41. Treatise - Cornelius Cardew - An Animated Analysis http://www.blockmuseum.northwestern.edu/picturesofmusic/pages/anim.html

42. Untitled Document cardew, cornelius. Stockhausen Serves Imperialism. Latimer New Dimensions, Ltd.,1974. cardew, cornelius. Notation Interpretation. Tempo, (Summer 1961). http://www.blockmuseum.northwestern.edu/picturesofmusic/pages/biblio.html

Works Cited and Consulted Ashton, Dore. The Unknown Shore: A View of Contemporary Art. Boston: Atlantic Monthly Press, 1962. 205-206. Boyle, Jeremy. Personal Interview. 9 July 2001. Braddock, Nathaniel. Personal Interview. 19 July 2001. Bruckmann, Kyle. Personal Interview. 23 July 2001. Cardew, Cornelius. Stockhausen Serves Imperialism. Latimer New Dimensions, Ltd., 1974. 80, 83, 85. Cardew, Cornelius. "Notation - Interpretation." Tempo , (Summer 1961). 21, 23, 27, 29. Carr, Robert. "Untitled Review, Hat Now Cardew Recording." Fanfare (July/August 2000). 159-160. Dennis, Brian. "Cardew's Treatise: Mainly the visual aspects." Tempo , (June 1991). 10-16. Gann, Kyle. “Painter Envy”, The Village Voice , July 23, 1996. Gehrkens, K. W. (1930). Music notation and terminology. Chicago ; New York, Laidlaw brothers: vii, 168. Gregorio, Guillermo. Personal Interview. 10 July 2001. Feldman, Morton. “The Anxiety of Art.”

43. Cornelius Cardew : First Movement For Sting Quartet - Médiathèque De L'Ircam  Translate this page First Movement for Sting Quartet de cornelius cardew note de programme,instrumentation, enregistrements, partition. http://mac-texier.ircam.fr/textes/c00000447/n00002930/

First Movement for Sting Quartet de Cornelius Cardew: note de programme, instrumentation, enregistrements, partition.

44. Musica.co.uk cardew, cornelius Four principles on Ireland, Four principles on Ireland cardew,cornelius Price £12.00 Despatch Time Normally 4 Weeks, Add cardew, cornelius http://www.musica.co.uk/musica/screen__ADVSEARCH/ARTIST__Cornelius/dbselect__Pop

Quick Search: Pop/Jazz Classical Soundtrack Spoken DVD Login Shop Front Charts Future Charts ... Information Newsletter Subscribe to the musica newsletter. Email address: How to use musica 1. Search Browse and search the site for the items you are interested in. Add them to your basket. 2. Login If you have not already done so, login to the site or create an account 3. Checkout Go to the checkout and enter your payment details. Your order will now be on its way to your front door! Advanced Search 1. Media: Pop Pop/Jazz/World Classical Soundtrack Spoken Word DVD 2. Search Query FORMAT: CD Album CD Single Vinyl Cassette ALBUM: ARTIST: TRACK: MUSICA REF: CATALOG No: BARCODE: Reset page Match exactly 3. Search Result Four principles on Ireland Cardew, Cornelius Price: Despatch Time: Normally 1 - 2 Weeks Treatise (2CD Set) Cardew, Cornelius Price: Despatch Time: Normally 1 - 2 Weeks Great learning, The Cardew, Cornelius Price: This item is no longer available. This item is no longer available. Apartment house Cardew, Cornelius Price: Despatch Time: Normally 1 - 2 Weeks CM Cornelius Price: Despatch Time: Normally 1 - 2 Weeks FM (Fantasma Remixes) Cornelius Price: Despatch Time: Normally 1 - 2 Weeks Fantasma Cornelius Price: Despatch Time: Normally 1 - 2 Weeks Point (From Nakameguro To Everywhere) Cornelius Price: Despatch Time: Normally 24 Hours Mending fences Cornelius, Gary

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46. Alphamusic - The Great Translate this page Februar 2003. Cover vergrößern, cardew,cornelius (1936-1981) The Great LearningCD (Kammermusik) DGG, ADD, 71/68 VÖ-Datum 8.10.2002 Bestell-Nr. http://www.alphamusic-shop.de/309/6233309.html

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47. MIT Music Library News Fall '94 Score. Mu An28.2 sym cardew, cornelius. The east is red; violin and piano. Scoreand part. Mu pts C178 eas cardew, cornelius. Mountains; solo bass clarinet. http://libraries.mit.edu/music/news/994/scores.html

48. Free Music Download, MP3 Music, Music Chat, Music Video, Music CD, ARTISTdirect cornelius cardew Overview Family Tree. Christopher Hobbs, Ensemble Pieces,Cello. See All cornelius cardew Also Appears On. Related Artists, top. http://www.artistdirect.com/music/artist/card/0,,411891,00.html

HOME MUSIC NEWS TICKETS SHOPPING DOWNLOADS VIDEO ... CORNELIUS CARDEWOverview Albums Community Weblinks ... Add Content document.writeln(""); document.writeln(""); Family TreeCardew was a chorister at Canterbury Cathedral for eight years, and he later studied at the RAM. He received a scholarship from the RAM in 1957 to study electronic music in K¶ln. He served as an assistant to Stockhausen from 1958-60 and collaborated with him on the composition Carr©. After a period as a graphic designer, Cardew became professor of composition at the RAM in 1967. ... more Sign up to receive the ARTISTdirect News Newsletter for news, contests, discounts and more. Weblinks top Cornelius CardewSee All Cornelius Cardew Weblinks Add Your Cornelius Cardew Weblink Community top Cornelius Cardew Message Board Also Appears On top Various Artists Not Necessarily "English Music" Arranger, Piano document.writeln(""); Join Help Artist Album Song Tour Dates Movie Title Movie Cast/Crew Record Label Radio Musician Resource Retail Outlet Magazine Meta Site Venue Festival Promoter/Agent Ticket Seller Browse Artists by Alpha A B C D ... Z Browse Artist By Genre Browse Artist By Year

49. Alphamusic - Cornelius Cardew Translate this page Februar 2003. Cover vergrößern, cardew,cornelius (1936-1981) Treatise (1963-1967)2 CDs (Kammermusik) HAT, DDD, 98 VÖ-Datum 11.1.2000 Bestell-Nr. http://www.alpha-musikshop.de/157/1811157.html

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51. Dedication To Cornelius Cardew (March 18, 1982) By Morton Feldman Dedication to cornelius cardew. by Morton Feldman. On 16th May 1982, the corneliuscardew Memorial Concert took place in the Queen Elizabeth Hall, London. http://www.cnvill.demon.co.uk/mfcardew.htm

[Morton Feldman Page] [List of Texts] Dedication to Cornelius Cardew by Morton Feldman Born in 1936, the British composer Cornelius Cardew was killed on 31st December 1981 near his home in Leyton, East London, by a hit and run driver. On 16th May 1982, the Cornelius Cardew Memorial Concert took place in the Queen Elizabeth Hall, London. The programme booklet for this event included essays, photographs, and bibliographical material about Cardew's life and work, plus a group of short tributes, entitled "Dedications", by some of his friends. These "Dedications" included the following note by Feldman (p26 of the booklet): For an artist, it is not one's conscience, but one's talent , making cowards of us all. Cardew's courage to dismiss an earlier abstract artistry of his own is indeed heroic. His career bears a comparison to D. H. Lawrence. Both set aside an evocative use of the language of their medium for a kind of "message" of sorts. Cage in his own way did likewise. In this regard Cornelius Cardew is not in bad company. However, it is in a work such as The Great Learning which I feel Cardew found a unique equanimity of means between a musical poetry and his political beliefs - something akin to what Christian Wolff is doing with similar concerns. As perhaps the last indigenous esoteric composers surviving on this planet, I deeply mourn Cardew's death. He wrote beautifully about my own music and played it exquisitely. Perhaps we are not that far apart than one might think. There will always be ... Cornelius Cardew.

52. Cornelius Cardew Memorial Concert cornelius cardew Memorial Concert. Credits. cornelius cardew was killed on the13th December 1981, by a hit and run driver near his home in East London. http://www.qserve.net/~wrr/Organum/discog/IMP28204.html

Cornelius Cardew Memorial Concert 2xLP - Impetus Records - IMP28204 UK - 1985 Tracks side one First Movement for String Quartet Octet '71 Treatise side two Paragraph 1 of the Great Learning side three The Turtledove The Workers Song Thalmann Variations side four Croppy Boy Watkinson's Thirteens Smash The Social Contract There is only one lie, There is only one truth We Sing for The Future Credits Cornelius Cardew was killed on the 13th December 1981, by a hit and run driver near his home in East London. On the 16th of May 1982 at the Queen Elizabeth Hall London his musical colleagues, friends and comrades came together to perform his music in a tribute to his life and works. Performers Laurie Barker Alex Balanescu David Bedford Gavin Bryars Steve Calder Carol Chant Michael Chant Horace Cardew Walter Cardew Bob Coleridge Kate Collison Patrick Foster Maranda Cullylove Lou Gare Liam Genockey Gerry Gold Alec Hill Christopher Hobbs Peter Howe David Jackman Tim Joss Shelia Kasabova Francis Kelly Tim Mason Melinda Maxwell Ian Michell Tim Michell Janos Negyesy Michael Nyman Michael Parsons Geoff Pearce Elizabeth Perry Tom Phillips Eddie Prevost Karen Rhodes Keith Rowe Frederic Rzewski Brigid Scott-Baker Hugh Schrapnel Dave Smith John Tilbury Michelle Todd Emily Underwood Jane Wells John White Sylvia Williams Bob Wolford AMM Eisler Ensemble English Chamber Choir (Dir. Guy Protheroe)

53. The Great Learning cornelius cardew the great learning the scratch orchestra LP Deutsche Grammophon2561 107 Germany, 1971 CD - Cortical Foundation CORTI 21 USA, 2000. Tracks. http://www.qserve.net/~wrr/Organum/discog/GreatLearning.html

The Great Learning cornelius cardew: the great learning the scratch orchestra LP - Deutsche Grammophon 2561 107 Germany, 1971 CD - Cortical Foundation CORTI 21 USA, 2000 Tracks Paragraph 1 (bonus track on CD re-issue only, recorded in 1982) Paragraph 2 Paragraph 7 Credits The Scratch Orchestra Conductor: Cornelius Cardew Producer: Karl Faust Assistant Producer: Richard V Hill Musical Adviser: John White Engineer: John Timperley Recorded at Chappell Studios, London on February 15/16, 1971 Additional Information This LP was only available as part of a six LP boxed set of Avant Garde music on Deutsche Grammophon Though David Jackman is not mentioned anywhere on the sleeve, he was an active member of the Scratch Orchestra at this point and is probably one of the massed singers. Some of the other members mentioned in the liner notes (by Cornelius Cardew) are: John Tillbury, Gavin Bryars, Michael Parsons, Howard Skempton, Michael Chant, Christopher Hobbs, and Hugh Shrapnel - each of who recruited friends, family and students to swell the ranks. The Cortical CD re-issue (limited to 1000 copies) includes a bonus track, originally released on the

54. Cornelius Cardew's We Sing For The Future cornelius cardew We Sing For The Future! Frederic Rzewski, piano.cornelius cardew—We Sing For The Future! Twenty years http://www.otherminds.org/shtml/Cardewcd.shtml

Cornelius Cardew: We Sing For The Future! Frederic Rzewski, piano Cornelius Cardew We Sing For The Future! Twenty years on, Cardew's music still provokes controversy. Even amongst his many admirers, his later 'political' music in particular creates unease and perhaps misgivings. The relation of the music to its 'programme' and to the lofty aims it purports to serve is problematic enough, so let us remind ourselves what Cardew himself wrote about this music in the seventies: "I have discontinued composing music in an avant-garde idiom for a number of reasons: the exclusiveness of the avant-garde, its fragmentation, its indifference to the real situation in the world today, its individualistic outlook and not least its class character (the other characteristics are virtually products of this). "We Sing For The Future is a composition based on a song. The song is for youth, who face bleak prospects in a world dominated by imperialism, and whose aspirations can only be realised through the victory of revolution and socialism. In the framework of a solo piano piece lasting about 12 minutes, something of this great struggle is conveyed. The music is not programmatic, but relies on the fact that music has meaning and can be understood quite straightforwardly as part of the fabric of what is going on in the world."

55. Waggish: Graphic Scores: Cornelius Cardew And Barry Guy Graphic Scores cornelius cardew and Barry Guy. The Block Museum has a niceintro to the Voynich Manuscript of music, cornelius cardew's Treatise. http://www.waggish.org/archives/001055.html

Waggish 11 Ways to Proceed Main January 16, 2003 Graphic Scores: Cornelius Cardew and Barry Guy The Block Museum has a nice intro to the Voynich Manuscript of music, Cornelius Cardew's Treatise My favorite version that I've heard, if it actually is a version, is AMM's The Inexhaustible Document (that would be Treatise ), which spends over an hour on "Page 9." For somewhat less cryptic graphic scores, take a look at Barry Guy's stunning work Posted by A. at January 16, 2003 11:57 PM Mail Waggish

56. On Indeterminate Notation - John Tilbury Celebrates Cornelius Cardew's Experimen On indeterminate notation John Tilbury celebrates cornelius cardew's experimentalscores at COMA Contemporary music making for amateurs. http://www.coma.org/article_2.htm

News Articles On indeterminate notation John Tilbury celebrates Cornelius Cardew's experimental scores "Notation is a way of making people move", Cornelius Cardew once wrote. 'Making' was perhaps an inappropriate choice of word; it was, certainly, never in Cardew's philosophy to make people do anything. But in the fifties the relationship between composer and performer had become a coercive one: play this loud, play that louder, do this quickly, wait, stop. Notations had become a sequence of commands constituting the composer's control strategy. Inspired by the writings and compositions of John Cage, the experimentalists freed the performer from his incarceration by the serialists, restoring the mutuality of the relationship between composer and performer; the American composer Christian Wolff, for example, notates not what to play, but how to play. Cardew's notations from the sixties - Autumn 60, Solo with Accompaniment, Memories of You, The Great Learning and, in particular, the mammoth Treatise, are always challenging, never prescriptive: like seeds embedded in their environment, they depend on the surrounding soil - the contemporary musical climate, the individual performers - for survival and nourishment. The composer David Bedford wrote: "Speaking as a performer in many of Cardew's early works, it must be said that the experience was totally rewarding. Our creativity was constantly being challenged, and the empathy of the performers, channelled into producing a coherent piece of music despite sometimes sketchy and sometimes paradoxical instructions, was often remarkable. It should be pointed out that none of Cardew's works ever gave total freedom to the performer. The instructions were a guide which focused each individual's creative instinct on a problem to be solved - how to interpret a particular system of notation using one's own musical background and attitudes."

57. John Tilbury ‘CORNELIUS CARDEW PIANO MUSIC 1959-70.’ John Tilbury ‘cornelius cardew PIANO MUSIC 1959~70.’ Long overdue recording(made in 1996) of some of cardew’s prepolitical period music. http://www.matchlessrecordings.com/sleeve_notes/mrcd29.html

John Tilbury unintended piano music. three winter potatoes. material. Treatise (excerpt). The Musical Times, February 1969. In this recording two versions of Volo Solo are superimposed: in the short groups the double articulation of pitches is clearly audible, whereas in the longer and denser passages the result is a juddering heterophony. The score of Material consists of 17 sections of varying length and harmonic character, mostly chordal and sometimes densely chromatic. Sections may be repeated several times, and in an ensemble performance they may be freely counterpointed. Not all of the written notes need necessarily be played; melodic strands which lie hidden within the succession of chords may be revealed by selection from the given pitch-material. In this version three layers are superimposed, and the performance begins with a sequence of dense chromatic clusters. As Cardew suggests in the instructions, the parts are synchronised at the start and then gradually drift apart, dissolving the focus and creating an ambiguous sense of space with multiple images and overlaps. Michael Parsons May 1996

58. The History Of Rock Music. Cornelius Cardew: Biography, Discography, Reviews, Li Translate this page cornelius cardew (Copyright © 1999 Piero Scaruffi Legal restrictions- Termini d'uso ) , /10, Links Links to other sites. IN PREPARAZIONE http://www.scaruffi.com/oldavant/cardew.html

Cornelius Cardew Piero Scaruffi Legal restrictions - Termini d'uso Links Links to other sites IN PREPARAZIONE - AGGIORNATO SOLTANTO AL 1991 Cornelius Cardew (Gloucester, 1936-1981), ex-assistente di Stockhausen a Colonia (1958-60), di Petrassi a Roma (1963-65) e di Cage in America, fu autore di lavori monumentali per il Centre For Experimental Music da lui fondato a Londra e di esecuzioni penetranti di improvvisazione libera con il gruppo AMM, ma una progressiva presa di coscienza marxista lo spinse a ripudiare prima i suoi maestri e poi persino se stesso, accusando tutti di essere complici del Sistema. Cosi' il suo capolavoro, The Great Learning (1968) per coro di non-cantanti, in cui gli esecutori possono compiere qualsiasi rumore con la bocca purche' non sia musicale, non andrebbe neppure citato. Nel 1969 Cardew formo' la Scratch Orchestra, un ensemble aperto per la rappresentazione di musica d'avanguardia ispirato a principi maoisti, con la quale si dedico' fino alla morte a forme piu' popolari di folk militante (come nelle Thalmann Variations su temi di canzoni politiche). Per controllare che la Scratch Orchestra si attenesse ai principi maoisti, Cardew istitui' (con ragionamento tipicamente paleo-comunista) anche uno Scratch Orchestra Ideology Group.

59. EMusic: Cornelius Cardew cornelius cardew, See recommendations based on this artist. Four Principleson Ireland and Other Pieces Four Principles on Ireland http://www.emusic.com/artist/11519/11519053.html

Rock/Pop Jazz Electronic Urban/Hip Hop ... Message Boards Artist Search Album Search Track Search Label Search Cornelius Cardew See recommendations based on this artist Four Principles on Ireland and Other Pieces Ampersand / Runt About EMusic ... Audio Players

60. Cornelius CARDEW Terug naar inhoudstafel kursus , 9700 cornelius cardew. 02.01.1990. PROGRAMMAcornelius cardew Treatise (19631967). (1936-1981). met inbegrip van http://www.logosfoundation.org/kursus/9700.html

Dr.Godfried-Willem RAES Kursus Experimentele Muziek : Boekdeel 9: Literatuur en aktualiteit Terug naar inhoudstafel kursus Cornelius CARDEW Grafische partituren staan in de wereld van de hedendaagse muziek eigenlijk altijd zo'n beetje in een kwalijk daglicht. Zo hoort men vaak dat musici die zich met hun vertolking inlaten, eigenlijk slechte musici zouden zijn, die hun technische onkunde achter het vrijblijvende interpreteren van een stelletje tekeningen zouden pogen te verbergen. Een enkele keer, vooral dan in de kontekst van op zich voor het muziekleven toch al niet belangrijke wedstrijden, kan dit weliswaar voorvallen, maar wanneer we het hedendaagse koncertleven en de samenstelling van de voorgestelde programmas beschouwen, dan moet het toch opvallen dat dit soort partituren maar uiterst zelden voorkomt. Waarom dan, indien het al waar zou zijn dat de interpretatie van dergelijke partituren een lacheding is, schijnen musici deze stukken te mijden ? Er kan toch moeilijk worden aangenomen dat de meerderheid der musici uit het al te zeldzame hout van de werkverslaafde zou zijn gesneden. De werkelijke reden ligt mijns inziens precies andersom ! Musici huiveren vaak voor de opdracht die wanneer men grafische partituren met de nodige ernst wil gaan uitvoeren, aan hen is gesteld. De idee een partituur vooraleer ze te kunnen vertolken , zelf eerst te moeten gaan uitwerken, lijkt hen vaak onoverkomelijk. Het is nu eenmaal vele malen eenvoudiger een stuk volledig uitgeschreven in klassieke notatie, in te studeren, dan mede verantwoordelijk te zijn voor de artistieke vormgeving van een muzikaal kunstwerk. Alleen musici die in hun opleiding of praktijk intensief bezig zijn geweest met 'oude' muziek ( pre-klassieke muziek is hier bedoeld), zijn met dit soort problemen -zij het dan wel in een heel andere vorm- min of meer vertrouwd.

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