21. The Ensemble Sospeso - Julia Wolfe - 28 February 2002 julia wolfe after minimalism. thursday · 28 february 2002 · 8 pmpreconcert conversation with julia wolfe 7 pm the miller theater http://www.sospeso.com/contents/20012002/wolfe.html

julia wolfe after minimalism thursday · 28 february 2002 · 8 pm preconcert conversation with julia wolfe 7 pm the miller theater at columbia university broadway at 116 · new york Evan Ziporyn writes that "in an age of trends and fashions, movements and anti-movements, genre and sub-genres, Julia Wolfe 's life and work defy easy categorization. On the surface, she seems the quintessential composer for the 90s—New York-based, politically aware, and, don't forget, female—and in fact her career has been appropriately meteoric. In the last few years she has sprung into the consciousness of the musical cognoscenti through a few startlingly individual and unforgettable works for orchestra, string quartet, large brass ensemble, six pianos, and chamber ensemble, and she is now rightly regarded as one of the key musical voices of her generation. Given all this, one would ordinarily expect something post-minimal or pre-millennial, something filled with fin-de-siecle hipness, something befitting the "latest thing." But when one hears her music, the catch-phrases immediately become inadequate and simplistic." Join Sospeso for the first American retrospective of the work of this delightful composer.

22. Julia Wolfe In an age of trends and fashions, movements and antimovements, genres andsub-genres, julia wolfe's life and work defy early categorization. http://www.otherminds.org/shtml/Wolfe.shtml

Julia Wolfe's appetite for music is wide-ranging and voracious; her enthusiasm for late Beethoven is rivaled only by her passion for Led Zeppelin, or perhaps her love of traditional American folk music. These influences and many others can be heard subtly but clearly in her work, yet in no way is her music a pastiche of styles. Rather, disparate sounds and structures are put to new, unexpected uses, the point being not one of self-conscious reference, but rather that of finding expression for the unique way she has processed the material. There are no power chords in the breathtakingly virtuosic string quartet Early that summer , but the vibrancy of rock and roll sears through every moment. Similarly, one can sense the spirit of Stravinsky and Andriessson in On Seven-Star-Shoes and The Vermeer Room , and yet these pieces have identities that are distinct and utterly Wolfe-ian. Evan Ziporyn Music excerpts

23. Julia Wolfe Music Excerpts julia wolfe. http://www.otherminds.org/shtml/Wolfemusic.shtml

24. Sequenza21/The Contemporary Classical Music Weekly February 25March 04, 2002, julia wolfe after minimalism. first americanretrospective thursday · 28 february 2002 · 8 pm preconcert http://www.sequenza21.com/022502.html

About Us Essential Library Read Past Issues Resources ... Composer Links February 25-March 04, 2002 julia wolfe after minimalism first american retrospective preconcert conversation with julia wolfe 7 pm the miller theater at columbia university Text by Evan Ziporyn In an age of trends and fashions, movements and anti-movements, genres and sub-genres, Julia Wolfe's life and work defy early categorization. On the surface, she seems the quintessential composer for the '90s New York-based, politically aware and, don't forget, female and in fact her career has been appropriately meteoric. In the last few years she has sprung into the consciousness of the musical cognoscenti through a few startlingly individual and unforgettable works for orchestra, string quartet, chorus, and chamber ensemble, and she is now rightfully regarded as one of the key musical voices of her generation. Given all this, one would ordinarily expect something befitting the "latest thing." But when one hears her music, the catch-phrases immediately become inadequate, one-dimensional, and simplistic. The music's simply too damn real to be described by an "ism." Julia Wolfe's appetite for music is wide-ranging and voracious; her enthusiasm for late Beethoven is rivaled only by her passion for Led Zeppelin, or perhaps her love of traditional American folk music. These influences and many others can be heard subtly but clearly in her work, yet in no way is her music a pastiche of styles. Rather, disparate sounds and structures are put to new, unexpected uses, the point being not one of self-conscious reference, but rather that of finding expression for the unique way she has processed the material. There are no power chords in the breathtakingly virtuosic string quartet Early that summer, but the vibrancy of rock and roll sears through every moment. Similarly, one can sense the spirit of Stravinsky and Andriessson in On Seven-Star-Shoes and The Vermeer Room, and yet these pieces have identities that are distinct and utterly Wolfe-ian.

25. Julia Wolfe : Biographie - Médiathèque De L'Ircam © 2003 Translate this page julia wolfe biographie du compositeur, catalogue des oeuvres, disques,sites internet. julia wolfe biographie du compositeur http://mac-texier.ircam.fr/textes/c00003056/

Julia Wolfe: biographie du compositeur, catalogue des oeuvres, disques, sites internet.

26. BOMB Magazine: Julia Wolfe By David Krasnow julia wolfe by David Krasnow, julia wolfe, 2001. I heard my first juliawolfe work, performed by the Spit Orchestra, in the early nineties. http://www.bombsite.com/wolfe/wolfe.html

Julia Wolfe by David Krasnow Julia Wolfe, 2001. Photo by Peter Serling. I heard my first Julia Wolfe work, performed by the Spit Orchestra, in the early nineties. It took me back to teenage concerts where I hung off the thin edge of the stage in front of the speaker stacks, hearing in my stomach as much as my ears. I was equally thrilled listening to a recent piece played by Wolfe's quartet, Ethel; this time the excitement was in trying to decipher how a fantastic maelstrom was put together so exquisitely, with the demure materials of harmony, rhythm and strings. Wolfe has all the credentials a young composer could want: a degree from Yale, a Fulbright, and commissions and awards from The Kronos Quartet, Library of Congress, Cary Trust and Meet the Composer, for starters. But she's best known as one of the three founders of Bang on a Can, a homegrown festival (with concerts sometimes lasting 12 straight hours) that's become one of new music's major events and spawned an ensemble, Bang on a Can, a commissioning fund and a record label, Cantaloupe. The first American concert exclusively of Wolfe's work will be presented at New York's Miller Theater next year. From orchestra to a cappella, Wolfe's attention to sound as a material with physical weight owes as much to the New York School of Morton Feldman as to the Minimalists' rigorous patterning (officially, she is postminimalist). Feldman, however, didn't consider the sound of a car skidding as musical material. Julia's studio, where we talked, was filled with the staccato rhythm of jackhammers and the slow crescendos of crane engines from outside. I listened, and wondered when they'd show up in one of her compositions.

27. BOMB Magazine: Steve Reich And Beryl Korot By Julia Wolfe Steve Reich and Beryl Korot by julia wolfe, julia wolfe Three Tales is beautiful—itis rich with ideas and so many of the images resonated inside me. http://www.bombsite.com/reich/reich2.html

Steve Reich and Beryl Korot by Julia Wolfe Three Tales , performance view, Vienna, 2002. Photo: Wonge Bergmann. julia wolfe Three Tales steve reich Three Tales are "Hindenburg," "Bikini" and "Dolly." "Hindenburg" is, of course, the zeppelin that exploded in 1937; "Bikini" is about the atomic bomb tests held at Bikini Atoll in the Pacific between 1946 and 1954. "Dolly" is briefly about the cloned sheep, and then really about genetic engineering, robotics and changing our species. What you see on the screen in "Hindenburg" is material that Beryl got from the National Archives, highly manipulated as she'll describe, and used similarly in "Bikini." "Dolly," on the other hand, was shot in state-of-the-art digital video. We conducted interviews with famous scientists from various fields: James Watson, who discovered DNA and won the Nobel Prize; Richard Dawkins, the biologist who wrote The Selfish Gene ; Marvin Minsky, who is considered the father of artificial intelligence; Rodney Brooks, the head of robotics at MIT; Steven Pinker, who wrote The Language Instinct ; Bill Joy, chief scientist at Sun Microsystems, who is very concerned about where all this is going; Sherry Turkle, a psychologist at MIT who studies children playing with robot toys; and many others, as well as Rabbi Adin Steinsaltz, who has translated the Talmud into modern Hebrew and from there into English, French and Russian, among other languages, and is also learned in Kabbalah. We present a variety of perspectives.

28. Bangtopgifmaybe.gif julia wolfe Born in Philadelphia, julia wolfe's music has been performed by a prestigiouscast of characters San Francisco Symphony, Bang on a Can AllStars http://www.bangonacan.org/adsjulia.html

About Bang on a Can Michael Gordon David Lang Julia Wolfe ... Home Julia Wolfe Born in Philadelphia, Julia Wolfe's music has been performed by a prestigious cast of characters: San Francisco Symphony, Bang on a Can All-Stars, American Composers Orchestra, Piano Circus, Newband, the California EAR Unit, Margaret Leng Tan, Orkest de Volharding, the Cassatt Quartet, the Lark Quartet and Le Nouvel Ensemble Moderne. Crossing over into the worlds of theater and dance, her works have been choreographed by Eliot Feld, Doug Varone, and the Dusseldorf Ballet; she also composed music for Anna Deveare Smith's most recent play House Arrest . She was recently awarded a 1999 Academy Award by the American Academy for the Arts and Letters. Julia Wolfe's appetite for music is wide-ranging and voracious: her enthusiasm for late Beethoven rivaled only by her passion for Led Zeppelin, or perhaps her love of traditional American folk music. These influences and many others can be heard subtly but clearly in her work, yet in no way is her work a pastiche of styles. What then marks Julia Wolfe's musical 'style'? There is not any single identifiable element but, rather, a focus on the act of making sound; sound not for its own sake but as a product of human endeavor, as a beautiful and powerful abstraction that people create, contemplate, imbue with and derive meaning from. Sound is for Julia Wolfe a metaphor for human activity in general, and she approaches it with care and attention to detail that is both masterful and highly respectful.

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30. Julia Wolfe - Arsenal Of Democracy - POINT Music julia wolfe (from the liner note). Real Audio Listen to an audio excerptof Arsenal of Democracy available on POINT music. POINT music. http://www.deccaclassics.com/archive/www.pointmusic.com/454054.htm

It's so great to write music - like singing a thousand times over, like building bridges, like bicycling. Composing is an activity that's full of everything you've ever experienced. It can be so focused and maniacal and at the same time endlessly expansive. I started to write music as a teenager - folk songs on guitar. Then in college I played African drums, mountain dulcimer, the bones, harmonica, and flute. I picked up the piano again. What grabbed my spirit about writing music was the amazing combination of the physicality of making it, the poetry, the ideas ... Julia Wolfe (from the liner note). Listen to an audio excerpt of "Arsenal of Democracy" available on POINT music.

31. Julia Wolfe | Classical.mysic.com music books movies games electronics photo computer classical julia wolfe in us julia wolfe in france, julia wolfe. http://classical.mysic.com/Julia_Wolfe.html

music books movies games ... software JULIA WOLFE webpage is loading, please wait ... AMAZON.com CATALOG CLASSICAL CATEGORIES SEARCH Julia Wolfe: The String Quartets Julia Wolfe Ethel Cassatt String Quartet Lark Quartet Categories : Classical Bang on a Can Classics David Lang Julia Wolfe Annie Gosfield Evan Ziporyn Lois V. Vierk ... Michael Zev Gordon Categories : Classical Works of Miller and Daughterty Edward J. Miller Michael Daugherty Gregory Fulkerson Lawrence McDonald Kristin Wolfe ... Julia Bogorad Categories : Classical Lost Objects Michael/ Lang, David/ Wolfe, Julia Gordon Annoying/Beautiful Dreadful and dull. buy some earlier Michael Gordon instead. An album worth listening to Andrew Watts Claudia Barainsky Daniel Taylor Cassatt Tina Davidson Julia Wolfe Andrew Waggoner Eleanor Hovda Daniel S. Godfrey ... Muneko Otani Arsenal of Democracy Julia Wolfe Count John McCormack-The Final Recordings Lilian Ray A valuable collection. A good sampling of the last days of an inimitable artist. Thomas (ii) Moore Ellen Wright Anonymous Samuel Coleridge-Taylor ... biographies All Classical : CD reviews All Classical : Classical.net : Andante.com :

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33. Julia Wolfe- John Zorn Quartet Cycle At Miller Theatre julia wolfe John Zorn Quartet Cycle at Miller Theatre, Venue Miller Theatre.Performer julia wolfe- John Zorn Quartet Cycle (alto saxophone). http://www.gothamjazz.com/events/7983/

Sunday, March 23, 2003 March 2003 Sun Mon Tue Wed Thu Fri Sat Keyword Search Advanced Search Resources GothamJazz Home Mission Statement NYC Jazz News NYC Jazz Clubs ... User Login GothamJazz Newsletter Subscribe Unsubscribe Julia Wolfe- John Zorn Quartet Cycle at Miller Theatre Venue: Miller Theatre Performer: Julia Wolfe- John Zorn Quartet Cycle (alto saxophone) Personnel: members of Ethel Date: Thursday, February 6, 2003 Price: Set Time: Login or Register as a new user to add this performer to your alert list. Email this event to a friend. There are no ratings for this event. Login to add an event rating or register as a new user. Please direct comments and questions about this web site to the GothamJazz Webmaster.

34. Ethel Performs Julia Wolfe's Music This Thursday At The Mill - Www.ezboard.com Gold Community noiseboard433 experimental music EthelPerforms julia wolfe's Music This Thursday at the Mill, http://pub61.ezboard.com/fnoiseboard433frm2.showMessage?topicID=128.topic

35. Susan Wolfe Books. wolfe, Susan, and julia Penelope, eds. Sexual Practice, Textual Theory LesbianCultural Criticism. Chapters in books. wolfe, Susan, and julia Penelope. http://www.usd.edu/engl/Faculty/wolfe.html

Susan Wolfe Acting Dean, College of Arts and Sciences; Professor, English Department, USD Fall 2001 Office Hours: To be announced. Office: Arts and Sciences #101 Tele. 605-677-5221 E-mail swolfe@usd.edu Academic Specialties: Teaches linguistics and gender studies and does research in both areas. Some of the courses that Dr. Wolfe has taught at USD: ENGL 793 Seminar in Selected Topics. Rotating topics have included Adrienne Rich; Emily Dickinson; Women Writers of the Left Bank; the Expatriate Experience. LING 790 Seminar in Language Studies. Rotating topics have included Political Uses of Language; Sex as a Sociolinguistic Variable; Linguistics and Literary Style; TESOL Theory and Methodology; Philosophy of Language; Indo-European. ENGL 770 Gender Studies ENGL 708 Practicum in English ENGL 495/695 English Workshop. Rotating topics have included Report Writing; Stylistics; Historical Linguistics; TESOL Theory and Methodology. LING 443/643 History of the English Language LING 403/603 Introduction to Linguistic Science Education: Ph.D. SUNY-Stony Brook

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