Geometry.Net - the online learning center
Home  - Celebrities - De Falco Rubens

e99.com Bookstore
  
Images 
Newsgroups
Page 5     81-93 of 93    Back | 1  | 2  | 3  | 4  | 5 
A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  

         De Falco Rubens:     more detail
  1. Brazilian Stage Actors: Carmen Silva, Leonardo Villar, Cecília Dassi, Olayr Coan, Fernando Torres, Sérgio Viotti, Maria Sílvia, Rubens de Falco

81. Repairs At Recife
rubens works on the shock absorber strut. Many thanks to Jose Mauro, FernandoBarrero, Westerley and rubens. The falco is ready to go now.
http://www.seqair.com/Hangar/Tremolada/Flight/RecifeRepairs.html
Repairs at Recife
The Falco at Weston Air Taxi in Recife
Andrea surveys the right shock absorber, which is low.
Rubens works on the shock absorber strut.
Many thanks to Jose Mauro, Fernando Barrero, Westerley and Rubens.
The Falco is ready to go now.
Now ready, Andrea leaves for Belem, Brazil, on Monday.
Go back to Andrea Tremolada

82. Rosetta Stoned?
Rosetta Stoned? Hockney, falco and the sources of ‘opticality’ in. When a freerstyle came in with Titian, Tintoretto and rubens, it extended throughout
http://www.diatrope.com/hockney.html
Rosetta Stoned?: Hockney, Falco and the sources of ‘opticality’ in Lorenzo Lotto’s ‘Husband and Wife’
Christopher Tyler
Associate Director Smith-Kettlewell Eye Research Institute, San Francisco cwt@ski.org www.artandoptics.com In his recent book, David Hockney proposes that the ‘optical quality’ of Flemish art of the early 1400s arose because the artists, van Eyck in particular, suddenly began to use optical devices for the accurate projection onto the canvas. In presenting this case at a recent symposium on the issue, Hockney described one particular painting as the “Rosetta Stone” of their argument, because it was the one that allowed the details of the optical hypothesis to be examined most accurately. That painting was the ‘Husband and Wife’ by Lorenzo Lotto (1543). In it is depicted a tapestry tablecloth with a distinctive octagon feature at the center of the table. This feature has the curious property that it seems to go out of focus as it recedes from the viewer. It is argued that this blurring is “proof” that Lotto copied the detail of this pattern from an optical projection of a real tapestry in his studio, validating the idea that optical projection was in widespread use during the Renaissance (as opposed to the well-known eighteenth-century use of the camera obscura by artists such as Canaletto and Joshua Reynolds). Figure 1.

83. Art And Optics : James Elkins: Part 2 (More General Questions)
Hockney and falco emphasize skill much more than any modernist historians I know tosay that Hockney's skill is different from Ingres's, or rubens's, or Martin's
http://webexhibits.org/hockneyoptics/post/elkins2.html
Jump to author New theories regarding opticality Opinions The hypothesis James Elkins Charles M. Falco and David Graves Walter Liedtke Philip Pearlstein Sidney Perkowitz Philip Steadman David G. Stork Christopher W. Tyler David Hockney In the press Bibliography Part I (Strictly optical questions) Part 2 (More general questions)
II. More general questions
1. What does science have to do with this debate?
Few people at the N.Y.U. conference were scientists, or interested in science. (In my enumeration, four people including Falco.) I was one: I work in history of science; I read Nature, the offprints at arXiv , and Physics Today . I know quantum mechanics, and I also know the relevant optics and perspective. I say this because the scientific claims made by Falco and a few others were largely ignored by the other participants, and because Falco and others have chided art historians for not knowing enough science. Falco is right, but the lack of interest and knowledge in science also meant that during the conference, Falco's claims went almost completely unaddressed. (I agree with Falco that David Stork, who seemed to many participants to have addressed the science, had not read the book carefully enough.) When Falco and Hockney draw receding perspective lines on a still life attributed to Memling, they find two distinct vanishing points.

84. Art And Optics : Ingrid D. Rowland: NY Review Of Books
With continuing contributions from falco, Weschler, and such art historians as Martin Europe'sOld Masters, with a handful of exceptions, rubens notable among
http://webexhibits.org/hockneyoptics/post/media_Rowland-NYRB.html
Jump to author New theories regarding opticality Opinions The hypothesis James Elkins Charles M. Falco and David Graves Walter Liedtke Philip Pearlstein Sidney Perkowitz Philip Steadman David G. Stork Christopher W. Tyler David Hockney In the press Bibliography Media summary Art Krush NY Review of Books
The New York Review of Books
February 28, 2002 Through a Glass, Darkly

By Ingrid D. Rowland One day in 1999, as he admired a small pencil portrait by the exquisitely precise hand of Jean-Dominique Ingres, artist David Hockney was suddenly possessed by an idea: that the almost photographic clarity of Ingres's draftsmanship might in fact have derived, like a photograph, from the projection of the sitter's image through a lens. Perhaps, in other words, Ingres may have used a small tool called a camera lucida, basically what Hockney describes as "a prism on a stick," to project the figure before him onto paper, allowing him to sketch out his composition's basic lines with nearly photographic precision. Hockney soon found definite confirmation of his eyes' intuition; Ingres, as it turned out, often did carry a camera lucida with him when he drew his little portraits as a useful supplement to his income. This information in turn drove Hockney to ask another question: How long had artists been working with lenses as Ingres had done? Again he turned first to the evidence of his own eyes. He covered a wall of his studio with reproductions of European paintings displayed in chronological order and began to study them carefully. Tentatively he identified a perceptible change in European drawing and painting that spread in the early fifteenth century from the Low Countries south to Renaissance Italy, soon coming to dominate the aesthetics of European art. This change, as Hockney describes it in

85. Konkolits, Peter (Sammy)
Translate this page AT-2152-SP, 18.03.1994 Austropop - falco ** (ANK 2152, Mi 2120), 0,90,1,30, Details. AT-2152-SG, 18.03.1994 Austropop - falco ge. (ANK
http://www.kosel.com/de/sh/konkol.htm
Kosel Home Shop AP-Online Lexikon Links Hilfe ...
Kokoschka

Konkolits
Korab

Kral

Kubin

Kumpf
...
Bestellformular

Sammlerbedarf
Hebragasse 7-9
A-1095 Wien Tel: 0043/1/406 43 03-0 Fax: 0043/1/406 43 03-33 E-mail: info@kosel.com Internet: www.kosel.com Mitglied in der ifsda (internat.), ESDA (europ.), APHV (Deutschland) Impressum Update: 19.03.2003, 21:02 T-Shop 3.0, Webmaster
Peter (Sammy) Konkolits
Der autodidakte Künstler, Erfinder der Mundartmalerei, der seine Farbenblindheit mit den Worten "auf den Tuben steht drauf, was drin ist" kommentiert, ist am 17. September 1959 in Wien geboren. Ihm ist sehr wichtig, speziell den "Wiener Schmäh" nicht sterben zu lassen, indem er ihn optisch darstellt und den Leuten auf den Mund "schaut" ("Auf der Nudelsuppe dahergeschwommen", "Narrenfreiheit", "Hundstruppe", "Blechtrottel", "Gfrastsackl", "I-Tüpferl-Reiter", "Burli mit de Gummiurli ..."). In altmeisterlicher Technik malt er seine außergewöhnlichen Gemälde und signiert sie immer mit einem roten Fingerabdruck (fälschungssicher) oberhalb der Unterschrift. Üblicherweise wird Ölmalerei in mehreren Schichten gemalt, Sammy Konkolits gehört zu den ganz wenigen Künstlern, die sich mit einer Schicht begnügen. Seine Vielseitigkeit spiegelt sich wider in Kunstdruckkalendern oder auch in der "Kleinkunst" - Kinoplakate, Plattencover, Buchumschläge, Telefonwertkarten sowie Briefmarken für die Österreichische Post.

86. A
falco rusticolus) falco sparverius USE American kestrel (falco sparverius) falconidae timothy(Phleum alpinum) foxtail brome (Bromus rubens) foxtail pine
http://www.nature.nps.gov/nrbib/HTML files/F.HTM

87. Imigrantes, Os
Translate this page O início foi a chegada dos três Antônios o italiano (Herson Capri / Rubensde falco), o português (David Arcanjo / Othon Bastos) eo espanhol (José
http://www.riopreto.com.br/araujo/novela/imigrant.htm
Os Imigrantes Rede Bandeirantes - 18h30 27 de Abril de 1981 a 4 de Junho de 1982 elenco sinopse opinião fotos Novela de Benedito Ruy Barbosa Renata Pallottini e Wilson Aguiar Elenco: Rubens de Falco Herson Capri Othon Bastos David Arcanjo Altair Lima José Piñeiro Yoná Magalhães Maria Estela Lúcia Veríssimo Norma Bengell Rolando Boldrin Fúlvio Stefanini Cristina Mullins Valdir Fernades Paulo Betti Ísis Koschdoski Fausto Rocha Luiz Armando Queiroz Dionísio Azevedo Luís Carlos Arutin Riva Nimitiz Sandra Barsotti Cláudia Alencar Agnaldo Rayol Paulo Autran Nicole Puzzi Paulo Castelli Arlindo Barreto Chica Xavier Solange Couto Manfredo Colassanti Emílio di Biasi Ênio Santos Elizabeth Gasper Flora Geny Cristiane Rando Solange Theodoro David Leroy Lizete Negreiros Marcela Muniz Ulisses Bezerra Márcio de Luca Cláudio Corazza Matheus Carrieri Vírginie Adele Arnaldo Weiss Maria Aparecida Baxter Yara Grey Gésio Amadeu Baby Garroux Patrícia Figueiredo Tacus de Azevedo Hélio Cícero Sérgio Buck Heloísa Machado Leonardo Camilo Elza Maria Sônia Samaia Carlo Briani Paulo Novaes Ady Salgado Tânia Regina Lília Cabral Taumaturgo Ferreira Raul Toledo Rosilene Ferreira Andréa Leal Ronaldo Salgado Midori Tange Carlos Takeshi Henricão Jussara Freire Suzy Camacho José Parisi Júnior SINOPSE A história dos imigrantes que ajudaram a construir o Brasil do século XX. O início foi a chegada dos três Antônios: o italiano

88. Konkolits, Sammy
Translate this page AT-2152-SP, 18.03.1994 Austropop - falco ** (Mi 2120, ANK 2152), 0,90,1,30, Dettagli. AT-2152-SG, 18.03.1994 Austropop - falco ge. (Mi
http://www.kosel.com/it/sh/konkol.htm
Kosel Home Shop Links Pagina di partenza
Carrello

Idee da regalo
...
Kokoschka

Konkolits
Korab

Kral

Kubin

Kumpf
...
Modulo p.l'ordinaz.

Oggetti da collezionismo Hebragasse 7-9 1095 Vienna, Austria Tel: 0043/1/406 43 03-0 Fax: 0043/1/406 43 03-33 E-mail: info.it@kosel.com Internet: www.kosel.com Membro di ifsda, Update: 12.03.2003, 20:48 T-Shop 3.0, Webmaster
Sammy Konkolits
In questa categoria troverete 37 articoli. Ricerca per ANK-Nu Michel-Nu Scott-Nu Data (gg.mm.aaaa) Descrizione Codice (Kosel) in questa categoria Pagina da 2 Codice di ordinazione Descrizione EUR SFR Più AT-2374-SP Salzburger Flughafen ** (Mi 2340, ANK 2374) Dettagli AT-2374-SG Salzburger Flughafen ge. (Mi 2340, ANK 2374) Dettagli AT-2374-S1 Salzburger Flughafen FDC (ANK 2374) Dettagli AT-2374-SM Salzburger Flughafen MC (ANK 2374) Dettagli AT-2374-SB Salzburger Flughafen VFDC (ANK 2374) Dettagli AT-2374-SR Salzburger Flughafen Kombi (ANK 2374) Dettagli AT-0005-AK Autogrammkarte 5 Konkolits/Salz. Airport (ANK 2374) Dettagli AT-2310-SP 50 J. Allg. Sportverband ** (Mi 2279, ANK 2310) Dettagli AT-2310-SG 50 J. Allg. Sportverband ge.

89. Current Discussion Forum
masters, including Ingres, Carvaggio, Bellini, Raphael, Velázquez, Van Dyck, andRubens. Mr. Hockney and his scientific sidekick, Charles falco, a professor
http://www.specialtyarts.com/discuss-hockney.htm
Discussion Forum Archives We invite you to participate in our Forums, where we'll be talking about subjects of interest to our arts community. We continue our discussions with a topic that has sparked much controversy among art devotees around the world- namely what is art? (If you missed our past discussion about the controversial SENSATION Show at the Brooklyn Museum of Art, "Art or Religious Desecration?", you can still see what the ruckus was all about in our Discussion Forum Archives The latest subject fueling our debate on art is the lecture by David Hockney who, at the Ingres Symposium at the Metropolitan Museum of Art, challenged how we view five hundred years of art history in the Western world. According to Hockney, much of the realist art we have come to revere over the centuries, represented a clever amalgamation of artistic genius and technology. And who used the camera and/or facsimile to create art? Hockney suggested it was common practice among many of the most famous masters, including Ingres, Carvaggio, Bellini, Raphael, Velázquez, Van Dyck, and Rubens. What do you see displayed below:
Art or Crafted Technology?

90. Directory Vaionline: Siti_Mondiali/Arts/Celebrities/D/de_Falco,_Rubens
directory.vaionline.it vi permette di accedere al directory di siti italiani. E' organizzato per aree geografiche e aree temeatiche. Fa parte del portale Vaionline che ti offre molti altri servizi.
http://directory.vaionline.it/Siti_Mondiali/Arts/Celebrities/D/de_Falco__Rubens
in questa categoria in tutti siti mondiali
Home
Arts Celebrities D ...

Help build the largest human-edited directory on the web. Submit a Site Open Directory Project Become an Editor
Registrazione
... Borsa

91. Kleine Zeitung Online - Nachrichten Sport Wetter Anzeigen

http://www.carinthia.com/nachrichten/kultur/index.jsp

92. Die Presse

http://www.diepresse.at/news/news_res.asp?ressort=k

93. Æåíñêèé êëóá - ìîäà, ñåðèàëû, òåëåíîâåëëû, àí
The summary for this Russian page contains characters that cannot be correctly displayed in this language/character set.
http://www.womenclub.by.ru/galleries/serials/encylopedia/r/RubensdeFalco/album.s
WWWoman Îëüãè Òàåâñêîé
M2K Mass
phpweblog
Alexander
WWWoman Îëüãè Òàåâñêîé
M2K Mass
phpweblog
Alexander ...
Maria Zolotusskaya

A  B  C  D  E  F  G  H  I  J  K  L  M  N  O  P  Q  R  S  T  U  V  W  X  Y  Z  

Page 5     81-93 of 93    Back | 1  | 2  | 3  | 4  | 5 

free hit counter