81. Classics 7 Program Notes joseph schwantner (b. 1943) Percussion Concerto Born and raised in Illinois, josephschwantner became exposed to music in grade school, where he played in the http://www.okcphilharmonic.org/c7_notes.html

Classics 7 Program Notes by Steven Ledbetter JOSEPH SCHWANTNER (b. 1943) Percussion Concerto B orn and raised in Illinois, Joseph Schwantner became exposed to music in grade school, where he played in the band and studied classical guitar, the instrument to which he devoted his earliest efforts as a composer. In his teen years he wrote for his high school jazz band, and by his senior year his efforts were recognized through an award that allowed him to attend the National Stage Band Camp. He enrolled in the Chicago Conservatory College, where he majored in composition, studying with Bernard Dieter. It was there that he discovered contemporary concert music—especially when he happened to hear an "eye-opening" radio broadcast of the Warsaw Autumn Festival. "I never imagined music could sound like that, and I lay awake all night thinking about it." Jazz began to recede in his interests, as he immersed himself in a whole new body of music. In 1964 he entered Northwestern University as a graduate student in composition; his principal teachers there were Alan Stout and Anthony Donato. From that point he began to make his mark with remarkable speed. He won three BMI Student Composer awards during his years at Northwestern. One of these was for Diaphonia intervallum , composed for Fred Hemke, the saxophonist of the Chicago Symphony, who happened to be on the Northwestern faculty. In 1967 the work was awarded the Bearns Prize at Columbia University. This brought Schwantner's music to the attention of Arthur Weisberg, who not only performed it a number of times with his Contemporary Chamber Ensemble, but also recorded it on one of a series of records of recent American compositions that was appearing in those years on Nonesuch records. Schwantner finished his studies in 1968 and in 1970 took up his teaching position at the Eastman School of Music, where he is now Professor of Composition.

82. PHONE-SOFT INTERNET-VERZEICHNIS DEUTSCHLAND:KOMPONISTEN schwantner, joseph; SCHWARTZ, ELLIOTT; SCRIABIN,ALEXANDEER; SEEGER, RUTH CRAWFORD; SENFL, LUDWIG; SESSIONS, ROGER; http://www.phone-soft.de/cyber-world/o0155d.htm

TOP-LINK UP-LINK DISCUSSION SEARCH ... HELP KOMPONISTEN ABEL, KARL FRIEDRICH ABRAHAMSEN, HANS ADAM, ADOLPHE ADAMS, JOHN ... ZELENKA, JAN DISMAS

83. Joseph Schwantner | Musiques.mysic.com joseph schwantner biographies partitions et tablatures paroles de chanson vid©osclips dates de concert musiciens interviews mp3s actualit©s musicales http://musiques.mysic.com/Joseph_Schwantner.html

musiques livres cinema jeux ... logiciels JOSEPH SCHWANTNER page en cours de chargement, merci de patienter ... AMAZON.com CATALOG MUSIQUES CATEGORIES SEARCH Eastman Wind Ensemble Live in Osaka Johann Sebastian Bach Eastman another very good cd... simply magnificent ! ...... One Of The EWE'S Best! Gustav Holst Joseph Schwantner Percy Grainger Charles Ives ... discount Amazon.de : 2xMoinsCher CD : BuyCentral : PriceMinister : biographies Yahoo! Musique France : All Music : partitions et tablatures OLGA.net : Tab Robot : Google Tablatures : Lyrics Dot : Lyrics World : mxtabs.net : Guitar Tabs : paroles de chanson Paroles.net : OLGA.net : Leo's Lyrics : MaxxiWeb : Google Lyrics : Lyrics Dot : Lyrics AstraWeb : Vagalume : vid©os clips Les Inrockuptibles : M6 Music : Yahoo! Musique France : MTV France : Artist Direct : MTV : Rolling Stone : Yahoo! Launch Music : Singing Fish : dates de concert FNAC spectacles : Artist Direct : Pollstar : Mojam : musiciens Jazz Valley : Google Groups : interviews Les Inrockuptibles : Yahoo! Musique France : MTV France : Google Interviews : Billboard Interviews : Lycos MP3 : CNET Music : MP3.com : Vitaminic : Air MP3 : AudioSeek.net : MP3 index : MP3 bot : Media Crawler : FileDonkey : Singing Fish :

84. DePauw University Band Repertoire: 1993-2002 Bridge Schuman, William Be Glad Then, America Schuman, William - When Jesus WeptSchuman, William- Chester schwantner, joseph - In evening's stillness . . . http://www.depauw.edu/music/band/bandrep9302.htm

The DePauw University Band CONCERT REPERTOIRE A B C D ... P Q R S T U V W X Y Z Anderson, Leroy - A Christmas Festival Anderson, Leroy - Sleigh Ride Arnold, Malcolm/Johnstone - English Dances Arnold, Malcolm/Paynter - Four Scottish Dances Arnold, Malcolm/Paynter - Prelude, Siciliano, and Rondo Arutiunian, Alexander/Duker - Trumpet Concerto Larry Wiseman, trumpet * * * Back to Top Bach, Jan - Praetorius Suite Bach, Johann Sebastian/Moehlmann - Prelude and Fugue in B-flat Major Bach, P. D. Q. - Grand Serenade for An Awful Lot of Winds and Percussion Bach, P. D. Q. - March of the Cute Little Wood Sprites Barber, Samuel - Commando March Barnes, James - Yorkshire Ballad Beckel, James A. Jr., - The American Dream Beckel, James A. Jr., - The Glass Bead Game Richard Graef, horn * * * Beethoven, Ludwig van/Greissle - Military March in C Bennett, Robert Russell - Suite of Old American Dances Berlioz, Hector/Smith - Marche Hongroise "Rakoczy" from Damnation of Faust Bernstein, Leonard/Krance - Danzon Bernstein, Leonard/Beeler - Overture to "Candide" Bernstein, Leonard /Grundman -

85. Repertoire Saul, Walter, B. Emmaus. Schumann, Robert, Album for the young. schwantner, joseph,Velocities. Scogna, Flavio Emilio, La Mar (§). Sejournè, Emanuelle, Nancy. http://www.marimba.it/rep.htm

Abe, Keiko Michi for Marimba Variations On Japanese Children Songs Dream of the Cherry Blossom Prism Albeniz, Issac Leyenda Bach, Johan Sebastian Violino Sonate BWV Chorales for Clavier, Orgel Two Parts Inventions Preludes and Fuge from the Well tempered Klavier Sonata in Sol Minore Sonata in La maggiore (flauto/clavicembalo) Bakki, Joseph Sospira e grida Bates, Robert Blue Offering Bennett, Richard Rodney After Syrinx II Boccadoro, Carlo Jacarandà (*°) Brown, Grace Neptune Buss, Howard Wave Train ( Chenoweth, Vida

86. Katalog - Wirtualna Polska Serwis Katalog w Wirtualna Polska S.A. pierwszy portal w Polsce. http://katalog.wp.pl/DMOZ/Arts/Music/Composition/Composers/S/Schwantner%2C_Josep

Poczta Czat SMS Pomoc Szukaj.wp.pl: -Katalog -Polskie www -¦wiatowe www -Wirtualna Polska -FTP/Pliki -Grupy dyskusyjne -Encyklopedia -Produkty wp.pl Katalog Katalog ¦wiatowy DMOZ ... Composers > S Fakty o Katalogu Pomoc Regulamin Serwis szukaj ... Ostatnio dodane NAWIGACJA Fakty o katalogu Pomoc Regulamin Serwis Szukaj ... FAQ Dodaj stronê Katalog WP Polskie Strony WWW Oferta dla firm WP-HIT ... Ostatnio dodane ANKIETA Czy jeste¶ zadowolony z serwisu Katalog? Tak Nie Trudno powiedzieæ Zarezerwuj ulubiony adres, korzystaj z megapojemno¶ci, ciesz siê bli¿szymi kontaktami. ... Wirtualna Polska

87. GM 2028 - New York New Music Ensemble: WUORINEN/SCHWANTNER/BLAUSTEIN New York New Music Ensemble Charles Wuorinen New York Notes JosephSchwantner Music of Amber Susan Blaustein Sextet. Under the http://www.gmrecordings.com/gm2028.htm

Home Classical Catalog Sale items Artists New releases ... Composers Jazz Catalog Sale items Artists New releases ... Contact us GM 2028 Previous Next New York New Music Ensemble: Charles Wuorinen: New York Notes Joseph Schwantner: Music of Amber Susan Blaustein: Sextet Under the leadership of conductor Robert Black, the New York New Music Ensemble has become one of the most exciting recent additions to New York's contemporary music scene and has established a reputation not only for the virtuosity of its performances, but also for the number and quality of the works it has commissioned. The pieces presented here were all composed for and premiered by the NYNME, and they represent some of the finest works of these three outstanding modern composers, two of whom — Schwantner and Wuorinen — are recipients of the Pulitzer Prize. (Also hear the New York New Music Ensemble perform Stravinsky's Pierrot Lunaire on GM 2030 "Unrivaled virtuosity and expressivity...

88. Sibelius Press Releases LOS ANGELES 28 January 1999, Pulitzer winning composer joseph Schwantnerswitches to Sibelius® for Windows™. Pulitzer Prize winning http://www.sibelius.com/news/press3.html

LOS ANGELES - 28 January 1999 Pulitzer winning composer Joseph Schwantner Pulitzer Prize winning composer Joseph Schwantner has switched from another music notation program to Sibelius for Windows. Schwantner's compositions have won numerous awards including the coveted Pulitzer Prize for his orchestral work, Aftertones of Infinity. Mr. Schwantner has performed his work around the world and his orchestral compositions been performed by the London Symphony, the New York Philharmonic, and the Chicago Symphony among others. Currently Professor of Composition at the Eastman School of Music in Rochester, Schwantner has also served on the faculty of the Juilliard School in New York City. "Sibelius for Windows is much easier to work with than anything else I've tried," comments Schwantner. "The software essentially performs like virtual manuscript paper and I really like that concept. Sibelius is clear and simple and doesn't require constant searching through nested menus. It has been my experience that learning to work with any new software can sometimes be a daunting process, but with Sibelius for Windows, there really isn't much of a learning curve at all. The program handles both traditional and contemporary notational procedures with simplicity and elegance." Sibelius for Windows handles music of all kinds and complexities, from keyboard and vocal music to 128-instrument modern orchestral works and graphic scores. Offering full Internet compatibility, playback feature options and publishing quality printing, Sibelius for Windows is the most comprehensive composition tool available.

89. Www.vivanet.com/~jschwant/ http://www.vivanet.com/~jschwant/

90. ºî¶Ê¼ÔÊ̺îÉʥꥹ¥È - S The summary for this Japanese page contains characters that cannot be correctly displayed in this language/character set. http://www.wizvax.net/abe/winds/list/index-s.html

][S] ºî¶Ê¼ÔÊ̺îÉʥꥹ¥È - S Schmitt, Florent (¥Õ¥í¡¼¥é¥ó¡¦¥·¥å¥ß¥¥È) Schoenberg, Arnold (¥¢¥ë¥Î¥ë¥È¡¦¥·¥§¡¼¥ó¥Ù¥ë¥¯) Schuman, William (¥¦¥£¥ê¥¢¥à¡¦¥·¥å¡¼¥Þ¥ó) Schwantner, Joseph (¥¸¥ç¥»¥Õ¡¦¥·¥å¥ï¥ó¥È¥Ê¡¼) ... Sparke, Phillip (¥Õ¥£¥ê¥¥×¡¦¥¹¥Ñ¡¼¥¯) Stamp, Jack (¥¸¥ã¥¥¯¡¦¥¹¥¿¥ó¥×) Stravinsky, Igor (¥¤¡¼¥´¥ê¡¦¥¹¥È¥é¥ô¥£¥ó¥¹¥­¡¼) ÎëÌÚ ±Ñ»Ë (Suzuki, Eiji) ÎëÌÚ ¹Ô°ì (Suzuki, Yukikazu) ¤³¤Î¥Ú¡¼¥¸¤Îʸ¾Ï¡¦HTML¤Î̵ÇÊ£À½¡¦ÌµÇžºÜ¤Ï¤´±óθ²¼¤µ¤¤¡£

91. MUS 688a - Topic 9: Contemporary Styles And Techniques: Syllabus http://uts.cc.utexas.edu/~neumeyer/688A_syllabus.html

Spring 2002 unique days time room 20205 MWF 200 - 300P MRH 4.116 Instructor: Dr. David Neumeyer Office: MRH 3.748 Office hours: MWF 10:00-10:45 or by appointment Phone: 741-7346 (you can leave voicemail) Email: neumeyer@mail.utexas.edu Course website: http://uts.cc.utexas.edu/~neumeyer/styleshome.html Object: Ideally, "contemporary styles and techniques" should dwell somewhere between a music history course (styles, genres, repertoires), a music theory class (analysis methods and practices), and composition forum (presentation, vocabulary, discussion). To satisfy the first requirement, we will study compositions from throughout the century (even though we will favor the second half). I will discuss certain works, but in addition, you will give a presentation based on one of your four projects. To satisfy the second requirement, I will discuss fifteen compositions in detail through the semester. These are not necessarily famous works, but all represent some important facet of 20th/21st century compositional practice or have been the focus of discussion in the scholarly literature. To satisfy the third requirement, we will focus on drawing out of the scholarly and general literature vocabularies for analysis, interpretation, and presentation. To draw all three requirements together, you will complete four projects, as described below. The fifteen "discussion" pieces are: Corigliano, John, Symphony no. 1 for orchestra

92. - 1 - http://uts.cc.utexas.edu/~neumeyer/688A_syllabusf02.html

Fall 2002 unique days time room 20990 MWF 100 - 200P MRH M3.114 Instructor: Dr. David Neumeyer Office: MRH 3.748 Office hours: MWF 10:00-10:45 or by appointment Phone: 471-7346 (you can leave voicemail) Email: neumeyer@mail.utexas.edu Course website: http://uts.cc.utexas.edu/~neumeyer/688A_homef02.html Object: A course called "contemporary styles and techniques" resides somewhere between a music history course (styles, genres, repertoires), a music theory class (analysis methods and practices), and composition forum (presentation, vocabulary, discussion). Therefore, it is important that we study compositions from throughout the past century (even though we will favor the more recent half), read in the scholarly literature, and draw out of that literature vocabularies for analysis, interpretation, and presentation. The first half of the semester will focus on three topics in turn: pitch design; rhythm, meter, and form; texture, instrumentation, and style. The second half of the semester will be a series of studies of individual pieces. In the first half, you will concentrate on reading and short assignments; in the second half, you will concentrate on analysis projects and presentations. Your responsibilities: 1. Class attendance. I expect regular class attendance but I never grade attendance for graduate students.

93. Temp The summary for this Japanese page contains characters that cannot be correctly displayed in this language/character set. http://sui-chev.hp.infoseek.co.jp/con_cd/con_s-s.htm

ƒRƒ“ƒN[ƒ‹‚b‚cì‹È‰ÆE‹È–¼‡ƒŠƒXƒg Ž‚Á‚Ä‚¢‚镪‚¾‚¯‚Å‚·B ŽwŠö ‰‰‘t ”N ƒŒ[ƒxƒ‹ ‚b‚c–¼Ì ‚b‚c”ԍ† Sakai,Itaru ƒTƒJƒCCƒCƒ^ƒ‹ ŽR“cˆê ç—t Œ§—§—¬ŽR’†‰›‚“™ŠwZ ‚Z‚a FONTEC ‘æ‚S‰ñ“ŒŠÖ“Œ‘tŠyƒRƒ“ƒN[ƒ‹ 10 FPCD 2810 Sakai,Itaru ƒTƒJƒCCƒCƒ^ƒ‹ aŒû“N–î Œ§—§“y‰Y‘æ“ñ‚“™ŠwZ ‚Z‚a FONTEC ‘æ‚T‰ñ“ŒŠÖ“Œ‘tŠyƒRƒ“ƒN[ƒ‹ 15 FPCD 3015 Sakai,Itaru ƒTƒJƒCCƒCƒ^ƒ‹ ‚Z‚a FONTEC ‘æ‚T‰ñ“ŒŠÖ“Œ‘tŠyƒRƒ“ƒN[ƒ‹ 17 FPCD 3017 Sakamoto,Satoshi ƒTƒJƒ‚ƒgCƒTƒgƒV ‚ä‚©‚¢‚È’‡ŠÔ‚̍si‹È X“c—˜–¾ Eê ‘S‘‘å‰ï SONY SRCR 9052 Salerno,Christpher J. ƒTƒŒƒ‹ƒmCƒNƒŠƒXƒgƒtƒ@[E‚iD åŒ´’B “ŒŠC‘åŠw‘æˆê‚“™ŠwZ ‚Z‚` ‘S‘‘å‰ï SONY SRCR 9992 Schmitt,Florent ƒVƒ ƒ~ƒbƒg,ƒtƒ[ƒ‰ƒ“ L‘òGL ŒQ”n Œ§—§‘O‹´¤‹Æ‚“™ŠwZ ‚Z‚` FONTEC ‘æ‚S‚U‰ñŠÖ“Œ‘tŠyƒRƒ“ƒN[ƒ‹ 12 FPCD 1161 Schmitt,Florent ƒVƒ ƒ~ƒbƒg,ƒtƒ[ƒ‰ƒ“ é‹Ê‰h‚“™ŠwZ ‚Z‚` FONTEC ‘æ‚S‚U‰ñŠÖ“Œ‘tŠyƒRƒ“ƒN[ƒ‹ 12 FPCD 1161 Schmitt,Florent ƒVƒ ƒ~ƒbƒg,ƒtƒ[ƒ‰ƒ“ ŠâŒ´“Ä’j ‚Z‚` FONTEC ‘æ‚S‚V‰ñŠÖ“Œ‘tŠyƒRƒ“ƒN[ƒ‹ 08 FPCD 1311 Schmitt,Florent ƒVƒ ƒ~ƒbƒg,ƒtƒ[ƒ‰ƒ“ ’艪—˜“T “ŒŠC‘åŠw•‘®‘Š–͍‚“™ŠwZ ‚Z‚` FONTEC ‘æ‚S‚V‰ñŠÖ“Œ‘tŠyƒRƒ“ƒN[ƒ‹ 09 FPCD 1312 Schmitt,Florent

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