Geometry.Net - Philosophers: Cixous Helene

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.66. Joissance see cixous, helene; Irigaray, Luce; Feminist.
http://www.libreriapaidos.com/resulta.asp?criterio=autor&texto=CIXOUS, HELENE
Untitled
helene cixous chronicles the right of the other to write and to write from oneself.She writes cixous, helene. Coming to Writing and Other Essays, Harvard.
http://www.nau.edu/~wst/access/bigfullsyllabi/phi362s96.html

Extractions: Prerequisites There are no formal prerequisites for this course. I would prefer that the student has had either one previous philosophy course, or, one previous women studies course, or one political theory course. If you have not had one of these courses (or something like them), you may want to talk with me to make sure that this is the right class for you. This class is divided into three sections: Philosophy, The End of Philosophy?, and, Writing Ourselves. Philosophy . In her An Ethics of Sexual Difference , Luce Irigaray performs a constructive critique of Plato, Aristotle, Descartes, Spinoza, Merleau-Ponty and Levinas. We will read Irigaray's text. We will also read the relevant excerpts from the ancient and moderns philosophers noted. (We will not read Merleau Ponty and Levinas but I will try to fill in sufficient detail.) End of Philosophy?
NAU Women's Studies Program
cixous, helene (1978) Coming To Writing. Cambridge Harvard University Press. cixous,helene and Mirelle CalleGruber (1997) Rootprints. New York Routledge.
http://www.nau.edu/~wst/access/glossary/Sources.htm

Extractions: External Reviewer ... WST Home: Binary Concepts in Feminist Theories Megan Blake Northern Arizona University Sources Bigwood, Carol (1993) "Renaturalizing Gender" in Earth Muse . Philadelphia: Temple University Press Butler, Judith (1991) Gender Trouble . New York: Routledge Butler, Judith (1993) Bodies That Matter . New York: Routledge Cixous, Helene (1978) Coming To Writing . Cambridge: Harvard University Press Cixous, Helene and Mirelle Calle-Gruber (1997) Rootprints. New York: Routledge Daly, Mary (1978) Gyn/Ecology: The Metaethics of Radical Feminism . Boston: Beacon Press. de Beauvoir, Simone (1957) The Second Sex . New York: Alfred A Knopf. Firestone, Shulamith (1970)
2130 - Cixous - Draft.wpd
X changes simultaneity of discourse in the poetics of helene cixous' TheLaugh of the Medusa . mm cross, 2001. Works Cited. cixous, helene.
http://www.student.yorku.ca/~yu249566/cixous.htm

Extractions: Helene Cixous' "The Laugh of the Medusa" mm cross The subgenre of poetics known as feminist poetics emerged predominantly during the women's liberation movements of the 1960's and 1970's. Developing feminist literary theories (based on readings) and poetics (based on writings), the theorists take on ideas about writing that have concerned poetic theorists for centuries, such as inspiration, subject matter and the authorial voice, as well as new ideas developed in the modern era, such as the role of the body or of politics in writing. Feminist poetic theorists address these topics within the tradition of poetics, basing their ideas about writing within a fundamental challenge to the patriarchal ideas and structures of literature and literary theory. They accomplish this from a position of otherness as women, who have not traditionally been included in the discourse of poetics. Such a position of otherness, however, is not used as a way to disaffiliate feminist poetics from the whole of poetics; neither is it safe to assume that otherness is not apparent within feminist poetics. Balancing discourses of difference (dialogics) with discourses of commonality (dialectics) is what the black feminist critic Mae Gwendolyn Henderson terms as 'simultaneity of discourse' (258), and this is an important and apparent feature of feminist poetics. As this essay will demonstrate, the feminist poetic theorist Helene Cixous is clearly engaged in a simultaneity of discourse with three contemporary poetic theorists through her essay, "The Laugh of the Medusa": Italian Futurist writer F.T. Marinetti, embodied poetics theorist Charles Olson, and fellow feminist theorist Mae Gwendolyn Henderson.
Monstrous Feminine In Literature & Art
Laugh of Medusaclick on all 9 icons for 9 themes developed by cixous; helene cixousThe Laugh of Medusahelpful summary of certain aspects of cixous; see
http://faculty.pittstate.edu/~knichols/monster.html
GoHastings.com Artist
Including Section 16 Reports. helene cixous. helene cixous, Rootprints helene cixous/ Hardcover Library Binding Our Price $64.00 Add to wishlist . . .
http://www.gohastings.com/catalog/artist/artist.asp?Ctrb_Id=15444055
Feminism And The Muse
Feminism and the racial question Black women's poetry. Special emphasis on thetheories of helene cixous, Luce Irigary, Adrienne Rich. cixous, helene.
http://www.salzburgseminar.org/ASC/csacl/progs/amlit/poetry.htm

Extractions: (l-r) Zsuzsa Fulop, Manju Jaidka C ontents Introduction Outline and texts to be used Select Bibliography Introduction This survey of women's poetry seeks to distinguish between women's discourse and that of men, focusing on the feminine consciousness in poetry, and feminine attitudes in general, as contrasted to men's poetry. It is based on the premise that women's poetry speaks a language different from that written by male poets. It begins with the legacy of the nineteenth century handed down by poets like Christina Rossetti, Emily Dickinson, and Elizabeth Barrett Browning to their twentieth-century counterparts. It involves a detailed study of poets like Marianne Moore, Hilda Doolittle, Adrienne Rich, Sylvia Plath, Anne Sexton, Gwendolyn Brooks and Audre Lorde, establishing links between their works and attitudes. A cross-cultural perspective is given through a comparative analysis of Stevie Smith, Kamla Das, Anna Akhmatova, Marina Cvetayeva, Gabriella Mistral, and Margaret Atwood. Women's poetry, when treated as a gender-specific cultural artifact, involves a scrutiny of the power-relations at work in a given culture, the way they operate and the way women women poets, in particular react to them. The proposed course of study seeks to establish the necessity and inevitability of breaking the hegemony of male dominance and the emergence of a new lexicon of love and sexuality among women poets of the twentieth century. There is a palpable attempt to reject the inscription of feminine identity in terms of discourse that treats woman as a mere appendage to the male definition of the self.
Appel Par Hélène Cixous
Translate this page CNESER, Chers collegues, Nous vous demandons instamment de ne pas detruire le DEAd'Etudes Feminines de l'Universite de Paris VIII, dirige par helene cixous.
http://128.172.170.24/wif/Cixous.html

Extractions: Je viens de recevoir un appel urgent de H. Cixous, Centre d'etudes feminines de Paris VIII. Leur programme est menace tres serieusement encore une fois. il faut envoyer le plus de fax possibles avant le 15 avril (lundi!). J'en ai envoye un hier au nom de tous nos membres mais il est imperatif qu'elles recoivent le plus de signatures possibles pour faire le poids. Voici le texte suggere par Cixous Monsieur le Ministre de l'Education Nationale, Prisident du CNESER, Chers collegues, Nous vous demandons instamment de ne pas detruire le D.E.A d'Etudes Feminines de l'Universite de Paris VIII, dirige par Helene Cixous. Notre communaute scientifique a besoin que la recherche menee depuis 22 ans au sein de cette formation, pionniere dans son domaine, puisse de poursuivre. Nous avons/j'ai participe et tenons/tiens encore a participer a la recherche menee dans les seminaires de doctorat animes par les membres de la formation doctorale en Etudes Feminines. Si vous n'etes pas d'accord avec la formulation de la derniere ligne, je propose: NOus avons/ j'ai enormement profite des recherches menes ..... Ce n'est pas ma traduction, mais elle m'a ete fournie par la lettre de Cixous. J'ai aussi la copie de la lettre que leur groupe a envoye au CNESER. C'est long, mais je peux en envoyer une copie a qui le desire.
Alphamusic - ?Coming To
Translate this page Februar 2003. cixous, helene Jenson, Deborah ßComing to Writingß and OtherEssays Buch Harvard University Press Bestell-Nr. 0-674-14437-6 18.05 EUR.
http://www.alphamusicshop.de/376/0674144376.html

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Presidential Lectures Hélène Cixous Essays Conley
Lecturers Hélène cixous Home Hélène cixous Commentary HÉLÈNE cixous(1937 ) Hélène cixous was born on June 5, 1937, in Oran, Algeria.
http://prelectur.stanford.edu/lecturers/cixous/conley.html

Extractions: By Verena Andermatt Conley Antony and Cleopatra and The Tempest , with their scenes of transformations between man and woman, father and daughter, marked her. Cixous went to study in France and began her career as an academic. In 1959, at the age of twenty-two, she passed the prestigious in English. She married and had two children, a daughter and a son, born in 1959 and 1962. In 1962 she became assistante at the Sorbonne from 1965 to 1967 and was appointed at Nanterre in 1967. Also in 1967 she published her first text, (God's First Name). In 1968 she became . She was appointed , which soon became a forum for new ways of reading texts on both sides of the Atlantic. As a university professor, Cixous published her thesis, L'Exil de James Joyce ou 1' art du remplacement (1968; translated as The Exile of James Joyce , 1972). Also in 1969, Cixous published her novel Dedans (1975; translated as The Newly Born Woman MAJOR THEMES Tel Quel and wrote her thesis on James Joyce. Cixous never hid her ambivalence toward Joyce. On the one hand, she was interested in his techniques, his belief that transformations of linguistic structures would alter mental structures, and his awareness of ideological and political manipulations through language. On the other, she always marked her distance from a writing caught up in guilt and the anguish of paradox. Though Joyce influenced her work through his insistence on the necessity to create new languages, on musicalizing literature and joining body and spirit, she criticized him for his creative paradox: for Joyce, one must lose in order to have. In other words, one must kill in order to live, and the movement to life starts with a killing of the other, with death and with guilt. This concept differs significantly from Cixous's recognition that even though loss and death are inevitable and indeed necessary for life, the emphasis must be on life.
Gender Theory/Practice/Poly-ticks
http://www.cwrl.utexas.edu/~davis/fem.htm

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