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This digital document is an article from Czech Music, published by Czech Music Information on January 1, 2009. The length of the article is 466 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available immediately after purchase. You can view it with any web browser.

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Title: Darius Milhaud: Le Boeuf sur le toit.(Sound recording review)
Author: Lubos Stehlik
Publication: Czech Music (Magazine/Journal)
Date: January 1, 2009
Publisher: Czech Music Information
Issue: 1Page: 47(1)

Article Type: Sound recording review

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Les achats comprennent une adhésion à l'essai gratuite au club de livres de l'éditeur, dans lequel vous pouvez choisir parmi plus d'un million d'ouvrages, sans frais. Le livre consiste d'articles Wikipedia sur : Darius Milhaud, Erik Satie, Francis Poulenc, Georges Auric, Maurice Ravel, Claude Debussy, Germaine Tailleferre, Vincent D'indy, Marcel Dupré, Gabriel Fauré, Igor Markevitch, André Jolivet, Reynaldo Hahn, Jean Cras, Lili Boulanger, Eugène Bigot, Florent Schmitt, Dynam-Victor Fumet, Albert Roussel, Gabriel Pierné, Georges Migot, Théodore Dubois, Émile Goué, Charles Koechlin, Cécile Chaminade, Jean Langlais, Maurice Duruflé, Gabriel Dupont, Paul Tortelier, Paul Ladmirault, Prosper Mortou, Paul Hillemacher, Albert Wolff, Henri Duparc, Abel Decaux, Gustave Charpentier, Raphaël Fumet, René Herbin, Joseph Canteloube, Marcel Delannoy, Joseph Bonnet, Claude Delvincourt, Fernand de La Tombelle, Antoine Mariotte, Paul Dukas, Eugène Bozza, Albéric Magnard, Jacques Ibert, Emmanuel Bondeville, Eugène Gigout, Philippe Gaubert, Alfred Bruneau, Gaston Roussel, André Gedalge, Désiré-Émile Inghelbrecht, André Bloch, Maurice Emmanuel, Paul Lacombe, Henri Büsser, Paul le Flem, Georges Jacob, Claude Arrieu, André Messager, Jean Huré, Henri Casadesus, Jacques Leguerney, Louis Durey, Déodat de Séverac, Augustin Barié, Elsa Barraine, Henry Février, Lucien Capet, Maxime Jacob, Mélanie Bonis, Fernand Halphen, Pierre de Bréville, Tony Aubin, Charles-Gaston Levadé, Xavier Leroux, Rhené-Baton, Louis Diémer, Maurice Journeau, Guy de Lioncourt, Yves de La Casinière, Jean-Yves Daniel-Lesur, Jehan Alain, Alexandre Cellier, Maurice Jaubert, Max Deutsch, Georges Fragerolle, André Caplet, Marcel Grandjany, Jean-Baptiste Lemire, Louis Cahuzac, Alexandre Georges, Yvonne Desportes, Albert Doyen, Louis Fourestier, Francine Benoît, René de Castéra, Camille Chevillard, Henri Christiné, Alphonse Hasselmans, Jeanne Leleu, Adolphe Piriou, Robert Casadesus, Pierr...http://booksllc.net/?l=fr ... Read more

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Aus Wikipedia. Nicht dargestellt. Auszug: Francis Jean Marcel Poulenc (French pronunciation: ; January 7, 1899 - January 30, 1963) was a French composer and a member of the French group Les Six. He composed music in genres including art song, solo piano music, chamber music, oratorio, opera, ballet music, and orchestral music. Critic Claude Rostand, in a July 1950 Paris-Presse article, described Poulenc as "half monk, half delinquent" ("le moine et le voyou"), a tag that was to be attached to his name for the rest of his career. Poulenc was born in Paris in 1899. His mother, an amateur pianist, taught him to play and music formed a part of family life. He was a capable pianist and the keyboard dominated his early compositions. He borrowed from his own compositions as well as those of Wolfgang Amadeus Mozart and Camille Saint-Saëns. Later in his life, the loss of close friends, coupled with a pilgrimage to the Black Madonna of Rocamadour, led him to rediscover the Roman Catholic faith and resulted in compositions of a more sombre, austere tone. Poulenc was a member of Les Six, a loose-knit group of young French and Swiss composers (it also included Milhaud, Auric, Durey, Honegger and Tailleferre) who had links with Erik Satie, Jean Hugo and Jean Cocteau. He embraced the Dada movement's techniques, creating melodies that would have challenged what was considered appropriate for Parisian music halls. He was identified with this group before he undertook his first formal musical training, with Charles Koechlin in 1921. Poulenc was a featured pianist in recordings, including some of his own songs (with Pierre Bernac, recorded in 1947; and Rose Dercourt) and the Concerto for Two Pianos (recorded in May 1957). He supervised the 1961 world premiere recording of his Gloria, which was conducted by Georges Prêtre. His recordings were released by RCA Victor and EMI. Poulenc's Perpetual Motion No. 1 (1918) is used in Alfred Hitchcock's Rope...http://booksllc.net/?l=de ... Read more

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This digital document is an article from Notes, published by Music Library Association, Inc. on June 1, 2004. The length of the article is 1454 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.

Citation Details
Title: Tradition and Style in the Works of Darius Milhaud 1912-1939.(France and French Cultural Areas)(Book Review)
Author: Leslie Sprout
Publication: Notes (Refereed)
Date: June 1, 2004
Publisher: Music Library Association, Inc.
Volume: 60Issue: 4Page: 944(3)

Article Type: Book Review

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Les achats comprennent une adhésion à l'essai gratuite au club de livres de l'éditeur, dans lequel vous pouvez choisir parmi plus d'un million d'ouvrages, sans frais. Le livre consiste d'articles Wikipedia sur : Darius Milhaud, Erik Satie, Francis Poulenc, Georges Auric, Maurice Ravel, Claude Debussy, Germaine Tailleferre, Michel de La Barre, Jean-Baptiste Lully, Joseph Bodin de Boismortier, Adolphe Adam, André Campra, Reynaldo Hahn, Marc-Antoine Charpentier, Nicolas-Charles Bochsa, Albert Roussel, Édouard Lalo, André Grétry, Ferdinand Hérold, Paul Ladmirault, Paul Dukas, Eugène Bozza, Jean Françaix, Henry Desmarest, Léo Delibes, Philippe Gaubert, Gustave Dugazon, André Messager, André Cardinal Destouches, Michel Lambert, Pierre de Bréville, Pierre Montan Berton, François Benoist, Jean-Michel Damase, Jean-Yves Daniel-Lesur, Pascal Collasse, François Colin de Blamont, Pierre Guédron, Jacques Aubert, Georges Dandelot, Ferdinand Barlow, Pierre-Octave Ferroud, Albert Cahen, Antoine Boësset, François de Chancy, Adolphe Benoît Blaise, Chevalier D'herbain, Jean-Baptiste Lully Fils, Louis Lully, Jean-Louis Lully, Léon Gastinel. Non illustré. Mises à jour gratuites en ligne. Extrait : Joseph Maurice Ravel (Ciboure, Pyrénées-Atlantiques, 7 mars 1875 - Paris, 28 décembre 1937) était un compositeur français de l'époque moderne. Avec son aîné Claude Debussy, Ravel fut une des figures les plus influentes de la musique française de son époque et, au début du siècle, le principal représentant du courant impressionniste. Reconnu comme un maître de l'orchestration et un artisan perfectionniste, cet homme à la personnalité complexe ne s'est jamais départi d'une sensibilité et d'une expressivité qui, selon Le Robert, lui firent évoquer dans son œuvre à la fois « les jeux les plus subtils de l'intelligence » et « les épanchements les plus secrets du cœur ». L'œuvre de Ravel est le fruit d'un héritage complexe s'étendant de Couperin et Rameau jusq...http://booksllc.net/?l=fr ... Read more

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Chapters: Adolphe Sax, Pierre Schaeffer, Gabriel Fauré, Darius Milhaud, Charles-Marie Widor, Charles Gounod, Luigi Cherubini, Alexandre Guilmant, Vincent D'indy, Théodore Dubois, Ambroise Thomas, Jean-François le Sueur, William Christie, Adolphe Adam, Joseph Bonnet, Alberto Ponce, Rodolphe Kreutzer, Jean-Delphin Alard, Pierre-Joseph-Guillaume Zimmermann, Paul Vidal, Théophile Laforge, François Bazin, Maurice Vieux. Source: Wikipedia. Pages: 105. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Pierre Henri Marie Schaeffer (pronounced (help·info) in English; August 14, 1910 August 19, 1995) was a French composer, writer, broadcaster, engineer, musicologist and acoustician of the 20th century. His innovative work and in both the sciences particularly communications and acoustics and the various arts of music, literature and radio presentation after the end of World War II, as well as his anti-nuclear activism and cultural criticism garnered him a wide array of appraisal in his lifetime. Of the vast assortment of works and endeavors undertaken by him, Schaeffer is most widely and currently recognized for his accomplishments in electronic and experimental music, the epitome of which was his role as the chief developer of a unique and early form of avant-garde music known as musique concrète. The genre emerged out of Europe from the utilization of new music technology developed in the post-Nazi Germany era, following the advance of electroacoustic and acousmatic music. Schaeffer's writings (which include written and radio-narrated essays, biographies, short novels, a number of musical treatises and several plays) are often oriented towards his development of the genre, as well as the theoretics and philosophy of music in general. Today, Schaeffer is considered one of the most influential experime...More: http://booksllc.net/?id=55104 ... Read more

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Chapters: Paul Cézanne, Darius Milhaud, André Campra, Charles Annibal Fabrot, Arnaud Clément, Bruni D'entrecasteaux, Louis René Vialy, Eleanor of Provence, Michel Adanson, Maurice Rouvier, Henri Michel, François Mignet, Achille Empéraire, Joseph Pitton de Tournefort, François Marius Granet, Emanuel Ungaro, Pierre Amédée Jaubert, Xavier Laurent, Joseph André Cellony, Henri Brémond, Alfred Capus, Jean-François Pierre Peyron, Jean-Baptiste Van Loo, Toussaint-Bernard Émeric-David, Mylène Jampanoï, Joseph Jérôme, Comte Siméon, Louis Thomassin, Nacim Abdelali, David Wallimann, Aimé Mignot, David-Augustin de Brueys, Joseph Lieutaud, Laurent Belissen, Joachim Gasquet, Andréa Ferréol, Joseph-Marie, Comte Portalis, Joseph-Hippolyte Guibert, François Vincent Latil, Jean-Baptiste Giraud, Chantal Robin-Rodrigo. Source: Wikipedia. Pages: 154. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: Paul Cézanne (French pronunciation: ; 19 January 1839 22 October 1906) was a French artist and Post-Impressionist painter whose work laid the foundations of the transition from the 19th century conception of artistic endeavor to a new and radically different world of art in the 20th century. Cézanne can be said to form the bridge between late 19th century Impressionism and the early 20th century's new line of artistic enquiry, Cubism. The line attributed to both Matisse and Picasso that Cézanne "is the father of us all" cannot be easily dismissed. Cézanne's work demonstrates a mastery of design, colour, composition and draftsmanship. His often repetitive, sensitive and exploratory brushstrokes are highly characteristic and clearly recognizable. He used planes of colour and small brushstrokes that build up to form complex fields, at once both a direct expression of the sensations of the observing eye and an abstraction ...More: http://booksllc.net/?id=24472 ... Read more

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13 pp. Includes Dances 1 - 6: Sorocaba; Botafogo; Leme; Copacabana; Ipanema; Gavea. ... Read more

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Sheet music and parts. ... Read more

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13 pp. Includes Dances 7 - 12: Corcovado; Tijuca; Sumaré; Paineras; Larenjeiras; Paysandú. ... Read more