81. Ferneyhough, Brian : Art Directory Home Arts Music Composition Composers F ferneyhough, brian. ITEMSLINKS brian ferneyhough Biography, work list, discography. http://www.123artist.com/art/Arts/Music/Composition/Composers/F/Ferneyhough__Bri

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82. GR MUSIC: Composers & Musicians Spooky and Asphodel; Drexler, David; Duffy, John; Eckardt, Jason; Feldman,Morton; Fennelly, brian; ferneyhough, brian; Froom, David; Fluxus http://users.rcn.com/gremusic/compsers.html

LINKS to COMPOSERS and MUSICIANS on the NET COMPOSERS BMG: 20th Century Composers GREAT DAY IN HARLEM , Many Great Masters Links to Composer pages ... Zwilich, Ellen Taaffe MUSICIANS American Composers Orchestra Da Capo Chamber Players Ensemble 21 contemporary music group Evelyn Glennie, percussionist ... Go to GR MUSIC Home Page

83. Musica Classica - Classical Music - Klassische Musik - Karadar Bertoldi Ensemble brian ferneyhough (b. 1943). brian ferneyhough Life. brian ferneyhoughwas born in Coventry, England on 16 January 1943. He received http://www.karadar.net/Dictionary/ferneyhough.html

Brian Ferneyhough (b. 1943) Life Photo Gallery Home Page Brian Ferneyhough Life Brian Ferneyhough was born in Coventry, England on 16 January 1943. He received formal musical training at the Birmingham School of Music and the Royal Academy of Music, London. In 1968 he was awarded the Mendelssohn Scholarship, which enabled him to continue his studies in Amsterdam with Ton de Leeuw, and the following year obtained a scholarship to study with Klaus Huber at the Basel Conservatoire. Following Ferneyhough's move to mainland Europe, his music began to receive much wider recognition. At the 1968 Gaudeamus Composers' Competition in Holland he was awarded a prize for Sonatas for String Quartet and this success was repeated in 1969 and 1970 with Epicycle and Missa Brevis. The Italian section of the ISCM at its 1972 competition gave Ferneyhough an honorable mention (second place) for Firecycle Beta and two years later a special prize for Time and Motion Study III which was considered the best work submitted in all categories. Ferneyhough has also been the recipient of a Heinrich Strobel Foundation bursary from South West German Radio (1973), a German Academic Exchange award for 1976-77 and the Koussevitsky award for Transit which was judged to be the best contemporary work recorded in 1978.

84. Ian Pace - Concerts SAUNDERS Mirror, mirror on the wall JAMES DILLON - The Book of Elements, VolumeIII ** JAY ALAN YIM - tendril brian ferneyhough - Opus Contra Naturam **. http://www.ianpace.com/text/concerts01-02.htm

IAN PACE pianist SELECTED CONCERTS 1999-2001 ***WORLD PREMIERE **COUNTRY PREMIERE *CITY PREMIERE 9 December 2001: Glasgow Centre for Contemporary Arts MICHAEL FINNISSY - History of Photography in Sound (complete) 30 October 2001: Sheffield Firth Hall BEETHOVEN - Sonata in F minor Op. 57, Appassionata BRAHMS - Variations on a Theme of Paganini - Book I BARTOK - Etudes DEBUSSY - Etudes - selection XENAKIS - Mists, Evryali 13 October 2001: Transit Festival, Leuven, Belgium MICHAEL FINNISSY - History of Photography in Sound (complete) ** 12 October 2001 : With Arditti Quartet, Graz, Austria WALTER ZIMMERMANN - De Umbris Idearum BEAT FURRER - Spur 4 October 2001 : With Topologies, The Warehouse, London JAMES DILLON - portrait concert including The Book of Elements, Volume I The Book of Elements, Volume III 16 September 2001 : ...antasten... International Piano Festival, Heilbronn JAMES DILLON - THOMAS LAUCK - Spazieren I/II JAMES CLARKE - new piece BRIAN FERNEYHOUGH - Opus Contra Naturam 14 September 2001 : ...antasten... International Piano Festival, Heilbronn, with James Clapperton , piano

85. Alphamusic - Klassik Komponisten Translate this page 1842) Madetoja,Leevi (1887-1947) Lorenzo,Anthony de (20.Jh.) Sorabji,Kaikhoshru (1892-1988)Medek,Tilo (geb.1940) ferneyhough,brian (geb.1943) Marschmusik Holt http://www.alphamusic.de/klassik/

Suche Profisuche Klassik Ritter,August Gottfried (1811-1885) Sondheim,Stephen (geb.1930) Norman,Ludvig (1831-1885) Cavalli,Pier Francesco (1602-1676) ... Kontakt powered by os3.com GmbH

86. Untitled Document brian ferneyhough Carceri d'invenzione II fl e orch brian ferneyhough http://www.mariocaroli.it/ita/repertorio.htm

repertorio "Oltre al grande repertorio classico, Mario Caroli pratica con particolare interesse, anche dal punto di vista analitico, il repertorio del Novecento e, ancor più, quello contemporaneo, del quale è spesso primo interprete assoluto, nonché dedicatario. Questo elenco mostra la vastità e la particolarità del suo repertorio." Legenda delle abbreviazioni clicca qui Luciano BERIO : "Sequenza I" fl Luciano BERIO : "Serenata" fl e 14 strumenti Thierry BLONDEAU : "Bonsai" fl Pierre BOULEZ : "Derive" fl, clar, vno, cello, pf e vibr Pierre BOULEZ : "Le marteau sans maître" voce, fl in sol, chit, vla e perc Pierre BOULEZ : "Sonatine" fl e pf Eugène BOZZA : "Agrestide" fl e pf Eugène BOZZA : "Image" fl Eugène BOZZA : "Polydiaphonie" fl e chit Mauro CARDI: "Manao tupapau" fl, perc ed elettronica Elloitt CARTER : "Scrivo in vento" fl

87. Untitled Document brian ferneyhough Carceri d'invenzione II fl orch brian ferneyhough http://www.mariocaroli.it/eng/repertoire.htm

repertoire "Beside the classical repertoire, Mario Caroli also plays 20th/21th-century repertoire with particular and analytical interest. He is often the absolute first performer as well as the dedicatee of contemporary pieces. The following catalogue/ list shows how Mario Caroli's repertoire can be vast and unique at the same time." Info about abbreviations click here Luciano BERIO: "Sequenza I" fl Luciano BERIO: "Serenata" fl & 14 instruments Thierry BLONDEAU: "Bonsai" fl Pierre BOULEZ: "Derive" fl, clar, vn, cello, piano & vibr Pierre BOULEZ: "Le marteau sans maître" MS, Afl, guit, vla & perc Pierre BOULEZ: "Sonatine" fl & piano Eugène BOZZA: "Agrestide" fl & piano Eugène BOZZA: "Image" fl Eugène BOZZA: "Polydiaphonie" fl & guit Mauro CARDI: "Manao tupapau" fl, perc and live electronics

88. Lista Autori Translate this page Feldman, Morton. Fellegara, Vittorio. Fernandez, Heraclio. ferneyhough, brian. Ferneyough,brian. Ferrabosco Alfonso di Bologna. Ferrero, Lorenzo. Ferroni, Vincenzo. http://www.conservatoriocomo.it/biblioteca/cataloghi/lista_autori_CD.php?lettera

89. Guardian | Belt Up And Hold Tight Tom Service meets brian ferneyhough. brian ferneyhough 60th BirthdayCelebration festival is at venues in Durham, from January 21 to 23. http://www.guardian.co.uk/Print/0,3858,4587627,00.html

Belt up and hold tight His music is so complex it needs a 3ft score - and a strapped-in performer. Tom Service meets Brian Ferneyhough Tom Service Tuesday January 21, 2003 The Guardian Composer Brian Ferneyhough is an infamous figure in contemporary music, regarded with the sort of bafflement and fear once reserved for Berg and Schoenberg. His works are notorious for their mind-boggling complexity. One solo cello piece is written on up to five musical staves - the cello usually requires only one - while the performer is surrounded by a constricting noose of electronic sound. And there is an orchestral piece notated on a 3ft-high score, the pages dense forests of notes. As you might imagine, performing these works can be something of a battle. Pianist Nicolas Hodges plays Ferneyhough's latest solo piano piece, Opus Contra Naturam, in a festival in Durham this week. "You learn the complexities of rhythm in a precise way," he says, "but something different happens in performance. I get the feeling that the whole second movement of this piece is a descent into hell for the performer. One feels more and more trapped as one goes through it. When I first played it, in Darmstadt in Germany this year, I said to a friend that I wasn't sure I was always in control of the speed of descent. He said, 'Don't worry, you always feel like that the first time you play a piece by Brian.'" But is Ferneyhough's music as forbidding as it appears? The organisers of the Durham festival, which celebrates the composer's 60th birthday, think otherwise. Violinist Mieko Kanno, one of the foremost interpreters of Ferneyhough's music, says: "It is no longer valid to present Brian's music as terrifying, hardcore modernism. New music's problem is that it is always presented as something academic and frightening. We want to do something different. We want to celebrate Brian's works as living musical experiences, not dead artefacts."

90. Guardian Unlimited | Arts Features | Belt Up And Hold Tight Tom Service meets brian ferneyhough Tuesday January 21, 2003 The Guardian, brianferneyhough, photo Dylan Collard. Useful links More about brian ferneyhough http://www.guardian.co.uk/arts/features/story/0,11710,878956,00.html

Go to: Guardian Unlimited home UK news World news Archive search Arts Books Business EducationGuardian.co.uk Film Football Jobs MediaGuardian.co.uk Money The Observer Online Politics Shopping SocietyGuardian.co.uk Sport Talk Travel Audio Email services Special reports The Guardian The weblog The informer The northerner The wrap Advertising guide Crossword Headline service Syndication services Events / offers Help / contacts Information Newsroom Soulmates Style guide Travel offers TV listings Weather Web guides Guardian Weekly Money Observer Home News Friday Review Regulars ... Help Search this site All stories Reviews only Recent features Love is indie air All that jazz A touch of evil For God and Gilead ... Roots manoeuvres: win a portable record player and gig tickets Belt up and hold tight His music is so complex it needs a 3ft score - and a strapped-in performer. Tom Service meets Brian Ferneyhough Tuesday January 21, 2003 The Guardian Brian Ferneyhough, photo: Dylan Collard Composer Brian Ferneyhough is an infamous figure in contemporary music, regarded with the sort of bafflement and fear once reserved for Berg and Schoenberg. His works are notorious for their mind-boggling complexity. One solo cello piece is written on up to five musical staves - the cello usually requires only one - while the performer is surrounded by a constricting noose of electronic sound. And there is an orchestral piece notated on a 3ft-high score, the pages dense forests of notes. As you might imagine, performing these works can be something of a battle. Pianist Nicolas Hodges plays Ferneyhough's latest solo piano piece, Opus Contra Naturam, in a festival in Durham this week. "You learn the complexities of rhythm in a precise way," he says, "but something different happens in performance. I get the feeling that the whole second movement of this piece is a descent into hell for the performer. One feels more and more trapped as one goes through it. When I first played it, in Darmstadt in Germany this year, I said to a friend that I wasn't sure I was always in control of the speed of descent. He said, 'Don't worry, you always feel like that the first time you play a piece by Brian.'"

91. Romans Livres De Théâtre Et De Poésie Collectif Brian Ferneyhough. Q, Numéro Translate this page Romans Livres de Théâtre et de Poésie Collectif brian ferneyhough. Q, numéro8. Romans Livres de Théâtre et de Poésie Collectif brian ferneyhough. http://www.livreshop.com/Collectif-Brian-Ferneyhough-Q--2825132500.html

Romans Livres de Théâtre et de Poésie Collectif Brian Ferneyhough. Q, numéro 8 Titre: Brian Ferneyhough. Q, numéro 8 Rubriques: Romans Livres de Théâtre et de Poésie Auteurs: Collectif Pagliano Jean-Pierre Brunius... Richie Donald Ozu... Schaub Martin Le nouveau ciné... Schnitzer J. Youtkevitch... ... Home

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