21. CyberSpace Search! Results 1 through 4 of 4 for wong kar wai. DVDs Compare Prices for wong karwai wong kar wai - Compare DVD prices at Nextag for thousands of stores. http://www.cyberspace.com/cgi-bin/cs_search.cgi?Terms=wong kar wai

22. Robot Lounge - Wong Kar Wai great. I'd be a lot more excited about Crouching Tiger if Wong KarWai had done it. Also Robot Lounge THE BIG SHOW wong kar wai, http://www.giantrobot.com/forums/showthread.php3?threadid=85

23. "second Period Wong Kar Wai" Works return to Arthouse, World + General Cinema second period Wong KarWai works. Re Hmmmm Yvonne. » Posted by Tom Clay , 03 http://www.mhvf.net/forum/general/posts/124213395.html

"second period Wong Kar Wai" works Re: Hmmmm... Yvonne » Posted by: Tom Clay A wholly cinematic merging of theme and aesthetic, personal, uncompromised by any commercial need. Do such things exist?! Yvonne Mar 06, 19:03, 2001

24. Peace Hotel - Wong Kar Wai He's Wong KarWai. And although his peers say they hate him, a little bitof Wong Kar-Wai shows up in everyone's new films. It's a mad world. http://www.fongnet.net/peacehotel/wkw.htm

Original Image from Premiere Magazine. He's Wong Kar-Wai. Simultaneously loved and despised in his hometown of HK. The film community mocks him, makes satires of his films, give him no face whatsoever. Yet he wins awards at Cannes, is thoroughly respected by the actors who work with him, and has begun a revolution in the make-a-quick-buck world of HK filmmaking. And although his peers say they hate him, a little bit of Wong Kar-Wai shows up in everyone's new films. It's a mad world. Images from "Days of Being Wild" More to come... Images from "Chungking Express" Back An Ame Otoko Production todd@fongnet.net jayne@fongnet.net This page updated on 31 July 1999

25. Awkwmenu wong kar wai. The wong kar wai's style is between European and Chinesecinema. wong kar wai is a kind of dandy, he's an iconoclast. http://www.ifrance.com/hkcinemagic/siteanglais/atsuihark/awkwmenu.htm

WONG KAR WAI The Wong Kar Wai's style is between European and Chinese cinema. For years, he has intended to open the HK cinema to artsy and author genres more than could have done New Wave directors. Wong Kar Wai is a kind of dandy, he's an iconoclast. He' got his own way to shoot the HK streets and to use local stars to explore love and loneliness. But his position of Master of fancy camera work and weird stories doesn't come without pressures and a great deal of difficulties. He's got to seduce the Cantonese audience, to attract the foreign investors but he cannot bargain his style for Festivals. How does he manage that and what is he up to? We'll soon know... Filmography As Tears Go By Days Of Being Wild Ashes Of Time Chungking Express ... Fallen Angels -NEW Homepage © HKcinemagic 2001-2002 Report a broken link, any mistake or add a comment

26. Ilha Formosa - Wong Kar Wai, Mître De L'esthétique Translate this page wong kar wai. Le maître de l'esthétique. wong kar wai (Wang Jiaweien chinois mandarin) est un cinéaste rare, unique. http://stephfer.free.fr/wong kar wai.htm

WONG KAR WAI Wong Kar Wai (Wang Jiawei en chinois mandarin) est un cinéaste rare, unique. Il est sans nul doute l'un des réalisateurs les plus novateurs du cinéma contemporain (et pas seulement en Asie). Son style, son esthétique sont reconnaissables entre mille, et au premier coup d'œil. Il représente ce cinéma asiatique esthétisant, qui fait rêver. Il fait aussi taire ceux qui croient que le cinéma de Hongkong se résume aux des films de sabre ("Wu xia pian") et aux multiples films de kung-fu de seconde zone. C'est pourquoi je me propose ici de vous faire découvrir la carrière de ce réalisateur hors normes. Chungking Express ) où il se sent déraciné (il ne parle alors pas cantonais). Il a cependant une passion pour la littérature et le cinéma (où il va souvent avec sa mère qui est elle-même passionnée de cinéma). Son adolescence est plutôt mouvementée : il boit, se bat, fait des virées dans des voitures volées Il y restera finalement 5 ans. Il devient assistant de production, puis scénariste de téléfilms et de séries télévisées. Il intègre ensuite l'équipe de scénaristes sous la coupe de Barry Wong (grand scénariste hongkongais des années 80) et commence ainsi à travailler dans le milieu du cinéma. Il est amené ainsi à goûter à tous les genres : du kung-fu au soft-porn, du sentimental au policier. Et à partir de 1981 il écrit pour la série policière très populaire à l'époque "Don't look now".

27. Wong Kar Wai Films of wong karwai with movie stills and posters. Link to best films lists and director list. http://members.tripod.com/bestfilm2/wkw.htm

28. Happy Together Movie Review a personal movie review of Happy Together, a wong karwai film, starring Tony Leung and Leslie Cheung. http://users.aol.com/aleong1631/happy.html

Happy Together Movie Review Imagine me and you, I do I think about you day and night, it's only right To think about the girl you love and hold her tight So happy together Hong Kong director Wong Kar-Wai received the Best Director award at Cannes in 1997 for his latest effort, "Happy Together", which details the pathological relationship between two homosexual men in Buenos Aires. This long-awaited follow-up to 1994's "Chungking Express" and 1995's " Fallen Angels " is more linear than his previous films, but love it or hate it, it is classic Wong Kar-Wai, rife with the metaphorical musings of the hopeless romantic. If I should call you up, invest a dime And you say you belong to me and ease my mind Imagine how the world could be, so very fine So happy together HT exhibits many of the hallmarks inherent in all of Wong Kar-Wai's films. The story, rather than being plot-driven, is theme-driven, with many layers of interpretation. Every aspect of the story, whether it be characters, the occupations of the characters, or even where they stand in a room, speaks to hidden metaphors and subtext. His characters are usually divided into two camps with opposing philosophies, and this is seen in the contrast between Lai and Ho. Lai, the more reserved and responsible of the two, is haunted by the past and is blinded to opportunities in the present by the haze of nostalgia. Ho, the more petty of the pair, has a shiftless life without any 'memory' of the past, which leads to a meaningless existence and the need to define his own purpose through his relationships with others. This same juxtaposition was seen between Yuddy and the cop in "Days of Being Wild", and the Hitman and Michelle in "Fallen Angels".

29. Kar-wai Wong Internet Movie Database's entry for the Hong Kong director includes a complete filmography as well as photos, biographical facts, and related links. http://us.imdb.com/Name?Wong,+Kar-wai

30. In The Mood For Love Site officiel fran§ais du film de wong karwai. Histoire, biographie et filmographie du r©alisateur. http://www.inthemoodforlove-wkw.com

© Ocean Films Distribution. Tous droits réservés.

31. Kar-wai Wong http://www.imdb.com/Name?Wong, Kar-wai

32. Wong Kar-Wai - Charisma Express home. wong karwai - Charisma Express. It isn't just the recent proliferationof wong kar-wai wannabes that is pushing him in new directions. http://www.bfi.org.uk/sightandsound/archive/innovators/kar-wai.html

Wong Kar-Wai - Charisma Express The Innovators 1990-2000 The Chinese diaspora has supplied many of the best film-makers of the 1990s, but none had more impact than Wong Kar-Wai, Tony Rayns reports For the first time since 1994, when he interrupted the post-production of Ashes of Time to make Chungking Express , Wong Kar-Wai is currently making two films at once. This isn't from choice, of course; it's a result of the collision between his own aleatory approach to production and the financing crisis which has hit the Hong Kong film industry. The first film (it has no English working title) was supposed to be another quickie to be shot and cut in short order for completion in the summer of 1999. Just as the low-budget Chungking Express (which went from start of shooting to premiere in just three months) was designed to offset the overspends on the lengthy and expensive Ashes of Time , so this new film was intended to help Wong's company through its cash-flow problems in the wake of the costly Happy Together . It stars Maggie Cheung and Tony Leung as people who meet when they discover that their respective spouses are having an affair. The original plan apparently was to divide the film between scenes in the 60s and scenes in the 90s, but Wong has found himself too much seduced by the adventure of imagining pre-modern Hong Kong to give equal time to the present-day part of the schema. Too much seduced, also, to keep the project within its original parameters - which is why it isn't yet finished.

33. Edinburgh: Wong Kar-Wai home. Edinburgh wong karwai. wong kar-wai We were supposed to reach Cannes on 17May but we didn't finish the mono mix of the soundtrack until the day before. http://www.bfi.org.uk/sightandsound/2000_08/eiff_wongkarwai.html

Edinburgh: Wong Kar-Wai In the Cannes press kit for In the Mood for Love But In the Mood for Love Huayang Nianhua ) is one of his best films, a gorgeously sensual valse triste Days of Being Wild Since winning two prizes in Cannes (Best Actor for Tony Leung and the Grand Prix for Technique) Wong has continued work on the film, mixing a Dolby stereo soundtrack and fine-tuning a few details. On the night of 19 June he was back in a sound studio in Kwun Tong to re-record one changed line of dialogue; we talked into the small hours once he'd finished. Tony Rayns: You were like a zombie when I last saw you a few days before you left for France, and the film still wasn't finished. How did you get through Cannes? Wong Kar-Wai: We were supposed to reach Cannes on 17 May but we didn't finish the mono mix of the soundtrack until the day before. That night we received the first answer print from the lab in Bangkok, for subtitling in French here in Hong Kong. But when we checked the copy we found that the sound wasn't right, the shots weren't right, everything was wrong. So we had to call everyone in Bangkok at 5am to remix parts of the sound and recut parts of the negative. And even when we got a corrected print we found a problem with the optical sound on one reel - so that reel had to be redone in Bangkok and hand-carried to France, to be subtitled in Paris on the morning of the first screening.

34. The Cinema Of Wong Kar-wai - A 'Writing Game' The Cinema of wong karwai – A ‘Writing Game’. Backside. wong kar-wai’sIn the Mood for Love is a radiant homage to the neglected posterior. http://www.sensesofcinema.com/contents/01/13/wong-symposium.html

The Cinema of Wong Kar-wai – A ‘Writing Game’ compiled by Fiona A. Villella Collaborating with stock company (Chris Doyle, William Chang, Maggie Cheung, Tony Leung) and shooting haphazardly, in constant improvisational mode, Wong Kar-wai has brought to our cinema screens over the last ten years images of modern living, urban alienation, and forlorn love in a dazzlingly intimate, fluid, poetic and fragmented formal register. A call was recently put out for impressionistic contributions on any aspect of Wong’s career: a single film, a particular character, a moment, a stylistic aspect, the way his work gets critically discussed, his key collaborators, his shooting style and so on. Each entry was required to centre upon, or use as a starting point, a one-word title. The final statements collected below range from the personal to the political, the deeply heartfelt to the bluntly critical. The Entries: Backside Blue Creation Dali-esque Time ... Wrongheaded Happy Together Ashes of Time Chungking Express Fallen Angels WONG KAR-WAI filmography: As Tears Go By (1989), Days of Being Wild (1990), Ashes of Time (1994), Chungking Express (1994), Fallen Angels (1995), Happy Together (1997), In the Mood for Love (2000)

35. Wong Kar-wai go to Index page Great Directors. wong karwai (Wang Jiawei) b. 1958, Shanghai,China. p. 157. 6. A. Abbas, The Erotics of Disappointment wong kar-wai. Ed. http://www.sensesofcinema.com/contents/directors/02/wong.html

Wong Kar-wai (Wang Jiawei) b. 1958, Shanghai, China. by Elizabeth Wright Elizabeth Wright recently completed her honours year in film studies at Monash University (Melbourne). Her thesis focused on the film aesthetic of Wong Kar-wai. filmography bibliography articles in Senses web resources Wong Kar-wai is undeniably an auteur of striking and salient cinema, standing apart from much mainstream Hong Kong cinema. Wong belongs to the mid-1980s Second New Wave of Hong Kong filmmakers who continued to develop the innovative and fresh aesthetic initiated by the original New Wave. The Second Wave, which includes directors such as Eddie Fong, Stanley Kwan and Clara Law, is often seen as a continuation of the first as many of these directors worked as assistants to First Wave directors such as Tsui Hark, Ann Hui and Patrick Tam (with whom Wong worked and collaborated). The innovation of this group of filmmakers was linked to the social and political issues facing Hong Kong as well as an artistic impetus. The uncertainty with which Hong Kong citizens faced the 1984 Sino-British Agreement outlining the handover of Hong Kong to China forced Hong Kong residents and filmmakers alike to confront and examine their relationship with China. This issue was translated into film by the Second Wave of cinema but done so "with introspection rather than outright cynicism" that "brought Hong Kong cinema to a new level of maturity".

36. Wong Kar-wai : In The Mood For Wong Kar-wai Translate this page de Chungking Express. Les films de wong kar-wai font le bonheur descinephiles en Asie comme en Occident. Les plus grandes stars http://wkwai.free.fr/

wong kar-wai biographie wong kar wai filmographie wong kar-wai, In the Mood for Love , des et de Chungking Express . Les films de Wong kar-wai font le bonheur des cinephiles en Asie comme en Occident. Les plus grandes stars de Hong Kong ( Maggie Cheung Tony Leung Brigitte Lin Wong kar-wai. wong kar-wai galeries wong kar -wai affiches wong kar-wai et ses acteurs

37. Wong Kar-Wai Related Reading Blue, a stream of consciousness piece written for The Cinemaof wong karwai - A 'Writing Game' compilation featured in Issue no. http://www.filmref.com/directors/dirpages/wong.html

Home Days of Being Wild In the Mood for Love Related Reading: Blue , a stream of consciousness piece written for The Cinema of Wong Kar-wai - A 'Writing Game' compilation featured in Issue no. 13 of Senses of Cinema A Fei jing juen, 1991 [A Fei's Story/Days of Being Wild] Days of Being Wild , as Yuddy's indifference affects the lives of the people who become entangled in his aimless life. Wong Kar-Wai creates a spare and elegant film on chance, fate, and unrequited longing in Days of Being Wild PAL VHS Home Top Hwa yang nian hua, 2000 [In the Mood for Love] Using graceful slow motion sequences and nostalgic music, Wong Kar-Wai juxtaposes the romanticism of a lost era with the unrequited longing of an impossible relationship in In the Mood for Love . Wong's highly stylized camerawork serves as a visual foil to the chaos of the meticulously structured mise-en-scene: the crowded living conditions, overly familiar neighbors, and imposing, uninvited guests reflect the claustrophobic, intrusive nature of traditional society. In contrast, the suffused colors of the empty restaurant and the long, reverse tracking shot of the hallway leading to Mo-Wan's creative retreat reflect the uninhibited freedom of their surfacing emotions. Furthermore, Su Li-zhen's seductively bold and exquisitely tailored high collared dresses manifest her paradoxical character: passionate, yet reserve; sensual, yet conservative. In essence, the visual dichotomy of the film serves as a reflection of the emotional turmoil that results from their innocuous alliance.

38. ArtandCulture The combination of stunning visuals and edgy, sensitive storytelling in the workof wong karwai has spread a new dawn across the horizon of Hong Kong film. http://www.artandculture.com/cgi-bin/WebObjects/ACLive.woa/wa/artist?id=107

39. Wong Kar-Wai wong karwai 1958 - present Born Shanghai Worked Hong Kong. Thecombination of stunning visuals and edgy, sensitive storytelling http://www.artandculture.com/arts/artist?artistId=107

40. Wong Kar-Wai Home Random wong karwai. wong kar-wai. wong kar-wai is one ofmy favorite directors. These are the first images I saw from his http://ic.media.mit.edu/people/jseo/random/wkw/

Home Random > Wong Kar-Wai Wong Kar-Wai Wong Kar-Wai is one of my favorite directors. These are the first images I saw from his two latest films, In the Mood for Love and 2046. All images are courtesy of Kino, an excellent Korean film magazine. The April 2000 issue featured Maggie Cheung on the cover: In the Mood for Love

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