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MAE WEST "Between two evils, I always pick the one I never tried before." Mae West was born on August 17, 1893, in Brooklyn, New York. By age 6, she was gaining an incredible knowledge of comedic techniques as a child star in Vaudeville. As she grew older, she began writing and performing in plays of her own, including SEX. Being 1926, this play was considered quite scandalous and she was subsequently arrested for it. SEX was followed by The Pleasure Man (1928), Diamond Lil (1928), and Constant Sinner (1931). Mae West's first starring roles occured in 1932, and is generally considered one of her best performances. The film, She Done Him Wrong, was based on her highly successful play, Diamond Lil. West had perfected the persona of sultry, nonchalant sensuality, with subtle delivery of sexually-charged dialogue. Her audience liked it, but the political and religious climate of the time saw her open sexuality as a threat to morality. Each film thereafter was increasingly censored. As a result, her provocative style of humor became so diluted that Mae West abandoned her movie career. She turned instead to writing, producing, and starring in many plays, and in 1959 she wrote the autobiography Goodness Had Nothing to Do With It.

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Mae West Quotations Memorable Quotations: American Women Writers of the Past at Amazon A man in love is like a clipped couponit's time to cash in. A man in the house is worth two in the street. Between two evils, I always pick the one I never tried before. He who hesitates is last. I believe that it's better to be looked over than it is to be overlooked. I believe in the single standard for men and women. I generally avoid temptation unless I can't resist it. I used to be Snow White, but I drifted. It's hard to be funny when you have to be clean. It's not the men in my life that countsit's the life in my men. My advice to those who think they have to take off their clothes to be a star is, once you're boned, what's left to create the illusion? Let 'em wonder. I never believed in givin' them too much of me. Personality is the glitter that sends your little gleam across the footlights and the orchestra pit into that big black space where the audience is. Right now I think censorship is necessary; the things they're doing and saying in films right now just shouldn't be allowed. There's no dignity anymore and I think that's very important. She's the kind of girl who climbed the ladder of success, wrong by wrong.

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MAE WEST The Actress Who Was Way Ahead Of Her Time!! Mary Jane West was born, in Brooklyn, New York, on August 17, 1893 to parents involved in prize-fighting and vaudeville. Mae, herself, worked on the stage and in vaudeville from the time she was five years old. She never was academically inclined because she was too busy performing. She studied dance as a child and by the time she was 14, she was billed as "The Baby Vamp" for her performances on stage. Later Mae began writing her own plays. One of those plays, entitled SEX, landed her in jail for ten days on obscenity charges in 1926. Two years later her play, DIAMOND LIL, became a huge Broadway success. Mae caught the attention of the Hollywood moguls and was given her first movie role with George Raft in 1932's NIGHT AFTER NIGHT. Although a small role, she was able to display a wit that was to make her world famous. Raft, himself, said of Mae, "She stole everything but the cameras." The movie-going public fell in love with the first woman to make racy comments on film. She became a box-office smash hit breaking all sorts of attendance records. Her second film, SHE DONE HIM WRONG (1933), was based on her earlier and popular play that she had written herself. The film was nominated for an Academy Award as Best Picture. It also made Cary Grant a star.

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HOME MUSIC NEWS TICKETS SHOPPING DOWNLOADS VIDEO ... MAE WESTOverview Albums Community Weblinks ... Add Content document.writeln(""); document.writeln(""); Family Tree Buxom actress Mae West employed clever double-entendres throughout the course of her long career on stage and screen. More than once she managed to squeeze something suggestive past the eagle eyes and ears of her rigid censors, and her public came to adore her for it. In fact she boasted of the feat, saying, "I believe in censorship. I made a fortune out of it." Similarly, the titles of ... more Sign up to receive the Vocal Newsletter for news, contests, discounts and more. Greatest Albums top See more Mae West Greatest AlbumsU.S. Releases = pick = audio available BUY CD BUY Cass. document.writeln(""); Join Help Artist Album Song Tour Dates Movie Title Movie Cast/Crew Record Label Radio Musician Resource Retail Outlet Magazine Meta Site Venue Festival Promoter/Agent Ticket Seller Browse Artists by Alpha A B C D ... Z Browse Artist By Genre Browse Artist By Year

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Mae West Filmography News Downloads Image Credits This page is still under construction. Multimedia Clips: "I Want You, I Need You" (clip) from I'M NO ANGEL (1933) with intermediate dialogue by Cary Grant (a .MP3 file). "Original Theatrical Trailer" from MY LITTLE CHICKADEE (1940) with W.C. Fields, Margaret Hamilton, Donald Meek and Joseph Calleia (a .MOV file). (For help opening any of the above files, visit the plug-ins page.) Memorable Quotations: "No wise-cracks, now." as Tira in I'M NO ANGEL (1933). "You just tell me about my future. You see, I know all about my past." as Tira in I'M NO ANGEL (1933). "What'd ya do, get your hair cut or your ears moved down?" as Tira in I'M NO ANGEL (1933). "Never let one man worry your mind. Find 'em, fool 'em and forget 'em." as Tira in I'M NO ANGEL (1933). "When I was born with this face, it was the same as striking oil." as Tira in I'M NO ANGEL (1933). "Peel me a grape." as Tira in I'M NO ANGEL (1933).

89. Mae-west Route Server Peer Views (12:00 01-Oct-02) maewest Route Server Peer Views (1200 01-Oct-02). These reports display a snapshotof each peer's view as configured in the mae-west Route Servers. http://www.rsng.net/rs-views/mae-west/

mae-west Route Server Peer Views (12:00 01-Oct-02) Policy Analysis of Internet Routing (PAIR) These reports display a snapshot of each peer's view as configured in the mae-west Route Servers. Each view is generated from policy registered in the Internet Routing Registry (IRR). The reports are organised per view (peer) and then further broken down for each filter pertinent to that view. Lines which are greyed do not have any Established BGP peering sessions with the route servers. Total Prefixes Received By Route Server: Total Routes Received By Route Server: Total Originating AS's Received By Route Server: Peer Routes Exported Peers Exported To Routes Imported Peers Imported From AS 293 (ESnet) AS 297 (NASA) AS 568 (DISA) AS 668 (DREN) ... AS 7170 (ATT-DISC)

90. LRB | Wendy Doniger : Mae West And The British Raj mae west and the British Raj. Wendy Doniger. amazonbutton, The LastDinosaur Book The Life and Times of a Cultural Icon by WJT Mitchell http://www.lrb.co.uk/v21/n04/doni01_.html

HOME SUBSCRIBE LOGIN CONTACTS ... LRB MERCHANDISE Quick Search Subscriber registration Subscribers to the LRB currently get free access to the full content of the magazine in an online edition. If you are a subscriber and would like to register for online access click here If you are already registered you can log in from our login page If you would like further information about subscribing to the LRB click here LRB Vol. 21 No. 4 dated 18 February 1999 Wendy Doniger printable layout tell a friend Mae West and the British Raj Wendy Doniger The Last Dinosaur Book: The Life and Times of a Cultural Icon The scholarship is successfully air-brushed by an elegant Post-Modern presentation. Mitchell, who teaches English and art at Chicago University, and is an editor of Critical Inquiry (the Debrett's of cultural and critical studies), emerges from this book as a kind of 'Pomosaurus' or perhaps even a 'thesaurus' (a creature nimble with multiple meanings). The 40 brief chapters are peppered with visual and verbal jokes and are lavishly illustrated with cartoons and fine reproductions of paintings. The format is a cross between a beautifully produced children's book and the New Yorker The argument is nothing less than that dinosaurs 'R' the human race. They function as transitional objects, not only in the original sense that D.W. Winnicott applied to things like the teddy-bears cherished by children, but as symbols for our culture as a whole, 'at the level of history and (possibly) the evolution of the human species'. The dinosaur 'expresses the political unconscious of each era of modern life, manifesting collective anxieties about disaster and extinction, epitomising our own ambivalence toward our collective condition'.

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95. The Mae West Reading Room mae west. this is not a retail site, but links are provided where youcan find these. Becoming mae west by Emily Leider Hardcover http://showcase.netins.net/web/reading/west.html

BOOKS BY and ABOUT... MAE WEST this is not a retail site, but links are provided where you can find these Becoming Mae West by Emily Leider Hardcover She was the Madonna of her time, parlaying a modest talent into international celebrity with a carefully cultivated, outsized personality and an unerring instinct for just how outrageous to be without alienating her audience. Mae West (1893-1980) crafted the persona that made her the biggest movie star of the early 1930s during her vaudeville and Broadway apprenticeship. Those formative years are the subject of this absorbing cultural biography, which closes in 1938 when Paramount dropped her contract. A generous sampling of West one-liners adds sparkle to the text. Becoming Mae West by Emily Leider Quality Paperback "Mae West courted excitement. She loved big cities, form-fitting clothes, lipstick, jazz, sex in taxis, intrigue, gun-toting bootleggers, boxers lathered in sweat, and cops who read her the riot act. Her stunning success as a performer came as a by-product of her megawatt energy, which she learned, during a gaslit girlhood, to channel and transmit. The chronicle of her evolving performance style is in part a story about how she learned to harness that energy, turning her baby shouts into an internationally recognized womanly purr." Good sex is like good Bridge.

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A B C D ... Z $(Purchase), N/A (Not Available), * (Connected) Home Archives Stage Name Real Name Mae West Mae Jane West " When I'm good, I'm very good, but when I'm bad, I'm better " .... Mae West "The Lady with the Famous Walk" started her career in Vaudeville at a very young age. Studied dance as a child and would be billed as the "Baby Vamp." Would later star in movies, and made her big screen debut in 1932 in the movie entitled "Night after Night." Her last film before censorship forced her out of Hollywood was The Heat Is On in 1943. It would be over twenty years before she made another film. She would later appear on television and write her own plays / manuscripts, such as "Sex" (1926) for which she would be arrested. It is said she created the " Shimmy Sha Wabble " dance (

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