphatically affirmed his allegiance. Extensive archival research over recent years now dispels much of the anecdote and hearsay accumulated over the centuries and makes possible a more balanced evaluation of Corelli's true status in the development of the prime instrumental genres, accounting for his phenomenal success both during his lifetime and in the creation of musical canon in the decades after his death. ... Read more

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Chapters: Alessandro Scarlatti, Arcangelo Corelli, Pope Benedict Xiv, Pope Pius Vii, Pope Benedict Xiii, Pope Leo Xii, Pope Clement Xiv, Pope Clement Xii, Pope Clement Xiii, Pope Innocent Xiii, Pope Gregory Xvi, Farinelli, Pope Pius Viii, Cosimo Iii De' Medici, Grand Duke of Tuscany, Mary of Modena, Bartolomeo Cristofori, Anna Maria Luisa De' Medici, Gian Gastone De' Medici, Grand Duke of Tuscany, Marie Louise, Princess of Savoy, List of Consorts of Orléans, Giovanni Battista Tiepolo, Teodorico Pedrini, Brigida Banti, Canaletto, Ferdinando De' Medici, Grand Prince of Tuscany, Pietro Gonzaga, Maria Vittoria Francesca of Savoy, Maria Fortunata D'este, Maria Teresa D'este, Giacomo Antonio Perti, Princess Maria Carolina of Savoy, Faustina Bordoni, Giuseppe Gazzaniga, Princess of Carignan, Princess Anna Teresa of Savoy, Maria Teresa Cybo-Malaspina, Francesco Scipione, Marchese Di Maffei, Pierluigi Carafa, Bernardino Ludovisi, Vincenzo Lunardi, Princess Maria Ana of Savoy, Andrea Brustolon, Domenico Pignatelli Di Belmonte, Niccolò Comneno Papadopoli, Pompeo Batoni, Alessandro Borgia, Domenico Troili, Francesco Iii D'este, Duke of Modena, Vincenzo Camuccini, Maria Beatrice Ricciarda D'este, Rinaldo D'este, Duke of Modena, Carlo Ruzzini, Giuseppe Lechi, Barnaba Oriani, Eugenio, Count of Villafranca, Tommaso Napoli, Maria Teresa Agnesi Pinottini, Daniello Concina, Francesco Manfredini, Fortunato Felice, Domenico Pino, Luigi Acquisti, Francesco Solimena, Sebastiano Conca, Corrado Giaquinto, Victor Amadeus, Prince of Piedmont, Ercole Iii D'este, Duke of Modena, Giuseppe Torelli, Giovanni Girolamo Saccheri, Antonio Bernacchi, Francesco Maria De' Medici, Duke of Rovere and Montefeltro, Matteo Ripa, Francesco Bianchini, Francesco Robba, Jacopo Riccati, Gaetano Berenstadt, Henry Noris, Antonio Balestra, Ludovico Manin, Gaspare Diziani, Maria Margherita Grimani, Agostino Masucci, Ferdinand Charles, Duke of Mantua and Montferrat, Antoniotto...More: http://booksllc.net/?id=1576137 ... Read more

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Edited by Gustav Jensen. Vol. 1904 in Schirmer's Library of Musical Classics. 19 pages, staplebound. ... Read more

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Text in English and German ... Read more

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The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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Bodleian Library (Oxford)

T301224

In the imprint, the words "her ma[jes]tie" are retained but Hare's name is lacking. This state does not match exactly any of those reported by Smith or RISM."Arcangelo Corelli opera prima" transposed from head of title.Violino primo part has frontispiece port. and dedication.

London : Printed for I. Walsh servt. to her Ma[jes]tie. ... , [1705?]. 4 parts : port. ; fol ... Read more

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Les achats comprennent une adhésion à l'essai gratuite au club de livres de l'éditeur, dans lequel vous pouvez choisir parmi plus d'un million d'ouvrages, sans frais. Le livre consiste d'articles Wikipedia sur : Tomaso Albinoni, Antonio Vivaldi, Niccolò Paganini, Giacomo Antonio Perti, Arcangelo Corelli, Tarquinio Merula, Gaetano Brunetti, Francesco Manfredini, Fabio Biondi, Giuseppe Tartini, Carlo Tessarini, Giovanni Battista Bassani, Giuliano Carmignola, Giuseppe Avitrano, Francesco Geminiani, Marco Uccellini, Enrico Onofri, Giovanni Battista Viotti, Francesco Maria Veracini, Felice Giardini, Giuseppe Torelli, Giovanni Battista Vitali, Antonio Bartolomeo Bruni, Camillo Sivori, Giovanni Battista Fontana, Pietro Locatelli, Giovanni Battista Somis, Salvatore Accardo, Luigi Arditi, Tomaso Antonio Vitali, Haim Fabrizio Cipriani, Giovanni Battista Buonamente, Fabrizio Zoffoli, Antonio Veracini, Bartolomeo Campagnoli, Francesco Antonio Bonporti, Michele Mascitti, Evaristo Felice Dall'abaco, Gaetano Pugnani, Dario Castello, Pietro Nardini, Domenico Gallo, Giacomo Facco, Jean-Pierre Guignon, Paolo Pandolfo, Cristofaro Caresana, Carlo Mannelli, Pietro Castrucci, Luigi Tarisio, Filippo Amadei, Angelo Ephrikian, Carlo Farina. Non illustré. Mises à jour gratuites en ligne. Extrait : Antonio Lucio Vivaldi, né le 4 mars 1678 à Venise et mort le 28 juillet 1741 à Vienne, était un violoniste et compositeur italien. Vivaldi a été l'un des virtuoses du violon les plus admirés de son temps (« incomparable virtuose du violon » selon un témoignage contemporain) ; il est également reconnu comme l'un des plus importants compositeurs de la période baroque, en tant qu'initiateur principal du concerto de soliste, genre dérivé du concerto grosso. Son influence, en Italie comme dans toute l'Europe, a été considérable, et peut se mesurer au fait que Bach ait adapté et transcrit plus d'œuvres de Vivaldi que de n'importe quel autre musicien. Son activité s'...http://booksllc.net/?l=fr ... Read more

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Chapters: Violin, Antonio Vivaldi, Niccolò Paganini, Arnold Schoenberg, Camille Saint-Saëns, Arcangelo Corelli, Johann Sebastian Bach, Josef Tal, Eugène Ysaÿe, Teodorico Pedrini, Henri Vieuxtemps, Pablo de Sarasate, Giuseppe Tartini, František Drdla, Alessandro Rolla, Henryk Wieniawski, Florizel Von Reuter, Edward Manukyan, Edvard Fliflet Bræin, Otto Funk, Balabhaskar, Antonio Rolla, Andrea Zani, Luka Sorkočević, Bjarne Brustad, Antonio Lolli, Edward Ballantine, Oskar Rieding, François Schubert, August Duranowski. Source: Wikipedia. Pages: 219. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Johann Sebastian Bach (German pronunciation: or ) (31 March 1685 28 July 1750) (often referred to simply as Bach) was a German composer, organist, harpsichordist, violist, and violinist whose ecclesiastical and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France. Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B Minor, the St Matthew Passion, the St John Passion, the Magnificat, The Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the celebrated Toccata and Fugue in D minor and Passacaglia and Fugue in C minor. Bach's abilities a...More: http://booksllc.net/?id=9906294 ... Read more