Book Description
This digital document is an article from The Register-Guard (Eugene, OR), published by The Register Guard on June 23, 2002. The length of the article is 1145 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: The festival sandwiches Tan Dun's innovations with familiar favorites.(Entertainment)
Publication: The Register-Guard (Eugene, OR) (Newspaper)
Date: June 23, 2002
Publisher: The Register Guard
Page: L1

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Book Description
This digital document is an article from The Weekly Standard, published by Thomson Gale on January 10, 2007. The length of the article is 1593 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Crouching Opera, Hidden Message; The mystery of Tan Dun and "The First Emperor".
Author: David Adesnik
Publication: The Weekly Standard (Magazine/Journal)
Date: January 10, 2007
Publisher: Thomson Gale
Page: NA

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Book Description
This digital document is an article from The Register-Guard (Eugene, OR), published by The Register Guard on June 23, 2002. The length of the article is 1669 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: `Water Passion'.(Entertainment)(Tan Dun's version of the St. Matthew Passion is one highlight of the 33rd annual Oregon Bach Festival)
Publication: The Register-Guard (Eugene, OR) (Newspaper)
Date: June 23, 2002
Publisher: The Register Guard
Page: L1

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Book Description
This eight-movement suite was written by composer Tan Dun when he was a student in 1978-1979, about the time he left his home in Hunan to study at the conservatory in Beijing. He was homesick, and wrote this suite as a diary of his longing, while also being immersed in studying Western classical and modern music. Twenty years after its composition, pianist Lang Lang premiered the suite at the Kennedy Center in 2003, and he also played it at Carnegie Hall, in a performance recorded by Deutsche Grammophon. ... Read more

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For piccolo, harp and bass drum. ... Read more

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This work is a set of free variations drawn from a 13th-century Chinese drama by Kuan Han-Chimg. The complex cello and percussion writing focuses on the timbres, textures and fiddling techniques of Chinese ritual music and Ghost opera. ... Read more

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Exciting piece by Tan Dun who is a prize winning composer from Hunan China.This piece tries to draw on Chinese colors and techniques of the Peking Opera. ... Read more

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This latest entry in Schirmer's Collection of Opera Librettos features the extraordinary new opera by the eminent Chinese-American composer Tan Dun that explores the mysterious relationship between East and West. Libretto by Paul Griffiths. ... Read more

Book Description
This digital document is an article from Proceso, published by CISA Comunicacion e Informacion, S.A. de C.V. on June 7, 1998. The length of the article is 748 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Marco y Polo. (crítica de ópera)(TT: Marco and Polo) (TA: critique of opera)
Author: José Antonio Alcaraz
Publication: Proceso (Magazine/Journal)
Date: June 7, 1998
Publisher: CISA Comunicacion e Informacion, S.A. de C.V.
Issue: n1127Page: p62(1)

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