61. Morton Subotnick Speaks At MIT Electronic music pioneer morton subotnick will speak in a Media Laboratory Colloquiumcelebrating the release of Caipirinha Music's CD Early Modulations http://web.mit.edu/arts/music/subotnick.html

Subotnick Speaks (Tech Talk 2/9/2000) Electronic music pioneer Morton Subotnick will speak in a Media Laboratory Colloquium celebrating the release of Caipirinha Music's CD "Early Modulations: Vintage Volts," an introspective look at the early pioneers of electronic music. Mr. Subotnick will reveal details behind the creation of his 1967 masterpiece Silver Apples of the Moon , demonstrate his creative process, and showcase his new compositions on Wednesday, Feb. 9, 2000 at 4:30pm in Bartos Theater. Mr. Subotnick, co-chair of composition and co-director of CEAIT (Center for Experiments in Art Information and Technology) at California Institute of the Arts, is an innovator in works involving instruments and other media. He was the first composer to be commissioned to write an electronic composition expressly for the phonograph medium, Silver Apples of the Moon (Nonesuch). This now classic work and The Wild Bull (also an electronic commission for Nonesuch) have been choreographed by leading dance companies throughout the world and remain in permanent repertory.

62. Art Of The States: Morton Subotnick morton subotnick (b. 1933) is a pioneer of electronic music in the United Statesand an innovator in works involving instruments and other media, including http://www.artofthestates.org/cgi-bin/compbio.pl?compname=subotnickmorton

63. BookPage New Media Review: Morton Subotnick's Making Music morton subotnick's Making Music. Voyager. The author is a wellknown composer,morton subotnick, who narrates in the overview his ideas behind this program. http://www.bookpage.com/newmedia/holiday95/makingmusic.html

Morton Subotnick's: Making Music Voyager Availble in Hybrid (Mac and Windows) format Review by Michael Pellecchia Does your five to ten year old have musical ability? It's getting harder to tell. There's less music in schools than ever. Piano teachers may or may not perceive your kid's genius, or lack thereof. And besides, of what does musical ability consist, anyway? Making Music might have some of your answers. The author is a well-known composer, Morton Subotnick, who narrates in the overview his ideas behind this program. It allows users to experience "what composing music is like before they embark on a formal music education. In art, students use the `studio art experience,' a modal creative process, where they experience creative processes before they `learn to draw.' " Making Music is the music equivalent. Subotnick says, having watched his daughter paint, that "as children you can be creative in all sorts of activities. . . . but you can't quite do the same thing with making music. . . . in music, if you sing or play it, it's gone as soon as you are finished." True enough. And notation, which composers use, "takes many years of training and practice." His solution is to "make it possible to write and create music as easily as painting on an easel." This program makes it possible to compose "music" without mastering the art of 18th-century Euro-American musical language. So be ready: the music your child will make using this program will not sound like anything you've heard before, unless perhaps you studied music in college. This "music" is made not to please the ear, but to please the user's natural tendency to organize materials of sound. That's all composers do. And if a child demonstrates this proclivity, it can certainly be taken as musical ability.

64. Morton Subotnick (1933- ) morton subotnick. 1933. morton subotnick was born in Los Angeles,California on April 13, 1933. He graduated with his bacholer's http://www-camil.music.uiuc.edu/Projects/EAM/subotnick.html

Morton Subotnick Morton Subotnick was born in Los Angeles, California on April 13, 1933. He graduated with his bacholer's degree at the University of Denver and his master's degree at Mills College, studying composition with Leon Kirchner and Darius Milhaud. This was followed by a teaching position at Mills College from 1959 to 1966. While he was at Mills College, Subotnick co-founded along with Ramon Sender, the San Francisco tape Music Center. Among the people involved in the studio during its early days were Pauline Oliveros and Donald Buchla , an inventor of a voltage controlled synthesizer. Subotnick also served as Music Director of the Ann Halprin Dance Company and the San Francisco Actor's Workshop. It was toward the close of his career at Mills College that Subotnick received a commission from Nonesuch Records to create an electronic music composition specifically for the phonograph record. The result was Silver Apples of the Moon , completed on the Buchla Synthesizer in 1967. The work was considered so successful that Nonesuch offered a second commission to Subotnick. The result was The Wild Bull finished a year later in 1968.

65. Morton Subotnick's Making Music Title morton subotnick's Making Music Imprint New York NY Learn TechnologiesInteractive Voyager, c1995. Image source morton subotnick's Making Music. http://lweb.tc.columbia.edu/cs/modelsl/PT3project/Dbase2/makemus.html

Title: Morton Subotnick's Making Music Imprint : New York NY : Learn Technologies Interactive : Voyager, c1995 Grade Level : PreK-8 Call number Subjects: Fine Arts (3) Composition (Music) Interactive multimedia Computer composition Interactive multimedia Electronic music Interactive multimedia System requirements: Windows: 486DX-66 MHz or faster processor; 8MB RAM; Microsoft Windows 3.11 or Windows 95; DOS 6.0 or later; 640x480, 256-color display (accelerator recommended); double-speed CD-ROM drive; 16-bit sound card; speakers or headphones Macintosh: Any color Macintosh (25-MHz 68030 or better recommended); at least 8MB RAM (4,000K free); System 7; 256-color display (640x480 resolution); double-speed CD-ROM drive; external speakers or headphones Description: Making Music is a composing space for children. By simply drawing onscreen, kids see, hear, and learn the basics of musical composition. Complementary sections on melody and rhythm expand the child's creation still further. Designed to be intuitive, Making Music presents the components of music visually and aurally, so children of any age can experience what composing music is like before they embark on a formal music education. Features:

66. Voyager: Making Music Making Music Categories music kids Mac/Windows $29.95 morton subotnick.morton subotnick's 1991. Voyager Titles by morton subotnick. CD http://voyager.learntech.com/cdrom/author.cgi?makingmusic

67. Composition And Collage: Morton Subotnick's The Key To Songs Composition and Collage morton subotnick's The Key to Songs. LeighVanhandel Stanford University/University of New Mexico. Collage http://www.ithaca.edu/music/mtsnys/1998mtg/abstracts/vanhandel.html

Composition and Collage: Morton Subotnick's The Key to Songs Leigh Vanhandel Stanford University/University of New Mexico Collage has served as a powerful compositional technique throughout the twentieth century, boasting such notable practitioners as Stravinsky, Stockhausen, and, more recently, Morton Subotnick. Subotnick's The Key to Songs (1985) is the first in a trilogy of works each modeled on a separate collage "novel" by the Surrealist artist Max Ernst. In each piece of his trilogy, Subotnick attempts to represent musically the bizarre worlds of Ernst's innovative novels. In The Key to Songs, his means include imitation of and musical corollaries to Ernst's visual collages, whose influences range from Freudian psychology to literary theory and games. It is easy to discuss the influence of collage on musical composition; what is more difficult is to provide an analysis demonstrating specific parallels between the two artforms. In the music world, as well as in the art world, the term 'collage' has been a very fluid one. This paper defines two styles of collage, the analytical and the synthetic; explores Subotnick's compositional technique in terms of source material, form, and motives; and discusses the relationships between Ernst's and Subotnick's methodologies. In addition, the paper discusses various linguistic influences on Ernst's art and their translation into Subotnick's musical language. Session Program

68. ZKM | Morton Subotnick Translate this page ZKM Artikel morton subotnick. morton subotnick Gestures Eine DVD-ROMim öffentlichen Test. 23. - 27. August 2000 im ZKM-Medienmuseum. http://on1.zkm.de/zkm/stories/storyReader$1201

ZKM :: Artikel :: Morton Subotnick Morton Subotnick :: Gestures 23. - 27. August 2000 im ZKM-Medienmuseum Musik, Programmierung, Leitung und Konzept: Morton Subotnick Spezielle grafische Animation: Steven Subotnick Texte, Melodie: Sumner Carnahan Sprechstimme: Joan LaBarbara Algorithmus-Design und Lingo Supervisor: Hunter Ochs Impressum/Web Site Credits

69. ZKM | Morton Subotnick Translate this page Topic morton subotnick. Msg 1201 (Erste Nachricht zum Thema). Reads 615.morton subotnick Gestures Eine DVD-ROM im öffentlichen Test 23. - 27. http://on1.zkm.de/zkm/discuss/msgReader$1201

ZKM Forum Author: Posted: Topic: Morton Subotnick Msg #: (Erste Nachricht zum Thema) Prev/Next: Reads: Morton Subotnick :: Gestures 23. - 27. August 2000 im ZKM-Medienmuseum Musik, Programmierung, Leitung und Konzept: Morton Subotnick Spezielle grafische Animation: Steven Subotnick Texte, Melodie: Sumner Carnahan Sprechstimme: Joan LaBarbara Algorithmus-Design und Lingo Supervisor: Hunter Ochs Impressum/Web Site Credits

70. Morton Subotnick's Making Music morton subotnick's. http://pubweb.northwestern.edu/~mmd949/Midterm/morton.htm

Morton Subotnick's Making Music Software Details Hardware Requirements Instructional Content Program Description ... Product Review This page was designed by Pin Chen and Mackenzie Danner

71. Morton Subotnick Work morton subotnick Work. Hungers (with Ed Emshwiller)(1987) 70 min. morton subotnick. http://vax.wcsu.edu/~mccarney/fva/MSubotnick_Work.html

Morton Subotnick Work Hungers (with Ed Emshwiller ) (1987) 70 min Morton Subotnick

72. Morton Subotnick - Music By Mainseek.com morton subotnick und informationen um morton subotnick. Artists. Various. mortonsubotnick Silver Apples of the Moon/The Wild Bull. Year 1994. http://rock-music.mainseek.com/27899/2/Morton_Subotnick.html

Morton Subotnick und informationen um Morton Subotnick Artists Various Morton Subotnick Silver Apples of the Moon/The Wild Bull Year: Genre: Electronic Description: YEAR: 1994 ID3G: 52 Song titles: Silver Apples of the Moon - Part A Silver Apples of the Moon - Part B The Wild Bull - Part A The Wild Bull - Part B Mehr: Morton Subotnick Albums: Silver Apples of the Moon/The Wild Bull The Electronic Works I impressum

73. CNIDR Search [alr6612] Author subotnick, morton. Title Silver apples of the moon sound recording ; Thewild bull / morton subotnick. Other authors subotnick, morton. Wild bull. http://www.dlib.indiana.edu/cgi-bin/var/bib?alr6612

74. VARIATIONS Sound Recording Alr6612 VARIATIONS Indiana University Cook Music Library Sound Recording.subotnick, morton. Silver apples of the moon. Silver apples http://www.dlib.indiana.edu/cgi-bin/var/access?ALR6612

75. Sound Judgment - Morton Subotnick Aug. 17, 1997. morton subotnick And The Butterflies Begin to Sing (New World). HEARTHE MUSIC. morton subotnick. All My Hummingbirds Have Alibis. Shockwave 28.8. http://www.freep.com/fun/sj/qsound0817.5.htm

Aug. 17, 1997 Morton Subotnick "And The Butterflies Begin to Sing" (New World) The work of Subotnick, a pioneer in the use of electronic music, is not nearly as forbidding as the music of his many imitators. "And the Butterflies Begin to Sing" (1988), scored for string quartet, bass, MIDI keyboard and computer, is full of propulsive, visceral rhythms that bleed into sensuous textures of strings and silvery synthesized sounds. The music is episodic, reflecting the inspiration of "collage novels." In "All My Hummingbirds Have Alibis" (1991), the computer listens and reacts to the MIDI-controlled piano and mallet instruments. Interesting, but the music is more astringent and less compelling, and the sampled text sounds silly. By Mark Stryker BACK INDEX NEXT HEAR THE MUSIC Morton Subotnick All My Hummingbirds Have Alibis Shockwave 28.8 (wav file) Get the Shockwave plug-in to get the most from our sounds

76. Morton Subotnick You need a Shockwave plugin and java for this to work. http://www.freep.com/fun/sj/0817_morton.htm

You need a Shockwave plug-in and java for this to work.

77. Format Compact Disc. Author Subotnick, Morton. Title And The Format, compact disc. Author, subotnick, morton. Title, And the butterfliesbegin to sing. Pub.info. Youngblood, Gene. 1942. subotnick, morton. http://swan.sls.lib.il.us:90/kids/0,1913,1915/search/aCalifornia E.A.R. Unit (Mu

78. Albums By Morton Subotnick -- Rate Your Music morton subotnick. Log in or sign up to rate or review albums by mortonsubotnick. Albums. Year, Title, Avg Rating, Reviews, Ratings, Action. http://rateyourmusic.com/view_albums/artist_id_is_5917

Rate Your Music is an online community of people who love music. Share your musical knowledge and opinions with others by rating albums and writing reviews. Sign Up Now or Learn More Artist Album Home Artists Community Log In/Sign Up! Morton Subotnick Log in or sign up to rate or review albums by Morton Subotnick Albums Year Title Avg Rating Reviews Ratings Action Silver Apples of the Moon for Electronic Music Synthesizer Rate Touch Rate If there is an album missing from this artist's list, Add it here Artist and/or album information contributed by yerblues obbop Home Terms of Service ... Suggestions/Feedback

79. Avant Garde, Experimental, And Electronic Records >> Toll Free Order Line: 1-866 Zzzz (Yorkshire 27021 LP) $45 VG/VG- 1972,Sensuously SINthesized,very sexy,raremailorder electronic moog record,woc 66525 subotnick, morton Touch (Columbia http://www.vinylrevival.com/lists/exp.shtml

Blues Brazilian Children's Christian/Gospel ... Sleeves. PO Box 577785 Chicago, IL 60657 Experimental Music List

80. SEAMUS Award - 1998 The 1998 SEAMUS Award will be presented to morton subotnick during SEAMUS 1998 NationalConference, April 1618, 1998. morton subotnick. Photo Keith Holzman. http://seamus.lsu.edu/activities/seamusaward/1998Award.html

SEAMUS Award Winner - 1998 The SEAMUS Award is given annually to recognize significant contributions to the art and craft of electro-acoustic music. The 1998 SEAMUS Award will be presented to Morton Subotnick during SEAMUS 1998 National Conference , April 16-18, 1998. Morton Subotnick Photo: Keith Holzman Electronic music pioneer Morton Subotnick has been honored by the SEAMUS Board of Directors as recipient of the 1998 SEAMUS Award. This recognition is presented annually to an individual or group of individuals who have contributed greatly to the art and craft of electro-acoustic music. Morton Subotnick's influence on the development of electronically synthesized sound is so profound and widespread that it is difficult to imagine what the field of electro-acoustic music would be like today without his contributions. Perhaps more than any other composer of his generation, he has stayed at the forefront of technological developments - consistently utilizing the latest innovations in his work, and actively participating in the creation of new instruments and techniques. From his early work in the San Francisco Tape Music Center to his masterpieces with the voltage-controlled synthesizer; from his "Ghost Electronics" pieces to the Yamaha MIDI ensemble; from his multi-media opera to his interactive software and CD-ROMs, Morton Subotnick has always been pushing the margins of what is possible in music. Subotnick's interest in the relationship between performers and technology resulted in the composition of a series of "ghost pieces," eleven chamber works for instruments and interactive electronics. The "ghost" score (which contains no audible sounds) consists of a digital program which commands electronic modules to modify the instrumental sounds as they are played from a traditionally notated score. The electronic processing includes changing the pitch, timbre, volume and directionality of the sounds. Thus, the digital program, different for each of the "ghost" works, produces its own set of attacks and rhythms, adding another dimension to the sound of the instrument or voice.

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