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Beautiful piano work ... Read more

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Complete piano solo. ... Read more

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Ritual Fire Dance for Piano
Watch Video Here: http://www.amazon.com/review/R3B3MU3RORW87Z "Ritual Fire Dance" by Manuel De Falla, beautiful presentation created by karmelia27 on youtube. This vintage 1921 sheet music folio in the complete arrangement for this piece for piano solo.


Sheet music, classical and modern for piano solo, recital and performance:
"Juba" (from the Suite "In the Bottoms"
Beethoven "Moonlight"Op. 27, No. 2 (first Movement of Sonata)
Grieg's Accompaniment for Mozart's Sonata No. V in G
Andante Cantabile (Fifth Symphony in E Minor)
Jarnefelt's Berceuse
Brahms Waltzes Simplified for Piano Solo, Opus 39
Charles Ives, Some South-Paw Pitching (For piano solo)
Chopin Complete Works for the Piano Book V Ballades
First Arabesque - Piano Solo (Original & Unedited)
Chopin's Valse in D Flat for Piano Solo
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Chapters: El Retablo de Maese Pedro, La Vida Breve, Los Amores de La Inés. Source: Wikipedia. Pages: 22. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: El retablo de maese Pedro (Master Peter's Puppet Show) is a puppet-opera in one act with a prologue and epilogue, composed by Manuel de Falla to a Spanish libretto based on an episode from Don Quixote by Miguel de Cervantes. The libretto is a faithful adaptation of the Cervantes' text, from Chapter 26 of the second part of Don Quixote, with some words edited. Falla composed this opera "in devoted homage to the glory of Miguel de Cervantes" and dedicated it to the Princess de Polignac, who commissioned the work. Because of its brief length by operatic standards (about 27 minutes), it is not part of the standard operatic repertoire. Otto Mayer-Serra has described this opera as a work where Falla reached beyond "Andalusianism" for his immediate musical influence and colour and began the transition into the "Hispanic neo-classicism" of his later works. Don Quixote watching Master Peter's puppet show. Illustration by Gustave Doré from Don Quixote, Chapter XXVIIn 1919 Winnaretta Singer, aka la Princesse Edmond de Polignac, commissioned Falla a piece that could be played in her salon, at her own elaborate puppet theater. (Her other commissions included Igor Stravinsky's Renard and Erik Satie's Socrate, although neither of those works had its premiere in her private theater.) The work was completed in 1923. Falla decided to set an episode from Cervantes' Don Quixote which actually depicts a puppet play. He wrote his own libretto, cutting and splicing from chapters 25 and 26 of Part II. It is based on the episode in Don Quixote in which the protagonist watches a puppet show and gets so drawn into the action that he seeks to rescue the damsel in di...More: http://booksllc.net/?id=2023491 ... Read more

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These arrangements for solo guitar and duet are selections from Love The Magician (El Amor Brujo) and The Three-Cornered Hat (El Sombrero De Tres Picos ... Read more

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Purchase includes free access to book updates online and a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: Operas by Manuel de Falla, El Retablo de Maese Pedro, Ritual Fire Dance, List of Compositions by Manuel de Falla, La Vida Breve, Nights in the Gardens of Spain, Los Amores de La Inés. Excerpt: El retablo de maese Pedro (Master Peter's Puppet Show) is a puppet-opera in one act with a prologue and epilogue, composed by Manuel de Falla to a Spanish libretto based on an episode from Don Quixote by Miguel de Cervantes. The libretto is a faithful adaptation of the Cervantes' text, from Chapter 26 of the second part of Don Quixote, with some words edited. Falla composed this opera "in devoted homage to the glory of Miguel de Cervantes" and dedicated it to the Princess de Polignac, who commissioned the work. Because of its brief length by operatic standards (about 27 minutes), it is not part of the standard operatic repertoire. Otto Mayer-Serra has described this opera as a work where Falla reached beyond "Andalusianism" for his immediate musical influence and colour and began the transition into the "Hispanic neo-classicism" of his later works. Don Quixote watching Master Peter's puppet show. Illustration by Gustave Doré from Don Quixote, Chapter XXVIIn 1919 Winnaretta Singer, aka la Princesse Edmond de Polignac, commissioned Falla a piece that could be played in her salon, at her own elaborate puppet theater. (Her other commissions included Igor Stravinsky's Renard and Erik Satie's Socrate, although neither of those works had its premiere in her private theater.) The work was completed in 1923. Falla decided to set an episode from Cervantes' Don Quixote which actually depicts a puppet play. He wrote his own libretto, cutting and splicing from chapters 25 and 26 of Part II. It is based on the episode in Don Quixote in which the protagonist watches... More: http://booksllc.net/?id=2023491 ... Read more

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Suite Populaire Espagnole (Suite of Spanish Folksongs) by Manuel de Falla, for violin and piano, transcribed for the violin by Paul Kochanski. ... Read more

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A collection of intermediate/advanced piano solos (Aragonesa, Cubana, Montanesa, Andaluza) by Manuel de Falla. ... Read more

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The second of two albums of piano music by Manuel De Falla, including a range of original piano pieces as well as Falla’s own arrangements of his best-known works. Included: Mazurka, Serenata Andaluza, Nocturno, Serenata, Allegro De Concierto. Included: Canción, Cortego De Gnomos, Vals-Capricho, Fantasía Baetica, Canto De Los Remeros Del Vorga. >From the ‘Three Cornered Hat’ (El Sombrero De Tres Picos), Dance of the Miller’s Wife (Danza De La Molinera), Dance of the Neighbours (Danza De Los Vecinos), Dance of the Miller (Danza Del Moinero), Dance of the Corregidor (Danza Del Corregidor), Final Dance (Danza Final) ... Read more

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Manuel de Falla vivió una época de esplendor de la cultura hispana, la Edad de Plata. Falla tuvo como mecenas intelectual a Adolfo Salazar, amigo del mayor filósofo español de la época, Ortega y Gasset, y a pesar de las circunstancias que rodearon a ambos, Falla y Ortega no llegaron a conocerse. Este libro presenta dos ensayos que pretenden acercar la figura de Falla a la de Ortega, y a la de uno de sus más insignes discípulos, el filósofo José Gaos, a través de sus obras. En el primero se relacionan las "Meditaciones del Quijote", primer libro de Ortega, donde plantea las bases de su filosofía, con la obra fallesca "El Retablo de Maese Pedro". En el segundo ensayo se aborda el pensamiento de José Gaos presente en sus "Confesiones profesionales" acerca de los conceptos de confesión, vocación, biografía y creación, comparándolos con la experiencia de un compositor, en este caso, Manuel de Falla. En este libro, Música y Filosofía se encuentran unidos por un mismo lazo. ... Read more